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Lot 332

CANE SEAT BENTWOOD ROCKING CHAIR

Lot 399

A reclining brown leather 3 seat sofa along with matching reclining armchair. (Sofa 97cm x 226cm x 90cm)

Lot 405

A brass Chiavari hall chair. Wear to seat.

Lot 428

An 1920 /30's Oak chair with upholstered seat, together with a vintage Wedlake Ashton & Co (Liverpool) babies wooden cot. H:100cm, W:122cm, D:60cm. Condition good.

Lot 448

Four teak dining chairs with vinyl seat and back.

Lot 449

A brown leather 3 seat sofa with folding drinks holder along with matching reclining armchair.

Lot 900

A toilet seat; a bath seat etc

Lot 1214

A SET OF SIX EARLY TO MID 20TH CENTURY OAK ECCLESIASTICAL CHAIRS (splits to seat and back of some chairs)

Lot 1257

A SET OF FOUR MAHOGANY CHIPPENDALE STYLE DINING CHAIR, with needlework drop in seat pads

Lot 1277

A QUANTITY OF OCCASIONAL FURNITURE, to include a mahogany oval nest of three tables, Italian drinks trolley, teak finish telephone seat/table, copper magazine rack, desk organiser, rectangular wall mirror, and three various rugs, etc (10)

Lot 1294

AN ARTS AND CRAFTS BEECH RECLINING ARMCHAIR, covered with brown leather upholstery and matching seat pad, width 67cm

Lot 1322

A CREAM AND BEIGE TWO SEAT SETTEE with floral upholstery, inner width 140cm and a pair of similar armchairs, with scrolled backs, in striped upholstery, on two front tapered legs, inner width 50cm (3)

Lot 1323

A HARDWOOD COFFEE TABLE, width 109cm x depth 58cm x height 40cm, vintage tubular folding chair with green fabric (Sd) and a distressed oak chair on turned legs (missing seat pad) (3)

Lot 275

REBECCA LARDNER (BRITISH 1971) 'SEASIDE SEAT' a limited edition print of a dog on a chair 58/195, signed to lower margin, no certificate, approximate sizes - image 34cm x 32cm, frame 64cm x 61cm (ARR) (Condition:- frame dented, chipped and scratched)

Lot 505

A GREAT GIZMOS CHILDS SIT ON CLASSIC RACING CAR, of steel construction with plastic seat and grille, rubber tyres, in silver livery with Racing Number 1, very lightly playworn condition, decals have some wear but are in fairly good condition, length approximately 75cm

Lot 506

A GREAT GIZMOS CHILDS SIT ON CLASSIC RACING CAR, of steel construction with plastic seat and grille, rubber tyres, in red livery with Racing Number 1, very lightly playworn condition, decals have some wear but are in fairly good condition, length approximately 75cm

Lot 1013

A pair of Regency beech cane seat chairs

Lot 1063

A mahogany stool with upholstered seat

Lot 1073

A late Victorian walnut caned seat back armchair

Lot 1076

A harlequin set of eleven 19th century ash spindle back rush seat chairs(two having arms)

Lot 1605

A collection of assorted 19th century Military paintings and prints including Murray Urquhart (1880-1972) study of a Rifleman, dated 1934, 26 x 12.5cm,watercolour of a rifleman, unsigned, 13 x 9.5cm, an 1837 coloured aquatint, Rifle Brigade, 22 x 16cm, a modern colour print, Officer of Coldstream Guards, Ackermanns print of Coldstream Guards, coloured engraving, British Army Rifle Bridage / 5th Dragoons, coloured engraving, British Officer Rifle Core, coloured lithograph of the British Army at the Seat of War, No.2 The Rifles, overall 28 x 37cm, coloured engraving, 'Rifleman Presenting', colour reprint 'Horn Musick', a colour lithograph, 'Coldstream Drummer', a colour lithograph, 'Infantry Officer's of The British Army', 37 x 46cm overall, framed set of four coloured engravings, 'Rifle Shooting', colour lithograph, 'Rifle Brigade', 28 x 21cm, colour lithograph, 'Officer's of The British Army No.31 Rifle Brigade', 27 x 23cm, coloured lithograph, 'Guardsmen', 40 x 29cm overall and a colour aquatint, 'Fusiliers', 23 x 36cm

Lot 832

A Victorian style corner chair having later painted turned frame and blue upholstered seat

Lot 839

A traditional stained frame low seat carver chair having ladder back

Lot 913

A 19th Century hoop and stick back stained frame Windsor style chair having H stretcher and later leather studded seat

Lot 861

4 seat garden dining set

Lot 260

A late Victorian/Edwardian ebonised Nursing chair with pink upholstered circular seat and bar back, turned front legs & a small pair of Regency style Yew wood and crossbanded D shape occasional tables on three turned/reeded legs

Lot 279

A Victorian style ladies Parlour Chair, upholstered back, arms, sides and seat

Lot 517

ARMCHAIR, 93cm H x 80cm W x 105cm D, striped upholstery with cushion seat and brass front castors.

