SIR GEORGE JAMES FRAMPTON R.A. (BRITISH, 1860-1928) A BRONZE PORTRAIT BUST OF QUEEN MARY The back of the bust signed and dated 'GEO. FRAMPTON. R. A. 1913', the tapered marble column base with Royal cypher 'MR' 54cm high overall Provenance: The Forbes Collection, Old Battersea House, London Their sale, Lyon and Turnbull, Edinburgh, 1st November 2011, lot 281 Condition Report: Marks, knocks, scratches, abrasions consistent with age and useThe bronze and base are firmly attached to eachother and solid and stable overallThe bronze bust with some verdigris and other deposits to the surfaceThe column with some knocks, scratches, chips, losses, minor nibbles to the foot and extremities - there are also three larger losses, one to the rear plinth, and two to the upper edge where it meets the bust. There are also some natural faults due to the organic nature of the materialSome dirt and discolouration to the gilt mounts, one element at the lower plinth is partly loose but is in place at time of reportThere is old baize to the undersideThe cypher appears crisp Please refer to additional images for visual reference to conditionCondition Report Disclaimer
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ALEXANDRE KELETY (HUNGARIAN, ACTIVE 1918-1940), A COLD PAINTED BRONZE FIGURE 'LABOUR' CIRCA 1930 With cast signature 'Kelety', on a black marble plinth base 34cm high, the base 47cm wide, 15.5cm deep Provenance: Christie's, Interiors, 6th September 2011, Lot 407.Condition Report: Marks, knocks, scratches, abrasions consistent with age and useOverall solid and stable, the model firmly affixed on the baseThe verdigris type patina appears to be by design and is overall in keeping with the appearance of the subjectThe marble base has the usual chips and losses to the edges and extremities, one larger chip to one rear corner and lower edgeOld label to the underside 'Shouteria Gabrial GAY' Please refer to additional images for visual reference to condition Condition Report Disclaimer
AN EMPIRE MAHOGANY AND GILT METAL MOUNTED MANTEL CLOCK BY SIROST, PARIS, EARLY 19TH CENTURY The dial signed 'Sirost à Paris', on a black marble plinth base 31cm high, 18.5cm wide, 18.5cm deep Condition Report: Movement is in relatively clean working condition and appears free form alteration or noticeable replacements. A gentle clean/service is advised if intending to have the clock running on a daily basis. The dial has slight concentric scratching within the inner track line of the chapter ring between the 11 and 12 numerals - this can only be seen on very close examination otherwise dial appears to be free form visible faults.The case has veneer patch repairs to the front leading left hand corner in front of the sphinx. The rear left hand corner has a small chip and slight splitting to the veneer. Otherwise wooden elements are in good original condition with faults limited to minor bumps, scuffs and wear. The colour is a little uneven/faded. The sphinx mounts each have noticeable patches of discoloration and the black marble platform base has historic edge wear/chipping as is a little uneven in its colour and finish.Clock is complete with pendulum and a winding key. Condition Report Disclaimer
AFTER GIAN LORENZO BERNINI (ITALIAN, 1598-1680) A BRONZE FIGURE OF DAVID PROBABLY ITALIAN, 18TH CENTURY The rear of the base signed with monogram 'LD' 41cm high, 26cm wide, 18cm deep overall Condition Report: Marks, knocks, scratches, abrasions consistent with age and useThere is an indentation to his right hand near the thumb, it would appear to be a small loss where the end of the sling would have protrudedThis would appear to have sat on a plinth base (probably marble) there are screw holes to the underside of the metal base where this would have been bolted beforeOverall with a dark patina overall Please refer to additional images for visual reference to condition Condition Report Disclaimer
A BRONZE PORTRAIT BUST OF ROBESPIERRE FRENCH, 19TH CENTURY Mounted on a white marble column and bronze plinth base 27.5cm high, base 10cm wide Condition Report: There are marks, scratches, knocks and scuffs consistent with age and use.Observations include: the patination is dark of gun metal hue; the patination is worn leaving vestiges of darker patination to some areas; there is a bronze collar to the base of the marble column that has a fractured crack; the marble is discoloured, aged, scratched and with chips and knocks including to the raised edges; some knocks to the edges of the square bronze base.Please see the additional photographs as a visual reference of condition.Condition Report Disclaimer
An associated suite of dining furniture, originally purchased for Harrods, comprising a continental cream and gilt painted side cabinet, the top with a moulded edge above a plain frieze applied with acanthus carving and three panelled doors each flanked by reeded pilasters with Corinthian capitals, on an inverted breakfront base. 89cm high x 175 wide x 56cm deep, a Continental marble effect dining table, the oval glass top with a bevel edge on elaborate Italianate support with cornucopia shaped parcel gilt supports and urn centre, on a rectangular plinth, retailed by Harrods, 76cm high, 190cm wide, 108cm wide, a French walnut writing table, the top with a brown leather inset above a shaped frieze, lacking drawers, on cabriole legs, 198cm wide, together with six chairs.
