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French champleve decorated mantle clock, late 19th century, the brass case having flame finials, above an inset jasper reserve, surmounting the hinged door to front and reverse, accented with multi-color champleve inlay, opening to the circular white enamel dial with Roman numerals, interspersed with floral garlands, the pendulum having a central jasper medallion, the French movement struck with the Medaille d`Argent mark, and rising on a stepped plinth base, 16""h
French champleve decorated mantle clock, the brass case having an urn finial, above beveled glass panels and multi-color champleve inlay flanked with Corinthian columnar supports, having hinged door to front and reverse, opening to the circular white enamel dial with Roman numerals, interspersed with floral garland, having a Japy Freres movement with mercury pendulum, and rising on a stepped plinth, 15""h
Empire mahogany and partial ebonized occasional table, early 19th century, the oval dish top above a wide apron with a single drawer, resting on stylized lyre supports conjoined by a lower tier, the whole rising on a shaped plinth resting on brass casters,26""h x 20""w x 15.5""d. Provenance: From the Pebble Beach, CA estate of Richard Mellon Scaife
Louis XV style gilt bronze figural chenets, 19th century, each depicting winged putto having stylized acanthus legs, beside a console table decorated with drapes and swags, and an urn with ram`s head mounts, and rising on a conforming plinth base, 15.5""h x 15.5""w x 5.5""d Provenance: Property from a Sea Cliff, San Francisco collector
Continental terra cotta figural sculpture after the antique, mid 19th century, the cloaked beauty depicted with her eyes gazing afar, her right arm extended outward and her flowing gown cascading to the naturalistic plinth, 28.5"" (early repairs). Provenance: From the Pebble Beach, CA estate of Richard Mellon Scaife
French Renaissance style patinated bronze and ormolu mounted urn, third quarter 19th century, the monumental form having a circular rim centered with figural medallions surmounting the shouldered body, centered with bow and garland swags suspending the oval mounts, one depicting a putti, one depicting a flame capped pedestal, and rising on a circular base accented with Cupids bow, pipes of Pan, and grape and vine sprays, terminating on a square marble plinth, 37""h x 12""w
French champleve decorated mantle clock, late 19th century, the brass case having flame finials, above an inset jasper reserve, surmounting the hinged door to front and reverse, accented with multi-color champleve inlay, opening to the circular white enamel dial with Roman numerals, interspersed with floral garlands, the pendulum having a central jasper medallion, the French movement struck with the Medaille d`Argent mark, and rising on a stepped plinth base, 16""h
French champleve decorated mantle clock, the brass case having an urn finial, above beveled glass panels and multi-color champleve inlay flanked with Corinthian columnar supports, having hinged door to front and reverse, opening to the circular white enamel dial with Roman numerals, interspersed with floral garland, having a Japy Freres movement with mercury pendulum, and rising on a stepped plinth, 15""h
Empire mahogany and partial ebonized occasional table, early 19th century, the oval dish top above a wide apron with a single drawer, resting on stylized lyre supports conjoined by a lower tier, the whole rising on a shaped plinth resting on brass casters,26""h x 20""w x 15.5""d. Provenance: From the Pebble Beach, CA estate of Richard Mellon Scaife
Louis XV style gilt bronze figural chenets, 19th century, each depicting winged putto having stylized acanthus legs, beside a console table decorated with drapes and swags, and an urn with ram`s head mounts, and rising on a conforming plinth base, 15.5""h x 15.5""w x 5.5""d Provenance: Property from a Sea Cliff, San Francisco collector
Continental terra cotta figural sculpture after the antique, mid 19th century, the cloaked beauty depicted with her eyes gazing afar, her right arm extended outward and her flowing gown cascading to the naturalistic plinth, 28.5"" (early repairs). Provenance: From the Pebble Beach, CA estate of Richard Mellon Scaife
French Renaissance style patinated bronze and ormolu mounted urn, third quarter 19th century, the monumental form having a circular rim centered with figural medallions surmounting the shouldered body, centered with bow and garland swags suspending the oval mounts, one depicting a putti, one depicting a flame capped pedestal, and rising on a circular base accented with Cupids bow, pipes of Pan, and grape and vine sprays, terminating on a square marble plinth, 37""h x 12""w
A boxed Spode china Commemorative vase and cover raised on a hexagonal mahogany plinth. In memoration of the Golden Jubilee of H.M. Queen Elizabeth II. Ground in cobalt blue, gilded and with a painted topographical landscape of Buckingham Palace. With certificate numbered 1 of 50. Printed mark. 35cm. Condition Report. To be used as a guide only. Very good condition. No damage or repair.
A boxed Spode china memorial urn and cover to celebrate the life of H.M. Queen Elizabeth the Queen Mother 1900-2002. Raised on a hexagonal mahogany plinth, ground in cobalt blue, gilded and enamelled within a moulded cartouche with a topographical scene of St Georges Chapel at Windsor. With certificate numbered 4 of 101. Printed mark. 35cm high. Condition Report. To be used as a guide only. Very good condition. No damage or repair.
