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Click here to subscribeUncommon British-Made tinplate clockwork Saloon Car, in red and black with blue oil can, Michelin Cord balloon tyres, front steering slots, number plate MS 3516, in we believe original plain card box with ref 1061/12, G, one headlamp unattached, one door hinges replaced, slots on back seat for passengers
Various makers Die-cast Cars and Commercials, Auto Pilen 305 Mercedes 250 Coupe black and yellow Taxi and 329 Seat 124 Sport Coupe in metallic deep red finish (rear wheels pushed up), Inter Cars 102 Ford Mustang in silver, Matchbox MOY No 7 Allchin Traction Engine, all in original boxes, unboxed Corgi Commer 5-Ton Flat bed, Matchbox 1:75 Austin A50 and Timpo Toys red saloon car, Timpo F others VG-E, boxes G-VG MOY unattached tab and flap in box (7)
E. GOODALL & CO., MANCHESTER, IN THE MANNER OF ALFRED WATERHOUSESET OF FOUR GOTHIC REVIVAL OAK DINING CHAIRS, CIRCA 1890each with carved top rail with John Boyd horsehair upholstered panel above a spindle gallery and stuffover seat, on turned and blocked legs linked by stretchers, stamped maker’s marks E. GOODALL, MANCHESTER (4)44cm wide, 95.5cm high, 44cm deepProvenance: Paul Reeves, London
VICTORIAN CARVED WALNUT AND GILT FRAMED LONG STOOL19TH CENTURYin the French Baroque style, with a button upholstered seat in olive-green fabric, above a shell-scrolled frieze and square tapered legs carved with flowerheads and leaves, united by a stretcher96.5cm wide, 52cm high, 44cm deepProvenance: Queen's Parade Antiques, Stow-on-the-Wold
SET OF FOUR REGENCY STYLE EBONISED AND GILT OPEN ARMCHAIRS20TH CENTURYwith curved backs above panels decorated with Roman figures and slatted backs, above rush seats and loose John Boyd horsehair cushions, with gilt Greek-key decorated seat rails and splayed feet (4)54cm wide, 83.5cm high, 48cm deep
SCOTTISH REGENCY ROSEWOOD UPHOLSTERED LONG STOOLEARLY 19TH CENTURYthe rectangular seat in later Watts of Westminster 'Welbeck Velvet' upholstery in 'Sherwood Green', with a bobbin-turned frame, united by X-form stretchers centred by a turned urn-shaped finial128cm wide, 57.5cm high, 40.5cm deepProvenance: Holly House, Montrose and 19 India Street, Edinburgh: two Scottish collections : Christie's South Kensington, Wednesday 2 October 2002Note: Please be aware that this lot contains material which may be subject to import/export restrictions, especially outside the EU, due to CITES regulations. Please note it is the buyer's sole responsibility to obtain any relevant export or import licence. For more information visit http://www.defra.gov.uk/ahvla-en/imports-exports/cites/
ENGLISH SCHOOLTWO GOTHIC REVIVAL OAK-FRAMED LOW EASY CHAIRS, CIRCA 1880comprising an ARMCHAIR, with curved back and seat, covered in a cut plush material by Watts of Westminster with close nail decoration, raised on leaf-carved legs, 64cm wide, 82cm high; and a MATCHING LOW CHAIR, 58cm wide, 72cm high (2)Provenance: Paul Reeves, London
GILLOWS, LANCASTER & LONDONASH COMMODE BEDSIDE TABLE, LATE 19TH CENTURYthe plain square top above an under tier and single door raised on square set legs, with stencilled decoration, stamped maker's marks GILLOWS, 41cm wide, 84cm high, 36cm deep; and a matching GILLOWS ASH COMMODE STOOL, the hinged horsehair upholstered seat above the square base raised on squat bun feet, with stencilled decoration, stamped maker's marks GILLOWS, 45.5cm wide, 47.5cm high, 44.5cm deep (2)Provenance: Paul Reeves, London
GOTHIC REVIVALOAK FRAMED THRONE CHAIR, CIRCA 1860with chamfered decoration, the back with upholstered panel in later Watts of Westminster silk damask, above open arms with arcaded supports enclosing a stuffover seat on square blocked legs linked by stretchers67cm wide, 101cm high, 70cm deepProvenance: Liberty, London
ATTRIBUTED TO J. P. SEDDONGOTHIC REVIVAL INLAID OAK CHAISE LONGUE, CIRCA 1865the back with turned spindles above an upholstered seat with bolster cushion in later Watts of Westminster silk damask, with a castellated arm, bearing shield to the exterior, the whole raised on square chamfered legs180cm across, 81cm high, 68cm deepProvenance: Paul Reeves, LondonNote: The arms inlaid in marquetry on the end of this chaise are those of the family of Payne, and bear the motto Malo mori quam foedari [I would rather die than be disgraced]. They may be blazoned as follows: Arms: Gules on a fess between two lions passant argent a crown of the field Crest: A lion’s gamb erased argent grasping a broken tilting spear gules.
ANDREW CRACE, HERTFORDSHIRE'CHINOISERIE' PATTERN IROKO BENCH, MODERNcomprised of three united sections, with open chinoiserie lattice back above the slatted seat and carved apron, raised on square set legs united by stretchers, maker's label282cm wide (diagonally from top of arm to top of arm), 88.5cm high, 50cm deep
VICTORIAN GOTHIC REVIVAL OAK-FRAMED SOFAMID-19TH CENTURYwith an arch-carved frame with canted corners above the upholstered back, arms and seat, raised on a pierced Gothic arcade, above short hexagonal legs and castors, with later Pugin upholstery169cm wide, 95cm high, 63cm deepProvenance: Liberty & Co., London
WALTER FRANCIS CRITTALL (DESIGNER, 1887-1956) AND ERNEST BECKWITH (MAKER, 1872-1952)ARTS & CRAFTS WALNUT OPEN ARMCHAIR, 1925the latticed back above shaped open arms and drop-in seat raised on square tapered legs linked by stretchers63cm wide, 98cm high, 51cm deepProvenance: Paul Reeves, LondonLiterature: Rogers, John C., 'Modern English Furniture', Country Life 1925, illus.Note: W. F. Crittall, known as ‘Pink’ apparently due to his Communist sympathies, joined his father’s metalworking firm and his design work lead to a major breakthrough in steel window design which is still the basis for their manufacture today. His interest in the welfare of his workers and improvements in their living conditions led to an involvement in the Design & Industries Movement. Established in 1915, the D.I.A. was founded by members of the Art & Crafts Movement Exhibition Society. Its aim was to promote design in industry by organising exhibitions, publishing magazines and books. For over forty years Crittall collaborated with Ernest Beckwith, a cabinetmaker from Coggeshall, Essex, to make a series of pieces of furniture, mainly for the homes and businesses of the Crittall family. He considered this furniture making as a hobby and his notebooks contain hundreds of designs for articles of furniture, only a small proportion of which were ever built.
SIMON HORN, HAMPSHIREREGENCY STYLE ROSEWOOD FRAMED BERGÈRE, MODERNthe carved seatback with reeded carved arms, caned back, sides and seat, raised on reeded tapered legs with brass caps and castors, with a loose feather cushion61cm wide, 95.5cm high, 59.5 deepNote: Please be aware that this lot contains material which may be subject to import/export restrictions, especially outside the EU, due to CITES regulations. Please note it is the buyer's sole responsibility to obtain any relevant export or import licence. For more information visit http://www.defra.gov.uk/ahvla-en/imports-exports/cites/
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