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Click here to subscribeRoyal Worcester Ltd and Numbered Edition Hand Painted Porcelain Figure, Made Exclusively For The Royal Worcester Collectors Society for 1999 Only ' Francesca ' Date 1998. Ltd to, 1999 Figures Produced, Designer Elizabeth Greenshields. Issued 1999 Only. Height 9 Inches - 22 cms. With Circular Wooden Plinth. 1st Quality / Mint Condition.
Dinky No. 100 Lady Penelope's Fab 1. Notable example is fluorescent pink with figures however missing missiles. Significance drawn to the authentic signature of the voice of Lady Penlope, Sylvia Anderson who has signed the box as shown. Provenance is supplied in the form of a photograph of Sylvia signing the item shown with a date and location stamp. The toy is supplied in late issue tall plinth and bubble packing. Generally excellent, the off chip and mark in very good to excellent box, the odd expected split to bubble etc. Rare.
Harold Parker - an early 20th century brown patinated cast bronze figure of a nude sleepwalking maiden, the base bearing cast signature, raised on a green serpentine plinth, height 67cm (repair to left wrist).Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
An Edwardian mahogany narrow chest of five graduated drawers, on a plinth base, height 101cm, width 60.5cm, depth 51cm.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
A late Victorian oak six-section library bookcase cabinet, the graduated top with a moulded pediment above arched and glazed doors, the base with cupboards, one enclosing drawers, on a plinth base, height 244cm, width 288cm, depth 54cm.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
A Georgian gold garnet and hairwork mourning locket, the front glazed with a scene of an urn upon a plinth flanked by two trees within a scrolling ribbon effect surround, mounted with garnets, the back glazed with a hairwork compartment, length 2.4cm.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
Japanese Photograph Album with Military Groups, very clear detail and what appears to be "punitive action" possibly China with seated prisoners in front of Japanese soldiers and another image on the same page showing piles of bodies with Japanese troops looking on. Also a strange large posed photograph of soldiers on a plinth and with "native" figures (Japanese in costumes) in the front! (see image, together with some photographs of single of small posed soldier groups, a number with Japanese captions c.50 in all,
A late Victorian pine washstand with marble top and tiled back 76 cm wide x 45 cm deep x 121 cm high and an Edwardian mahogany single door pot cupboard with three quarter galleried top on square tapered legs to spade feet 37 cm wide x 34 cm deep x 79 cm high, a pine dwarf cupboard of two doors on a plinth base 76 cm wide x 46 cm deep x 82 cm high and an Arts & Crafts style oak three quarter bedstead 140 cm wide and a modern oak effect open bookcase 60 cm wide x 35 cm deep x 185.5 cm high
CORNELIS DE MAN (1621-1706) & JACOB VAN SPREEUWEN (1611-c.1650/60) SELF PORTRAIT OF THE ARTIST AT AN EASEL IN A STUDIO, PAINTING ST JEROME IN THE WILDERNESS The central oil on panel by Van Spreeuwen, 34.5 x 28cm, within an associated trompe l'oeil cartouche panel depicting ten cherubs around a stone recess surmounted by a mask of the devil; a casket of jewellery, a pocket watch and a brush at the base, the right plinth with signature CMan f F and indistinct date 82.5 x 65cm. * The frame cartouche is uncharacteristic of De Man's work but a similar example, formerly with Bruno Meissner (Zurich, 1981), complements this picture and may be its pair. As putti are rare inclusions in his work, these illusionistic frames were probably specific commissions. A date of c.1665-1680 has been suggested. The attribution of the associated panel to van Spreeuwen is supported by similar images of St Jerome by the artist (eg Sothebys London, March 7th 2006, lot 26). In addition, the artist liked to depict a painter seated at an easel (eg Christies London, January 27th 2010, lot 343). A date of c.1650 is suggested. The debt to fellow Leiden artist Gerard Dou is evident. We are very grateful to Dr Fred Meijer for his considerable assistance with the cataloguing of this lot. ++ Scattered retouching; some thin glazes; dirty varnish
SEVRES TERRACOTTA GROUP probably second half of the 19thc, a large terracotta group of a courting couple, the lady with a basket of flowers by her feet. With encrusted flowers around the their feet and supported on a rocky effect base, with a velour covered wooden plinth. With impressed marks and signature (difficult to read) a Sevres 1760. 27cms high
A Victorian mahogany triple wardrobe, with a central arched mirror door flanked by plain moulded panel doors, with drawers to the centre, on a plinth base, 201cm high, 175cm wide, 61cm deep. Upon initial inspection breaks down into sections (three carcass sections, base and top). One hanging rail to the right and missing door handle. Left hand compartment missing bottom drawer and shelving.
