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U.S.L.T.A. CHALLENGE CUP 1934: A MINIATURE AMERICAN SILVER REPLICA OF THE U.S. L.T.A CHALLENGE CUP, by Black, Starr & Frost, Gorham, the amphora vase-shaped body on circular spreading base, the rim and base decorated with laurel band, the trophy inscribed U.S.L.T.A, Lawn Tennis Championship, Of The, United States, Mens Singles, West Side Tennis Club, 1934, Winner, Frederick J. Perry, on circular plinth, 12.1/2in. (31.7cm) high overall, This match, where Fred Perry defeated Jack Crawford in five sets, was the first all-foreign men's final at Forest Hills for seven years. By defeating Crawford in five sets, Perry denied the Australian his chance of being the first "Grand Slam" winner, Provenance: Christie's South Kensington: Traditional Sports, 20 June 1997, Lot 254
A SHEFFIELD PLATE INKWELL, with two cut-glass reservoirs, one lid detached the central plinth surmounted by two tennis rackets and tennis ball, on oval stepped ebony base, 12in. (30.5cm) wide; a white-metal pen tray and inkwell decorated with crossed tennis rackets and ball, 8.1/2in. (21.5cm) wide; and a pair of miniature modern white-metal tennis rackets (4)
An early Victorian rosewood veneered Davenport, the hinged flap sloping top inset gilt tooled leather, a pierced fret gallery, a fitted interior, one side with a hinged pen and ink drawer above four graduated drawers with brass patent locks and turned wood knob handles, the other side with dummy drawers, the front with scroll bracket pilasters, the plinth on front scroll feet and back turned feet. 21in (53cm).
A late 19th Century French ebonised Carriage Timepiece, the plinth shaped case with glazed front, containing a 3” silvered dial with Roman chapter ring, with outside minute track and engine turned centre, with blue steel hands, to a circular brass movement with platform escapement , height 6 ½”
A late 19th Century Blonde Oak Mantel Clock, the architectural case with freestanding columns and balustered rails, to a spreading plinth base, raised on compressed bun feet, a cast brass bezel with heavy bevelled glass enclosing a 6 ½” painted Roman dial with outside minute track and blued steel hands, to an associated Brass movement with plates united by four plain pillars, anchor escapement, strike on two blued steel coiled gongs, height 20 ½”
A late 19th Century American Mantel Clock, Seth Thomas, the plinth shaped case with overhanging cornice, to a spun Brass bezel, enclosing a signed 4 ½” Arabic dial with outside minute track and black spade hands, to a spring driven movement with anchor escapement, strike on a bell, height 10”
A good late 19th Century Skeleton Timepiece, the cast and pierced plates united by four baluster pillars, to a shaped and pierced silvered dial, with engraved Roman numerals and outside track, with blue steel spade hands, to a single chain fusee movement with five spoke gears and anchor escapement, to a velvet covered ebonised oval plinth base and contained beneath a glass dome, height 13 ¾”
A rare and unusual 19th Century Table Top Cuckoo Clock, modelled in the form of a house, the pitched roof with dormer window issuing the cuckoo, to a further row of mirror backed windows, and plinth base with simulated brickwork and front door, and plinth base incorporating steps to bracket feet, with a spun brass bezel enclosing a painted two part Roman 6 ½” dial with outside minute track and pierced black painted hands, to a wooden twin wire fusee movement, with back mounted count wheel and anchor escapement, strike on a coiled gong and further pair of bellows, height 21 ½”
A mid 20th Century Oak cased triple barrel Mantel Clock, the plain arched case with single glazed door, and raised on a plinth base, to a 5 ¾” silvered arched dial, with subsidiaries for regulation and chime/silent, over an Arabic chapter ring, and blued steel spade hands, to a brass movement with anchor escapement and strike on a coiled gong, height 13 ½”
A mid-20th Century Stained Walnut cased triple barrel Mantel Clock, the arched case with canted corners and plinth base to a 6” rectangular silvered dial, with subsidiaries for chime/silent and regulation, over a silvered Arabic chapter ring, with outside minute track and blued steel spade hands, to a triple barrel movement with anchor escapement and strike on four rods, height 14”
