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Lot 368

A COLONIAL HARDWOOD PLANTERS CHAIR with rattan seat and back, scrolling open arms, 27" wide.

Lot 372

TWO COLONIAL ORIENTAL HARDWOOD TUB CHAIRS with diamond inlay and caned back and seat, standing on square legs, 23" wide.

Lot 373

A VICTORIAN MAHOGANY LIBRARY CHAIR with overstuffed upholstered horseshoe back, acanthus leaf carved and fluted supports, the overstuffed shaped upholstered seat on reeded, turned tapering legs terminating in brass castors, together with a further similar chair (2).

Lot 378

A PAIR OF GREEN UPHOLSTERED GOUT STOOLS on ring turned tapering mahogany legs, 12 1/2" wide, together with a further small mahogany foot stool with scrolling turned ends and overstuffed upholstered seat (3).

Lot 380

A LATE VICTORIAN CARVED AND EBONISED LIBRARY CHAIR with button upholstered horseshoe back on turned supports, with overstuffed upholstered seat on turned tapering legs terminating in ceramic castors, 29" wide.

Lot 867

A WOODEN SLATTED METAL FRAME GARDEN SEAT and a similar rectangular bench, 48" long.

Lot 890

AN OLD WICKER VERANDA OR WINDOW SEAT, perhaps American, with shaped supports, 76" long.

Lot 910

A VICTORIAN STYLE CAST IRON GARDEN SEAT with wooden slats and shaped supports, painted blue and white, 6 ft long.

Lot 917

AN ANTIQUE CAST IRON GARDEN CHAIR with stylised fern back and wooden slat seat on splay legs, painted black, 25" wide.

Lot 918

A VICTORIAN STYLE WHITE PAINTED METAL GARDEN SEAT with fern back and slat seat, 44" wide.

Lot 919

A CAST IRON SERPENT AND GRAPE GARDEN BENCH with wooden slat back and seat, painted white, 52" wide.

Lot 921

A VICTORIAN STYLE WHITE PAINTED GOTHIC GARDEN SEAT with wooden splats and shaped supports and a pair of green painted metal garden chairs with decorative Gothic backs and slatted seats, 24" wide.

Lot 922

AN OLD BLACK PAINTED COALBROOKDALE STYLE ALUMINIUM FERN BENCH with wooden slatted seat, 59" wide.

Lot 927

A PAIR OF RECTANGULAR STONE BENCH ENDS with carved slots for seat and back, 30" high x 34" wide.

Lot 331

4 1960`s Stabo single-seat racing slot-cars.

Lot 332

5 unboxed 1960`s Scalextric single-seat racing cars. Fair/good condition.

Lot 609

An early 19th century mahogany hall chair, the shell and scrollwork carved back above a panelled seat on ringed and turned front supports

Lot 637

A modern Parker Knoll upholstered two seat sofa on turned legs to brass caps and castors

Lot 649

An early 20th Century buttoned upholstered drop-end box seat ottoman daybed

Lot 655

A modern painted wooden garden bench seat

Lot 662

A composition garden bench seat of elliptical form raised on end pedestal supports with relief decoration

Lot 663

A composition garden bench seat on scroll work decorated end pedestal supports

Lot 672

A white painted slatted wooden garden bench seat

Lot 690

A set of eight modern stained beech ladder back panel seat dining chairs

Lot 708

A modern ash bar back rush seat chair, a 19th Century beech and elm Oxford bar back chair, oak single pedestal desk, a pair of cane seated bedroom chairs and a folding cane seated chair

Lot 719

A Victorian mahogany box seat commode, an Edwardian mahogany circular occasional table with carved decoration, a modern mahogany drop-leaf occasional table, a Moroccan bobbin turned hexagonal occasional table, a mahogany oval gate-leg drop-leaf dining table, a modern pine fire surround, and a stained beech standard lamp and shade

Lot 741

A pair of Victorian mahogany bar back dining chairs with drop-in seats on sabre legs, an early 20th Century black lacquered and chinoiserie decorated elbow chair with cane seat and two Provincial dining chairs

Lot 743

An early 20th Century upholstered scroll arm two seat sofa on bun feet to castors

Lot 751

A 19th Century North Country ladder back rocking chair with rush seat on turned legs united by stretchers

Lot 754

A 19th Century elm carver chair with upholstered seat on square tapered legs united by stretchers

Lot 832

A 19th Century oak settle, the back with four fielded panels flanked by open arms and plank seat raised on square supports (ILLUSTRATED)

Lot 849

An Edwardian child`s mahogany and inlaid elbow chair with upholstered seat on square tapered legs united by stretchers

