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Lot 195
A large vintage 20th century ebonised wood glazed shop front / display museum - haberdashery display cabinet. The cabinet having a pediment atop over a spacious displaying interior with two glass shelves. Raised on tall plinth base with panelling to front. Open back. Measures approx. 189cm x 151cm x 56cm.
Lot 250
Renato Zevi for Metal Craft - A retro vintage mid 20th century circa 1950s 'Hollywood Regency' gilt brass metal & mirrored front cupboard. The credenza having a black glazed top over gilt metal frame over two rose gold mirrored doors , black lacquered sides. Raised on plinth base. Measures approx. 75cm x 100cm x 47cm.
Lot 435
Victor B Wilkins for G-Plan - Fresco - A retro 20th century 1960s teak wood double Fresco pattern chest of drawers. The chest being raised on a plinth base with an upright bank of eight side by side drawers having lozenge shaped recessed handles wooden handles to the centre, the sides of the chest being chamfered. Measures approx. 76cm x 142cm x 45cm
Lot 127
M. J. Hummel by Goebel - A large collection of vintage 20th century Goebel porcelain china figurines. The lot comprising a Millennium Collection with complete Worldwide Wanderers on pentagon plinth base, a 'Wishes Come True' final issue 2008 figure on base, an exclusive edition 2002/2003 'Summer Adventure' figure on base, together with an assortment of single character figurines. All marked to base. Largest measuring approx. 20cm x 16cm x 15cm.
Lot 86
Französischer Künstler des 19. JahrhundertsREITERSTANDBILD KÖNIG LUDWIGS XII VON FRANKREICH (1462 – 1515)Gesamthöhe: 56 cm. Sockelmaße: 19 x 34,5 x 15,5 cm.Guss in Silberlegierung auf Marmorplinthe. Der Sockel aus Palisander mit umlaufenden vergoldeten Profilen und Boulle-Einlagen. Ludwig XII auf einem prachtvoll geschmückten Pferd reitend, dessen prachtvolle Decke mehrfach mit seinem Wappen versehen ist, einem Stachelschwein mit Krone, umgeben von der französischen Lilie. Der König selbst in Rüstung, einer Krone, einem Hermelincape um die Schultern und einer Kette mit Medaillon, darin Abbildung des Erzengels Michael. Klinge des seitlich am König befestigten Schwertes fehlend.Anmerkung: Ein fast identisches, jedoch lebensgroßes Reiterstandbild Ludwigs XII befindet sich in einer Nische über dem Portal von Schloss Blois an der Loire. Darunter auch das Stachelschwein mit Krone, das allegorische Emblem von Ludwig XII. (13602512) (18)French artist of the 19th centuryEQUESTRIAN STATUE OF KING LOUIS XII OF FRANCE (1462 – 1515).Total height: 56 cm. Plinth dimensions: 19 x 34.5 x 15.5 cm.Cast in silver alloy on marble plinth.Export restrictions.
Lot 862
Paar Empire-VasenHöhe: 52 cm. Durchmesser: 22 cm.Russland, erstes Viertel 19. Jahrhundert.Jeweils über quadratischen Basen mit vergoldeter Ormolu-Montierung, Lanzettblätter und Lyramotive zeigend. Darüber die gefußten Empire-Vasen mit kannelierten Bündelhenkeln sowie umlaufendem Mänadendekor in Ormolu und flachem Mündungseinsatz, von Perlband gerahmt. Einmal mit ergänzter Plinthe und Inventarnummern „MD21947“ und „MD21947“. Die Vasen in Campagna-Form und in Jasper gefertigt in der Art von Pierre Philippe Thomire (1751-1843).Provenienz:Christie´s, 22. Mai 2019, Lot 318. Mikhailovsky Castle, Sankt Petersburg. Anmerkung: Vergleichbare Vasen, jedoch Thomire gestempelt, wurden am 13. Juni 2001 unter Lot 328 bei Sotheby´s London verkauft. Ein weiteres Paar von Thomire wurde bei Christie´s New York am 01. November 1990 unter Lot 54 versteigert.Literatur: Vgl. Coloured Stonewave of the Seconde Half XVII-XX Centuries, In: The State Culture Preserve Pavionsk. Full Catalogue of the Collections, St. Peterburg 2013, S. 63-64. (1361591) (13)A pair of Empire vases Height: 52 cm.Diameter: 22 cm.Russia, first quarter of the 19th century.One with replaced plinth and inventory numbers “MD21947” and “MD21947”. Campagna shaped vases in jasper in the style of Pierre Philippe Thomire (1751-1843).Provenance:Christie’s, 22 May 2019, lot 318. Mikhailovsky Castle, Saint Petersburg. Notes: Similar vases, however stamped by Thomire were sold at auction at Sotheby´s in London on 13 June 2001, under lot 328. Another pair by Thomire was sold at Christie´s in New York on 1 November 1990 under lot 54.