A late 19th/early 20thC walnut and figured walnut bedroom suite, comprising triple wardrobe with scroll carved detail, two bevelled mirror plates enclosing drawers, on a shaped plinth, 212cm high, 168cm wide, a dressing table with a bevelled plate, the top with an arrangement of small trinket drawers and a recess, the stepped base with four short and two long drawers, on turned legs with castors, 120cm wide, and a marble top washstand with shaped crest, three drawers and a panelled door, on turned legs with castors, maker's name to wardrobe for Henry Barker Ltd Cabinet Maker and Upholster Nottingham.
A pair of late 19th century French spelter figural lampsthe cherubs holding birds and on naturalistic bases and red marble stepped plinths, on four beaded cabriole legs, bases signed, 'E Rousseau', (2)to top of lamp height 50cmCondition:The plinth bases formerly with plaques. Overall in good order.
Two 19th century large Minton Parian groups, "Ariadne and the Panther" and "Una & the Lion" first c.1850 after Dannecker, impressed mark, incised numbers, 7.52 No 163 second "Ariadne and the Panther" after John Bell, bearing applied John Bell lozenge and registration kite mark with date code for 1871, impressed Minton, (2)First height 37cm, length 30cm.Condition:The first base has been broken into several pieces and restored. Chip to right hand rear corner. Small loss to break to front of plinth base. Loss to right foot - big toe and side of foot absent.The second has had its head detached and repaired, as has the right arm. Right foot has a loss, and has been restored.
A late 19th century Copeland Parian bust of Sir Titus Salt (1803-76) c.1880impressed verso John Adams-Acton Fecit and pubd By J.Rhodes. 1877, Copeland Y 77 Copyright Reserved, on associated ebonised wood plinth base height 37 cm.Condition:Overall fair condition. Small filled crack to left jacket lapel. Some rubbing/ fading to sides of ebonised plinth. Visible postcode written to reverse of plinth base
A near pair of Chinese blue and white and copper underglaze vases, late 19th/early 20th centuryof triple gourd form, the pomegranate form centre sections with bats, raised on rectangular plinth bases, one vase restored, (2)height 42cm Condition:One vase has been broken in two around its centre and the vase has been restored, but not professionally restored. It has chip to its lip.The other vase leans slightly to the left. It has a broken leaf end to its upper collar and has minor chips to the blue edges of the outer wings of the bat motif, on both sides of the vase.
A WALNUT FIVE DOOR WARDROBE OF 17TH CENTURY ITALIAN STYLE304cm wide; 68cm deep; 210cm highCondition report: Please see extra images of the interior. Loose boards and panels. One extra shelf. Jar of screws containing two keys. Cornice also comes apart and probably the plinth base. Numerous obvious inevitable scuffs, scratches, dents, small chips and marks commensurate with wear, use and age.Central door escutcheon loose.
A MONTH-GOING SEAWEED MARQUETRY WALNUT LONGCASE CLOCKThe movement by Jonathan Lowndes, London, early 18th century and laterThe stepped domed hood with pierced sound frets above three-quarter columns, glazed hinged door and glazed sides, above panel door and stepped base, the sides with chequer inlay; the 12in square brass dial, cherub and crown spandrels, signed silvered chapter ring, seconds subsidiary, calendar aperture and harboured winding holes, the twin train movement with six ringed and finned pillars, anchor escapement and inside countwheel strike on a bell, case and movement possibly associated 236cm highJonathan Lowndes, recorded by Loomes as working 'At the dial in Pall Mall', 1680 to 1710.With two gilt-painted cast-iron weights, a modern winding key, brass bob pendulum.The movement: the dial and movement are in good original condition. It will require a service as the plates are dirty and the oil sinks show old oil now darkening. Seatboard is a replacement. It is 32mm thick in oak.The case: this has been subject to restoration in the past. The backboard is 95% complete. Overall it has been repolished and little of the original patina remains. Some reveneering. Cheeks reduced slightly. Incorrect use of a polish to the internal carcass. Door hinges replaced. Long lateral carcass crack to panel door on right-hand edge. Cleat shrinkage damage at top and bottom with each area having replaced veneer panel which is decorated to match the marquetry. Unusually the original oval cut-out for the glass has been removed and an oak panel of matching grain has been inset, whilst the front side has an oval marquetry inlay which is a very close match to the rest of the door. It was well done and appears very old work. Marquetry base plinth has a lateral crack. Plinth moulding is not original nor are bun feet. Overall losses and repairs to veneers and marquetry.
