We found 216995 price guide item(s) matching your search
There are 216995 lots that match your search criteria. Subscribe now to get instant access to the full price guide service.
Click here to subscribe- List
- Grid
-
216995 item(s)/page
Lot 277
A Chinese huali folding chair,20th century, the horseshoe-shaped rail with a pierced and carved panel of a qilin amongst waves to the shaped backrest, with a woven string seat with a chilong carved top rail, sheet metal mounts throughout, 64cm wide68.5cm deep109cm high二十世纪 花梨木圆后背雕麒麟纹交椅Condition report: Good overall condition. Woven seat slightly loose.
Lot 56
GILT BRONZE FIGURE OF BAJRA-VIDARANA YONGLE MARK BUT 20TH CENTURY cast seated in dhyanasana on a double lotus base, holding a crossed-vajra to his right hand raised before chest, left with drilbu tucked against his hip, the bodhisattva wears a dhoti, heavily adorned with jewelled necklets, an elaborate tiara surrounds his high chignon topped with finial, the figure richly gilded overall, the front of the lotus seat incised with a line of six-character Yongle mark, the base engraved with a crossed vajra (Dimensions: 27cm high) (Qty: 1)(27cm high)Qty: (1)
Lot 132
◆ DEHUA FIGURE OF GUANYIN MING DYNASTY shown seated in royal-ease pose on layered rock podium with perforations, she holds a scroll with left hand rested across right knee, long loose robe well defined with natural flows draped on the seat, a ruyi pendant exposed on her chest, further partly-exposed on her chignon, her face casts down in serene and benevolent expression, a holy-water vase placed on top of a raised rock to her left, her back impressed with a three-character 'He Chao Zong' mark (Dimensions: 32.8cm high) (Qty: 1)(32.8cm high)Qty: (1)Footnote: Provenance: Private Hong Kong collection
Lot 158
Faret (Nicolas) L'Honeste Homme, ou l'Art de Plaire a la Cour, second edition, title with woodcut device, woodcut ornaments and initials, light water-staining to title, minor repairs to free endpapers, old limp vellum, rubbed and stained, spine defective at head (repaired), 8vo, Paris, Nicolas & Jean de la Coste, 1639.⁂ Scarce collection of commonplaces from 16th century authors producing a new social etiquette for 17th century France. It was first published in 1630 and translated into English in 1632 by Edward Grimestone, who dedicated it to Richard Hubert, a courtier and Groom-Porter to Charles I. There were several 17th century editions, all of which are scarce; Library Hub lists one copy only dated 1639 (Wadham College, Oxford) but this has a different imprint.Faret (1596-1646) was one of the founder members of the Académie Française and the first occupant of seat number nine.
Lot 59
A Korean saddleJoseon dynasty (1392-1897), 18th/19th centuryWood, leather, and iron with silver overlay, comprising seat, pommel, and cantle; the components of the seat held together with leather thongs and drilled with holes for attaching the seat cushion and accessories, the section in front of the pommel drilled with holes for the reins, the pommel edged with iron strips and with a flower-shaped decoration to the front, the iron with motifs in silver overlay. 24.8cm x 43.2cm x 35cm (9¾in x 17in x 13¾in).Footnotes:For a saddle of similar construction in the Metropolitan Museum of Art, New York, inv.no.36.25.577a–c, see https://www.metmuseum.org/art/collection/search/31907; it is described online as 'Mongol or Korean' but the silver decoration suggests a Korean origin for the present lot.For further information on this lot please visit Bonhams.com
Lot 98
An ivory okimono group of figuresMeiji era (1868-1912), late 19th/early 20th centuryComprising two kago (palanquin) bearers, one standing at either end, clutching a bamboo cane, carrying the pole supporting the woven portable seat, the passenger fallen asleep inside, his spectacles dangling from his right ear, a book and fan resting on his lap, a kinchaku (purse), a gourd and probably foodstuff wrapped within a furoshiki cloth attached to the roof; a pair of straw sandals strapped on to the back of the seat, unsigned; all fixed on an elaborate wood stand. 31.5cm x 39.5cm (12 3/8in x 15½in) incl. stand.This lot is subject to the following lot symbols: Y ФY Subject to CITES regulations when exporting items outside of the EU, see clause 13.Ф This lot contains or is made of ivory. The United States Government has banned the import of ivory into the USA.For further information on this lot please visit Bonhams.com