Lot 112
Meister von Landshut, 1475 – 1485, nachweisbarMUSEALE HEILIGENFIGURHöhe: 47,5 cm.Rückseitig an der Plinthe wohl alte Sammlungsnummer in Schwarz „M 105“.Die beiliegende Begutachtung durch den Leiter der Skulpturensammlung Germanisches Nationalmuseum Nürnberg von 2011 erkennt in der Figur eindeutig die Arbeit eines Landshuter Meisters, jener Werkstatt, die an der (Landshuter) Stadtpfarrkirche St. Martin Figurenzyklen um 1474/85 schuf. Die Entstehungszeit der Figur ist also gegen 1485 zu datieren.In hellem Ton gebrannte Standfigur einer weiblichen Heiligen, auf mitgearbeiteter, achtseitiger Plinthe wurde bereits 2012 anlässlich einer Ausstellung der Stadt Landshut ausgestellt (siehe Literatur).Die Körperhaltung leicht S-förmig gestaltet, im sog. Weichen Stil. Kühn und schwungvoll gestaltete Mantel- und Kleiderfalten, bei hochsitzender, gegürteter Taille. Kragenausschnitt V-förmig, mit runder Agraffe. Das üppige Haar fällt seitlich der Schultern wellig herab, der Kopf mit einem feinen Tuch bedeckt. Eine leichte Einziehung des Tuches überhalb der Stirne, das auch nach hinten zieht, sowie eine kleine Lochung oben seitlich lassen erkennen, dass hier ehemals eine Krone aufgesetzt war. Diese Beobachtung und die Gesamterscheinung lassen auch vermuten, dass es sich hier um eine Marienfigur handelt. Die Handschrift des Bildhauers ist insbesondere an der Gestaltung des Gesichts - mit auffallend schweren Augenlidern, betonter Nase und den vollen Lippen - zu erkennen.Der hellfarbige Ton findet sich in der Landshuter Region. In den Faltentiefen, vor allem an der Rückseite Zinnober-Farbreste (Bolus ?). Rechte Hand und linker Unterarm fehlen. A.R.Literatur:Die Figur wurde 2012 zusammen mit weiteren Werken der Landshuter Werkstatt ausgestellt, im Katalog ausführlich besprochen und abgebildet in: Franz Niehoff, Die Stadt als Bühne der Bilder. Skulpturenstadt Landshut, Katalog anlässlich der Ausstellung der Museen der Stadt Landshut in der Spitalkirche Heiliggeist, 15. Juni-14. Oktober 2012, Landshut 2012, Kat. 7, S. 199 f. (1340431) (11)Master of Landshut,1475 – 1485, verifiableFIGURE OF A SAINT OF MUSEUM QUALITYHeight: 47.5 cm.Probably old collection no. “M 105” in black on the back of the plinth.The enclosed expert´s report by the director of the sculptures collection of the Germanisches Nationalmuseum in Nuremberg from 2011 clearly recognizes the work of a Landshut master in the figure, “the very workshop that created figure cycles for the (Landshut) parish church of Saint Martin around 1474/85”. The time of creation of the figure can therefore be dated around 1485.Standing figure of a female saint fired in a light tone, on an eight-sided plinth worked in one piece together with the figure, was already shown in 2012 in an exhibition of the city of Landshut (see ref.).Literature:The figure was exhibited in 2012 together with other works by the Landshut workshop, discussed in detail in the exhibition catalogue and illustrated in: Franz Niehoff, Die Stadt als Bühne der Bilder: Skulpturenstadt Landshut 2012, cat. 7, p. 199 f.
