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Lot 2554
A pair of French gilt painted and upholstered parlour chairs, with cane panelled backs and applied decoration. Both chairs have visible repairs, some joint are loose, all are open slightly. Gilding is quite rubbed in places. Just need some attention. Height 84cm Seat height 44cm Seat width between the arms at the front 65cm Seat depth 44cm Over all width 75cm
Lot 10
A WILLIAM & MARY WALNUT AND TURKEY-WORK STOOL LATE 17TH CENTURY AND LATER The Turkey-work upholstery late 17th century with flowerheads and a wool tasselled fringe 48cm high, 53cm wide, 45cm deep Literature: See Adam Bowett, English Furniture 1660-1714, Antique Collectors' Club, 2002, pp72-79, pl 316-320 Backstools and stools of the late 17th century were frequently upholstered in durable Turkey-work, imitating the appearance and structure of Turkish carpets being tied knot on knot onto a woollen warp. The colour, durability and affordability of Turkey-work meant it was the single most common upholstery material in middle-class homes up to around 1700. Unlike needlework or embroidery that was often made at home, Turkey-work was made commercially and to standard patterns. Though little is known about Turkey-work, a petition of about 1680 states that it was made in Yorkshire. Condition Report: Overall there are some scratches, marks, knocks, cracks and abrasions consistent with age and use.There are some losses, restorations and observations including:The Turkey-work is worn and repaired with some over-stitching, some knotted wool missing with some patches threadbare. The fringed braid is of age, but not the period of the Turkey-work, with multiple joins and the braid is of two similar kinds but not all the same.Much of the walnut is replaced, the seat rails appear to be of age, the oak corner blocks are later, there is later staining.There is evidence of old worm.Please see the additional condition report photographs as a visual reference of condition.Condition Report Disclaimer
Lot 105
A LOUIS XVI PAINTED WALNUT BERGERE ARMCHAIR LATE 18TH CENTURY The caned seat with a natural linen buttoned squab 86cm high, 70cm wide, 57cm deep Together with a George III gros point needlework cushion, decorated with quatrefoil stylized motifs, with hessian backing 58cm x 48cm Provenance: The cushion, by repute from Erdigg Hall, Wrexham, North Wales Condition Report: Overall there are some scratches, marks, knocks, cracks and abrasions consistent with age and use.There are some losses, restorations and observations including:The squab cushion is made from old fabric and is worn, faded and with some marks.There is evidence of old worm.The paintwork to the chair is variously rubbed and worn, in some places revealing the underlying timber.The canework has an indistinct geometric pattern painted onto it in green, cream and brown, which has rubbed in many areas.The outer canework panel is missing to the back of the chair.There are some later dowels to some leg/seat rail joints, and some cracks, with some small movement to joints.There are some cracks including to the joints on the crest area and elsewhere.The needlework cushion with some wear, later stitching and pulled threads. The cushion is backed with a fine hessian style fabric and is worn including to the corners.Please see the additional condition report photographs as a visual reference of condition. Condition Report Disclaimer
Lot 11
A PAIR OF WILLIAM & MARY WALNUT AND TURKEY-WORK SIDE CHAIRS OR BACKSTOOLS LATE 17TH CENTURY AND LATER Upholstered in Turkey-work, late 17th century woven with flowerheads 104cm high, 53cm wide, 55cm deep, the seat height 50cm high Literature: See Adam Bowett, English Furniture 1660-1714, Antique Collectors' Club, 2002, pp72-79, pl 316-320 Backstools and chairs of the late 17th century were frequently upholstered in durable Turkey-work, imitating the appearance and structure of Turkish carpets being tied knot on knot onto a woollen warp. The colour, durability and affordability of Turkey-work meant it was the single most common upholstery material in middle-class homes up to around 1700, and unlike needlework or embroidery that was often made at home, Turkey-work was made commercially and to standard patterns. Though little is known about Turkey-work, a petition of about 1680 states that it was made in Yorkshire. Condition Report: many parts 20th century, some earlier elements Condition Report Disclaimer
