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Lot 1

A pair of electroplated Corinthian column table lamps on plinth bases 42cm high

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A mid 19th century mahogany pedestal sideboard with scrolled mirror back three frieze drawers and cupboards on plinth base 183cm wide

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A mahogany miniature Longcase Clock. Junghans. German. The 45mm diam dial with Arabic numerals and brass bezel, and with single train movement, the case with turned finials and arched pediment on brass pilasters, incorporating a green and white Jasperware panel below the dial and with stepped plinth on turned feet. 8.75in high

Lot 1

A stained beechwood miniature Longcase Clock. Hamburg American Clock Co., German. The 48mm diam dial with Arabic numerals and brass bezel and with single train movement, the case with brass finial architectural pediment, applied decorative panel below the dial and plinth with bracket feet. 11.5in high

Lot 1

A slate Mantel Timepiece. Ansonia. American. The 3.75in dial with Roman numerals, regulation square at XII and brass bezel and with single train movement, the case with architectural pediment surmounted by a Cupola, reeded columns and rectangular plinth. 15in high (with pendulum and key)

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A mahogany three train Mantel Clock. Kienzle. German. 20th Century. The 6.5in brass dial with silvered chapter ring, Arabic numerals, gilt matt centre and pierced gilt spandrels, the three train movement striking and chiming on five gongs, the case with broken arch pediment, on turned fluted pilasters, moulded plinth and turned feet. 18.5in high (with pendulum and key)

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A Slate Mantel Timepiece. French. Circa 1890. The 4in diam dial with black annular chapter ring, gilt Roman numerals, regulation square above XII and brass bezel and with single train movement, the case with shaped pediment on Corinthian pilasters, and gilt lined plinth. 10.5in high (with pendulum and key)

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A walnut Mantel Clock. Hamburg American Clock Co. No 3147. The 4in diam dial with annular chapter ring, Roman numerals and brass bezel, the two train movement striking on a gong, the case with moulded pediment, turned finial, applied pierced brass spandrels, moulded plinth, ring handles and brass ogee bracket feet. 16.5in high (with pendulum and key)

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A brass and ebonised Mystery Timepiece. Jean Michel, Paris. The 4.25in diam dial with gilt Roman numerals and brass bezel, signed as above on the bezel and with single train movement concealed in the ebonised box base, on moulded plinth. 9.75in high

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A slate and ebonised wood Mantel Clock. French. Late 19th Century. The 5.25in diam dial with gilt Roman numerals, gilt metal hands, regulation square above XII and gilt metal centre, the two train movement striking on a gong, the case with arched pediment, the frieze engraved with foliage and flower heads and repeated below the dial, on moulded plinth, 15in high (with pendulum)

Lot 1

An ebonised and brass inlaid small Bracket Clock. James Murray, Royal Exchange, London. The 3.25in diam enamelled dial with Roman numerals, blued steel hands, the hour hand with heart shaped terminal, signed as above in the centre and set in a gilt brass mask pierced overall with foliage and flower heads, the four pillar two train chain fusee movement with anchor escapement rack striking on a bell, and signed on the backplate 'James Murray, London', the case with pineapple finial sloping pagoda pediment, glazed side panels, apron inlaid with scrolling foliage, shallow plinth and brass bun feet. 10.75in high (with keys; pendulum with milled rating nut)

Lot 1

A stained Mantel Clock. Hamburg American Clock Co, German. The 6.5in square brass dial with Roman numerals and shield and scrollwork spandrels, the two train movement striking on a gong, the case with shaped pediment on twist turned pilasters and with moulded plinth. 17in high (with pendulum and key)

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A Slate and Marble Mantel Clock. Vincenti et Cie. French. The 5in diam dial with annular chapter ring, Roman numerals, regulation square above XII, visible Brocot escapement and brass bezel, the two train movement with outside countwheel, striking on a bell in fluted drum case on scrolling supports and rectangular plinth. 12in high. 21.5in long (with pendulum)