An early 20th Century gilt Brass and Champleve enamelled four glass Mantel Clock, Maple & Co Ltd, Paris, the oval case surmounted by a classical flaming urn, and flanked by freestanding columns with bladed ball finial, enclosing four bevelled glass panels, and further enamelled interior, to a plinth base, with bracket feet, to a gilt and enamel bezel enclosing a 3 ½” Arabic enamel dial, chapter ring with further floral enamelled central boss and blued steel fleur de lys hands, to a signed circular Brass movement, with simulated mercury twin pot pendulum, and anchor escapement, strike on a bell, height 15 ½”
A Mixed Lot comprising: a chrome plated and green onyx mounted Eight Day Desk Clock, by Mappin, the square surround on vertical supports with plinth base, to a square silvered dial with further applied silvered Arabic numerals, and inside minute track, height 5”; together with a smaller chrome plated example, also by Mappin (2)
A late 19th Century black slate and variegated green marble Mantel Clock, Hry Marc of Paris, the drum shaped case on a waisted pedestal with scrolling side pieces to a shaped and stepped plinth base, with cast brass bezel and heavy bevelled glass, enclosing a Roman two-part enamel dial, centred with a visible brocot escapement and blued steel moon hands, to a circular brass movement with back mounted count wheel and anchor escapement strike on a bell, height 12 ½”
A late 19th Century gold painted cast spelter Mantel Timepiece, modelled in the form of a Long Case Clock, with swan neck pediment, barley twist columns and heavily carved trunk door and plinth base, to a 2” Arabic enamel chapter ring, with outside minute track and matted centre and blued steel spade hands, to a spring driven movement, height 11 ½”
An early 20th Century black slate and variegated green marble mounted Mantel Clock, the architectural case with Palladian pediment and free standing columns and plinth base to a beaded brass bezel with bevel glass, enclosing a 4” Arabic enamel two-part dial, with blued steel fleur-de-lys hands, to a circular brass movement with anchor escapement, strike on a coiled gong, height 11 ½”
A late 19th Century ebonised and porcelain inset Mantel Clock, the plinth shaped cased with a Palladian pediment, flanked by globe finials, and quartered surround and panelled base set with cobalt blue insets decorated with spring flowers, and raised on compressed bun feet to a cast brass bezel, enclosing a 6” porcelain dial (heavily hairlined), with further floral decoration and Arabic lozenges with gilt fleur-de-lys hands, to a square brass movement with anchor escapement and strike on a coiled gong (associated), height 18 ½”
A mid-20th Century Mahogany cased triple barrel Mantel Clock, the arched case with cast brass carry handle, over a single arched door, and flanked by reeded canted corners to a plinth base and raised on four compressed bun feet, to a 6 ½” silvered dial with subsidiaries for regulation and chime/silent over Roman chapter ring with outside minute track and blued steel hands, to a triple barrel movement, with anchor escapement and strike on five rods, height 15”
A mid 20th Century Walnut cased Mantel Timepiece, the single caddy topped case with carry handle to an overhanging cornice and single glazed door with plinth base and raised on four Brass feet, to a 3 ½” arched Brass dial, with boss to the arch engraved “Tempest Fuget” over masked spandrels and a silvered Roman and Arabic chapter ring to a matted centre with black steel hands, to a Swiss movement with rectangular plates marked Buren, height 9 ½”
An early 20th Century Oak cased Mantel Clock, the architectural case with Palladian pediment to a plinth base, and raised on cast and applied scrolling feet, to a spun brass bezel enclosing a 4” random chapter ring with reeded centre and blued steel fleur-de-lys hands, to a spring driven movement with anchor escapement and strike on a coiled gong, height 12”