Lot 219
A LATE VICTORIAN IRON CLUB FENDER LATE 19TH CENTURY The seat upholstered with close nailed near Eastern silk cross stitch embroidered geometric panels on a hand woven indigo ground external 56cm high, 155cm wide, 47cm deep, Provenance: A. Tilbrook, from whom purchased by Robert Kime. Condition Report: Internal measurements to the base are: 127.5cm wide, 29.5cm deep Internal measurements to the step cut seat are: 135cm wide, 29cm deep Internal measurements to the inside width of the metal base are 127.5cm wide Internal measurements to the inside of the main upholstered seat (not the step cut section to the back of the seat) are 117.5cm wide.Overall there are scratches, marks, knocks, cracks and abrasions consistent with age and use.Observations include:The near Eastern silk cross stitch fabric with some aging, marks, stains and pulled threads. There are some areas of re-stitched repairs. This upholstery fabric has been cut from a textile of some age and been fitted to this club fender with close nailed borders.The metal has had a blackened finish which has worn to the front of the front section and remains to a greater extent to the sides and the back, looking as though the black finish might have been cleaned from the fender. There is a patina of fine rusting.There are some dents to the base.Please see the additional condition report photographs as a visual reference of condition.Condition Report Disclaimer
Lot 225
A GEORGE II WALNUT SIDE CHAIR CIRCA 1730 The drop in seat upholstered in William Morris, Morris & Co 'Rose and Thistle' indigo block printed linen fabric 107cm high, 53cm wide, 54cm deep In the 18th century, this chair type was commonly known as an 'India-back chair', 'bended', 'crook'd' or 'sweep' back chair. With its distinctive pierced baluster-shaped splat, turned upright posts and crest rail loosely resembling a milkmaid's yoke, this term was a reference to Chinese prototypes on which such chairs were based - the term 'India' encompassing all of South and South-east Asia. Adam Bowett writes that the introduction of the 'India-back' chair is 'the most radical and far-reaching design innovation of the eighteenth century' (Bowett, p. 156). A similar chair to the one offered here is illustrated on the trade card of Thomas Cleare, who worked at the sign of the Indian Chair in St. Paul's Churchyard in the 1720s and 30s (Bowett, p. 162, Plate 4:35). The present chair is related to one in the Frederick Parker Collection (FPF045), illustrated in Bowett, p. 165, Plate 4:37, and another in the Victoria and Albert Museum, London (W.49:2-1981). Literature: A. Bowett, Early Georgian Furniture 1714-1740, Woodbridge, 2009. Condition Report: Overall there are some scratches, marks, knocks, cracks, abrasions and minor repairs consistent with age and use.There are some losses, restorations and observations including:The crest rail repaired, some later screws to the base of the shoe, repairs to the leg/seat rail area.Some sectional cracks to the seat moulding.There is some evidence of old worm.There is a hole with a crack to the base of the splat.The printed William Morris fabric faded and with marks, stains and wear - the edge and underside remains strong unfaded indigo.Please see the additional condition report photographs as a visual reference of condition. Condition Report Disclaimer
Lot 228
A LATE VICTORIAN MAHOGANY ARMCHAIR BY HOWARD & SONS, LATE 19TH/EARLY 20TH CENTURY Upholstered in calico with natural linen loose covers, indistinctly embroidered 'D.L', one back leg stamped '7681 6951 HOWARD & SONS LTD. BERNERS ST.', the brass casters stamped 'HOWARD & SONS LTD. LONDON' 84cm high, 80cm wide, 97cm deep Together with a cushion embroidered with country flowers in silk on a linen ground, the fabric early 19th century, 50cm x 50cm Howard & Sons are renowned for the comfort and design of their upholstered armchairs and sofas. Flourishing from 1820 to 1925, Howard & Sons were also one of the most successful Victorian cabinet making firms. Listed from 1876-1902 as 'cabinet makers, upholsterers, decorators, glaziers and parquet flooring manufacturers' it is not surprising that they undertook commissions for many of the great country houses, promoting the firm at twelve or more of the 19th British, European and American exhibitions including the 1851 Great Exhibition. Howard & Sons moved to Berners Street, London from 1847, the address frequently seen stamped on their furniture. The