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Lot 125
A set of 8 oak Edwardian Dining Chairs by Lamb of Manchester, the backs with moulded plait design to top rail between globe finials, studded brown leatherette panel and turned spindles, buttoned brown leatherette seat with moulded side rails on turned and reeded baluster legs, castors to front legs stamped Lamb Manchester
Lot 462
A pair of silver mounted dimple glass liqueur decanters, by William Comyns, London 1912, the bottles with wrythen stoppers, both the lower and upper silver mounts pierced and embossed with trellis, scroll and rosette decoration, 21cm high (2) Both silver and glass elements in good condition, very minor fritting to the inside of the stopper seat in one
Lot 567
Douglas Morrison (British, 19th Century) View of Raby Castle from the park, with deer in the foreground, the former seat of the Dukes of Cleveland oil on canvas 28 x 38cm (11 x 15in) Provenance: Sotheby's Colonnade Sale, Wednesday, 29 September 1993 [Lot 524], where acquired by the vendor Oil on canvas which has been lined. Paint layer stable, some areas of wear and abrasion in the thin paint layers. Surface semi-matte. The gilding on the frame is very worn.
Lot 932
A Howard armchair, late 19th century, upholstered in original printed fabric, on turned front legs, stamped 266 - for restoration 70 x 73cm (27 x 28in) One of the most successful and fashionable furniture companies of the 19th century. Founded in 1820 by John Howard, they moved to premises in Berners Street London W1 in 1848 trading as "cabinet makers, upholsterers and decorators". They obtained patents for wood veneer used for parquet flooring and in 1866 obtained a patent for an "elastic seat", a re-design of traditional upholstery for sofa and armchairs. Their furniture won medals at International Exhibitions throughout Europe and notable commissions included Elton Hall, Stokesay Court and Mr Vanderbilt's yacht. They worked in a variety of fashionable styles, neo-Renaissance, Anglo-Japanese and Louis XVI. Examples of their furniture can be found in the Victoria and Albert Museum.
Lot 936
A Mid-Victorian oak and ebony hall seat, in the manner of G J Morant, the arms boldly carved as Griffins, with an arched back and lift up panel seats, on rosette carved and shaped feet 96 x 242 x 63cm (37 x 94 x 25in) Provenance: Plumpton House, Bury St Edmunds Other Notes: The origins of the Griffin are from ancient Greece. The legendary creature had the body, tail and back legs of a lion and the head and wings of an eagle, with eagle's talons for its front feet. As such it was thought to be especially powerful and majestic, and was known for guarding treasure. A much used and familiar symbol and mascot, the British Museum houses examples of griffins painted on pottery dating back to 600BC. Alongside its depiction in art, it is often referenced in literature from Dante Alighieri's Divine Comedy to Harry Potter.
Lot 521
A VICTORIAN CAST IRON GARDEN SEAT modelled in an Eastern style pattern, the back with arched central panel with fan motif flanked by foliate panels, downswept arms, slatted cast iron seat with scrolled apron, on splayed supports, 48 1/2" wide, 38" high Note: cf. Pattern No.20 in the 1860 Coalbrookdale catalogue (Est. plus 18% premium inc. VAT) (Illustrated)
Lot 605
AN EARLY GEORGIAN STYLE CHILD'S MAHOGANY CHAIR, 1820/30's, the arched scroll carved top rail over solid vase splat and turned uprights, drop in seat with petit point covering, raised on small carved cabriole front legs with pad feet, splayed back legs and baluster turned H stretcher, stamped G Duffield, 15" x 11 1/2" x 26 1/2" (Est. plus 18% premium inc. VAT) (Illustrated)
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217092 item(s)/page