Lot 120
An oak panel back armchair, incorporating 17th century and later elements, with scroll carved back and open arms above the solid seat and turned supports united by stretchers Condition Report: As per cataloguing- some old repairs, replacement sections, signs of worm to rear left leg Condition Report Disclaimer
Lot 158
A carved mahogany framed open armchair in the early George III style, the oval padded back, armpads and seat upholstered in patterned striped weave with foliate carved frame, 58.5cms wide, 94cms high. Condition Report: generally fairly good condition- mild wear from use. Condition Report Disclaimer
Lot 195
A Victorian mahogany framed chaise longue, scrolling end and serpentine seat, cabriole legs, 180cms wide, 90cms high, 68cms deep. Condition Report: Upholstery in need of a clean/replacement- ink and other stains frame pale and showing signs of fairly heavy cleaning and use Condition Report Disclaimer
Lot 30
A Continental giltwood and upholstered settee, mid-19th century, with scrolled back and open arms, 111cm high, 183cm wide, 65cm deep Condition Report: Marks, knocks, scratches, abrasions consistent with age and use, The upholstery with marks and water staining especially to the seat, Some old splits and cracks, Chips, losses and wear to the gilded surface overall Signs of old woodworm, this has especially effected the scrolling crest to the centre of the back, this is detached but present with the lot - there is extensive woodworm damage in this area and it probably requires treating before installing in a domestic setting. Condition Report Disclaimer
Lot 88
An exceptionally rare huanghuali low-back armchair, meiguiyi17th century The chair with a rectangular top rail mortised and tenoned to the stiles, inset with a central reticulated panel finely carved with a pair of sinuous and confronted chilong, the stiles continuing through the seat frame and extending as the back legs, the arms mortise and tenon to the stiles and posts supporting a shou shaped strut on each side, continuing through the seat and extending as the front legs, the hard cane seat bordered by a horizontal stretcher set with vertical pillar-shaped struts below, the plain aprons joined to the front legs by a shaped footrest. 82cm (32 2/8in) high x 58cm (22 7/8in) wide x 45cm (17 6/8in) deep.Footnotes:十七世紀 黃花梨玫瑰椅Provenance: an English private collection, and thence by descentThe collection was formed by the grandfather of the former owner who was the Assistant Commissioner, Shanghai Municipal Police, 1919-1928. His father was a Protestant missionary in China. The family returned to England shortly after the Second World War.來源：英國私人收藏，並由後人保存迄今。本拍品前任藏家之祖父曾於1919至1928年任上海公共租界工部局警務處副官，其父為一名新教傳教士；第二次世界大戰爆發後，舉家回到英格蘭。Compare with a similar huanghuali armchair, Ming dynasty, decorated with a identical design of entwined chilong as the present example, in the Qing Court Collection, in the Palace Museum. Beijing, illustrated in Furniture of the Ming and Qing Dynasties, vol.1, Hong Kong, 2002, p.53, no.39.Often referred to as 'rose' writing chairs, this type with low rectangular arms and back is the smallest among the classic forms. The sense of elegance and lightness, conveyed by the use of humpback stretchers with pillar-shaped struts both above the seat frame, encouraged portable and functional ease.The height of the present seat made it ideal for being placed against a window or wall, without obstructing a pleasant garden view. In addition, the straight back and arms, typical features of the meiguiyi, gave a sense of austerity to the scholars sitting in them. For a detailed discussion of low-back armchairs meiguiyi and their Song dynasty origin, see S.Handler, 'Rose, Bamboo and the Low-Back Armchair', in Chinese Furniture: Selected Articles from Orientations, 1984-1999, Hong Kong, 1999, pp.250-256. See also Wang Shixiang, 'Development of Furniture Design and Construction from the Song to the Ming', ibid., p.44.This lot is subject to the following lot symbols: TP YTP Lots denoted with a 'TP' will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.Y Subject to CITES regulations when exporting items outside of the EU, see clause 13.For further information on this lot please visit Bonhams.com