firm was bought by Lenygon & Morant in 1935, but Howard & Sons furniture continues to epitomise the 'Country House' comfort and style. Condition Report: THE ARMCHAIR:Overall there are some scratches, marks, knocks, cracks, abrasions and minor repairs consistent with age and use.There are some losses, restorations and observations including:The linen loose cover has some discolouration to the arms in particular and some marks elsewhere. There is a tear to the base of the left hand inner arm of the loose cover that is not visible when the seat cushion is in place.The armchair is upholstered in calico with some discolouration and creasing. The crest of the back is compressed.The mahogany legs scuffed and aged and one back leg (that has the stamp to the inner side) has been broken and repaired with dowels. The struts of all four casters are stamped.THE SILK EMBROIDERED CUSHIONOverall this has some marks, wear, repairs and holes from age and use.The fabric has been backed with a natural coloured linen that is visible on close inspection through the holes and tears - the darning and repairs are a work of art in themselves!Some later stitches to the embroidery and and some missing stitches.There is no zip or fastening to this cushion, the entry point for the cushion has been hand-stitched closed.Please see the additional photographs as a visual reference of condition. Condition Report Disclaimer
Lot 235
A GEORGE III MAHOGANY COCKPEN ARMCHAIR CIRCA 1760 The drop in seat upholstered with a Swat embroidered cloth the flowerheads within a floral trellis on a striped damask ground, North Pakistan, 19th century 94cm high, 66cm wide, 53cm deep This Chinoiserie inspired chair with Chinese lattice chair back and straight legs relates to designs for 'Chinese Chairs' featured in Thomas Chippendale's The Gentleman and Cabinet Maker's Director, 1762, pl XXV and XXVII. The name 'Cockpen' seems to originate from Cockpen Church, Midlothian, where similar chairs were made as pews for the Earls of Dalhousie.For a related pair of chairs see Christie's, London, 31st October 2012, The English Collector, lot 250 Condition Report: Overall there are scratches, marks, knocks, cracks and abrasions consistent with age and use.There are some losses, restorations and observations including:Repairs include to the left hand corner of the chair back with visible cracks and repair with a corresponding brace to the back, cracks to the top right hand corner, to the front of the left arm.There is some evidence of old worm.The seat rail stamped 'V'.Two of the pierced brackets are later replacements.The left arm has some movement in the joints.The Swat embroidered fabric extensively worn so that it is threadbare, stained, the ground with some holes and tears, with some repair stitching.Please see the additional condition report photographs as a visual reference of condition. Condition Report Disclaimer
Lot 242
A GEORGE III MAHOGANY AND LEATHER LIBRARY ARMCHAIR CIRCA 1780 The legs headed by carved paterae, the leather close nailed 86cm high, 67cm wide, 66cm deep Provenance: By repute, William Wordsworth, Rydal Mount, Grasmere, Cumbria. By descent to the Rev Christopher William Wordsworth (1879-1965), great grandson of William Wordsworth, Rector of St Peter's, Broughton Poggs and Filkins, Oxfordshire. Privately purchased from the above by Roger Warner in 1949. Christie's, South Kensington, The Roger Warner Collection Part I, 20 and 21 January 2009, lot 35, where purchased by Robert Kime. Condition Report: Overall there are some scratches, marks, knocks, cracks and abrasions consistent with age and use.There are some losses, restorations and observations including:The brown leather is cracked, stained, repaired and in some areas with the top layer flaking. The repairs include some later stitching and some underpatching, some repairs with filler and glue. The leather though distressed is generally intact, and although it's of some age it might not be entirely original to the chair.There is a hole to the crest area with visible horsehair. The leather to the back is slightly depressed showing the outline of the frame.One arm support has a split.One of the legs is missing the carved patera.There is some evidence of some old worm.Missing some close nails.There are some clamp marks to the back seat rail, from when the chair was originally constructed and transported. The top of one leg repaired.Please see the additional condition report photographs as a visual reference of condition. Condition Report Disclaimer