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A slate and marble Mantel Clock. French. 19th Century. The 3.5in diam dial with annular chapter ring, Roman numerals, regulation square above XII, blued steel 'moon' hands and visible Brocot escapement, the two train movement striking on a bell, in drum case, on shaped supports with plinth below. 10.25in high (with pendulum)

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A slate and marble Mantel Clock. Japy Fils, French. The 3.5in dial with Roman numerals, blued steel 'moon' hands and regulation square above XII, the two train movement with outside countwheel striking on a bell, the drum case on scrolling supports and plinth base. 8in high (lacks bell, minute hand and one marble mount)

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A mahogany striking and chiming Bracket Clock with Pull Repeat. Winterhalder & Hoffmeier The 6.5in rectangular brass dial with silvered chapter ring, Roman numerals, half hour markers, Arabic five minute intervals, signed on a plaque for the retailers, matt centre, regulation and Chime/Silent dials and pierced spandrels, the three train movement chiming on four gongs and striking on a larger gong and with pull repeat activating the last quarter and the last hour, the case with broken arch pediment, fluted pilasters, moulded plinth, bracket feet and pierced fret hinged side panels. 17.5in high (with pendulum and key)

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A chromium plated brass Lighthouse Timepiece. Bristol Goldsmith Alliance Coy. The 38mm diam dial signed as above, with Roman numerals and blued steel hands, the single train movement with duplex escapement, the case with domed top on four pillars to a square galleried platform on tapering column and square plinth. 9.5in high

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A marble and ormolu Mantel Clock. Samuel Marti. French. The 3.25in diam dial with Arabic numerals, regulation square above '12', pierced gilt hands and beaded bezel the two train movement with outside countwheel striking on a bell, in drum case, surmounted by a bird, foliage and flower heads on spreading support, rectangular plinth with acanthus leaf border and applied mount, on cast feet. 9.25in high (with pendulum and keys)

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A Gilt Spelter and Porcelain Mantel Clock. S Marti et Cie. French. The 3.5in dial with Roman numerals 'moon hands, and regulation square above XII, the two train movement with outside countwheel striking on a bell, in drum case, surmounted by an urn, on curving supports and breakfront plinth, incorporating porcelain panels and cast overall with leaves, foliage and flower heads, 13.75in high (with shaped giltwood stand, ebonised base, dome, pendulum and key)

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An oak and mahogany thirty hour Longcase Clock. The 12in square painted dial with Roman numerals, calendar aperture, pierced gilt metal hands, foliage and flower head spandrels, the centre painted with a young woman seated by a tree, a lake, parkland and a country house beyond, the four pillar chain driven two train movement with anchor escapement and outside countwheel, striking on a bell, the case with broken swans neck pediment on fluted pillars, long trunk door flanked by fluted pilasters and panelled plinth. 76.5in high (with pendulum, keys and weight)

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A mahogany Longcase Clock. Saml Granville, Devonport. The 12in broken arch brass dial signed in the centre as above, with Roman numerals, seconds dial and calendar aperture, the arch inscribed 'Tempus Fugit', and with engraved foliage and flower head spandrels, the four pillar movement with anchor escapement rack striking on a bell, the case with broken arch pediment on turned pillars, long trunk door flanked by writhen carved pilasters, crossbanded plinth and splayed feet. 85in high (with pendulum, weights and keys). (Hood lacks glass)

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An oak Thirty Hour Longcase Clock. Edmund Smith, Bury. No 759 The 10.75in square brass dial signed on a tablet in the centre 'Edwd Smith, Bury from London, No 759', with Roman numerals, Arabic five minute intervals, seconds dial, calendar aperture, matt centre and mask and foliage spandrels, the four pillar movement with anchor escapement and outside countwheel, striking on a bell, the case with flat pediment on turned pilasters, long trunk door and three tier plinth. 73in high (with ropes, pendulum and weight)