Lot 73
A Second World War Rotol Spitfire Propeller Blade, in laminated wood finished in black with yellow tip and a brass sheathing fitted along the leading edge, with ringed and threaded steel hub, the underside marked 408, the rubber washer/base plate moulded R.A.3102, on a circular wood plinth, measures 141cm from tip to base of hub, 145cm overall.
Lot 83
A Boer War Brass Shell Case Dinner Gong, the shell case engraved "This is the case of the shell that exploded the magazine at the relief of Ladysmith, Febry. 28th 1900", suspended from a fret cut brass pediment joining a pair of ring engraved brass cylindrical pillars supported on a walnut oblong plinth, 49.5cm high, with a striker.Footnote :- The fact that the shell case is engraved "Magazine" implies that it could possibly be naval. Sailors would refer to an ammunition store as a "magazine", soldiers referred to one as an "ammunition dump/store". Magazines were very problematic during naval engagements in the Great war. A number of British capital ships were lost when direct hits were scored on their magazines. Many Royal Navy ships contributed men and heavy guns for land use in South Africa. This shell case is possibly from a projectile fired by a 4.7 inch naval gun mounted for field service on land. There were some with the Ladysmith Relief Force.
Lot 454
ANTOINE-LOUIS BARYE (FRENCH, 1795-1875) A BRONZE MODEL OF A CROUCHING RABBIT 19TH CENTURY "Lapin, oreilles couchées" ears lowered, naturalistic base on integral rectangular plinth, signed to cast Barye, stamped BARYE and numbered 4, ink inscription to underside 242 g C 9cm long, 4cm high, 4.7cm deepProvenance: The Imogen Paine collection of rabbits With receipt from Univers Du Bronze July 2014 and authentication certificate from Alain Richarme, co-author of "Catalogue raisonné des sculptures de Barye"- certifying this is a "Lifetime cast from Barye's studio (cast between 1862 and 1875), one of the only bronzes stamped and numbered by Barye's studio or by Barye himself at this period".This unusual model is rarely seen at auction. An almost identical example, but numbered 8, is held in The Metropolitan Museum, Accession Number: 1990.140, the gift of Waleed G. Maloof, in memory of Arydce Maloof, 1990.Condition Report: Good and with very mild wear as per handling and age. Small traces of gilding to surface. Base with mild wear from table contact and blue ink spotPlease see additional images for visual references to condition which form part of this condition report All lots are available for inspection and Condition Reports are available on request. However, all lots are of an age and type which means that they may not be in perfect condition and should be viewed by prospective bidders; please refer to Condition 6 of the Conditions of Business for Buyers. We must advise you that we are not professional restorers or conservators and we do not provide any guarantee or warranty as to a lot's condition. Accordingly, it is recommended that prospective buyers inspect lots or have their advisors do so, and satisfy themselves as to condition and accuracy of description. All lots are offered for sale "as viewed" and subject to the applicable Conditions of Business for Buyer's condition, which are set out in the sale catalogue and are available on request. Buyers are reminded that liability for loss and damage transfers to the buyer from the fall of the hammer. Whilst the majority of lots will remain in their location until collected, we can accept no responsibility for any damage which may occur, even in the event of Dreweatts staff assisting carriers during collection. Condition Report Disclaimer
Lot 598
AFTER JOHANN HEINRICH VON DANNECKER, MARBLE FIGURE OF ARIADNE AND THE PANTHER CONTEMPORARY Set on plain mottled grey white marble plinth The figure 99cm high, 94cm wide, the plinth 60.5cm high, the plinth top 110cm x 55cm Condition Report: Please note the figure is marble. Wear, marks, knocks and scratches as per age, handling, use, and cleaning. The overall condition is generally good- some mild edge wear from handling and the occasional darker surface mark. There are natural flaws to the main figure. One- which goes through centre of left hand plinth and into tail- which has remedial infill- presumably from manufacture. The other to reverse across drapery dropPlease see additional images for visual references to condition which form part of this condition report. All lots are available for inspection and Condition Reports are available on request. However, all lots are of an age and type which means that they may not be in perfect condition and should be viewed by prospective bidders; please refer to Condition 6 of the Conditions of Business for Buyers. This is particularly true for garden related items.We must advise you that we are not professional restorers or conservators and we do not provide any guarantee or warranty as to a lot's condition. Accordingly, it is recommended that prospective buyers inspect lots or have their advisors do so, and satisfy themselves as to condition and accuracy of description All lots are offered for sale "as viewed" and subject to the applicable Conditions of Business for Buyer's condition, which are set out in the sale catalogue and are available on request. Buyers are reminded that liability for loss and damage transfers to the buyer from the fall of the hammer. Whilst the majority of lots will remain in their location until collected, we can accept no responsibility for any damage which may occur, even in the event of Dreweatts staff assisting carriers during collection. Condition Report Disclaimer