Lot 264
A SET OF EIGHT EARLY VICTORIAN OAK AND RED LEATHER DINING CHAIRS MID 19TH CENTURY The shaped seats with buttoned backs, the reeded baluster front legs with ceramic casters 86.5cm high, 47cm wide, 61cm deep, the seats 45.5cm high Condition Report: Overall there are some scratches, marks, knocks, cracks and abrasions consistent with age and use.There are some losses, restorations and observations including:Overall the leather is variably creased, scuffed, scored and worn, with variable use. Some of the horsehair filled seats have slightly compressed along the front and to the centre of the seats. The colour overall looks as one but has variations, in particular to one chair, though the backs appear more uniform. Lacking some close nails.One chair is missing the tips of the back legs, some other legs are spliced; some front legs have been re-tipped and/or reduced in height due to wear to the feet. There is some later staining to some of the repaired areas.The casters are all pottery, but not all are quite the same design.There is no brass finger grip to the backs of these chairs.There are some later screws to the leg/seat rail joints, and some chairs have some movement in the joint with the back legs and the chair back. There are some cracks including to some legs and feet, some restored.There is evidence of old worm.All that said, many of these observations are apparent only on close inspection.Please see the additional condition report photographs as a visual reference of condition. Condition Report Disclaimer
Lot 280
A LATE VICTORIAN WALNUT AND RED LEATHER ARMCHAIR BY HOWARD & SONS, LATE 19TH/EARLY 20TH CENTURY The brass casters stamped 'HOWARD & SONS LTD LONDON', one back leg impressed ''71?7 8996 HOWARD & SONS LTD BERNERS ST.' 85cm high, 86cm wide, 110cm deep Together with a Sindh embroidered cushion in madder and apple green silk with geometric designs in diagonal bands, a tassel to each corner, 56cm x 40cm Howard & Sons are renowned for the comfort and design of their upholstered armchairs and sofas. Flourishing from 1820 to 1925, Howard & Sons were also one of the most successful Victorian cabinet making firms. Listed from 1876-1902 as 'cabinet makers, upholsterers, decorators, glaziers and parquet flooring manufacturers' it is not surprising that they made commissions for many of the great country houses. Founded by John Howard in 1820, the firm attended twelve or more of the 19th British, European and American exhibitions including the 1851 Great Exhibition. Howard & Sons moved to Berners Street, London from 1847 - this address is frequently seen stamped on their furniture. The firm was bought by Lenygon & Morant in 1935, but Howard & Sons furniture continues to epitomise the comfort and style of the country house. Condition Report: THE ARMCHAIR:The red leather extensively worn with some tears, though largely intact. The leather piping is worn through in some areas. The red leather finish has worn with age and use revealing the underlying natural hide. There is colour variation throughout including blackening towards the top of the back. The colour variation seems to be largely from usage rather than sun fading, though the back is stongest red in colour with little scuffing and there is a tear to the leather. The front corners with probably the most wear.The seat cushion backed with black cloth fabric.When the seat cushion is removed a beech back rail can be seen that looks quite fresh, with modern webbing and from what can be seen from limited view there don't appear to be other upholstery tack holes - this suggests that the upholstery is not original, whilst the leather might be of age, and that this armchair has been restored possibly some years ago.There is some compacting of the upholstery to the top of the back and the arm.There is some rusting to the leather covered close nailing, that has spread to the surrounding leather.The hessian undercloth showing the dimples of the interior springs.THE SINDH CUSHION:The geometric embroidery with some pulled and worn threads, but generally the colour and condition shows few signs of wear and age. The back is a red linen and the corner tassels are later.Please see the additional condition report photographs as a visual reference of condition.Condition Report Disclaimer
Lot 332