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A scumbled pine Longcase Clock with alarm. William Uglow, Truro. The 8in broken arch brass dial signed in the centre 'Wm Uglow, Truro' with Roman numerals, alarm selector dial with Arabic numerals, foliage and flowerhead spandrels and the arch engraved with an eagle grasping a scroll inscribed 'Tempus Fugit', the single train four pillar movement with anchor escapement striking on a bell, the case with broken arch pediment on turned pillars, long trunk door and panelled plinth. 73in high (with pendulum, weight and winding key)

Lot 1

A walnut and marquetry month going Longcase Clock. Joseph Kenton. London. Circa 1695. The 11in square brass dial with silvered chapter ring, Roman numerals, small Arabic five minute intervals, half hour markers, inner circle of fifteen minute intervals, seconds dial, ringed winding holes, calendar aperture, matt centre, the hands set in a flower head, pierced gilt brass mask and foliage spandrels separated by engraved foliage and flower heads and signed below the chapter ring 'Joseph Kenton Londini Fecit', the five pillar movement with anchor escapement and small outside countwheel striking on a bell, the rising hood with moulded flat pediment on twist turned tapering pilasters, marquetry inlaid with borders of foliage and flower heads, the long trunk door with oval lenticle, marquetry inlaid with panels of birds among foliage and flowers over a similarly inlaid plinth, the sides crossbanded and divided into panels with boxwood stringing. 82in high (formerly on turned feet) with pendulum, brass cased weights, winding and case keys. *** Joseph Kenton, London, was apprenticed in 1679 and Free of The Clockmakers' Company in 1686 ***

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An oak thirty hour Longcase Clock. Joshua Jones, Brecon. The 11in square painted dial signed in the centre 'Josh Jones, Brecon' with Roman numerals, calendar aperture, Arabic five minute intervals and gilt foliate spandrels, the four pillar movement with chain drive, anchor escapement and outside countwheel, striking on a gong, the case with swans neck pediment on turned columns, long trunk door and plain plinth. 82in high (with pendulum and weight and two brass ball and spire finials) *** A Joshua Jones is recorded as working in Brecon in 1791 ***

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An oak and mahogany Longcase Clock. Robert Simpson, Congleton. The 14in square painted dial signed in the centre 'Robt Simpson, Congleton', with Roman numerals, Arabic five minute intervals, seconds dial, calendar aperture and fan, foliage and flower head spandrels, the four pillar movement mounted upon a false dial plate, with anchor escapement rack striking on a bell, the case with broken swans neck pediment on fluted columns, long trunk door flanked by fluted pilasters, and panelled plinth with canted corners on ogee bracket feet. 85in high (with pendulum, weights and keys)

Lot 1

A walnut and inlaid Longcase Clock. Christopher Gould, London. The 11in square brass dial with silvered chapter ring signed 'Chr. Gould, Londini fecit', with Roman numerals, Arabic five minute intervals, matt centre, ringed winding holes, seconds dial, calendar aperture, pierced hands and winged mask and foliage spandrels, the five pillar movement with anchor escapement and internal rack, striking on a bell, the case with shaped pediment, fluted pilasters, long trunk door inlaid with a six pointed star, repeated in the panelled base, on shallow plinth. 84in high (with pendulum, brass cased weights and 2 keys), *** Christopher Gould, London, was Free of The Clockmakers Company in 1682 and died in 1718 ***

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An oak and mahogany Longcase Clock. Percy Evans, Salop. The 13in square brass dial signed in the centre as above, with Roman numerals, Arabic five minute intervals, calendar aperture, seconds dial, pierced foliage and flower head spandrels, the four pillar movement mounted upon a Wilson false dial plate, with anchor escapement, rack striking on a bell, the case with carved pediment on fluted pillars, long trunk door flanked by conforming pilasters and with panelled plinth. 83in high (with pendulum, weights and winding key)

