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Lot 1
A pair of late Victorian walnut armchairs with shaped and arched crest rails carved with leaf and fruit design, the turned uprights with carved Ionic capitols, rounded arm terminals, on bulbous turned front supports with conforming H-pattern stretchers, the seat, back and arm pads upholstered in brown hide
Lot 1
Pair of William Morris ‘Bird’ pattern seat covers, Jacquard-woven wool double cloth, England (probably Merton Abbey), late 19th century, each approx. 24in. x 34in. 61cm. x 86cm. Each panel cut for upholstery, frayed at edges, wear, dirt staining. This pattern was designed by Morris himself in 1878, specifically for the drawing room at Kelmscott House, his own residence in Hammersmith, London. Like most Morris designs it remained in production by Morris & Co. for many years. (2)
Lot 1
A fine elbow chair in Adam style, the cream painted channel frame with pale blue and gilded ribbon and leaf carving, the shield shaped padded back with open arms on laurel leaf supports, the stuffed-over serpentine fronted seat with a beaded and fluted frieze to floret carved blocks, on front leaf capped turned tapering fluted legs.
Lot 1
Simpson (William). The Seat of the War in the East, 1st & 2nd series in one vol., 1855-6 , eighty-one tinted litho. plts. incl. two title pages, some light foxing and marginal fraying, one plt (Camp of the 4th Division) with two large holes, gutta-percha perished, contents loose in orig. half morocco gilt binding, worn with upper cover detached, folio Abbey 237. (1)
Lot 1
*James I - Great Seat. Royal Pardon and Grant from James I, dated 16th February 1619 , written in a most attractive hand, to Nathaniel Coxwell, son and heir of John Coxwell late of Abington, Gloucestershire, gent, deceased, to hold lands in England, Wales and the Marches previously held by John Coxwell, father of Nathaniel, into which he had entered without permission of the Crown, with the attached Great Seal of James I An unusually complete impression of the Great Seal of James I, being his second Great Seal, engraved by Charles Anthony in 1605. (1)
Lot 1
A 19th century Swiss inlaid walnut musical side chair with finely carved oakleaf and openwork scroll waisted back centred with marquetry and penwork panel of two deer over similarly decorated hinged seat enclosing four-air musical mechanism with 2.75. inch pinned cylinder on carved cabriole supports one leg broken and heavily wormed 93cm high.
Lot 1
8 tinplate toys: a single seat style racing car with driver, colourful red, yellow and blue finish, Pirelli detail to tinplate tyres, No 4 racing numbers; 3 small single open seat race cars and a closed cockpit version; a truck open tourer and aeroplane, all in the style of Penny Toys. GC, some paint marks
Lot 1
4 early tinplate racing cars: 2 seater racing car with driver, yellow and orange with Ace of Spade decals, clockwork driven by Ingap of Italy, approx 6.5” length (motor loose in chassis). Single seat racing car with driver in red, No 8 decals to sides Memo logo at rear, approx 6” long. Single seat racing car in yellow lithograph drive, No 6 decals, clockwork driven (GWO), made in Britain, possibly Mettoy approx 7” long. And a Record Breaker car in orange with lithograph detail, rubber tyres, clockwork driven (GWO) by Lindstrom, USA. QGC - GC for age, paint chips and age wear
Lot 1
A rare Taylor & Baratt (T&B) Brewer’s Dray: (No 177), a 4 wheel wagon drawn by a single white horse, a seated drayman with ship, six barrels and a ladder, complete with headboard “Ale & Stout” and removable seat. In original box with picture lid. VGC for age, minor paint wear. See inside front cover
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217092 item(s)/page