A WALNUT, SEAWEED MARQUETRY STRIKING LONGCASE CLOCKThe dial inscribed Robert Sly, King Street, Westminster, early 18th century and laterThe hood with later swan-neck pediment above a square glazed panel door, flanked by fluted columns and Corinthian capitals, above a panelled door inlaid with three outlined marquetry panels, on a stepped base with marquetry on moulded base; the 12in square brass dial, with crown and twin cherub spandrels, silvered chapter ring, enclosing a matted centre with seconds subsidiary, the twin train movement with four knopped and finned pillars, with anchor escapement and strike on a bell (movement and case associated, case substantially restored and with altered elements, the chapter ring associated)238 cm high overallProvenanceChristie’s, London, 6 December 2006, lot 75.Robert Sly is recorded as apprenticed in 1707 and as a member of the Clockmakers' Company in 1720. He was working in King Street, Westminster. 1 pendulum. 2 winding keys. 1 case key. The clock has been subject to ‘restoration’ in the past. This would benefit possibly from some consolidation: however, it’s very much subject to personal preference.Taking the clock from the top:The swan-neck decoration to the hood is later, as is the rectangular marquetry panel between the glazed door and pediment. The walnut fillets to the dial edge are probably replaced if one considers the movement associated. A piece of veneer from the lower right side of the hood is loose, also other veneer losses to the left side. The pillars and capitals to the door are not period. The cheeks do not seem reduced. There is a badly filled carcass crack to the marquetry above the panel door, also some associated damage to the left and right side panels. The marquetry door has a filled repair to the top and the bottom which is due to the door cleats drying. The hinges are replaced and should be iron. Both sides are likely to have been reveneered. The backboard runs complete to around 12in from the floor with another old board filling most of the remainder, with the grain running horizontally. The back of the backboard has had a wash put on it. From the rear, the construction and mouldings look period. The plinth side veneers look old. The 5/8in. slip at the base is later. The movement is rack striking with four turned pillars. It appears in good order. There are two filled holes and a vacant hole visible to the back of the dial which evidences the chapter ring being changed. The present chapter ring does not cover the dial maker’s score line. The spandrels have been changed and previous drilled holes for these are filled and re-drilled. It appears to be be clean and well cared for: however, we would suggest a service. The seatboard is oak but not the original. An interesting Camerer Cuss label fixed to it is dated 1964.
A GEORGE I WALNUT STRIKING LONGCASE CLOCKThe movement by Daniel Quare, London, the case early 18th century and laterThe hood with caddy top and brass finials, above a fret panel and moulded pediment, with glazed square door, flanked by brass-capped three-quarter columns, the sides each with a glazed panel and quarter-cut column, above the trunk with rectangular panel door, on stepped plinth base; the 11 ½ in. square brass dial with crown and cherub spandrels, silvered chapter ring, enclosing the matted centre with seconds subsidiary, harboured winding and calendar apertures, the movement with five knopped, ringed and finned pillars, anchor escapement and internal countwheel strike on a bell, the case with restoration and replacement, case and movement possibly associated246cm highPROVENANCE: Bonhams, London, 9 July 2014, lot 55.Daniel Quare (d. 1724), one of England's greatest clockmakers from the 'golden era' of English Clockmaking. George I offered him the post of the King's watchmaker; however his Quaker faith made him unable to swear an oath of alligence. Nevertheless the King told him that he could visit at any time, so his nickname 'Quare of the back stairs' was coined as the Yeoman of the Guard were instructed that he could only use the back stairs.His commercial success can be measured in part from the guest list of his daughter, Anne's wedding, which included envoys from many of the Royal houses of Europe.The case has been subject to restoration. It is repolished. The upper part of the hood may have some reconstruction which is well done. The frets are replaced. The door hinges have modern screws. The hinges are likely replacements, of the correct type. Old screw holes for each butt on the inner edge of trunk. The plinth has been rebuilt. The backboard has a replacement part at this point. Possibly moulding around the trunk door is replaced. The movement is dirty and will require a full service.There are two brass bound weights and the pendulum.