Lot 90
A rare huanghuali low-back armchair, meiguiyi17th century The armchair formed by members fitted together with characteristic pipe joints, the back formed by an open rectangular back frame decorated with beaded aprons carved with interlocking geometric designs and a gallery rail with narrow struts running around the enclosed rectangular mat seat on three sides, the back pillars and arms continuing to form the four legs, embraced by plain aprons below the seat and along the lower legs by a foot rest, two side stretchers and an ascending back stretcher. 85cm (33 1/2in) high x 56cm (22in) wide x 43cm (16 7/8in) deep Footnotes:十七世紀 黃花梨券口靠背玫瑰椅Provenance: an English private collection, and thence by descentThe collection was formed by the grandfather of the former owner who was the Assistant Commissioner, Shanghai Municipal Police, 1919-1928. His father was a Protestant missionary in China. The family returned to England shortly after the Second World War.來源：英國私人收藏，並由後人保存迄今。本拍品前任藏家之祖父曾於1919至1928年任上海公共租界工部局警務處副官，其父為一名新教傳教士；第二次世界大戰爆發後，舉家回到英格蘭。Notable for its elegant form and proportions, and the distinctive rich honey-brown tone of its wood displaying an attractive grain, this remarkable chair is one of the finest surviving examples of its type. Chairs displaying a low rectangular back were referred to as either 'rose chairs', meigui yi, or 'writing chairs', wenyi. These seats were the smallest of the standard chair designs in Chinese furniture, making them appropriate for both indoor and outdoor use. The straight back and arms gave a sense of austerity to the scholars sitting in them and would fit neatly under the window of a scholar's studio, without obstructing the view outside. The interlocking geometric designs and carved apron on the chairs are similar to a pair attributed to the early Kangxi period, illustrated by R.H.Ellsworth, Chinese Furniture: One Hundred and Three Examples from the Mimi and Raymond Hung Collection, Hong Kong, 2005, pl.17. A similar pair of huanghuali low-back armchairs, 1660-1720, from the collection of the Victoria and Albert Museum, London, are illustrated by C.Clunas, Chinese Furniture, London, p.30. A nearly identical pair of huanghuali low-back armchairs, Kangxi, was sold at Christie's Hong Kong, 27 November 2019, lot 3052.This lot is subject to the following lot symbols: TP YTP Lots denoted with a 'TP' will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.Y Subject to CITES regulations when exporting items outside of the EU, see clause 13.For further information on this lot please visit Bonhams.com
Lot 91
A rare set of four huanghuali armchairs, meiguiyi18th/19th centuryEach with a rectangular top rail mortised and tenoned to the stiles, set with a beaded-edge apron shaped with curving scrolls enclosing two confronted chilong heads contending the yin and yang symbol, all tongue-and-grooved into the top rail, the stiles continuing through the seat frame and extending as the back legs, the arms mortise and tenon to the stiles and posts, continuing through the seat and extending as the front legs, the hard cane seat bordered by a horizontal stretcher set with vertical pillar-shaped struts below, the front beaded-edged apron carved in low relief with meandering tendrils, the side aprons and the back apron left plain, the front legs joined by a shaped footrest atop a plain shaped apron on the front and aprons on the sides, the legs joined by rounded square stretchers. 82cm (32 2/8in) high 59.5cm (23 2/8in) wide x 45cm (17 6/8in) deep (4).Footnotes:十八/十九世紀 黃花梨券口靠背玫瑰椅 四張成堂Provenance: an English private collection, and thence by descentThe collection was formed by the grandfather of the former owner who was the Assistant Commissioner, Shanghai Municipal Police, 1919-1928. His father was a Protestant missionary in China. The family returned to England shortly after the Second World War.