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A 17th century oak and marquetry wainscot chairThe rectangular panelled back inlaid with floral marquetry, the shaped scroll cresting initialled RE with conforming monogram to right stile, the downswept block-ended open arms on baluster turned supports, embracing a solid seat over plain seat rails, on turned front legs joined by rectangular section stretchers64cm wide x 47cm deep x 109cm high, seat height 43cmCondition:Structurally sturdy. Vertical split to back panel. Shrinkage gap to seat boards. Typical wear to stretchers especially front. Wear to the tops of the seat back stiles. General old and well-patinated marks, dints and scratches and signs of age. Evidence of a missing stretcher to the back beneath the seat. Very old worm marks to the underside of the seat boards possibly pre-construction. No other evidence of worm elsewhere.
An Iatmul orator's stoolPapua New Guineathe curved back with carved stylised decoration and with a standing female figure with inset cowrie shell eyes and previously with resin/mud to the top of the head, her right arm inscribed MANIAMA, with an oval seat having two ancestor mask supports to a domed base, with earth and white pigments,86cm high.ProvenanceDr Laurence R. Goldman Collection.Christie's, London, Important Tribal Art, 22 June 1993, lot 150.
A Taino duhoDominican Republic, circa 1000 -1500 ADlignum vitae, carved as a zemi with recessed eyes and bared teeth, above scroll designs and with the hands to the back edge of the seat, the front with genitals and on front legs and feet and with oblong block legs to the back,50.5cm long, 14cm high.
A Benin style Nigerian bronze figure of a seated Oba 20th century, 12¾in. (32.5cm.) high; together with a pair of African brass figures of a king and queen with high, blade style headresses, seated upon high throne stools, 13¼in. (33.6cm.) high. (3) *The Benin style figure with casting flaw holes to the left side and back of the throne and seat, from the making. No other damage.
An Italian early 19th century carved limewood bench with a shaped high back conjoined by a floral and ribbon-carved stretcher, the seat with a full length antique petit point squab cushion, 58 x 14¾in. ( 147.3 x 37.4cm.), 43½in. (110.4cm.) high. *Old worm holes through out, Shrinkage splits forming to back and legs, Detail lost to parts of the arm where worn, loss of wood to left front foot.
A large bespoke upholstered headboard and matching 18th century style carved and painted bed bench seat the padded headboard upholstered in a bold floral fabric, possibly by Timorous Beasties, featuring a pomoegranate plant, a peony, grapes, butterflies and moths and other garden and exotic flowers and plants. Cylindrical form padded surround in striped fabric, 75 x 56in. (190 x 142cm.) The buttoned seat upholstered in matching fabric, the distressed, white painted frame with foliate carved cabriole style legs with scroll carved toes, 56¼ x 19¾in. (143 x 50cm.), 20in. (50.75cm.) high.
A 19th Century stained oak lambing chair the arched top rail over a three panel back with foliate and rosette carving, flanked by serpentine wings with floral and scroll carving joining the swept arms with scroll terminals over a board seat with pierced apron, raised on turned supports with bun feet and united by a peripheral stretcher, 30 x 22in. (76.2 x 55.8cm.), 58¾in. (149cm.) high. *surface scuffs, joints good, age split to main seat back panel
A late 19th century Lancashire style spindle back chair the attractive back with triple rails separating seventeen back splat spindles, topped by a wave form header rail, with recently re-woven rush seat, turned bulbous front legs on oblique pad feet, square section rear legs, united by a double box stretcher with turned front stretcher, 42¼ in. (107.3cm.) high. *In good order.
A late Victorian painted writing table and chair the galleried top with two small drawers over an inset leather writing surface above two frieze drawers with swan necked handles, raised on tapering square legs with spade feet on pottery castors, the chair with yoke top rail over a pierced splat and cane seat, on cabriole legs, table 36 x 20¾in. (91.4 x 52.7cm.), 32¾in. (83.1cm.) high.
An Oriental carved coromandel wood settle probably late 19th century, the slatted back with foliate carved top rail over broad, flat scroll arms and a solid seat with incised seat rail, the storage beneath accessed through a sliding central panel to the slatted front, on stile feet, 43½in. (110.5cm.) wide, 38¼in. (47.25cm.) high.