Lot 72

* Messerschmitt Me 163 “Komet”. A fine collection of Luftwaffe and other photographs from many sources of this tail-less rocket-powered interceptor, most captioned to verso, many from the William Green collection, images include early prototype and production aircraft KE & SW shown at rest, take-off and in-flight, others comprise a group showing a V-series DH+111 landing after a test flight, aircraft being towed out to the flight line, the dangerous procedure of fuelling, pilots climbing aboard, fitting the take-off trolley, aircraft portraits, captured examples, surviving machines, technical details and others, including a rare image of a Russian tandem-seat training aircraft, a few showing signs of damp damage, approx. 140 images (approx. 140)

Lot 198

Schneider Trophy 1931. An historically important group of three 78 rpm recordings by the three most important men involved in the 1931 Schneider Trophy Contest which Great Britain won outright, retaining the Trophy in perpetuity having won the race three times consecutively (1927, 1929 & 1931), viz. R.J. Mitchell, aircraft designer, A.J. Rowledge, Rolls-Royce engine designer, and Flight Lieutenant J.N. Boothman, pilot. Recorded on HMV 12 inch yellow label “Private Record” discs, but never issued commercially, the British Library Sound Archive is believed to hold copies, probably given to them for posterity by R.J. Mitchell’s son, Dr. Gordon Mitchell. Each recording is introduced by a professional narrator in typical period “BBC” style, and lasts just over four minutes. A set of CD recordings is being sold with this lot.. R.J. Mitchell (part transcription). “... in a very few words I will endeavour to describe one or two of the interesting features of the S6B and also some of the problems of the designer. In the design of a seaplane of this type, the one outstanding and all important requirement is speed, every feature has to be sacrificed to this demand. The result of this is that every part of the aircraft just, and only just, fulfils its requirements... It is not good enough to follow conventional methods of design, it is essential to break new ground and to invent and involve new methods and new ideas... The floats are made so small for the load they have to carry that their reserve buoyancy is less than 40%. The usual reserve buoyancy for seaplane floats is about 100%. The cooling of the engine presents many interesting features. The usual methods employed either by air cooling or by means of honeycomb radiators have very high air resistance, on the S6B the engine is cooled without adding any air resistance. The cooling water is circulated over both surfaces of the wings and most of the surface of the floats, the covering being of a special double-skin construction. Similarly, the oil is circulated along the sides of the body and over the surface of the fin. During flight heat equivalent to 1000 horsepower is being given to the air from these surfaces. The S6B has been aptly described as a flying radiator... I must express the very greatest admiration for the pilots of the High Speed Flight of the Royal Air Force who carried out trials and operated these machines. Their job required great courage and great skill and they played a very important part in developing the machines to their final state. The question is often asked, will higher speeds be attained in the future, I feel quite sure they will. The problems of still higher speeds are no more intense at this stage than they have been at any period in the past. For the present, however, it is generally considered that high speed development has served its purpose. It has accumulated an enormous amount of information which is now being used to improve the breed of everyday aircraft. It is helping to develop our great airlines and ocean-going flying boats and is thus bringing closer together the outlying parts of the British Empire. This indeed is an objective worthy of all our greatest efforts”. A.J. Rowledge (part transcription). “It was not until Lady Houston so generously came forward with her offer to defray the cost of the machines that the decision was made for Great Britain to take part in the 1931 Schneider Trophy contest. This indecision might easily have been fatal to our chances as very little time, only seven months was left for the development of the design to the new standard and the construction of the actual racing engines In preparing the engines for the 1929 contest we were in many ways at the beginning of a development of this particular engine. In 1931 we had more knowledge and data to enable us to tackle the job but at the same time we had a smaller field for development. The 1931 engine, besides giving more power was a more efficient engine than its predecessor... almost every piece of material in the engine is working at its limit of stress or heat capacity, even for the short life required for such an engine We think it will be agreed by most people who saw the engines perform that they did their work in quite a gentlemanly fashion, and that besides giving good power, they were docile and ran smoothly.Looking at the engine, it is perhaps difficult to believe that the engine fitted to it can possibly give more power than a railway engine which has such an imposing size and weighs so many tonnes In conclusion the satisfactory result was due to team work, and in addition to the people already mentioned, a word of praise is due to the suppliers of the materials and the work people”. Arthur Rowledge (1876-1945) joined Napier & Son in 1913 as Chief Designer. After designing car engines and, more notably, the Napier Lion aero engine, Rowledge took up a similar position at Rolls-Royce Limited in 1921, where he became known as “Rg” in company shorthand. He is credited with designing the Condor III, Kestrel and the Rolls-Royce R racing engine, that was used with great success at the 1929 and 1931 Schneider Trophy races. Development work on the Merlin engine was one of his last contributions to aero engine design along with responsibility for the Exe and Pennine projects, before retiring from Rolls-Royce in 1945 at the age of 70. J.N. Boothman (full transcription). “It is rather difficult to record impressions after an event such as the Schneider Trophy Contest because, at the time, one is concentrating so utterly on the job in hand that the prospect of having to make a record later does not enter one’s head. For the contest last year, the former navigability test had been abolished and replaced by a take off, a climb to 50 metres and an alighting, following which the machine had to taxi for about 2 minutes before taking off to cross the starting line of the speed test proper. These new conditions meant a take off at full load, always an extreme test of a racing seaplane, followed by an alighting and a take off at practically full load. On September 13th 1931, the day when the contest was flown, the weather conditions were fairly good, the sea being rather rough but improving rapidly. After a preliminary flight, to test the conditions, I took my seat in the Vickers Supermarine Rolls-Royce S6B and was slipped from the pontoon as the starting gun was fired at 2 minutes past one. The first take off was effected in 40 seconds, the machine making no difficulty about lifting her 6000 pound weight despite the enormous loading of nearly 42 pounds per square foot of wing surface. As soon as we were off the water, the engine with throttle down to half speed in order to conserve fuel, and a left hand circuit made. Over Cowes, the throttle was shut and an alighting made close to the take off position. In spite of the heavy load and the high landing speed of about 110 mph or more, the floats took the rough-ish water beautifully. After taxiing, throttle right down for the specified time, the second take off was started. This one was not so pleasant, the floats running into the wash left from my first effort, the machine receiving rather a hammering from the rough water. Forty seconds saw us in the air again and after a right hand turn, the nose was pointing at Ryde Pier, the starting line of the speed course. This course consists of seven triangular laps of just over 31 miles each. With the throttle wide open we passed over the pier towards the destroyer marking the southern turn near Bembridge in the Isle of Wight, then a gentle left hand turn around the pylon and across the eight miles of open sea to Wittering. The sea here was bad, a heavy swell rolling in from the Channel making any hopes of a successful forced alighting rather small. However the clock-like running of the engine and the perfect way th

