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A set of three Ercol beech and light elm hoop back dining chairs, stamped to the underside with kitemark and dated 1960, height 85cm (3).Condition report: Very good condition. Good and sturdy, no loose joints. Only two very minor tiny historical worm holes. Height to seat: 45cm. Width of seat 39.5cm
A 17th century style walnut open armchair, late 19th century with upholstered back and seat and raised on turned and carved legs, with concave stretchers, height 128cm.Condition report: The stretcher is loose into the left-hand foot, there is no evidence of worm, general wear, the chair is in very good condition. Extra images on David Lay website.
A Victorian mahogany hall bench, raised on turned legs. Height 47cm, width 91cm, depth 33cm.Condition report: Measurements correct although height of seat is 42cm. Good solid condition. Crack in side rail but not a serious concern. Nice worn patina, possibly not original finish but difficult to tell. Further photos now uploaded.
An early 20th century Thonet bentwood rocking chair with caned back and seat, bearing original label. Height 83cm, total depth 104cm, width 52cm.Condition report: No damage to the cane. Some weakness in the wood (see pictures). It sits well, easily taking the weight of a grown man, though if wobbled from side to side, there is movement, so would benefit from strengthening.
A George III mahogany sofa, with a padded back, arms and seat on square tapering legs, height 96cm, width 166cm, depth 64cm.Provenance:Michael Trethewey. A Gentleman of Taste.We are delighted to be selling in this sale and over forthcoming sales, items from the estate of the collector Michael Trethewey. Michael had an unerring eye for quality. He was a frequent visitor to these auction rooms, an elegantly dressed, unassuming man who bought well and had a singular passion for old-school antiques.
A late 19th/early 20th century Regency design mahogany dining table with D-shaped ends, over cannon barrel, turned columns, on splayed moulded legs and brass talon castors 72cm h x 146cm long extending to 217cm long with an additional leaf 132cm w, and a set of eight George III mahogany dining chairs with inlaid tablet crests and back, upholstered seats, on slender turned, tapered legs, seat height 44cm h, back height 85cmCondition: One chair has a repair to a back support, overall good condition
An early 20th century English rocking horse on safety stand, the carved, gesso and white painted horse with pricked ears, flared nostrils and open mouth revealing teeth, the slightly offset head inset with black and clear glass eyes, real horse hair mane, brown leather saddle seat, the body with outstretched legs on a painted pale blue safety stand, London retailers label to the rear of the stand, 111cm long Provenance: The Late Sarah Stewart Collection
A 17th century carved oak wainscot armchair, the shaped and carved top rail above two carved back panels of traditional panels, with panelled seat and scrolled elbow supports, raised on turned block legs united by stretchers, 108 x 56 x 50cm. CONDITION REPORT Sturdy, but has wear and deterioration to the joints and various parts of the frame. There are areas of repair, notably a 100 year old steel plate to the back of the upright. One of the front supports is shorter than the other through wear.
A 19th century rosewood veneered two-seater duet piano stool with upswept turned side rails above pierced fret panels, the stuffed padded seat enclosing a storage compartment with decorative musical garlands and floral inlaid panel to the front and back, raised on cabriole legs, height 61cm, length 95cm.
A pair of mid-20th century retro low lounge chairs with button pressed brown leather pads over a chrome tubular frame (2). CONDITION REPORT The leather is worn with age. Slight areas of widening of the stitched areas through wear. The edging of the canvas seat frame is a bit frayed in places. Areas where it has possibly been re-stitched over time. There are water stains in several places on the canvas. Some scuff marks to the chrome commensurate with age. Otherwise good with solid frames.
A Victorian hall chair with carved vine and grape decoration to the top and sides, central back plaque with painted image of a deer, floral inlay and painted scenes to the seat, to curved decorative supports in the form of deer legs and a pine Windsor-style carver, curved top rail to outswept arm rests and bobbin turned legs to cross stretcher (2).
A Victorian oak hall stand, the carved cornice above three brass rods suspended on ornate brackets, above an arrangement of hooks, bevelled rectangular plate above turned decoration and bowed seat flanked by a short drawer above panelled door with lattice and roundel decoration, 205 x 119 x 40cm. CONDITION REPORT No obvious signs of restoration, some wear to the brass rails and chrome detail. Some small areas of discolouration, age related scratches to stand.The mirror has some minor age related surface scratches, very small areas of foxing, a sliver of glass approx 4"long broken and missing from one side of the base of the mirror
A contemporary pine four-drawer chest to plinth base, 68 x 41 x 41cm, an Edwardian oak bedroom chair with bergère seat to wrythen supports and cross stretchers and an Edwardian mahogany inlaid coal bin, drop-down aperture with tin lining to interior, shaped bracket supports, 55 x 38 x 37cm (3).
An early 20th century Arts & Crafts style low chair, cut-out fretwork, sunburst back to curved arms, small pad feet. CONDITION REPORT Structurally sound patches of veneer loss, fading, nicks, scuffs and scrapes commensurate with age and use throughout, seat either a darker timber or has been heavily varnished, possibly replaced, small chip to the rear right support when viewed from the reverse, further general wear.
with later upholstered back, seat and arm pads, with a pierced and carved crest centred by the initial 'G', inscribed with the mottos 'ERNST IST DAS LEBEN' and 'HIETER DIE KUNST'58.5cm wide, 98cm high, 56cm deepFootnote: Note: The letter ‘G’ in the shield on the chair’s top rail may indicate its provenance. Georg V was the son of Ernst August I. In 1857 he commissioned Conrad Wilhelm Hase to build the gothic Schloss Marienburg, near Hildesheim, as a gift for his wife Queen Marie. In 1864, Hase was succeeded by his pupil Edwin Oppler. Oppler also designed ‘modern gothic’ chairs for Marienburg and these show the influence of Georg Gottlob Ungewitter. The projecting leaf carving on the present lot can be compared to that on a bookcase for Marienburg, and an unpublished desk chair, photographed at Schloss Marienburg, has features in common with the present example. The quotation ‘Ernst ist das Leben / Heiter die Kunst’ (life is serious, art is cheerful) is from Friedrich Schiller (1759–1805), Wallenstein, 1800.
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217092 item(s)/page