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Lot 865
A small old English style carved country oak panelled settle, the back with twin carved arched panels above a thick planked seat, flanked by thick panelled sides with carved foliate motifs, terminating in tapering bracket supports united by a single rail stretcher, 67 cm high, 53 cm wide, 35 cm wide( at widest point to base).
Lot 900
A pair of Victorian mahogany framed upholstered balloon back chairs, covered in a cream coloured velvet with carved arms, studded borders and cabriole legs, 99cm high, 61cm wide, 37cm seat height (maximum) together with a Victorian mahogany balloon back dining chair with upholstered drop-in seat and turned legs (3).
Lot 389
A continental tapestry upholstered prayer chair, floral decorated back and seat, cabriole legs, scroll feet; together with an oak drop leaf swivel top occasional table, turned supports, 67 cm wide x 57 cm deep x 47 cm high; and an oak two-tier occasional table, 36 cm wide x 36 cm deep x 66 cm high (3)
Lot 378
A silver pass for the New Stand at Barham Downs racecourse issued to Thomas Watkinson Payler Esq. circa 1770,circular, racehorses galloping right towards winning-post, stand in background, reverse namedThomas Watkinson Payler's country seat was Ileden Manor near Canturbury, Kent. Thomas and his wife Charlotte were both painted by Joshua Reynolds. Racing was staged at Barham Downs, north of the village of the same name and mid-way between Canterbury and Folkestone in Kent, as far back as 1729. The course was described as 'cricket bat-shaped'. It is recorded that the composer Wolfgang Amadeus Mozart spent a day at the races there, having stayed in Canterbury on his return to the continent from London in 1765. The last races at Barham Downs were held in August 1879.
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