Lot 226

* [Camm, Sydney]. General Arrangement drawing of a proposed Hawker single-seat, low-wing cantilever monoplane fighter, original pencil drawing on tracing paper, old damages, now mounted on card, 24.5 in x 28.5in (62.2cm x 72.3cm), together with Sopwith Aviation Co. Ltd, Triplane Bomber “Rhino” general arrangement drawing similarly damaged, but mounted and protected, 27 in x 39.25in (68.5cm x 99.6cm), each with descriptive labels. In February 1925 at Kingston-upon-Thames, Sydney Camm drew up the basic design for a Hawker single-seat, low-wing cantilever monoplane fighter, to be powered by a Bristol Jupiter and armed with a pair of Vickers guns. This design was never built due to the lack of faith in the monoplane design. The Sopwith 2.B.2 Rhino was a Kingston prototype of 1917 intended as a two-seat day bomber. X8 was the sole example constructed and carried the 230hp B.H.P. engine in its nose, flanked by low-set radiators. The ponderous and ungainly Rhino relied on the ground on a tiny undercarriage unit which further contributed to the machine’s unlovely appearance. (2)

Lot 354

* Sopwith Aviation/Hawker Engineering Co. Ltd., Kingston. A large collection of general arrangement drawings of aircraft, c. 1913-1940, comprising approx. 250+ xerox and dyeline copies of original blueprints, mostly general arrangement and dimensions of war and inter-war machines, including many prototypes never put into production, plans creased where previously folded, somewhat yellowed, various sizes, with a recently compiled index. Aircraft include Sopwith unidentified torpedo biplane; Sopwith single seat 130 Clerget seaplane; Sopwith 100 hp Gnome seaplane; Sopwith 100 hp Tractor; Sopwith Bat-boat; Sopwith Buffalo, Camel, Churchill, Cobham, Cuckoo, Dolphin, Dove, Dragon, Gnu, Grasshopper, Hippo, Pup, Rhino, Salamander, Schneider (1923), Snark, Snipe Tabloid, Wallaby; Hawker Danecock, Demon, Fury, Hardy, Harrier, Hart, Hawfinch, Hedgehog, Hind, Hoopoe, Hornbill, Hornet, Horsley, Hurricane, Jaguar, Duiker, Nimrod, Osprey, Sea Fury, Tempest, Tomtit, Woodcock, Typhoon and many others. (approx. 250)

Lot 451

* USAF P51 Mustang. An original pilots” seat parachute-pack, c. 1940s, complete with all webbing and harness etc, excellent original condition (1)