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A mahogany Longcase Clock. Jefferys & Son, Chatham. The 12in silvered broken arch dial signed in the centre as above, with Roman numerals, Arabic five minute intervals, seconds dial, calendar dial, Strike/Silent dial in the arch and with engraved foliage and flower head spandrels, the five pillar movement with anchor escapement rack striking on a bell, the case with broken arch pediment on fluted pillars, long trunk door flanked by conforming pilasters and fielded panelled plinth. 84.5in high (with pendulum, weights, winding and two case keys)

Lot 1

A walnut and marquetry Longcase Clock. Henry Jones, London. The 10in square brass dial signed 'Henry Jones in ye Temple', the silvered chapter ring with Roman numerals, small Arabic five minute intervals, half hour markers and inner circle of fifteen minute divisions, matt centre with seconds dial, calendar aperture, pierced blued steel hands and winged cherub mask spandrels, the five pillar movement with anchor escapement, bolt and shutter, maintaining power, and small outside countwheel, striking on a bell, the formerly rising hood with flat top, pierced fret carved frieze, twist turned tapering pilasters, long trunk door with circular lenticle, marquetry panels of foliage and flower heads, the plinth with a similar panel and spandrels, on turned feet. 77in high (with pendulum, brass cased weights, winding and case key) *** Henry Jones, a well known maker, was apprenticed in 1654, Free of the Clockmakers Company in 1663, Master of the Company in 1691 and died in 1695 ***

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An oak Thirty Hour Longcase Clock. Hooker, Lewes. The 11in square painted dial with Roman numerals, calendar dial, pierced hands, foliage and flower head spandrels, the two train posted movement with chain drive, anchor escapement and outside countwheel, the case with shaped pediment on turned pillars, long trunk door panelled plinth and splayed feet. 83in high (with pendulum, weight and door key)

Lot 1

A satinwood and simulated marble Desk Aneroid Barometer. Negretti & Zambra, London No 3242. The 4.25in diam silvered dial signed and numbered as above with semi circular mercury thermometer, the case with moulded pediment, curved sides and moulded plinth, applied overall with bands and plaques of simulated striated marble. 10in high

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A brown Bronze of a Boy with his hand in his pocket. Raised on a marble plinth. 6.5in. 16.5cms high

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An 18th Century French ormolu, porcelain and lacquered Pot Pourri, two Tea Bowls, one inverted and the other mounted in ormolu and set on a half column flanked by two small porcelain figures 'Harlequin and Columbine'. Set on a classical plinth. 9.5in. 24cms high

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A 17th Century North Italian Cypress wood Chest, the patinated plank top above a poker work decorated front panel with serpents and three main arches to a conforming shaped plinth base. 33.5in high x 69in wide (85 x 175cms)

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A Victorian rectangular pedestal oak Writing Desk with tooled green leather inset top above three frieze drawers and six graduated pedestal drawers and on plinth base. 5ft 2in (158cms) x 2ft 7in (79cms)

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A Victorian mahogany Sideboard, the mirrored back centred with a shell and the sides carved with scrolling leafage, the base with centre drawer above a cupboard and flanked by bowed side cupboards and on plinth base. Retailed by Phillips & Son, Bristol. 7ft (214cms)

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An Edwardian oak and mahogany pedestal Desk, the rectangular top with inset embossed faux leather, three panel drawers, set of two pedestals each with three drawer plinth base with castors. Oak fronted mahogany drawers. Top drawer stamped Edwards & Roberts. 60in. 122cms wide

Lot 1

A late 18th Century black basalt Urn of classical form with beaded rim, applied rams head masks, trailing festoons with classical medallions. Raised on a plinth base. Marked H Palmer Hanely. Circa 1770. 11in. 28cms high Missing handles and chips to plinth