Lot 836
A PAIR OF LARGE TERRACOTTA COLOURED COMPOSITION STONE GARDEN URNS 20TH CENTURY Each with ovoid body cast with anthemia and fruiting vine, raised on a rectangular section plinth, this design has previously appeared on the market with stamps for the manufactory of Hoganas, Sweden 170cm high, 70cm wide across the handles, base 60.5cm square Condition Report: Wear, marks, knocks and scratches as per age, handling, use, and cleaning. Losses to extremities- one handle with require some further restoration to reattach it. Loss under 1 finial- water and weather staining and some loss around junction points of the urns which split into 4 lid, main top half of body, lower body and foot, plinth Please see additional images for visual references to condition which form part of this condition report. All lots are available for inspection and Condition Reports are available on request. However, all lots are of an age and type which means that they may not be in perfect condition and should be viewed by prospective bidders; please refer to Condition 6 of the Conditions of Business for Buyers. This is particularly true for garden related items.We must advise you that we are not professional restorers or conservators and we do not provide any guarantee or warranty as to a lot's condition. Accordingly, it is recommended that prospective buyers inspect lots or have their advisors do so, and satisfy themselves as to condition and accuracy of description All lots are offered for sale "as viewed" and subject to the applicable Conditions of Business for Buyer's condition, which are set out in the sale catalogue and are available on request. Buyers are reminded that liability for loss and damage transfers to the buyer from the fall of the hammer. Whilst the majority of lots will remain in their location until collected, we can accept no responsibility for any damage which may occur, even in the event of Dreweatts staff assisting carriers during collection. Condition Report Disclaimer
Lot 453
ANTOINE-LOUIS BARYE (FRENCH, 1795-1875) A BRONZE MODEL OF A CROUCHING RABBIT 19TH CENTURY With ears raised, naturalistic base on rectangular plinth, signed to cast Barye, inked to underside 25 7081A (?) 9cm long, 5.5cm high Provenance: The Imogen Paine collection of rabbits It has been suggested that this might be a lifetime cast by Hector Brame. Condition Report: Good and with mild wear as per handling and age- some paler patination from handling - notably to body and edges of base. Base with mild wear from table contact and with blue ink spot Please see additional images for visual references to condition which form part of this condition report All lots are available for inspection and Condition Reports are available on request. However, all lots are of an age and type which means that they may not be in perfect condition and should be viewed by prospective bidders; please refer to Condition 6 of the Conditions of Business for Buyers. We must advise you that we are not professional restorers or conservators and we do not provide any guarantee or warranty as to a lot's condition. Accordingly, it is recommended that prospective buyers inspect lots or have their advisors do so, and satisfy themselves as to condition and accuracy of description. All lots are offered for sale "as viewed" and subject to the applicable Conditions of Business for Buyer's condition, which are set out in the sale catalogue and are available on request. Buyers are reminded that liability for loss and damage transfers to the buyer from the fall of the hammer. Whilst the majority of lots will remain in their location until collected, we can accept no responsibility for any damage which may occur, even in the event of Dreweatts staff assisting carriers during collection. Condition Report Disclaimer
Lot 665
AFTER THE ANTIQUE- A BRONZE FIGURE OF SARDANAPALUS ROME, 18TH OR 19TH CENTURY45cm high, base 18cm wideCondition Report: Wear, marks, knocks and scratches as per age, handling, use, and cleaning. Some casting imperfections notably to reverse of plinth and some engrained dirt and surface wear Please see additional images for visual references to condition which form part of this condition report. All lots are available for inspection and Condition Reports are available on request. However, all lots are of an age and type which means that they may not be in perfect condition and should be viewed by prospective bidders; please refer to Condition 6 of the Conditions of Business for Buyers. This is particularly true for garden related items.We must advise you that we are not professional restorers or conservators and we do not provide any guarantee or warranty as to a lot's condition. Accordingly, it is recommended that prospective buyers inspect lots or have their advisors do so, and satisfy themselves as to condition and accuracy of description All lots are offered for sale "as viewed" and subject to the applicable Conditions of Business for Buyer's condition, which are set out in the sale catalogue and are available on request. Buyers are reminded that liability for loss and damage transfers to the buyer from the fall of the hammer. Whilst the majority of lots will remain in their location until collected, we can accept no responsibility for any damage which may occur, even in the event of Dreweatts staff assisting carriers during collection.Condition Report Disclaimer