An early 20th Century Walnut cased triple barrel Mantel Clock, the plinth shaped case with cushion top to an overhanging cornice and canted corners on a plinth base, to an arched glazed door enclosing a 6” silvered dial with subsidiaries for chime/silent and regulation over an Arabic chapter ring with blued steel spade hands, to a Junghans brass movement, with anchor escapement and strike on four rods and a blued steel coil gong, height 15”
An early 20th Century Walnut cased triple barrel Mantel Clock, Gustauv Becker, the art deco type plinth case with cross-banded detail to a chrome square bezel, and 4” square dial with Arabic chapter ring and blued steel moon hands, to a square brass movement with platform escapement and strike on four rods, height 6 ¾”
A late 19th Century ebonised and amboyner veneered Mantel Clock, the arched case flanked by freestanding columns, to a break front plinth base, and raised on four compressed bun feet, to a cast brass bezel enclosing a 3 ½” Roman enamel dial, with outside minute track and spade hands, to a circular brass movement with anchor escapement and strike on a bell, height 11”
A late 19th Century gilt metal cased Mantel Clock, the plinth shaped case set with columned corners and galleried pediment, centred with an urn and decorated with maidens in a river landscape, with further cast and applied winged griffin paw feet, to a cast bezel enclosing 3 ½” Roman enamel dial with outside minute track and fleur-de-lys half hour markers, with visible brocot type escapement and blued steel fleur-de-lys hands, to an Ansonia movement with anchor escapement and strike on a coiled gong, height 15 ½”
A late 19th Century variegated and gilt metal mounted Mantel Clock, the arched case (lacking original finial) to a plinth based and raised on applied scrolling feet, to a cast bezel with 3 ½” Arabic enamel dial, decorated with floral swags, to a circular brass movement with back mounted count and anchor escapement, strike on a bell, height 8”
A late 19th Century gilt spelter and Alabaster Mantel Clock, the shaped plinth base set with pale blue baluster columns and inset panels, surmounted by a classical figure and symbols of Hope, Faith and Charity, to a drum shaped case, with beaded bezel enclosing a 3” Roman enamelled dial with outside minute track and fancy gilt hands, to a circular Brass movement with anchor escapement, outside count wheel, strike on a bell, height 12”
A late 20th Century Skeleton Timepiece, Franz Hermle, the pierced brass plates united by six plain pillars, to a movement with four spoke gears and anchor escapement, with front mounted pendulum, to a circular plinth base and contained beneath a conical glass cover, with transferred Roman quarters, height 14”
A late 19th Century Oak cased Desk Compendium, the scrolling case surmounted by a cast gilt metal spread eagle, to carved foliate decoration and flared plinth base, centred with a porcelain backed twin scale mercury thermometer, and flanked by a 3 ½” Roman enamel dial with outside minute track and blued steel hands, and opposed by a matching barometer with scale of 26-31, height 12 ¾”
A large and unusual Timekeeper’s Clock, “The Dey Time Register”, Howard Bros Liverpool and London, the plinth shaped case with overhanging cornice and mounted to the front by a massive circular cast iron dial of 28 ½”, and centred with a rotating arm beneath a 7” painted Roman dial with outside minute track and spade hands, and further subsidiary dial to the base, to a single fusee movement with shouldered plates, and anchor escapement and further large rotating and paper fitted drum barrel, and also fitted with a bell within lockable glazed doors, height 36 ½”
An Oak cased 8 Day Long Case Clock, signed Davey of Norwich, the arched hood surrounded by a globe and spike, and two globe and eagle brass finials, over freestanding columns, to an ogee throat and long trunk door, to a plinth base, to a 12” arched brass dial, with engraved foliate decoration, with Roman chapter ring and Arabic quarters, enclosing subsidiary seconds and date sector with pierced steel hands, to a signed false plate and movement with plates united by four knopped pillars, and anchor escapement, strike on a bell (associated), height 92”