A boxed Aynsley commemorative china urn and cover raised on a wooden plinth. To commemorate the 50th Anniversary of the Coronation of H.M. Queen Elizabeth II. With gilt and cobalt blue ground and enamelled with a topographical landscape of Westminster Abbey. Numbered 50 of 50. Printed mark and with certificate. 35cm. Condition Report. To be used as a guide only. Very good condition. Free from chips, cracks and repair.
A boxed Aynsley china memorial urn and cover raised on a mahogany plinth for Diana Princess of Wales 1961-1997. Ground in cobalt blue, gilded and enamelled with two landscape scenes of Althorp Park. With certificate limited to 36 this numbered 21. Printed marks. 35cm high, Condition Report. To be used as a guide only. Very good condition. No damage or repair.
A commemorative Caverswall china urn and cover in memoration of H.M. Queen Elizabeth II diamond jubilee. Raised on a mahogany plinth, with moulded ram mask handles, ground in cobalt blue and gilded. Painted by S. Smith with a cartouche landscape of Windsor Castle. Ltd 12 of 50. Printed marks, retailed by Peter Jones of Wakefield. Vase and cover 26.5cm. Condition Report. To be used as a guide only. Very good condition. No damage or restoration.
A commemorative Caverswall china urn and cover to celebrate the wedding of H.R.H. Prince William to Catherine Middleton. Raised on a mahogany plinth, with moulded ram mask handles, ground in cobalt blue and gilded. Painted by S. Smith with a cartouche landscape of Westminster Abbey. Ltd 13 of 50. Printed marks, retailed by Peter Jones of Wakefield. Vase and cover 26.5cm. Condition Report. To be used as a guide only. Very good condition. No damage or repair.
A Royal Worcester bisque model of H.R.H. The Duke of Edinburgh on horseback and in polo playing attire by Doris Lindner. Raised on a mahogany plinth and along with a leather framed certificate. Limited to 750 models this example numbered 313. 30cm long. Condition Report. To be used as a guide only. In excellent condition. Free from any damage and repair. Along with bespoke wooden travel case.
A Derby figure of Classical style coloured in enamels. Formed as Andromache weeping over the ashes of Hector. Modelled leaning against an urn, holding a wreath and raised on a plinth with moulded Greek key border. Incised N100 / 2 c1785. Condition Report. To be used as a guide only. Very good condition. Firing cracks under the base. No restoration.
A Regency porcelain Warwick shaped urn and cover, probably Coalport. Lavishly gilded, turquoise ground and finely enamelled with flower bouquets and landscape cartouches. 23cm high. Condition Report. To be used as a guide only. Cover broken in three and restored. Three corners of the square plinth chipped.
A nineteenth century French bronze sculpture of a bull on stepped plinth after Antoine Louis Barye, cast by Barbedienne. Taureau Debout (standing bull) in Verdi Gris patina. Signed Barye, stamped F. B. and inscribed F. Barbedienne, Fondeur. 28cm long. Condition Report. To be used as a guide only. Good condition.
A pair of early nineteenth century Indian carved ivory figures with polychrome decoration, Maharaja and companion in Mughal dress, raised on canted rectangular plinths. 18cm high. Condition Report. To be used as a guide only. Some hair cracking. Damage to the female figures left fingers. Enamelling heavily worn. Shard of the plinth of the male figure re glued.
After Giambologna. A nineteenth century Continental school carved alabaster statue on square plinth. The Rape of the Sabine woman. 83cm high. Condition Report. To be used as a guide only. Womans highest arm lacking below the shoulder and loss to all digits on the other hand. Lower man missing left hand. Loose mouldings to the plinth. Chips.
A Geographia 8" terrestrial desk globe. Raised on a mythological figural bronzed spelter base formed as Atlas supporting the globe knelt over a reeded circular plinth. 47cm high. Condition Report. To be used as a guide only. Overall wear and some scratches to the metalwork. Phillips oval logo applied over the surface of the map unsure if this is original or not.
An early nineteenth century French gilt bronze and porcelain mantel clock, probably Sèvres. Of ovoid form and ground in gros bleu. Surmounted with an urn of flowers, flanked by twin ram masks and supported on scrolling corbels and a socle united by a flower garland and raised over a breakfront plinth. With enamel dial signed W. C. Shaw, Paris and with Roman and Arabic markers. Housing an eight day movement with anchor escapement and chiming half hourly on a bell. 56cm high. Base 28cm x 18cm. Condition Report. To be used as a guide only. Very good condition and working. All mounts require tightening. No key.
A nineteenth century French gilt bronze figure of a woman in eighteenth century evening attire. 35cm. Condition Report. To be used as a guide only. Some wear to the gilding. Pegs underneath the figure suggest there should be a plinth or that it was mounted upon a clock or piece of furniture.
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173487 item(s)/page