Lot 795
WALTER GILBERT FOR THE BROMSGROVE GUILD- A RARE LEAD FIGURE 'THE SNAKE CHARMER' CIRCA 1908 Depicted standing, playing pan pipes or 'syrinx', snake entranced encircling left arm, set on stone plinth, unmarked figure 95.5cm high, plinth 40.5cm high, 40.5cm wide This relatively rare model was illustrated on page two of The Bromsgrove Guild trade catalogue from 1908. Catalogued as "SNAKE CHARMER (b)" it was priced at 30 guineas. Please see John Davis, Antique Garden Ornament, p. 313-314 (Plate 7.28)Condition Report: Weathering and with wear, marks, knocks and scratches as per age, handling, use, and cleaning. There are scratches/abrasions around extremities of the piece- including but limited to fingers, ends of coat, right hand shoulder etc.some lead shrinkage lines and marks. The hat looks to have been cast separately and then set on the head- the junction point is quite worn and notable suggesting it has been pushed/worn at this point. Some marks around junction points of different castings- left upper arm looks to have had some remedial work in the past. Pipes and serpent's tongue greener- suggesting they may have had a copper based decorative coating originally. Please see additional images for visual references to condition which form part of this condition report. All lots are available for inspection and Condition Reports are available on request. However, all lots are of an age and type which means that they may not be in perfect condition and should be viewed by prospective bidders; please refer to Condition 6 of the Conditions of Business for Buyers. This is particularly true for garden related items.We must advise you that we are not professional restorers or conservators and we do not provide any guarantee or warranty as to a lot's condition. Accordingly, it is recommended that prospective buyers inspect lots or have their advisors do so, and satisfy themselves as to condition and accuracy of description All lots are offered for sale "as viewed" and subject to the applicable Conditions of Business for Buyer's condition, which are set out in the sale catalogue and are available on request. Buyers are reminded that liability for loss and damage transfers to the buyer from the fall of the hammer. Whilst the majority of lots will remain in their location until collected, we can accept no responsibility for any damage which may occur, even in the event of Dreweatts staff assisting carriers during collection. Condition Report Disclaimer
Lot 586
AFTER EDOUARD MARCEL SANDOZ (1881-1971) A SILVERED BRONZE MODEL 'LAPIN BIJOU' 20TH CENTURY The seated small rabbit on plain plinth base, signed to cast Ed M Sandoz, with inscription for Susse Freres Edts Paris, base with trace of title inscription 5.2cm high, base 5.5cm long Provenance: The Imogen Paine collection of rabbits Condition Report: Good and with very mild wear as per handling and age. Base with mild wear from table contact and with blue ink spot Please see additional images for visual references to condition which form part of this condition report All lots are available for inspection and Condition Reports are available on request. However, all lots are of an age and type which means that they may not be in perfect condition and should be viewed by prospective bidders; please refer to Condition 6 of the Conditions of Business for Buyers. We must advise you that we are not professional restorers or conservators and we do not provide any guarantee or warranty as to a lot's condition. Accordingly, it is recommended that prospective buyers inspect lots or have their advisors do so, and satisfy themselves as to condition and accuracy of description. All lots are offered for sale "as viewed" and subject to the applicable Conditions of Business for Buyer's condition, which are set out in the sale catalogue and are available on request. Buyers are reminded that liability for loss and damage transfers to the buyer from the fall of the hammer. Whilst the majority of lots will remain in their location until collected, we can accept no responsibility for any damage which may occur, even in the event of Dreweatts staff assisting carriers during collection. Condition Report Disclaimer
Lot 614