A REGENCY MAHOGANY, OUTLINED AND MARQUETRY INLAID DOMESTIC REGULATORBy Robert Roskell, Liverpool, No 772, circa 1820The hood with a break arch above circular glazed door, marquetry lower spandrels, flanked by canted angles and with cut brass side grille panels, the trunk inset with a rectangular glazed panel door, stamped to the bottom inner edge FROM WILLIAMSON & SONS GUILDFORD, the base with a panelled well-figured plinth, canted angles and plinth foot, the 14in circular silvered dial, signed Robt Roskell, Liverpool, No 772, with seconds subsidiary below the XII, the substantial twin train movement with four turned pillars, rack strike on the hour on four bells, deadbeat escapement with beat adjustment to the crutch and, unusually, with flat steel chains for the weight suspension lines221cm highPROVENANCE: The Waterhouse Collection Please see the scanned image of a watercolour (not included), dated 1872, from the Waterhouse family archive, depicting this clock in Alfred Waterhouse's home at Fox Hill, Reading. By repute, this came from his family who originated in Everton, Liverpool, possibly purchased by the architect's father, also Alfred Waterhouse (1798-1873) or grandfather Nicholas Waterhouse of Everton (1764-1837). Please see the following story for further details: Autumn at Bellmans | The Waterhouse Family CollectionIn unrestored condition. With a winding crank key and two brass cased weights of differing style and sizes. Lacking its original pendulum, however there is a wood rod fluted and gilt decorated pendulum rod and brass bob supplied but perhaps not original? Two pierced brass weight pulleys. The movement is unrestored and will require a service. The case is in original condition. There are three pieces of moulding to the right side loose, and here in a box, however two pieces are each missing some section. There is a lateral crack to the left side of the plinth. The trunk door lock is a modern replacement. The lower right veneer panel of the base is loose and has a small chip. Marks and knocks as expected with age.
A REGENCY ORMOLU AND WHITE MARBLE MANTEL TIMEPIECECirca 1820The drum-shaped case with foliate mount, on scrolled support and rectangular plinth, on bun feet; the 3 1/2in circular enamel dial (restored) with pierced blued steel ‘moon hands’, drum-shaped chain fusée movement 19cm highOverall in good original condition. It has its pendulum. The dial has been restored at some point and the varnish is now slightly off white. It does also show a craqueleur finish. The movement will benefit from a service.
A WILLIAM IV MAHOGANY AND BRASS-MOUNTED STRIKING BRACKET CLOCKCirca 1830The lancet-shaped case with gadrooned pediment and a finial, above 8 1/4in circular white painted convex dial with pierced blued steel hands, flanked by a cluster column to each side and with a brass tracery panel, on a stepped plinth with quarter-cut bobbin-turned moulding, on brass ball feet; the rectangular-shaped plates with engraved edge and twin train wire gut fusée movement with anchor escapement, striking on a bell with trip repeat, pendulum locking bracket59cm highIn good condition. The clock appears to have been recently cleaned and restored.