A 2nd quarter of 19th Century Oak, Mahogany and Boxwood line inlaid 8 Day Long Case Clock, Pegler of Blandford, the hood with swan neck pediment over reeded freestanding columns to an ogee throat, and plain frieze with short trunk door flanked by quarter reeded columns, and raised on a plinth base, to a 12” square 3rd period painted dial, with floral spandrels to a Roman chapter ring, enclosing subsidiary seconds and date sector with black painted hands, to an unsigned false plate and movement with plates united by four knopped pillars, with anchor escapement, strike on a bell, height 76”
A Mahogany cased Floor Standing Regulator, the hood with foliate carved and pierced pediment, over canted corners to an ogee throat, with further canted corners flanking a single glazed door, and raised on a plinth base to a circular brass bezel, enclosing an 11” circular painted dial, signed Chapman of Portsmouth, with outside minute track and sunk subsidiary seconds, with black painted spade hands over a further circular brass dial, to an “A” frame movement with plates united by five knopped pillars, with anchor escapement and maintaining power, to a steel mercury pot pendulum (altered and modified), height 84”
A 3rd quarter of 18th Century Oak cased 30 Hour Long Case Clock, Leon Weatherad of K Lonsdale, the hood with overhanging cornice to a plain frieze, with inlaid initials TB, over freestanding baluster columns and ogee throat, to quarter round columns flanking a shaped long trunk door, and raised on a plinth base, to a 12” square brass dial with cast and applied mask and foliate spandrels, enclosing a Roman and Arabic chapter ring, with outside track and fleur-de-lys half hour markers, to a matted centre with engraved star and foliate decoration with date sector and pierced steel hands, to a movement with plates united by four knopped pillars and anchor escapement, strike on a bell, height 84”
A late 18th Century Oak cased 8 Day Long Case Clock, Wm Reid of Grantham, the hood with swan neck pediment over freestanding columns, to an ogee throat and long shaped trunk door, with plinth base, to a 12” 1st period painted dial, decorated to the arch with honeysuckle blossom and further gilt highlighted gesso spandrels, enclosing a Roman and Arabic chapter ring, enclosing subsidiary seconds and date sector, to a “Wilson” signed false plate, and movement with plates united by four knopped pillars and anchor escapement, strike on a bell, height 82”
A mid-18th Century Oak cased 30 Hour Long Case Clock, Tho Beeching of Rye, the hood with overhanging cornice, over a ¾ column to an ogee throat, and long shaped trunk drawer with reduced plinth base, to a 12” square brass dial with attached arch bearing named boss and further dolphin spandrels over mask and foliate spandrels, enclosing a Roman and Arabic chapter ring with inside and outside tracks, with fleur-de-lys half hour markers, to an engraved centre with subsidiary seconds and ringed date sector, with blued steel pierced hands, and movement with plates united by four knopped pillars and anchor escapement, strike on a bell, height 75 ½” (associated)
A 1st half of 19th Century Oak cased 8 Day Long Case Clock, name obscured, the arched hood with swan neck pediment and three gilt wood globe finials over free standing columns, to an ogee throat and long trunk doors, with reduced plinth base, to a 12” arched painted dial, decorated with the peace dove flanked by cornucopia and scythes, with rose and gilt highlighted spandrels, enclosing an Arabic chapter ring with subsidiaries for seconds and date, with pierced steel hands to an unsigned false plate, and movement with plates united by four knopped pillars with anchor escapement and strike on a bell, height 86”
A late 18th Century Mahogany cased 30 Hour Long Case Clock, H Kemp of Mayfield, the overhanging cornice to freestanding columns, with ogee throat, plain long trunk door, and plinth base (plinth A/F), to a 12” square painted 1st period dial with rose spandrels enclosing a Roman chapter ring, centred with a rural landscape to a posted movement with back mounted count wheel, and anchor escapement with strike on a bell, height 75”
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173487 item(s)/page