Lot 495

* Albatros D-V Model. A fine and large former-flying scale-model of the famous biplane single-seat fighter of the imperial German Air Force, c. 1916, construction of wooden panelling to wood framed fuselage, and with doped fabric-covered wings & flying surfaces, excellent detail including twin Spandau machine-guns, dummy 6-cylinder in-line Mercedes engine, concealing aero-motor (lacking cylinder-head), fully wired and braced, featuring dummy pilot etc, finished in authentic colour scheme with Balkan Cross motifs to wings and tail. W/span 60in (152cm) 50-750 (1)

Lot 652

* A group of early 20th c. tinplate toy motor cars, damaged, dismantled and otherwise distressed, c. 1914, including open four-seater tourer by Bing, a De Dion Bouton two-seater by Bing, an early London bus chassis, and a 2-seat open touring car by Gunthermann, with four early 20th c. tinplate “Penny Toys”, including Bleriot monoplane, two open-drive limousines, and an open-drive motor truck, German origins, c. 1910, together with a selection of tin-plate panels, sundry components including clockwork motors etc., various conditions, mostly German origins c. 1910-1920 (-)

Lot 207

A high back wing armchair, upholstered salmon pink figured material with a cushion to the sprung seat, the front short mahogany cabriole legs on brass casters.

Lot 227

A French nineteenth century rococo carved beech salon chair, with painted and gilt decoration, a stuffed over sprung seat on cabriole legs.

Lot 263

A nineteenth century copy of a Hepplewhite mahogany elbow chair, the oval curved back with vertical rails and centred an oval carved paterae, the open arms to a stuffed over seat covered striped material, on front square tapering moulded legs to socket feet.

Lot 264

An early nineteenth century grained beech ‘X’ frame stool having a padded seat, the legs connected by a turned stretcher. 16in.

Lot 458

Simpson,William. The Seat of War in the East. First [and Second] Series. Large folio, 1855-1856. Two lithographed title-pages and 78 lithographed plates, all tissues present. Some foxing. Contemporary half calf bindings, gilt, the bindings rubbed and worn, both volumes with the hinges starting. A section of the spine of the first volume, some two and one half inches, missing from the top of the spine has been loosely inserted inside the book. (2).

Lot 1516

A 19th Century Mahogany Child’s High Chair, with bar back, rexine upholstered drop-in seat, and adjustable front foot rest, joined all round below by stretchers

Lot 1530

A Victorian Nursing or Prayer Chair, back and seat upholstered with material printed with scenes of figures in period costume, and raised on ring turned front supports with peg feet

Lot 1555

A 19th Century Child’s Carver Chair, bar back, solid seat, plain apron, raised on balustered tapering cylindrical front supports with peg feet; together with a small octagonal Footstool (2)

Lot 1557

A Victorian Mahogany Child’s Chair, rexine button back upholstered back and seat, swept scroll back, joined below by serpentined apron, and raised on balustered front supports with brass caps and castors

Lot 1563

A Victorian Mahogany circular adjustable Piano Stool, with red leather seat, raised on a short ring turned support and triform base with scroll feet, 13” diameter

Lot 1593

A Stained Pine/Fruitwood Smoker’s Bow Chair, with turned spindle surround, solid seat, raised on splayed ring turned supports with peg feet, joined by a spindle “H” stretcher

Lot 1594

A late 19th Century Oak Windsor style Kitchen Armchair, central splat and stick back, splayed arms, solid seat, ring turned spreading supports joined by an “H” stretcher

Lot 1605

A small Mahogany square Footstool, with burgundy upholstered seat, and raised on four scrolled supports, 13” wide

Lot 502

A 19th Century Chinese hardwood Mandarin`s garden seat, profusely decorated back and arms with entwined dragons, the serpentine seat above a profuse carved foliate frieze, raised on beast supports, 120cm wide, AF-see illustration

Lot 535

A 19th Century French gilt salon elbow chair, having carved foliate decoration, upholstered back panels and seat, raised on scrolled front supports, (in need of restoration)

Lot 537

A 19th Century continental mahogany elbow chair, having acanthus carved decoration to the cresting rail and arms, upholstered seat and back panel, raised on sabre supports terminating in brass caps and castors-see illustration

Lot 539

A Victorian mahogany framed spoon back armchair, with green buttoned upholstery, the serpentine seat raised on turned front supports

Lot 557

A Victorian walnut framed chaise longue, having scrolled chair back, carved acanthus decoration, green Dralon buttoned upholstery, serpentine seat raised on cabriole supports

Lot 570

An 18th Century oak and elm Yorkshire spindle back dining chair, having rush seat, raised on rounded tapering supports united by stretchers

Lot 574

A Victorian bamboo elbow chair, having rush work drop-in seat, with outswept supports united by stretchers

Lot 581

A Victorian walnut framed nursing chair, with buttoned upholstered back and serpentine seat, raised on turned baluster spindles and turned tapering front supports terminating in castors

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