AFTER ANTONIO CANOVA (1757-1822) THE THREE GRACES CONTEMPORARYWhite marble, on a mixed marble plinth 111cm high, 192cm high overall, the base top 85cm wide, 55cm deep Condition Report: This will require specialist courier/transport collection due to weight and scale.Wear, marks, knocks and scratches as per age, handling, use, and cleaning. There chips to top of figures plinth of edge- and several more to lower edge and corners. The pedestal/plinth support top edge with further chips. One finger tip has been reglued on. Natural flaws to marble and some hairlines visible under very strong light- notably upper arm of central figure- almost impossible to photograph. Some wear to plinth base. Overall slightly dirtyPlease see additional images for visual references to condition which form part of this condition report. All lots are available for inspection and Condition Reports are available on request. However, all lots are of an age and type which means that they may not be in perfect condition and should be viewed by prospective bidders; please refer to Condition 6 of the Conditions of Business for Buyers. This is particularly true for garden related items.We must advise you that we are not professional restorers or conservators and we do not provide any guarantee or warranty as to a lot's condition. Accordingly, it is recommended that prospective buyers inspect lots or have their advisors do so, and satisfy themselves as to condition and accuracy of description All lots are offered for sale "as viewed" and subject to the applicable Conditions of Business for Buyer's condition, which are set out in the sale catalogue and are available on request. Buyers are reminded that liability for loss and damage transfers to the buyer from the fall of the hammer. Whilst the majority of lots will remain in their location until collected, we can accept no responsibility for any damage which may occur, even in the event of Dreweatts staff assisting carriers during collection. Condition Report Disclaimer
Lot 691
A REGENCY GRIFFIN FENDERIN THE MANNER OF THOMAS HOPE, CIRCA 1815Gilt decorated griffins flanking stiff leaf plinth the ends 53cm high, 14.5cm deepwidth when reduced- 108.5cmWidth when extended- 139.5cmCondition Report: width when reduced- 108.5cmWidth when extended- 139.5cmThe griffins are single sided- the hooks to their reverse are for probably storing/holding fire tools. There is wear and rubbing from use Wear, marks, knocks and scratches as per age, handling, use, and cleaning.Please see additional images for visual references to condition which form part of this condition report. All lots are available for inspection and Condition Reports are available on request. However, all lots are of an age and type which means that they may not be in perfect condition and should be viewed by prospective bidders; please refer to Condition 6 of the Conditions of Business for Buyers. This is particularly true for garden related items.We must advise you that we are not professional restorers or conservators and we do not provide any guarantee or warranty as to a lot's condition. Accordingly, it is recommended that prospective buyers inspect lots or have their advisors do so, and satisfy themselves as to condition and accuracy of description All lots are offered for sale "as viewed" and subject to the applicable Conditions of Business for Buyer's condition, which are set out in the sale catalogue and are available on request. Buyers are reminded that liability for loss and damage transfers to the buyer from the fall of the hammer. Whilst the majority of lots will remain in their location until collected, we can accept no responsibility for any damage which may occur, even in the event of Dreweatts staff assisting carriers during collection. Condition Report Disclaimer
Lot 504
CHRISTOPHE FRATIN (FRENCH, 1801-1864)) A BRONZE MODEL OF A HARE GROOMING ITS FACE 19TH CENTURY The patinated figure on a signed naturalistic base, chamfered plinth, plaster filled base 8cm high, base 4cm wideProvenance: The Imogen Paine collection of rabbits Condition Report: Good and with very mild wear as per handling and age. Small nick to right ear. Base with mild wear from table contact and with blue ink spot Please see additional images for visual references to condition which form part of this condition report All lots are available for inspection and Condition Reports are available on request. However, all lots are of an age and type which means that they may not be in perfect condition and should be viewed by prospective bidders; please refer to Condition 6 of the Conditions of Business for Buyers. We must advise you that we are not professional restorers or conservators and we do not provide any guarantee or warranty as to a lot's condition. Accordingly, it is recommended that prospective buyers inspect lots or have their advisors do so, and satisfy themselves as to condition and accuracy of description. All lots are offered for sale "as viewed" and subject to the applicable Conditions of Business for Buyer's condition, which are set out in the sale catalogue and are available on request. Buyers are reminded that liability for loss and damage transfers to the buyer from the fall of the hammer. Whilst the majority of lots will remain in their location until collected, we can accept no responsibility for any damage which may occur, even in the event of Dreweatts staff assisting carriers during collection. Condition Report Disclaimer
Lot 503
