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Lot 123
Claire Foy, Olivia Colman & Imelda Staunton (as the Queen): a French early 20th century mahogany and gilt-brass mounted dressing table, in the Directoire-styleFirst seen in Season 1The bevelled mirror plate surmounted by a cut-brass inlaid crest flanked by fluted columns above two drawers and a striped fabric surface above two frieze drawers on conforming fluted tapering legs, together with a William IV mahogany dining chair with curved top rail above an anthemion moulded and carved middle rail, above a drop-in seat on turned and reeded legs, dressed with a silver-mounted and guilloche dressing table set with iris flower decoration (Henry Clifford Davis, Birmingham 1954); two circular silver boxes (W I Broadway & Co, Birmingham 1981); two Chamberlain's Worcester spill vases decorated with Worcester Cathedral and Malvern Abbey church; a brass foliate lamp, etc., 99.5cm wide x 59cm deep x 155cm high, (39in wide x 23in deep x 61in high) (qty)Footnotes:The chair a replacement sourced from the Set Decorating Department's The Crown stock.Dressed by The Crown's Set Decorating Department and items may have changed from when used in filming.This lot is subject to the following lot symbols: TPTP For auctions held in Scotland: Lots will be moved to an offsite storage location (Constantine, Constantine House, North Caldeen Road, Coatbridge ML5 4EF, Scotland, UK) and will only be available for collection from this location at the date stated in the catalogue. Please refer to the catalogue for further information.For all other auctions: Lots will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com
Lot 99
Emma Corrin (as Princess Diana): A performance dressSeason 4, Episode 9, 'Avalanche'Custom made mid-length ivory gown with a drop waist, pleated skirt and spaghetti straps; together with a pair of cream-coloured satin dance shoes by Freed of London (2)Footnotes:As seen in the Wayne Sleep dance scene, set at the Royal Opera House.Wayne Sleep (b.1948) is a British dancer and choreographer. In 1985, he was asked by Princess Diana to rehearse a dance as a surprise for Prince Charles' 37th birthday. They rehearsed in secret, and, despite their height differences, with Wayne Sleep being 5ft 2in and Diana 5ft 11in, they pulled off an enjoyable performance. Wayne Sleep later commented on the Princess' good sense of humour.Princess Diana left her seat during the Gala Performance at the Royal Opera House, and they performed the dance to Billy Joel's Uptown Girl.For further information on this lot please visit Bonhams.com
Lot 128
A Louis XVI-style cream painted and parcel gilt love seatEarly 20th centuryFirst seen in Season 5, in the Diana Kensington Palace Apartments setThe double arched back above shaped seat rail on square tapering legs, caned, with gold silk squab cushion, 124.5cm wide x 53cm deep x 82.5cm high, (49in wide x 20 1/2in deep x 32in high)Footnotes:First sourced for Season 3 for filming of the proposal scenes between Josh O'Connor (as Prince Charles) and Emma Corrin (as Lady Diana).This lot is subject to the following lot symbols: TPTP For auctions held in Scotland: Lots will be moved to an offsite storage location (Constantine, Constantine House, North Caldeen Road, Coatbridge ML5 4EF, Scotland, UK) and will only be available for collection from this location at the date stated in the catalogue. Please refer to the catalogue for further information.For all other auctions: Lots will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com
Lot 129
Elizabeth Debicki (as Princess Diana): an Edwardian mahogany and mother-of-pearl inlaid dressing table in the George III-style, as dressed by Alison Harvey, Series Set DecoratorFirst seen in Season 5, in the Diana Apartments setThe bevelled mirror plate flanked by hinged subsidiary plates above a rectangular top and a frieze drawer flanked by two drawers to either side on square tapering legs, later mounted with a floral striped cover, together with an early 20th century French painted and parcel-gilt window seat in the Louis XVI-style with scrolled arms above a caned seat on turned and fluted tapering legs, the table dressed with accessories to include: framed photographs; a matched Asprey silver mounted and guilloche enamel hair dressing set (Asprey & Co Ltd, Birmingham 1934 and 1935); a selection of perfume bottles, trinkets, and make-up; a selection of costume jewellery; a pair of gilt metal candle sticks, etc. 132cm wide, 59cm deep, 167cm high (51.5in wide, 23in deep, 65.5in high) (qty)Footnotes:Dressed by The Crown's Set Decorating Department and items may have changed from when used in filming.This lot is subject to the following lot symbols: TPTP For auctions held in Scotland: Lots will be moved to an offsite storage location (Constantine, Constantine House, North Caldeen Road, Coatbridge ML5 4EF, Scotland, UK) and will only be available for collection from this location at the date stated in the catalogue. Please refer to the catalogue for further information.For all other auctions: Lots will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com
Lot 67