A LATE GEORGE III BRASS-MOUNTED MAHOGANY AND LINE-INLAID STRIKING BRACKET CLOCKBy Henry Ellis, Exeter, circa 1815The break-arch case with a brass carrying handle and single pad top, above convex glazed signed white-painted 8 1/2in dial with blued steel spade hands, a brass grille side panel to each side, on plinth base and bracket feet, the signed twin train wire gut fusée movement with strike on bell and trip repeat, anchor escapement and locking pendulum block 45 cm high (handle up)The clock is in very good original condition. The case is of a very good attractive colour. Original paint to dial with some marks as expected. The movement appears to have been cleaned recently. With its pendulum.It measures 17 inches high with the handle down, 11 1/2 inches wide, 7 inches deep
A GEORGE III MAHOGANY AND LINE-INLAID QUARTER CHIMING AND STRIKING BRACKET CLOCKBy James Powell, Worcester, circa 1810The break-arched case surmounted by a square-stepped top and three brass finials, above convex glass and 8in circular white-painted dial with pierced blued steel hands, the lower front inlaid with boxwood stringing and quatrefoils, between fluted quarter-columns, the sides each with a lion mask ring handle above grille panel, on stepped plinth and brass ball feet; the three train wire gut fusée movement, signed, chiming the quarters on a carillon of eight bells, and the hour on a single larger bell, the back plate with engraved edge and pendulum locking block59cm highWith its pendulum. The clock case has been repolished at some point. The dial paint is original but has some slight losses at four thirty, six to seven and nine o’clock. Some lifting veneer around the bezel lock. The sound frets on the top are replaced. A small veneer chip to the bottom front left corner. The movement has been cleaned in the past but appears in need of a service. The top pediment is loose and requires re-gluing. The seatboard is not screwed to the movement and these screws are missing. It also requires a support below it to take the weight of the movement which otherwise is supported by the two side screws through the case, with the weight resting on the dial in its opening. Provenance: Shakenhurst Hall, Cleobury Mortimer. For further information please refer to the Bellmans website article: https://www.bellmans.co.uk/story/bellmans-2
A LATE GEORGE III BRASS-MOUNTED MAHOGANY QUARTER CHIMING AND STRIKING BRACKET CLOCKBy Robert Roskell, Liverpool, circa 1815Ivory Declaration THZ42QA4The break-arch case with a single pad top, above glazed panel door, flanked to each side by a stop-fluted quarter-column, above a chevron moulded panel, the sides each with a lion mask ring handle and brass grille panel, on stepped plinth and hairy claw feet, the 8in arched white-painted dial, with strike / silent above the chapters, signed, with finely pierced blued steel hands, the substantial three train gut wire fusée movement signed ROBERT ROSKELL LIVERPOOL, with engraved backplate, locking pendulum block with knurled finger nut, anchor escapement, chiming the quarters on a carillon of eight bells and striking the hour on a larger single bell, with trip repeat53cm highProvenance: The Waterhouse Collection Please see the following story for further details: Autumn at Bellmans | The Waterhouse Family CollectionThis clock (along with the longcase domestic regulator, also by Roskell in this sale) will have come from his family who originated in Liverpool (Everton). His father, also Alfred Waterhouse - 1798-1873, his grandfather Nicholas Waterhouse of Everton 1764-1837. The clock is in good original condition. It has its pendulum and a steel key. The case is in very good condition and is of a fine colour. The dial has lost some paint over the chapters and minute ring and in the arch on the strike / silent. The movement looks to have been well cared for. It functions: however the chime is a bit sluggish. The oil sinks are dirty so it would be advisable to have it serviced.
A FINE GEORGE III BRASS-MOUNTED TRIPLE-PAD TOP EBONISED THREE-TRAIN QUARTER CHIMING AND STRIKING VERGE BRACKET CLOCK WITH PULL-REPEAT AND BRACKETBy James Tregent, London, circa 1790The break-arch case with triple-pad top, above arched glazed panel door, flanked by a reeded angel upright to each side, the sides each with a brass carrying handle above shaped silk-backed grille panels, on stepped plinth and brass ogee feet, the 8in arched brass dial with foliate cast spandrels, and a pair of enamel subsidiaries to the arch for CHIME /NOT CHIME and calibrated pendulum regulation, the circular enamel dial with five-minute outer ring and Roman chapters, signed TREGENT LONDON, with pierced brass hands, the three train gut fusée movement with foliate engraved backplate signed Jams Tregent London, verge escapement, chiming the quarters on a carillon of eight bells and with pull trip-repeat, together with a brass-mounted ebonised wall bracket of recent manufacture (2)41cm high the clock, the bracket 21cm highJames Tregent is recorded as a member of the Clockmakers Company 1781-1808. He was watchmaker to the Prince of Wales. In excellent overall condition. The clock has been well maintained and recently cleaned. It is working and the chime functions. Please note the bracket is modern.
SCOTTISH GEORGE III MAHOGANY LONGCASE CLOCK, JOHN MURDOCH, EDINBURGH 18TH CENTURY the swan neck pediment carved with flower heads and a central urn finial, above an engraved arched brass dial signed to the arch over Roman numerals and subsidiary seconds dial and date aperture, flanked by fluted columns with brass mounts above a shaped trunk door flanked by fluted quarter columns, on a plinth base with ogee bracket feet; the eight day movement striking a bellDimensions:53cm wide, 226cm high, 28cm deepNote: Note: The Edinburgh clockmaker John Murdoch was active from 1752-1775, having been apprenticed to Andrew Dickie. His son, also John, worked as his father's apprentice from 1767.