M PAIGNANT (FRENCH, LATE 19TH/EARLY 20TH CENTURY) A GILT BRONZE MODEL OF TWO RABBITS 19TH/20TH CENTURY On naturalistic base, signed to cast and foundry stamp for Jollet & Cie, green serpentine plinth base 11.5cm high overall, base 10cm diameter Provenance: The Imogen Paine collection of rabbits Condition Report: Good and with mild wear as per handling and age. Darker patina to recessed details and crevices. Slightly loose on base which has loss to paper from table contact and prior access to screw/nut fitment, some chips to edges and with blue ink spot Please see additional images for visual references to condition which form part of this condition report All lots are available for inspection and Condition Reports are available on request. However, all lots are of an age and type which means that they may not be in perfect condition and should be viewed by prospective bidders; please refer to Condition 6 of the Conditions of Business for Buyers. We must advise you that we are not professional restorers or conservators and we do not provide any guarantee or warranty as to a lot's condition. Accordingly, it is recommended that prospective buyers inspect lots or have their advisors do so, and satisfy themselves as to condition and accuracy of description. All lots are offered for sale "as viewed" and subject to the applicable Conditions of Business for Buyer's condition, which are set out in the sale catalogue and are available on request. Buyers are reminded that liability for loss and damage transfers to the buyer from the fall of the hammer. Whilst the majority of lots will remain in their location until collected, we can accept no responsibility for any damage which may occur, even in the event of Dreweatts staff assisting carriers during collection.It is the buyers responsibility to satisfy themselves that the lot being purchased may be imported into the country of destination. Some lots will require export or cites licences in order to leave the UK or Europe- it is the buyer's responsibility to satisfy themselves as to these requirements. Condition Report Disclaimer
Lot 674
AFTER THE ANTIQUE - A LARGE 'GRAND TOUR' GILT BRONZE OF THE FURIETTI CENTAUR ITALIAN, EARLY 19TH CENTURYSet on a green marble base with bronze plinth overall 59.5cm high, base 34cm wide, 28cm deepTwo large Roman carved marble centaur figures (AD 117-138) were excavated by Giuseppe Furietti at Hadrian's Villa, Tivoli, in 1736. They were first displayed at the Capitoline Museum in June 1765 and subsequently copied in plaster casts and in bronze for travellers on the Grand TourCondition Report: Wear, marks, knocks and scratches as per age, handling, use, and cleaning. The gilded surface presents well with colour that doesn't seem to have been improved or altered except through polishing.The main figure a little loose on the base and tilting slightly to the right. Hairline crack to rear right leg and some small signs of old remedial repair. The child again a little loose- and is fixed with rod that goes through to 'hatch' on underside of centaur- this may benefit from being tightened up. There are additional hairline cracks to child's crotch, to left of 'hatch'. Some typical slight loosening around figural joints.Please see additional images for visual references to condition which form part of this condition report. All lots are available for inspection and Condition Reports are available on request. However, all lots are of an age and type which means that they may not be in perfect condition and should be viewed by prospective bidders; please refer to Condition 6 of the Conditions of Business for Buyers. This is particularly true for garden related items.We must advise you that we are not professional restorers or conservators and we do not provide any guarantee or warranty as to a lot's condition. Accordingly, it is recommended that prospective buyers inspect lots or have their advisors do so, and satisfy themselves as to condition and accuracy of description All lots are offered for sale "as viewed" and subject to the applicable Conditions of Business for Buyer's condition, which are set out in the sale catalogue and are available on request. Buyers are reminded that liability for loss and damage transfers to the buyer from the fall of the hammer. Whilst the majority of lots will remain in their location until collected, we can accept no responsibility for any damage which may occur, even in the event of Dreweatts staff assisting carriers during collection. Condition Report Disclaimer
Lot 681
AN ITALIAN MOSAIC CENTRE TABLE TOPAFTER THE 2ND CENTURY FRESCO IN THE PALAZZO NUEVO, CAPITOLINE MUSEUM IN ROMEthe top 92 x 120cmPlease note, the plinth available with this lot differs in appearance from the plinth illustrated in the catalogue images. Further images for this plinth are available upon request.Condition Report: Please note, the plinth available with this lot differs in appearance from the plinth illustrated in the catalogue images. Further images for this plinth are available upon request.The dimensions of the plinth that is included in this lot is: 75cm high, 53cm wide, 43cm deepThere are scratches, marks, knocks, cracks and abrasions consistent with age and use.There are losses, observations and restorations including: some tesserae cracked, lifted and raised, chipped and missing, generally only apparent under close inspection; with a brass border and metal backplate with two hooks, presumably to allow the panel to be fixed to the wall; some rust to the metal backplate.The painted wooden plinth with marks, scuffs and scratches to the paint. Some surface wear.Please see the additional photographs as a visual reference of condition. Condition Report Disclaimer