A Prince of Wales Investiture chairDesigned by Lord Snowdon in 1969Season 3, Episode 6, 'Tywysog Cymru'In red-stained ash, laminated plywood and painted elm, the back impressed with a large gilt Prince of Wales feather motif, above a padded seat on square tapering legs, together with a selection of designs and illustrations by Camise Oldfield and Beth Kendrick from The Crown's Art and Graphics Departments, inspired by Louis Osman (1914-1996), the architect and goldsmith who designed Prince Charles' Investiture Crown, the chair: 54.5cm wide x 48.5cm deep x 78cm high, (21in wide x 19in deep x 30 1/2in high) (qty)Footnotes:Although used on set and as the inspiration for a similar version created by The Crown's Art and Construction departments, this chair would have been used during the Prince of Wales Investiture ceremony at Caernarfon Castle in North Wales on 1st July 1969. Aiding the Earl of Snowdon in its design was Carl Toms (1927-1999) and John Pound (Ministry of Works) and was manufactured by Remploy, who employed a disabled workforce in a welfare to work scheme.In total 4,600 chairs were made for the ceremony, originally with Welsh tweed upholstered cushions. After the ceremony, the chairs were available for guests to buy for £12 to help fund the ceremony.This lot is subject to the following lot symbols: TPTP For auctions held in Scotland: Lots will be moved to an offsite storage location (Constantine, Constantine House, North Caldeen Road, Coatbridge ML5 4EF, Scotland, UK) and will only be available for collection from this location at the date stated in the catalogue. Please refer to the catalogue for further information.For all other auctions: Lots will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com
Lot 20
A reproduction of Saint Edward's Chair (The Coronation Chair)Season 1, Episode 5, 'Smoke and Mirrors'Gold-painted and simulated oak fibre-glass throne faithfully recreated after the Gothic original, the arched panelled back with downswept arms mounted with tan leather, with Gothic arched panelled sides above a solid seat and pierced quatre-foil frieze enclosing a fibreglass copy of the Coronation Stone of Scone (Stone of Destiny), supported by four lions on a plinth base, with red velvet upholstered squab cushions, together with golden canopy used during the filming of the scene, with turned handles, to be held by bearers; and the Art Department design drawing for the Coronation canopy, the chair: 117cm wide x 72cm deep x 211cm high, (46in wide x 28in deep x 83in high) (3)Footnotes:Commissioned by the Set Decorating department.The original Coronation Chair was made by order of Edward I at the beginning of the 14th century to enclose the Stone of Scone, which he brought from Scotland to Westminster Abbey in 1296. This Stone had originally been used in the Coronation of Scottish Monarchs but was seized during Edward's invasion of Scotland during the First Scottish War of Independence. In 1996 it was returned to Scotland and kept with the Scottish Crown Jewels when not required for Coronations. The Chair has been in use at Coronation ceremonies since 1308 when Edward II was crowned King of England, but it was not until Henry IV's crowning that it became the official chair for the ceremony. It was most recently used in May 2023 during the Coronation of King Charles III. Monarchs used to sit on the stone itself until a wooden platform was added in the 17th century.Carved from oak by Walter of Durham, the Coronation Chair is considered to be the earliest known piece of English furniture made by a known maker.This lot is subject to the following lot symbols: TPTP For auctions held in Scotland: Lots will be moved to an offsite storage location (Constantine, Constantine House, North Caldeen Road, Coatbridge ML5 4EF, Scotland, UK) and will only be available for collection from this location at the date stated in the catalogue. Please refer to the catalogue for further information.For all other auctions: Lots will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com
Lot 181
Essex, Robert Devereux, 2nd Earl of (1565-1601) Autograph letter signed to Richard Bagot, 17th June 1585 single bifolium (31 x 20.5cm), written on one side, 17 lines and signature ('R Essex'), ‘Mr Bagott, your sonne tellinge me of your good and kinde offer I was glad to take occasion at this time to use the same … I pray you therefore by this bearer send me 40 [pounds] …', annotated at foot, conjugate address panel addressed by Essex ‘To my lovinge frend Richard Bagott Esquier’ and with contemporary endorsement A young Essex, on the eve of his presentation at court, gives a hint of the improvidence which would eventually lead to his downfall. Richard Bagot (c.1531-1597) was an influential Staffordshire landowner whose seat at Blithfield was near Essex’s at Chartley. He was steward of Elizabeth I’s land holdings in Staffordshire and served as sheriff and deputy lieutenant of the county. He had been a close associate of Essex’s father, the first earl, and remained an important ally of the family. Bagot’s son Anthony (1558-1622) was a member of Essex’s household and his closest associate during his time at Cambridge; he was later pardoned for his role in Essex’s rebellion. It is also possible that ‘Your sonne’ is Richard Broughton (1542-1604), Bagot’s son-in-law and Essex’s man of affairs.On the death of his father in 1576 Essex inherited enormous debts amounting to some £18,000. His free spending as a youth did little to help his family’s finances. He spent the summer of 1585 at Chartley, under pressure from his mother to give up his life in the country and go to court. He did so in September of that year, though made little initial impact and suffered the inconvenience of his family seat being expropriated for the imprisonment of Mary Queen of Scots. In December, however, he accompanied his stepfather Robert Dudley, Earl of Leicester to the Netherlands and was given the prestigious appointment of colonel-general of the cavalry. The following year he returned to England as a war hero, and quickly caught the queen’s eye.Further reading: Memorials of the Bagot Family, 1824, p. 25 et seq.
Lot 899
A pair of 19th century Victorian revival lounge fireside library armchairs. Mahogany construction with carved fleur de lys to central, back rest and seat having padded cushioned seat in a light blue material. Further carved decoration to elbow rests and shaped legs terminating on castors. Measures approx 105 x 80 x 60 cm.
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217092 item(s)/page