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A late 18th Century Agate Ware Urn of classical form with applied gilded and grotesque masks, festoons and medallions, part fluted body raised on a black Basalt plinth marked I Neale, Hanely. Circa 1776. 12.5in. 32cms high Simulated agate. Gilding rubbed

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An oak side cabinet with two carved linen fold decorated doors, on a plinth base

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A hardwood food hutch with two caned doors over an arrangement of drawers on a plinth base

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A Victorian mahogany commode box with single doors on a plinth base

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An Edwardian walnut chest of two short and three long drawers on a plinth base

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A Victorian mahogany chest of two short and three long drawers on plinth base

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A Victorian walnut and inlaid side cabinet with a single glazed door on a plinth base

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A large pine chest of two short and four long drawers on a plinth base

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An Edwardian Inlaid Mahogany Table-Top Flicker Picture Viewer by Imhof & Mukle, 110 New Oxford St., London, with curved twin viewing lenses, backed by the geared mechanism with turned winding handle, on a chamfered stem and stepped square plinth, set with makers brass label, together with two Kinora picture reels in original boxes.

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A Mahogany Cased Barograph by J H Steward Ltd.,406 Strand, London, with seven section vacuum and ink bottle, the case with bevelled glazed lift-off cover, a graph drawer to the plinth base, 37cm wide

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A waxed pine two-door glazed bookcase with carved pediment, on plinth base.

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A Victorian mahogany double wardrobe, the panelled doors enclosing sliding trays, and hanging space, on plinth base, 198cm high, 152cm wide, 59cm deep.

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A Victorian figured mahogany twin pedestal sideboard, with concave moulded panel upstand over inverted breakfront top with three frieze drawers and arch panel flame figured doors to each pedestal, on plinth base with pot door to left-hand side, 120cm high, 212cm wide, 74cm deep.

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A 19th Century mahogany four shelf open bookcase, on plinth base, 123cm high, 118cm wide, 32cm deep.

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A Victorian walnut stationery cabinet with fitted interior, on plinth base, 35cm high, 40cm wide, 29cm deep.

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An oak monk's bench with lift-up seat, the back panels carved with Sir Francis Drake bowling, and King Alfred burning the cakes , on plinth base, 106cm high, 125cm wide, 54cm deep.

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A George II walnut longcase clock the eight day two-train movement with anchor escapement and rack strike on a bell the arched brass 13in dial with Roman numerals and Arabic five minute divisions on a silvered chapter ring subsidiary seconds dial and date aperture the chapter ring inscribed John Dixon the arch with silvered automaton moonphase beneath inscription DUM DORMIUNT VIGILO with four elaborate Berainesque spandrels the case and hood with gilt-wood capitals the domed hood with a painted scrolling foliate frieze reserved on an ebonised ground the swan-neck pediment with three ball finials 246cm high (split to front of case plinth ball finials added) See BrittenÕs Old Clocks and Watches where there is a John Dixon listed in the ClockmakerÕs Co. 1748-56.

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A French Empire-style gilt-metal lyre-shaped timepiece late 19th century the single-train movement with platform lever escapement set in a lyre-shaped case and mounted on a bronzed and gilt-metal plinth 28cm high (platform replaced)

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A Regency mantel timepiece the single-train movent with convex round enamelled dial with Roman numerals and inscribed WEEKS COVENTRY STREET LONDON set in a cylindrical brass case surmounted with an urn finial mounted on a painted wood plinth base of waisted rectangular section decorated with swags and flowers reserved on a butterscotch ground 38.5cm high See BrittenÕs Old Clocks and Watches Weeks is listed in Coventry Street circa 1810.

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A Swiss gilt-metal birdcage automaton with bird perched on a T-bar within the centre of the cage on an oak plinth 28cm high (some damage to cage)

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An early 20th century brass door stop in the form of a soldier in Napoleonic uniform standing on a rectangular tapering plinth with lobed bun feet 34cm high

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