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Lot 1525
A George III Oak Settle, late 18th century, the moulded top rail above a back support with five fielded panels, the downswept arms with turned block supports, the drop-in seat above a plain seat rail, raised on square cut tapering legs with pad feet joined by a turned stretcher, 187cm by 56cm by 110cm
Lot 1670
A Victorian Mahogany Child`s High Chair on Stand, 3rd quarter 19th century, the rounded back support with caned seat, back and sides, the downswept arms raised on turned uprights, the carved seat rail on turned forelegs joined by a cross-stretcher and foot rest, the stand of square form raised on turned and tapering legs, the chair 38cm by 35cm by 60cm, the stand 48cm by 48cm by 37cm
Lot 1683
A Rosewood Open Armchair, stamped Gillow, circa 1825, upholstered in close-nailed green leather, the scrolling anthemion carved top rail above a button back support, the scrolling downswept arms with reeded hand grips and acanthus leaf carved supports, the overstuffed seat above a moulded rail, raised on turned and tapering reeded forelegs, 63cm by 61cm by 101cm See illustration
Lot 1704
A Mahogany Child`s High Chair on Stand, Mid 19th Century, the shaped top rail above a pierced splat and outswept arms joined by a removable serpentine fronted tray, the original overstuffed drop-in seat above a plain seat rail and adjustable foot rest, the stand raised on four splayed feet united by an H stretcher, 40cm by 42cm by 93cm
Lot 1712
A Victorian Rosewood Open Arm Settee, late 19th century, with padded back, arms and seat, upholstered in modern cream silk damask, the carved top rail centred by a scrolling leaf carved cartouche, slightly outswept arms with moulded hand grips and carved uprights, the serpentine shaped seat rail raised on cabriole legs and castors, 166cm by 70cm by 105cm See illustration
Lot 1717
A Victorian Rosewood Framed Chaise Longue, late 19th century, upholstered in cream button back silk damask, the rounded back support above a leaf carved scrolling armrest, the overstuffed serpentine shaped seat raised on carved and scrolling cabriole legs with castors, 175cm by 90cm by 88cm See illustration
Lot 1724
A French Walnut Framed Canape, late 19th century, upholstered in floral needlework fabric, the acanthus leaf carved frame above a padded back support, arms and seat, the carved arm supports above an overstuffed serpentine shaped seat, raised on cabriole legs with leaf carved shoulders and scrolling toes, 138cm by 64cm by 99cm; A Pair of Open Armchairs, en suite, 69cm by 54cm by 95cm; and A Pair of Chairs, en suite, 49cm by 43cm by 87cm (5) See illustration
Lot 1726
A Pair of Louis XV Style Beech Framed Fauteuils, late 19th century, the padded back, arms and seat upholstered in beige and pink striped dralon, the overstuffed seat above a flower carved seat rail, raised on slender cabriole forelegs with leaf carved spandrels, 60cm by 46cm by 90cm; and A Canape, en suite, 150cm by 60cm by 110cm
Lot 1729
A George I Style Mahogany Framed Wing Back Armchair, late 19th century, upholstered in green velvet, the padded back support between winged sides and rounded arm supports, the overstuffed seat above a close nailed seat rail and carved apron with scrolling acanthus leaves centred by a mask, raised on cabriole legs with shell carved shoulders, terminating in ball and claw feet, 73cm by 54cm by 107cm See illustration
Lot 1730
A Near Pair of William IV Mahogany Library Armchairs, 2nd quarter 19th century, upholstered in modern close nailed green leather, the curved back supports above rounded arms and overstuffed seat, raised on turned and tapering forelegs with brass toes and castors, 76cm by 55cm by 100cm See illustration
Lot 1734
A George III Style Mahogany Framed Three-Seater Settee, 20th century, upholstered in green floral damask, the padded back support above scrolling outswept arms, the squab cushion above a padded seat rail, raised on four shell carved cabriole forelegs with pad feet, 215cm by 100cm by 90cm See illustration
Lot 1735
A Walnut Framed Bergere Settee, circa 1920, the double caned back and sides with scrolling leaf carved arm supports terminating in carved eagle hand grips, the green velvet covered squab cushion above a serpentine shaped seat rail, raised on leaf carved cabriole fore legs with ball and claw feet, 210cm by 100cm by 87cm; and Two Armchairs, en suite, 83cm by 64cm by 90cm (3)
Lot 1737
A Pair of George II Style Mahogany Framed Armchairs, early 20th century, upholstered in worn yellow gold silk damask, the padded back support with slightly flared sides and rounded downswept arms, the sprung seat above a serpentine shaped rail, raised on squat cabriole forelegs with anthemion carved shoulders and ball and claw feet, 80cm by 76cm by 111cm See illustration
Lot 1738