來源：英國私人收藏，並由後人保存迄今。本拍品前任藏家之祖父曾於1919至1928年任上海公共租界工部局警務處副官，其父為一名新教傳教士；第二次世界大戰爆發後，舉家回到英格蘭。Notable for their refined elegance, slender lines and light construction, the present chairs are exceptional examples of their type. Chairs displaying a low rectangular back, only slightly higher than the arms, which were placed at right angles to the front posts, were referred to as 'rose chairs, meiguiyi, or writing chairs, wenyi. The straight back and arms gave a sense of austerity to the scholars sitting in them and would fit neatly under the window of a scholar's studio, without obstructing the view outside. Much praised for their compact proportions, meiguiyi chairs are characterised by their top rail and arms curving smoothly into the posts, imitating the flexibility of bamboo by means of complex mortise-and-tenon joints. Moreover, the chairs are lightened by the use of the humpback stretchers with pillar-shaped struts above the seat frame. This design is thought to have been inspired by a low-back armchair manufactured during the Song dynasty, an example of which is depicted in a twelfth century painting by Ma Gongxian (act.1131-1162). Here Li Ao (d.ca. 844), a Confucian scholar, is seeking instruction from Yaoshan Weiyan (751-834), a Chan master, who is seated on a low bamboo chair which resembles the construction of a meiguiyi, with the addition of a back rest. Low-back armchairs were also frequently depicted in paintings and prints dating to the Ming and Qing dynasties. A 'Literary Gathering in the Apricot Garden', painted by the court artist Xie Huan (act.1426-1452), features 'The Three Yangs' scholars of the Hanlin Academy besides bamboo and hardwood low-back armchairs. Meiguiyi armchairs also served as informal seats for women: this is visible on a woodblock print illustration to 'Phoenix Seeks a Mate' Huang Qiu Feng, a drama dating to the Qing dynasty, which depicts three court ladies seated on low-back armchairs.Smaller and less formal than the 'yoke-back' or 'horseshoe-back' armchair, low-back armchairs were often more ornately decorated, displaying decorative frames and stretchers on the back panels, such as the present examples. The back frame of the present examples features an elaborate silhouette embellished with delicate designs of angular spirals and perky chi dragons enclosing the yin/yang symbol, while the arch-shaped frame of the base displays a curling tendril motif on the seat apron.For a detailed discussion of low-back armchairs meiguiyi and their Song dynasty origin, see S.Handler, 'Rose, Bamboo and the Low-Back Armchair', in Chinese Furniture: Selected Articles from Orientations, 1984-1999, Hong Kong, 1999, pp.250-256. See also Wang Shixiang, 'Development of Furniture Design and Construction from the Song to the Ming', ibid., p.44.A related pair of huanghuali low-back chairs, early 18th century, was sold at Sotheby's New York, 16 September 2009, lot 9.This lot is subject to the following lot symbols: TP YTP Lots denoted with a 'TP' will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.Y Subject to CITES regulations when exporting items outside of the EU, see clause 13.For further information on this lot please visit Bonhams.com
Lot 93
A pair of hongmu stools, fangdeng18th centuryEach with the wood seat formed by two rectangular panels enclosed within a square mitre, mortise and tenon frame, with a moulded apron resembling a rounded member, supported on thick cylindrical legs joined by wrap-around humpback stretchers and openwork aprons of two vertical posts. 47cm (18 1/2in) high x 55.5cm (21 7/8in) wide x 55cm (21 5/8in) deep (2).Footnotes:十八世紀 紅木方凳成對Provenance: an English private collection, and thence by descentThe collection was formed by the grandfather of the former owner who was the Assistant Commissioner, Shanghai Municipal Police, 1919-1928. His father was a Protestant missionary in China. The family returned to England shortly after the Second World War.