A PAIR OF WILLIAM & MARY EBONISED BEECH SIDE CHAIRS LATE 17TH CENTURY Upholstered in stripe and geometric woven silk and cotton, possibly Damascus, circa 1900, with silk and metal thread tasselled fringing 115cm high, 54cm wide, 62cm deep Provenance: The Davenport Family, Capesthorne Hall Until sold, Christie's, London, The Gyrn Castle House Sale (and other properties), 17 July 2006, lot 628, where purchased by Robert KimeLiterature: A. Bowett, 'The English 'Horsebone' Chair, 1685-1710', The Burlington Magazine, May, 1999, pp. 263-270. A. Bowett, 'The English 'Cross-Frame' Chair, 1694-1715', The Burlington Magazine, June, 2000, pp. 344-352. A. Bowett, English Furniture 1660-1714: From Charles II to Queen Anne, Woodbridge, 2002. The plain tapered stretchers comprised of turned and block elements indicate that this chair was made after 1700 while the front stylised pillar legs seem to have originated in France in the 1680s although pillar legs were not adopted in England until a few years later; related stretchers and chair legs are found on a pair of walnut caned chairs at Chastleton House, Oxfordshire (A. Bowett, 2000, p. 345; A. Bowett, 2002, p. 265, Plate 8:69; NT 1430164.1, 2). Daniel Marot featured the stylised pillar leg in his engraving for 'Chairs and footstools' from the Second Livre d'Appartements, plate V, c. 1702. Chairs with scrolled seat rails were being made in the late 1670s while the first documented example of chairs with fully raked back legs [check when next in London that back legs rake from the level of the seat rather than just below the stretcher] is a set of ten with japanned frames supplied by John Burroughs to Stoneleigh Abbey, Warwickshire in 1709 (Bowett, 1999, p. 268, fig. 11; Bowett, 2002, p. 254, Plate 8:46). Condition Report: Overall there are some scratches, marks, knocks, cracks and abrasions consistent with age and use.There are some losses, restorations and observations including:The upholstery has seams to the centre of the backs and seats. The silk has some wear, tears and holes. The fabric is variously faded, possibly from their previous usage before upholstering these chairs. One chair back has a marks of what appears to be candle wax, there are other marks, most notably some water stains.The middle eastern silk and metal thread tasselled fringe is applied with close nailing over a geometric woven braid.There is extensive evidence of old worm.Many repairs and restorations with some sections entirely replaced including some turned stretchers, some part sections of other elements to strengthen the chair, for example the ends of some turned sections and the front stretchers. One of the decorative front stretchers is resin cast (with some chips revealing the underlying material) and this is applied to a wood backing.Some seat rails replaced and some with calico glued over them. The frame under the upholstered areas have not been inspected for condition or originality.Please see the additional condition report photographs as a visual reference of condition. Condition Report Disclaimer
Lot 44
A GEORGE II MAHOGANY SIDE CHAIR MID 18TH CENTURY With close nailed crimson 'West of England' wool cloth, of pegged construction 104cm high, 65cm wide, 70cm deep Condition Report: Overall there are scratches, marks, knocks, cracks and abrasions consistent with age and use.Observations include:The wool cloth with some wear, fading and stains. There are some tears where the fabric has deteriorated.The nailing with few oversized gilt metal boss nails, though there are tack holes at closer intervals around the edge - this might be from previous close nailed borders or from tacks holding a border braid or fringe. There are some vestiges of braid to one side of the seat rail. The red wood cloth has an underlayer of linen and horsehair upholstery. There are some worm holes through the red wool cloth.There is some evidence of old worm.A staple is visible on the cloth suggesting that this chair is either later upholstered or has had upholstery restoration.The underside with two later corner braces.The frame under upholstery has not been inspected.Some cracks and repairs to two legs in the seat rail area.The angle of the back combined with the outswept back legs and generous proportions make this a chair that 'sits well'.Please see the additional condition report photographs as a visual reference of condition. Condition Report Disclaimer
Lot 95
