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Lot 957
A mid 20thC Parker Knoll ebonised two seat sofa, upholstered in green fabric and a matching armchair. The upholstery in this lot does not comply with the 1988 (Fire & Fire Furnishing) Regulations, unless sold to a known exporter or upholsterer it will be cut from the frame before leaving the premises
Lot 458
A rare copper and brass ceiling light probably by WAS Benson, the copper frame of foliate form with brass strap supports and James Powell vaseline glass shade unsigned, 24.5cm. diam. Provenance.Private collection.Catalogue notesThis design was also produced by G.E.C. but with a slightly different hanging arrangement. Another example of this light was attributed to be by Benson by the Country Seat in 2006.
Lot 564
A near pair of late 17th century oak Derbyshire side chairs, each chair with carved scroll terminals on plain uprights embracing twin carved and scalloped rails, centred with a carved primitive mask, above a plain board seat, raised upon front block and baluster turned supports united to plain rear legs of square section by peripheral cross stretchers, heights 102cm and 101cm (2)
Lot 567
A matched set of eight Regency mahogany dining chairs, each with a rope twist rail back above a straight front 'Regency stripe' upholstered seat, raised upon ring turned tapering front legs and peg feet, plain back swept rear legs of square section, to include two carver chairs, 84cm high (8)Provenance: Llangedwyn Hall
Lot 576
A Regency mahogany elbow chair, the concave top rail inlaid with brass foliate detail, above the down swept scrolled arms and the drop in seat, raised upon sabre front legs and back swept rear legs, 84cm high, along with a George III Sheraton style elbow chair, with a rail back, drop in seat on legs of square section, 86cm high (2)
Lot 599
A French walnut salon chair, circa 1880, the arched button back below leaf and berry carved detail and flanked by architectural acanthus leaf pilasters, extending to padded out swept arms with paper scroll leaf carved terminals, enclosing the broad bow front seat, raised upon tapering cylindrical front legs and castors, plain back swept rear legs, overall inlaid with birds eye maple cross banding, 93cm high
Lot 611
A pair of Victorian Aesthetic Movement honey oak hall chairs, each chair with button finials above a shaped splat centred with a moulded roundel, flanked by fluted baluster pilasters above the board seat, raised upon fluted tapering front legs and peg feet, plain back swept rear legs of square section, 86cm H (2)
Lot 623
A set of six oak 17th century revival dining chairs, late 19th century, each with a 'C' scroll leaf carved aperture above a padded back and seat, raised upon turned baluster and block supports, united by a conforming 'H' cross stretcher, upon ceramic front castors, to include two elbow chairs with padded arms, heights 98cm and 104cm (6)
Lot 630
A 19th century mahogany table, of cottage proportions, the rectangular top above two concave opposing frieze drawers, raised upon ring turned tapering pilaster legs, 65.5cm W x 44cm D x 66cm H, along with a Victorian honey oak hall chair, the shield shaped back above a board seat, raised upon ring turned and ring incised front legs, 88cm high, and a Victorian mahogany hall chair, 84cm high (3)
Lot 453
A RARE IRISH WALNUT TALL BACK CHAIR, EARLY 18TH CENTURY, the central vase shaped splat with marquetry inlay, drop-in seat (missing) the moulded frame on cabriole legs with pad feet, joined by a turned stretcher. (distressed)For the presence of Irish figural marquetry inlay on Irish furniture see Lot 548.
Lot 477
CAROLINE HAMILTON (1777-1861)'His Lordship's Country Seat in the true Modern Taste'A satirical landscape showing a coach and pair struggling up a hill to a 'modern' mansionSigned C. Hamilton decit 31st January 1798Watercolour and collage, 33 x 43.5cmNothing escapes Caroline's acute eye. She quotes from the poet Cowper "Our father's knew the value of a screen …" whilst here the elevated 'post-modern' block of a house receives windswept visitors, park trees struggle to grow, mature trees are cut down, the demesne is entered by a pretenius?? coronetted gateway whilst beyond is a thatched cottage.Caroline Hamilton was the daughter of William Tighe of Rosanna and Sarah Fownes of Woodstock. She married Charles Hamilton of Hamwood in 1801. Brought up in a family that stressed education for daughters that included Continental tours and the appointment of John Spilsbury the Harrow School Art Master as tutor. She later made a protégée of this man's niece, Maria Spilsbury Taylor. Influenced by the family's support for the Christian evangelist, John Wesley, her social conscience found expression through the medium of her training in drawing and watercolours, and she became a true satirist. Her cutting depictions of Dublin society castrated by the Act of the Union are known. She was also the main beneficiary of the will of her cousin, Sarah Ponsonby, the surviving partner of Lady Betty Butler, the Ladies of Llangollen.
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