來源：英國私人收藏，並由後人保存迄今。本拍品前任藏家之祖父曾於1919至1928年任上海公共租界工部局警務處副官，其父為一名新教傳教士；第二次世界大戰爆發後，舉家回到英格蘭。The form of the present stools was probably inspired by a Ming dynasty prototype. For a huanghuali version of square stools, Ming dynasty, see Splendor of Style: Classical Furniture from the Ming and Qing Dynasties, Taipei, 1999, p.73. See also The Radiant Ming 1368-1644: through the Min Chiu Society Collection, Hong Kong, 2015, p.288, no.222.This lot is subject to the following lot symbols: TP YTP Lots denoted with a 'TP' will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.Y Subject to CITES regulations when exporting items outside of the EU, see clause 13.For further information on this lot please visit Bonhams.com
Lot 114
A fine huanghuali folding stool, JiaowuQing DynastyConstructed with beaded-edged curvilinear shaped seat rails carved with floral scrolls, with a woven seat, the round legs mortised, tenoned and lapped to the seat rails and base stretchers, hinged by metal rods passing through holes in their centre and secured on both sides by prunus-shaped metal plates, reinforced by rectangular plates with ruyi heads, a rectangular footrest mortised and tenoned to a pair of legs and base stretcher, metal straps with ruyi heads added for reinforcements on where the four legs, base stretcher and leg-seat rail join. 56.5cm (22 1/4in) deep x 55cm (21 3/4in) x 56cm (22in) high.Footnotes:清 黃花梨有踏床交杌Provenance: a British private collection, acquired in Hong Kong in the 1990s.來源：英國私人收藏，於二十世紀九十年代購自香港The elegant form of the present stool is inspired by a prototype dating to the Ming dynasty. Easily folded and carried over the shoulder, light weight, and durable, folding stools were a practical alternative for seating when travelling or hunting. Although separately attached footrests became relatively rare on chairs during the Ming dynasty, they were often retained for convenience on stools, which were more frequently moved.According to Robert Ellsworth, stools featuring a similar shape as the present example may have been used as ad-hoc palanquin seats. The placement of footrests on both sides in fact suggests that the passenger or palanquin bearers would not need to turn around when coming and going.For a huanghuali folding stool, late Ming dynasty, see R.H.Ellsworth, Chinese Furniture: One Hundred Examples from the Mimi and Raymond Hung Collection, New York, 1996, pp.42-43, no.1.Compare with a related huanghuali folding stool, 17th/18th century, which was sold at Christie's Hong Kong, 30 May 2018, lot 3018.This lot is subject to the following lot symbols: TP YTP Lots denoted with a 'TP' will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.Y Subject to CITES regulations when exporting items outside of the EU, see clause 13.For further information on this lot please visit Bonhams.com
Lot 117
A pair of hongmu and huali armchairs19th centuryEach with stepped toprails above upright backs with central splats carved and pierced with design of bat suspending fruiting peach branches within archaistic scrolls and flanked by key-fret designs, the wide elbow rests on similar archaistic scroll supports, over a solid seat and above splayed aprons with scroll details and mouldings leading to robust square-section supports with hoof feet. Each 101.5cm (40in) high x 89.5cm (35 1/4in) wide x 58cm (23in) deep (2).Footnotes:十九世紀 紅木花梨木扶手椅成對The present pair of armchairs exemplifies the influence of Western decorative designs on Chinese furniture during the Qing dynasty. The curling and upturning acanthus leaves of the backrests, blending elegantly within the interlocking designs of stylised chilong, were certainly drawn from the repertoire of Rococo art. Compare with four related hongmu chairs, Qing dynasty, which were sold at Christie's Hong Kong, 4 April 2017, lot 206.This lot is subject to the following lot symbols: TP YTP Lots denoted with a 'TP' will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.Y Subject to CITES regulations when exporting items outside of the EU, see clause 13.For further information on this lot please visit Bonhams.com
Lot 118