A QUEEN ANNE WALNUT SIDE CHAIR LATE 17TH/EARLY 18TH CENTURY Upholstered with close nailed stripe woven cotton and silk cloth 111cm high, 61cm wide, 69cm deep Together with an indigo printed twill cushion in Fortuny style with fringed border 44cm x 26cmLiterature: For a related chair from Kedleston Hall, Derbyshire see Dr Adam Bowett, 100 British Chairs, Antique Collectors' Club, 2015, p60, pl 38. The distinctive form of squared off foot of the frame is close in design to the foot design on a set of walnut and parcel gilt chairs, originally made for Houghton Hall, Norfolk and now owned by the Victoria & Albert Museum, and on loan at Houghton Hall (W.17:1,2-2002). The chairs were probably made by Thomas Roberts, Junior, for Sir Robert Walpole in the late 1720s. Condition Report: THE CHAIR:Overall there are some scratches, marks, knocks, cracks and abrasions consistent with age and use.There are some losses, restorations and observations including:The stripe woven fabric worn to threads including to the crest and and the front half of the seat, with some other tears, holes and marks to the fabric.There are repairs to inlcude the legs and feet spliced and incorporating later timber. There is a shadow of a previous turned front stretcher, and some other holes to this area.There is evidence of old worm, with some brown wax like filler.The seat rails are later, with some traces of glue and later dark staining. The frame under the upholstery has not been inspected.THE PRINTED TWILL CUSHION:Some wear with a hole, marks and some fading.Please see the additional photographs as a visual reference of condition. Condition Report Disclaimer
Lot 97
A LOUIS XV FRUITWOOD OPEN ARMCHAIR CIRCA 1770 The caned back and seat upholstered with 19th century loop stitch carpet 99cm high, 68cm wide, 68cm deep Condition Report: Overall there are some scratches, marks, knocks, cracks and abrasions consistent with age and use.There are some losses, restorations and observations including:There are cracks and repairs to joint areas and elsewhere, with some overpainting and staining to some of these areas.The caning is in some places unravelling but generally intact.There is evidence of old worm.The 19th century loop stitch carpet upholstery has wear and fading from when it was in it's previous form and since it has been arm upholstery and a squab cushion with some fading, wear, pulled threads etc.The back of the chair back has been strengthened with a blackened metal inner brace to both sides.The recess to the back of the chair back suggests that it could originally have had double caning.Please see the additional condition report photographs as a visual reference of condition. Condition Report Disclaimer
Lot 474
An Investiture of Charles, Prince of Wales, painted ash laminate armchair, 1969Red painted all over with the motto 'Ich Dien' and Prince of Wales feathers to the back highlighted in gilt, with red upholstered seat on square tapering legs.54cm wide, 48cm deep, 81cm high, seat height 40cmFootnote:Created for the investiture ceremony of Prince Charles, hosted at Caernarfon Castle on 1st July 1969, this armchair was designed by Antony Armstrong-Jones, Lord Snowdon, assisted by Carl Toms and John Pound. They formed an integral part of the ceremony, overssen by Snowden, which combined pagentry and modern design. A total of 4,600 were made at the Remploy factory in Bridgend, then dismantled after the event and offered in flat pack form for £12 each, with guests having priority over their assigned chair. Famously, Lord Snowdon bought six of these for his own collection, two of which were offered for sale at Christie's in 2020 and sold for over £40,000 including fees.Condition:Minor cosmetic marks and small scratches, especially to the front of the front supports. Structurally solid.
Lot 475
A Scandinavian teak dining table and chairs, Ulferts, SwedenThe draw-leaf extending dining table with cross-banded top raised on rectangular section supports, together with six upholstered chairs with brown herringbone fabric.Table 290cm wide (180cm closed) x 90cm wide x 71.5cm high, seat height 43cm. (7)
Lot 480
A set of six mid-Century teak armchairs, AH McIntosh, ScotlandDesigned by V G Rossi, with three-bar backs and shaped arms raised on tapering supports, the padded seats with mustard velour fabric.Seat height 46cm (6)Condition:Three of the chairs have had repairs to the backs (arm joints and top rails). All have minor cosmetic marks, scratches and signs of age and use including varying degrees of wear to the arm ends. All sturdy and useable.