A Pair of George II Style Mahogany Framed Armchairs, 20th century, upholstered in green floral crewel fabric, the shaped top rail between slightly flared sides and outswept arm supports, the squab cushion above a close nailed seat rail, raised on cabriole forelegs with shell carved shoulders and ball and claw feet, 98cm by 60cm by 121cm See illustration
Lot 1739
An Edwardian Gainsborough Armchair, early 20th century, upholstered in beige velvet, the padded back support above rounded arms with acanthus leaf carved supports, the overstuffed seat raised on cabriole forelegs, with leaf carved shoulders and claw and ball feet, 66cm by 80cm by 110cm See illustration
Lot 1748
An Unusual Regency Style Armchair, the low button back support between flared sides and overstuffed seat upholstered in modern dark pink dralon, raised on turned tapering forelegs with brass toes and castors, and Regency splayed rear legs with brass hairy paw feet and recessed castors, 65cm by 79cm by 98cm See illustration
Lot 1758
A Set of Three Chippendale Design Dining Chairs, 3rd quarter 18th century, the scrolling leaf carved top rail above a pierced interlacing splat, the overstuffed close nailed seat upholstered in floral needlework fabric, raised on square chamfered legs, 57cm by 48cm by 99cm (restorations) See illustration
Lot 1760
A Set of Six Late Regency Dining Chairs, 2nd quarter 19th century, the curved top rail and scrolling leaf carved back support between reeded uprights, the overstuffed drop-in seats upholstered in beige velvet, the plain seat rail raised on turned tapering forelegs, 38cm by 40cm by 85cm; and A Similar Carver (7) See illustration
Lot 1763
A Set of Six George III Chippendale Design Dining Chairs, early 19th century, the acanthus leaf carved toprail with shell carved ears, the scrolling vertically pierced splat above worn red leather drop-in seats, raised on a plain seat rail and square chamfered forelegs united by an H stretcher, 56cm by 46cm by 97cm (two chairs upholstered in silk damask) See illustration
Lot 1765
A Set of Eight Regency Mahogany Dining Chairs, 2nd quarter 19th century, the curved top rail above a horizontal carved back support between reeded uprights, the overstuffed seats upholstered in a modern leaf and cherry printed fabric, the reeded seat rail raised on sabre forelegs, including two carvers, 50cm by 42cm by 85cm See illustration
Lot 1766
A Set of Six George III Mahogany Dining Chairs, late 18th century, the comb shaped top rail with eared corners above a vertically pierced splat, the blue and floral needlework drop-in seats above a plain seat, raised on square chamfered legs joined by an H stretcher, 53cm by 43cm by 97cm See illustration
Lot 1774
A Louis XV Style Aubusson Tapestry and Giltwood Salon Suite, circa 1900, comprising a settee with carved top rail, padded back support and arms with scrolling hand grips and downswept arm supports, the worn overstuffed seat above a leaf carved serpentine seat rail, raised on cabriole legs with castors, 190cm by 65cm by 106cm, four open armchairs, en suite, 70cm by 60cm by 102cm, and four side chairs, en suite, 54cm by 50cm by 93cm (9)
Lot 1857
A Robert "Mouseman" Thompson Oak Upholstered Back Stool, drop-in solid seat, on turned and block supports, joined by stretchers, with later recessed carved mouse to underside of seat, 87cm See illustrations Robert Thompson was known to go back and carve a mouse at a later date. This chair was in Robert Thompson`s own house and is photographed in Lennon (Patricia) and Joy (David) Mouseman The Legacy of Robert Thompson of Kilburn, p.31 (the grain is exactly the same). This form is typical of the 17th century. Robert was inspired by English oak furniture of this period, and developed his own style which we are so familiar with today.
Lot 1858
A Robert "Mouseman" Thompson Oak Monks Chair, 1928, by Robert Thompson?, with curved back and shaped arms, each side carved with a devil showing protruding tongue and a clergyman`s head, over three griddle panels, the centre griddle with a shield depicting a skull and crossbones dated 1928, lattice leather seat, on four octagonal legs joined by stretchers, carved with a mouse signature on the support under the arm, 79cm See illustration
Lot 1928
Sidney Barnsley (1865-1926) An Oak Settee, circa 1907-1915, with shaped chamfered three-section lattice back, each section with two vertical splats through a shaped mid rail, shaped arms on an outswept support, upholstered drop-in seat on a rectangular box frame joined by a stretcher, 4`11" (151cm) wide, 1`7 1/2" (49.5cm) deep, 2`11" (88.5cm) high See illustration Both Sidney Barnsley and Ernest Gimson designed variations of the settee with a chamfered lattice back, a feature inspired by the superstructure often found on farm wagons.
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216995 item(s)/page