Faux leather chair and ottoman/footstool in grey possibly Baxton Studio Annetha. Padded seat, chairback and ottoman, buttoned faux leather. Chair has generously sized seating area with a reclined back. Possibly walnut finished legs. Chair dimensions (inches): 36 high x 28 wide x 33 deep; Seating dimensions (inches): 15.5 high (from floor) x 26.5 wide x 21 deep; Back (inches): 20.5 high; Legs (inches): approx 9 to 11 high. Stool dimensions (inches): 16 high x 27.5 wide x 19.5 deep; Legs (inches): 11 high.
A pair of 19th century Anglo-Indian carved hardwood open armchairs possibly padouk wood, carved with flowers and foliage, the vase splat backs below a yoked crest rail, over swept arms and a rattan seat, on turned, tapered legs with toupie feet, 21½in. (54.5cm.) wide, 41½in. (105.5cm.) high, old repairs. (2) *Polish is dulled and dirty to both chairs, but the surface is very original and would respond very well to wax and polish. The joints are very solid on both chairs. Both have white water marking at the bottom of the feet from storage in a damp cellar, but there is no rot or woodworm damage. Both also have a few small patches of white paint to the wood (probably fairly easily removed). The caning is original and in good condition overall - one chair does have a few small fractures to individual strands of the caning, but both seats are solid. - Chair 1: Has a small repair to the joint of the top rail and back upright - a small piece of wood has been let-in which has been carved to match. A few old shrinkage cracks to the bottom and top of the splat. - Chair 2: Has a partial shrinkage crack to the left arm, which runs along a grain line in the wood (see photo). This is not a repair. There is a single small shrinkage to the top of the splat at the back.
An Arts and Crafts oak long footstool, of traditional pegged construction with stop-chamfered legs united by a single cross-stretcher and professionally re-upholstered in a multi-coloured flame-stitch fabric34 x 93 x 36cmBoth timber and fabric is super order with only expected light wear to the frame.Structurally very sound with no play in the joints.Good, rich colour which may benefit further from a wax.The drop-in seat (which will lift out if necessary) has been recently professionally re-upholstered and is therefore is superb condition
A Regency mahogany bergère library armchair, with green buttoned leather seat cushions and armrests, on turned legs and brass castors 103 x 68 x 70cmSome discolouration to leather commensurate with age and use, rail added under caning, old repair to one back leg, some historic worm, generally in good condition
Follower of John Sell Cotman Château de Falaise, Normandy, France watercolour on paper 24 x 35cm Château de Falaise, the ancestral seat of the Dukes of Normandy, was the birthplace of William the Conqueror in approximately 1028 - in an earlier building on the same site. The present composition appears to be closely based on the etching Castle of Falaise (North View) of this subject by Cotman, which was published as pl. 90 in Architectural Antiquities of Normandy in 1821.
John Thomas Barber Beaumont (1774-1841) Portrait miniature of Captain Samuel Edward Cook (1787-1856), later Widdrington, RN, wearing a blue coat, white waistcoat, chemise and stocksigned lower right 'JTB'watercolour on ivory, oval, in a gold frame, verso glazed to reveal strands of hair set with gilt-wire and split seed pearls on opalescent glass6cmProvenance:The Widdrington family, Newton Hall, Northumberland,Bonhams, London, 25 May 2011, lot 68;Ellison Fine Art, from whom acquired in 2014 by the late Barry Lock (1934-2021)The sitter was the eldest son of Reverend Joseph Cook and Sarah Brown. He joined the navy in 1802 at the age of fifteen as a midshipman. He became a lieutenant when stationed in the West Indies in 1809. He retired as a commander in 1824 and was decorated by the King of Portugal for services to the crown. He is known primarily for his two books written while he was living in Spain following his service in the Royal Navy, Sketches in Spain during the years 1829-1832 (1834) and Spain and the Spaniards in 1843 (1844). In 1832 upon his return to his family seat, Newton Hall in Northumberland, he married Dorothy, the daughter of Alexander Davison (1750-1829), an agent and confidant to Lord Nelson. In 1840, Cook assumed the name of Widdrington, his mother being the heiress of some of the estates of that family. In 1842, he was elected a Fellow of the Royal Society and served as High Sheriff of Northumberland in 1854. He died at Newton Hall in 1856 and was succeeded in the ownership of his estates by his nephew, Shallcross Fitzherbert Jackson, who also assumed the name Widdrington.This item is offered for sale in accordance with the Ivory Act 2018 and has been assigned an exemption certificate, Ref. No. KLAK4F7G.
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216995 item(s)/page