Lot 481
An Investiture of Charles, Prince of Wales, painted ash laminate armchair, 1969Red painted all over with the motto 'Ich Dien' and Prince of Wales feathers to the back highlighted in gilt, with red upholstered seat on square tapering legs, un-assembled in its original box, together with a small archive of ephemera relating to the ceremony including official souvenir programme, ceremonial programme, official transport itinerary 'The Prince's Progress Through Wales', a copy of the Daily Express from Tuesday 1 July 1969, and a colour brochure 'Charles 21st Prince of Wales'.Chair: 54cm wide, 48cm deep, 81cm high, seat height 40cmProvenance:Acquired by Cllr. Harold Taylor, an attendee of the Investiture ceremony, thence by descent to the vendor.Footnote:The vendor's late father, Harold Taylor, was a councillor for Denbighshire County Council and was an invited attendee at the Investiture ceremony. The small archive of related ephemera includes an itinerary of the Royal Household during and after the event which was only provided to officials.Condition:Negligible cosmetic marks only. One fixing bolt missing, three original bolts remaining.
Lot 513
Tabouret en bois sculpté et doré. Style Régence XIXe siècleLa ceinture sculptée de palmettes ajourées, quatre pieds galbés réunis par une entretoise en X. Assise garnie d'une tapisserie au point XVIIe siècleH. 45 cm - D. 41 cmA Regence style giltwood stool with 17th century tapestry seat.For further information on this lot please visit Bonhams.com
Lot 34
A lot comprising pair of white ceramic barrel form garden seats, 45cm high x 34cm diameter, similar green ceramic garden seat, 45cm high x 34cm diameter and another blue ceramic garden seat with Chinese dog masque handles, 43cm high x 40cm wide x 36cm deep (4) Condition Report:Available upon request
Lot 133
A LARGE HERCULANEUM STONEWARE POTTERY JUG AND COVERLIVERPOOL, C.1805-10with sprigged decoration of hunting scenes below a grapevine and with a grotesque mask spout the base with an impressed mark54.5cm highProvenanceKenneth Neame: An Enduring Legacy.Purchased Christie’s, 7th May 2008, Fasque: The Scottish seat of the Gladstones, Lot 228.PLEASE NOTE THIS LOT IS TO BE OFFERED WITHOUT RESERVE.
Lot 247
A PAIR OF GEORGE II RED WALNUT OPEN ARMCHAIRS C.1740 AND LATEReach with a vase shaped splat above a drop-in gros and petit point needlework seat, the scrolling arms with carved lion's head terminals, on shell-capped cabriole front legs and claw-and-ball feet (2)ProvenanceFrom a Private Collection, West Yorkshire, formed in the 1970s and 1980s.
Lot 250
A LATE GEORGE III MAHOGANY CHILD'S ARMCHAIR IN HEPPLEWHITE STYLE, LATE 18TH CENTURYthe shield shape back carved with Prince of Wales feathers and drapes, above a silk stuffed-over seat 65.8cm high, 40.8cm wide, 34cm deepProvenanceFrom a Private Collection, West Yorkshire, formed in the 1970s and 1980s.
Lot 251
A RARE EARLY GEORGE III SCOTTISH LABURNUM LIBRARY 'RAEBURN' ARMCHAIR IN CHIPPENDALE STYLE, POSSIBLY BY FRANCIS BRODIE, C.1760-70the moulded frame carved with leaves and scrolls, with a padded drop-in back and seat, on cabriole legs with fan-fluted decoration and knurled toesProvenance By repute, this 'Raeburn' armchair was formerly at the Palace of Holyroodhouse.Catalogue NoteThe term 'Raeburn' is used colloquially in Scotland to define a type of armchair known as 'Gainsborough' in England. The term derives from the name of the Scottish 18th-century portraitist Sir Henry Raeburn (1756-1823).From a Private Collection, West Yorkshire, formed in the 1970s and 1980s.
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