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Lot 129
After Francois Girardon (1628-1715), a bronze group of Apollo tended by the Nymphs, modern, with marble base, 27cm high; a bronze of Napoleon on horseback after Antonin Mercie, modern, with marble base, 26cm high; a small bronze figure in the Etruscan manner, 20th century; a resin model of a WW1 soldier; and a seashell mounted on a plinth
Lot 43
An English porcelain campagna urn, circa 1820, painted with two classical scenes reserved on a gilt ground, and with two lion mask handles, the urn 21cm high, drilled and later adapted for electricity and mounted on a black plinth base, 37cm high including fitment, together with an English porcelain two-handled 'Rococo revival' vase painted with a landscape and roses, 30cm high, fitted for electricity as a lamp, and Chinese yellow glazed Buddhistic lion, 32cm high, fitted as a lamp (3)
Lot 220
A good replica 17th Century style breastplate, of one piece construction with flared skirt, turned neck and arm apertures, and raised medial ridge terminating in a drawn out point, together with its companion backplate, together with various pieces of replica armour to include a close helmet, a pair of gauntlets, two further single gauntlets and a miniature tin armour on plinth. (Parcel)
Lot 3492
A large decorative pair of circa 1900 Indian carved wood and polychrome painted models of caparisoned horses, each in standing pose and with ornamental harnesses and trappings, each raised on hessian covered rectangular plinth bases on painted bun feet (some losses to painted decoration), gross h.73cm, w.52cm
Lot 3596
A 19th century French gilt metal and porcelain inset mantel clock, the whole surmounted with a cherub above a Sèvres style porcelain dial and panels, twin winding holes for a brass eight day cylinder movement, having outside count-wheel and striking on a bell, h.36cm, the whole raised on giltwood and gesso plinth
Lot 266
Michael Gillespie (1929-2012) Girl (Sunflower), abstract and slender bronze sculpture, raised over a black slate plinth, signed 'MGN 4/10', 24.5 cm Remembered as a fine bronze-caster, during his career Michael Gillespie worked for Jacob Epstein to produce numerous bronze heads and also for Elisabeth Frink, who called him the 'best bronze caster in England'. In 1969 he wrote Studio Bronze Casting with John W Mills, and in 1979 Frink arranged that Mike should cast a copy of the great bronze sanctuary knocker on the door of Durham Cathedral. Born in London, Gillespie was educated at St Paul's school and Hammersmith College of Art (1952-56). Gillespie's sculpture was often abstract, dealing with balance and weight in a way that implied a sensation of imminent movement.
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