GEORGE III SCOTTISH MAHOGANY LONGCASE CLOCK, JAMES YOUNG, DUNDEE LATE 18TH CENTURY the hood with a swan neck pediment with brass roundels enclosing an arched brass dial with a silvered chapter ring and engraved centre with two winding holes and a subsidiary seconds and calendar dials, the arch with a signed boss and pierced spandrels, above a banded trunk door with urn marquetry flanked by quarter columns, on a moulded plinth base raised on bracket feet; the eight-day, twin chain movement striking a bellDimensions:211cm high, 46cm wide, 24cm deep
Y REGENCY ROSEWOOD SIDE CABINET EARLY 19TH CENTURY the superstructure on lion monopodia supports, above a frieze drawer and a pair of panelled doors flanked by Corinthian pilasters, on plinth baseDimensions:114cm wide, 119cm high, 51cm deepNote: Note: Please be aware that this lot contains material which may be subject to import/export restrictions, especially outside Great Britain, due to CITES regulations. Please note it is the buyer's sole responsibility to obtain any relevant export or import licence. For more information visit https://www.defra.gov.uk/ahvla-en/imports-exports/cites/
Y SCOTTISH REGENCY ROSEWOOD BRACKET CLOCK, ROBERT BRYSON, EDINBURGH EARLY 19TH CENTURY the signed 8-inch circular silvered dial with Roman numerals and two winding holes, the plain rectangulr case with a pediment top and plinth base, the twin-train movement striking the full hour on a bellDimensions:43cm high, 32cm wideNote: Note: Please be aware that this lot contains material which may be subject to import/export restrictions, especially outside the EU, due to CITES regulations. Please note it is the buyer's sole responsibility to obtain any relevant export or import licence. For more information visit https://www.defra.gov.uk/ahvla-en/imports-exports/cites/
WILLIAM IV MAHOGANY INVERTED BREAKFRONT BOOKCASE 19TH CENTURY the egg and dart moulded cornice above a frieze marked with carved flowerheads, above four glazed doors enclosing adjustable shelves; the low-waisted base with four moulded panel doors, on a plinth baseDimensions:299cm wide, 264cm high, 52cm deep
LATE GEORGE III SCOTTISH ADAM AND EVE AUTOMATA MAHOGANY LONGCASE CLOCK, WILLIAM BISSETT, DUNDEE EARLY 19TH CENTURY the moulded swan neck pediment with brass mounts above an arched painted Roman numeral dial, with subsidiary seconds dial and date aperture, the arch painted with Adam and Eve in the Garden, flanked by fluted columns, above a trunk with a crossbanded shaped door flanked by quarter-columns, on plinth base; the eight-day twin chain movement striking a bellDimensions:220cm high, 53cm wide, 25cm deepProvenance:Provenance: Careston Castle, Brechin, Angus
EDWARDIAN OAK AND BRASS LETTER BOX AND CLOCK EARLY 20TH CENTURY the arched top set with a clock with a cream enamel dial with Arabic numerals and gilt mask, with a single-train timepiece movement, above a brass flap marked LETTERS and door fitted with a glazed window with a collection time card, on a plinth baseDimensions:40cm high, 26cm wide, 20cm deep
FRENCH BLACK SLATE MANTEL CLOCK, RETAILED BY JAMES MUIRHEAD, PARIS MID 19TH CENTURY the white enamel Roman numeral dial with visible escapement and secondary seconds dial, signed JAMES MUIRHEAD/ PARIS, in a black slate cylinder case above a glazed plinth revealing a compensating pendulum, on a moulded base, the eight-day movement stamped 133 with bell strike, signed again on the backplate James Muirhead a Paris Dimensions:27cm wide, 47.5cm high, 14cm deepProvenance:Provenance: Careston Castle, Brechin, Angus
VICTORIAN OAK GOTHIC REVIVAL OPEN BOOKCASE 19TH CENTURY WITH LATER DECORATION in two parts, the upper section with a bracketed cornice and gallery shelf with later gilt letters 'NELSON, GILMOUR & CO. / Chartered Accountants' above open adjustable shelves with leather dusters; the base with six short drawers variously later labelled in gilt letters, on a plinth baseDimensions:190cm wide, 209cm high, 38cm deep
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