A DERBY FLUTED LOZENGE SHAPED DESSERT DISH, painted probably by George Robertson with figures near a picturesque cottage in oval gilt frame and border of linked blue, yellow and carmine pink flowerheads, 27.5cm w, William Duesbury & Co, painted crown, crossed batons, D, 178 and title Celebrated Cottage at Nuneham Courtnay The Seat of Earl of Harcourt in blue script, c1795 ++In very good condition with some localised wear mainly confined to the rim
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A YORKSHIRE PEARLWARE FIGURE OF A SEATED WOMAN, her fashionable dress and apron painted in puce and black with sprigs and spots and outlined in ochre, on green seat, 10cm h, c1800-20 The present figure is of the type associated with the pottery that occasionally used aN impressed crown mark. Although as yet unidentified, it is of undoubtedly Yorkshire origin. The two examples of the model in the Victoria & Albert Museum are illustrated, and the other wares at the factory discussed, Lewis (J & G), Pratt Ware... 1780-1840, revised edition, Woodbridge 1993, pp82-94. ++A most attractive naive figure in excellent condition free from cracks, chips or restoration
‡ PAULUS CONSTANTIJN LA FARGUE (1729-1782) SCENE AT HALFWEG signed and dated P C la Fargue pinx 1777, panel, 32 x 44cm Provenance: Sold at auction in The Hague (Kann), 24 August 1803, lot 58 (as 'Een Gezicht op Halfweegen Haarlem, ryk gestoffeerd en Meesterlyk geschildert door P.C. La Fargue, op paneel, hoog 13, breed 15 duim [34 x 39.3cm]), bt. I Kann for f14.15; anon sale (the property of Mrs E Asscher, deceased), Christie, Manson & Woods, 6 May 1938, lot 41 (as P C LA FARGUE. A VIEW OF HALFWEG, HAARLEM, with figures on a road in the foreground. signed, and dated 1777. On panel 12 ½ in. by 17 ½ in [ 31.8 x 45.5cm]), bt. Knoedler for £54.12.0. Paulus Constantijn la Fargue (and his younger brother Jacob Elias) made several sketches of Halfweg. A highly finished wash drawing en grisaille of 1778 (the year after the present painting) now in the Amsterdam Historical Museum is taken from precisely the same spot and has very similar staffage. It is illustrated I Oud and L van Oosterzee, Oude tekeningen in het bezit van het Amsterdams Historisch Museum, waaronder de collectie Fodor. Deel 5. Nederlandse tekenaars geboren tussen 1660 en 1745, Zwolle 1999, p86, no 68. The picturesque village of Halfweg (midway between Amsterdam and Haarlem) was popular with 18th century contemporaries of the brothers la Fargue, including Jan ten Compe, Jan Ekels the Elder and Johannes Janson, the last of which painted it at least three times. The fine classical building on the left, with its swan capped piers is the Huis Swanenburg, the seat of the Hoogheemraadschap van Rijnland built in 1645-8 by the architect, painter and printmaker Pieter Post (1608-1669) (see J J Terwen and K A Ottenheym, Pieter Post (1608-1669), Architect, Zutphen 1993, pp155-160). To the right is the Spaarndammer-dijk behind which is the 'IJ' (a broad river, originally a bay). In the distance can be seen the Haarlemmertrekvaart (Haarlem ship canal). Following the reclamation of the Haarlemmermeer the Huis Swanenburg became a sugar factory. Only its classical façade remains today. Mellors & Kirk is very grateful for the assistance of Dr Charles Dumas of the Netherlands Institute for rt History, The Hague in identifying the topography. The work will be included in Dr Charles Dumas' forthcoming Catalogue Raisonné of the La Fargue family. ++Some localised restoration in particular the golden light of the sky and details of the building but extensive other passages free from restoration although this has not been verified under uv light
A GEORGE III OAK LONGCASE CLOCK, signed on the break-arched and painted dial HENY BUNYAN LINCOLN, with twin subsidiary dials, pierced hands, raised gilt spandrels and a rustic scene to the arch, having eight day movement, the case with swan neck pediment and turned pillars, the trunk enclosed by a moulded door, on (reduced) base, 210cm h ++Lacking the seconds hand, the dial with slightly dirty paint and the odd minor paint chip. The movement complete and original, the seat board probably contemporary. The case in basically sound condition, the base remodelled
A WYLIE & LOCKHEAD STAINED OAK CHAIR DESIGNED BY E A TAYLOR, with pierced rail and tapered splat between turned uprights, the caned seat on turned legs with stretchers, 106cm h, c1905 ++Minor shrinkage crack in the top bar, lacking one of the spindle-stretchers, the cane original but with slight wear. Long in the local late owner's family's ownership
A CHARLES II JOINED OAK SETTLE, the panelled back crested by zoomorphic ornament above three chip carved lozenges, the notched arms on ring turned uprights and with boarded seat on conforming forelegs, 137cm h; 60 x 42cm ++Of good colour with two minor shrinkage cracks in two of the back panels. On the reverse of the back several strengthening batons. The seat with wide shrinkage crack and an early replacement for webbing, at either end two later crude stretchers uniting the base of the forelegs to the back
A PAIR OF WILLIAM III JOINED OAK PANEL-BACK CHAIRS, LANCASHIRE/CHESHIRE, the break-arched back and panel carved with stylised flowers and leaves between rudimentary finials, having boarded seat on turned legs with stretchers, 113cm h ++Splits in the seats, one seat with small loss, some looseness in the joints, minor evidence of old worm infestation
A GEORGE IV ELM ARMCHAIR, DATED 1825, with solid winged back and boarded sides beneath curved arms on ring turned uprights, the massive seat on conforming turned legs with stretchers, 103cm h, the underside of the seat inscribed JANY 1 1825 ++In basically good original condition and pleasing colour. Minor wear, faults and some abrading of the feet
A commemorative chair for the Investiture of the Prince of Wales at Caernarfon Castle, 1969, vermilion stained with gilt Prince of Wales feather crest to back. 4600 of these chairs were made for seating guests inside the castle at the Investiture. The chairs consisted of a seat and back resting on a tiered stand. Immediately after the ceremony, these seats were dismantled and the seat and back combined with arm and leg units to be sold. Invited guests had first refusal and the remainder were sold to the public. This chair comes with original box of posting, decorated with Prince of Wales feathers and complete with original labels. (Illustrated).
A collection of silver miniatures, comprising: a late 19th century Continental embossed armchair, import marked for London 1896; an embossed stool with a plush seat as a pin cushion by Levi & Salaman, Birmingham 1901; an embossed table by Levi & Salaman, Birmingham 1901; and a pair of Japanese silver coloured novelty pepperettes, in the form of lanterns, engraved with mon (5) Visit www.dnfa.com for condition reports.
LUTON 'MINOR' G-ALNX: A free-flight scale model of this high-wing light aircraft, the clear dope covered balsawood airframe with rubber tyred main wheels and a tail skid, cockpit details include pilots seat with restraining straps, control column and instrument panel, fitted with a 'red-head' single cylinder diesel engine driving an 8" diameter propeller, finished in clear dope and blue, 42 1/4" wingspan. See Illustration.
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