Lot 541
λ JEAN CLAUDE DESPOULAIN (FRENCH, 1945-) A BRONZE MODEL OF A SEATED RABBIT EARLY 20TH CENTURY Set on an American walnut plinth base, signed to cast Despoulain 7.6cm by 6.1cm, 8.5cm high overall Provenance: The Imogen Paine collection of rabbits Condition Report: Good and with mild wear as per handling and age. Some scratch marks to base from rabbit movementPlease see additional images for visual references to condition which form part of this condition report All lots are available for inspection and Condition Reports are available on request. However, all lots are of an age and type which means that they may not be in perfect condition and should be viewed by prospective bidders; please refer to Condition 6 of the Conditions of Business for Buyers. We must advise you that we are not professional restorers or conservators and we do not provide any guarantee or warranty as to a lot's condition. Accordingly, it is recommended that prospective buyers inspect lots or have their advisors do so, and satisfy themselves as to condition and accuracy of description. All lots are offered for sale "as viewed" and subject to the applicable Conditions of Business for Buyer's condition, which are set out in the sale catalogue and are available on request. Buyers are reminded that liability for loss and damage transfers to the buyer from the fall of the hammer. Whilst the majority of lots will remain in their location until collected, we can accept no responsibility for any damage which may occur, even in the event of Dreweatts staff assisting carriers during collection. Condition Report Disclaimer
Lot 775
A LARGE PAIR OF ITALIAN CARVED LIMESTONE FIGURES OF LIONS LATE 20TH CENTURY each 95cm high, 170cm long Provenance: From the Private Collection of a titled familyCondition Report: Weathering and with some marks, knocks and scratches as per age, handling, use, and cleaning. Minor loss to extremities- plinth chips- talon rubbing. Overall heavy lichen build up and varying levels of grayish discolouration. Will require specialist carrier collection due to weight and scale Please see additional images for visual references to condition which form part of this condition report. All lots are available for inspection and Condition Reports are available on request. However, all lots are of an age and type which means that they may not be in perfect condition and should be viewed by prospective bidders; please refer to Condition 6 of the Conditions of Business for Buyers. This is particularly true for garden related items.We must advise you that we are not professional restorers or conservators and we do not provide any guarantee or warranty as to a lot's condition. Accordingly, it is recommended that prospective buyers inspect lots or have their advisors do so, and satisfy themselves as to condition and accuracy of description All lots are offered for sale "as viewed" and subject to the applicable Conditions of Business for Buyer's condition, which are set out in the sale catalogue and are available on request. Buyers are reminded that liability for loss and damage transfers to the buyer from the fall of the hammer. Whilst the majority of lots will remain in their location until collected, we can accept no responsibility for any damage which may occur, even in the event of Dreweatts staff assisting carriers during collection. Condition Report Disclaimer
Lot 628
A marble column pedestal, late 19th century, the circular top over a turned pink and white variegated shaft raised on a circular socle with a square plinth base131 x 20.5cmProvenance:The Peckover family, formerly of Peckover House and Sibald's Holme, Wisbech, CambridgeshireThe top has come unstuck from the column, top with multiple chips to the edgeThe column has been broken and restored in at least three places, the top section, across the middle and base of the columnThe square base corner is broken and missingSee photos
Lot 631
A Scandinavian painted wardrobe, early 19th century, the domed cornice above two panelled cupboard doors painted with floral bouquets, raised on a plinth base177 x 138 x 49cmSome light wear, mainly to edges of cornice, generally in good condition overall~Back panels are loose and need attention, it is one piece and does not come apart for instillationSee images for interior
Lot 673
A Victorian carved marble model of a young lady's hand, believed to be that of Caroline Hanbury, on a tasselled cushion and mounted to a grey marble plinth base, signed 'Lina, 1867' within the marble25cm long overall;together with an oval portrait in black crayon heightened with white and red, also believed to be of Caroline Hanbury56 x 48cm
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