A pair of huanghuali horseshoe-back chairsQing Dynasty Each with a rectangular seat supporting a slightly curved splat carved in low relief with a lobed panel depicting a bat suspending a tasselled chime, beneath the horseshoe-shaped back carved in the centre with a further bat, resting on curved supports forming the arms and extending through the seat into the straight rail legs, the aprons at the front and sides carved with ruyi scrolls and the legs joined above the feet with four stretchers.Each 108cm (42 1/2in) high x 62cm (24 1/2in) wide x 48cm (18 7/8in) deep (2).Footnotes:清 黃花梨福磬紋圈椅成對The present pair of huanghuali chairs is a direct continuation of late Ming/ early Qing dynasty horseshoe-back chairs; for a related carving on the back splat, see a huanghuali chair, Qianlong, illustrated in The Complete Collection of Treasures of the Palace Museum: Furniture of the Ming and Qing Dynasties, Beijing, 2007, pl.58. For a similarly carved apron on a zitan armchair, 18th/19th century, see C.Evarts, Splendor of Style: Classical Furniture from the Ming and Qing Dynasties, Taipei, 1999, p.88.The decoration on the present lot is highly auspicious. The bat (fu 蝠) is a homophone for 'good fortune' (fu 福). Furthermore, the musical stone or chime (qing 磬) is a homophone with 'high ranking official (qing 卿) and 'celebration' (qing 庆). Thus the bat and chime together symbolise wealth and prosperity.Compare with a related pair of huanghuali chairs which was sold at Bonhams London, 14 May 2015, lot 284.This lot is subject to the following lot symbols: TP YTP Lots denoted with a 'TP' will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.Y Subject to CITES regulations when exporting items outside of the EU, see clause 13.For further information on this lot please visit Bonhams.com
Lot 121
A set of eight huanghuali yokeback chairsLate Qing Dynasty/Republic PeriodEach chair well-proportioned with a wide shaped crestrail centred upon a large headrest, the well-figured rectangular S-shaped backsplat flanked by curved corner posts extending through the rectangular seat frame, the legs joined by beaded aprons above long spandrels, the feet joined by the footrest and side stretchers, the wood of rich honey-brown tone. 100cm (39 3/8in) high x 41cm (16 1/8in) wide x 50.5cm (19 7/8in) deep (8).Footnotes:清晚期/民國 黃花梨燈掛椅 一組八件This lot is subject to the following lot symbols: TP YTP Lots denoted with a 'TP' will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.Y Subject to CITES regulations when exporting items outside of the EU, see clause 13.For further information on this lot please visit Bonhams.com
Lot 122
A huanghuali armchairQing DynastyThe stepped toprail above a curving back support inset with upper burlwood panel and lower marble 'dreamstone' panel, the curving open arms over a caned seat and apron with moulded edges leading to brackets framing the front supports above a footrest, stretchers to the sides and rear. 97cm (38 1/3in) high x 56cm (22in) wide x 46cm (18in) deep.Footnotes:清 黃花梨嵌大理石扶手椅This lot is subject to the following lot symbols: TP YTP Lots denoted with a 'TP' will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.Y Subject to CITES regulations when exporting items outside of the EU, see clause 13.For further information on this lot please visit Bonhams.com
Lot 131
A hongmu and burlwood throne inset with a famille rose circular plaqueLate Qing DynastyThe back with pierced scrollwork panel beneath a large circular famille rose panel with phoenix and peony, the seat of two burlwood panels, set within a hongmu frame over shaped and beaded aprons carved with archaistic chilong, all on four sturdy shaped legs of square section terminating with scroll feet, joined by stretchers. 99.7cm (39 1/4in) wide x 49.5cm (19 1/2in) deep x 86cm (33 7/8in) high.Footnotes:清晚期 紅木及癭木嵌粉彩瓷板寶座This lot is subject to the following lot symbols: TP YTP Lots denoted with a 'TP' will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.Y Subject to CITES regulations when exporting items outside of the EU, see clause 13.For further information on this lot please visit Bonhams.com
Loading...-
216995 item(s)/page