A PAIR OF FRENCH GILT-METAL AND SEVRES-STYLE PORCELAIN SIX-LIGHT CANDELABRAEarly 20th CenturyEach modelled with a Bacchanalian cherub supporting four scroll branches issuing five lights, with urn nozzles, on a painted blue porcelain plinth, 55cm highCondition report:One swag detached but present, speckled loss of gilding throughout, blue paint rubbed and scratched in some areas, would benefit from professional cleaning and restoration.
GUSTAV H. EBERLEIN (1846-1926); A BRONZE FEMALE NUDE SCULPTURE OF ‘PYSCHE’Cast by the Gladenbeck Foundry, circa 1900Inscribed to the base, mounted on rouge griotte marble plinth base, 35cm highCondition report: Good order with rubbing to the patina. A small scratch to the inside of the knee. A few chips and scuffs to the edges of the base. Dirt and dust to the recesses, notably to some of the detail of hair and base.
MARCEL KLEINE; AN ART DECO PATINATED BRONZE SCULPTURE OF A NUDE FEMALE WITH A SERPENT,Circa 1930Inscribed to the base ‘Marcel Kleine Weimar’, mounted on a black marble plinth, 39cm highCondition report: Good condition overall.Some light rubbing to the patina, slight rubbing to headband of the figure which looks to have been gilt heighten rather than with a dark patina. Dirt and dust. Some minor scuffs and very small rough edges to the plinth base.
A GRAND TOUR BRONZE BUST OF A ROMAN SENATOR19th CenturyMounted on an associated alabaster plinth with Verona marble roundel, 35.5cm highCondition report: The bust is disconnected from the associated base. The base with various chips, knocks and losses, notably to the top left corner and bottom left. Dirt and dust.
A PAIR OF 19TH-CENTURY AND LATER MAHOGANY BOOKCASE CABINETS (2)Each with a pair of arch glazed doors over cupboards, on plinth base, 91cm wide; 35.5cm deep; 257cm highCondition report: Various chips, scuffs, knocks and minor shrinkage, including opening of joints, notably to the arched panel sections of the doors commensurate with age.Later locks and handles to the doors with scuffs, marks and dents in the handle area. Later green painted interior. Plinth base also a later replacement. A small crack to the top of the glass of one cabinet Various smaller areas of old filler to some blemishes and old stain in places One pediment restoredSee additional images on www.bellmans.co.ukEach bookcase has two shelves, they are modern and covered in green paper. Each bookcase is fixed and does not seperate for transport.
A French Grand Tour style bronze table lamp, 19th century, the column cast with scenes of animals hunting enclosing a central band of putti, raised on an ebonised plinth, lacks fitting, 46.5cm highCondition report: Base drilled with two square infilled section. Some losses to the ebonised finish. Lacks fittings
An oak eight day longcase clock, the arched silvered automaton dial engraved 'Matthews Leighton', striking the hour, with reeded columns to the hood and a plain case, 238cm highCondition report: Pendulum and weights, Case with splits and wear. Good overall colour. Height excluding finials – 225cm.The section where the seat board sits has been reinforced/altered, suggesting they movement is possibly associated with the clock. The trunk door is not warped. The base appears to have been cut down with a plinth added at a later stage. Please see additional images.
A pair of composite stone garden urns, late 20th century, in the Renaissance taste, each with relief-moulded lion mask detail and a waisted column, raised on a square plinth, 56cm diameter, 105cm highCondition report: General wear, weathering and dirt. One rim repaired. Chips, knocks and losses throughout. Bases with larger chips.
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