Lot 120

METAL GARDEN LOVE-SEAT, WIDTH APPROX 145CM

Lot 77

FIVE GARDEN SEAT CUSHIONS

Lot 54

Orden unserer lieben Frau von Villa Vicosa - Ordenskleinod in Brillanten. Gold. Der Schreiftreif des Medaillons emailliert. Die gesamte Ordensdekoration mit ca 315 feinen Altschliff - Brillanten und Diamanten im Kissenschliff (Cushion) besetzt.Die Rückseite à jour gearbeitet und fein poliert. Die Krone beweglich gearbeitet. Prächtiges und wunderschönes, beeindruckendes Ordenskleinod in allerfeinster, nicht zu übertreffender Juweliersqualität. Der Orden unserer lieben Frau, auch Orden unserer lieben Frau von der Empfängnis von Vila Visiosa (Ordem de Nossa Senhora da Conceição de Vila Viçosa) wurde am 6. Februar 1818 vom portugiesischen König Johann VI. in Rio de Janeiro (Brasilien) gestiftet wurde. Das Datum der Stiftung des Ordens am 6. Februar 1818 fiel mit der Krönung von Johann VI. zusammen. Der Orden ist nach dem Stammsitz des Königshauses Braganza, benannt. Der Namensbestandteil "Vila Viçosa" bezieht sich auf eine portugiesische Stadt, die mit dem Haus Bragança eng verknüpft war. 1461 kam die Region an der Grenze zum heutigen Spanien unter die Herrschaft der Familie Bragança. 1507 wurde der dortige Palast fertiggestellt. Erst Graf João von Bragança zog 1640 nach Lissabon, als er zum König Johann IV. von Portugal ausgerufen worden war. Der Palast in Vila Viçosa blieb Sommerresidenz. Der Hinweis auf Vila Viçosa und die dort verehrte Muttergottes bekommt eine besondere Bedeutung zu, wenn man berücksichtigt, dass der Orden in Brasilien gegründet wurde. Er unterstreicht die Bedeutung dieses Ordens für das Königshaus. Über die Anfänge des Ordens Unserer Lieben Frau von der Empfängnis von Vila Visiosa gibt es zwei verschiedene Versionen:Die glaubwürdigere Version ist die, dass der Orden für jene als Ehrung und Auszeichnung gedacht war, die sich im Kampf gegen die napoleonische Besetzung durch ihre besondere Loyalität gegenüber dem Königshaus verdient gemacht hatten. Die zweite Version findet sich u. a. in einem älteren deutschsprachigen Handbuch über Ritterorden aus dem Jahre 1825. Demzufolge sei der Orden ursprünglich für die königlichen Prinzessinnen eingeführt worden. - Für diese zweite Version spricht der Tatbestand, dass im 18. und auch im 17. Jahrhundert nicht selten Frauennamen als Ordensbezeichnung für Frauenorden verwendet wurden. Gegen diese zweite Version spricht allerdings, dass durch den König von Portugal am 4. November 1801 bereits eigens ein Damenorden, nämlich der Orden der heiligen Elisabeth (Isabel), gegründet worden war, dessen Statuten 1804 publiziert worden waren. Von Anfang an gehörten zum Orden von Vila Visiosa außer dem Großmeister, den Prinzen sowie Prinzessinnen des königlichen Hauses eine festgelegte Höchstzahl von Großkreuzrittern, Komturen und Rittern sowie dienenden Brüdern. So blieb der Orden sehr elitär und wurde zum bedeutendsten aller dynastischen Orden des Hauses Bragança. Der Orden erhielt auch zwei Sitze zugewiesen: die Kapelle unserer lieben Frau zur Empfängnis zu Vila Visiosa in Alemtejo sowie die Kapelle in der königlichen Residenz. In diesen beiden Kapellen wurde jährlich am 8. Dezember zu Ehren der Patronin des Ordens ein Fest gefeiert. Alle Mitglieder, die sich nicht weiter als eine Stunde von Alemtejo entfernt aufhielten, waren mit den Statuten verpflichtet worden, an der Feierlichkeit teilzunehmen. Bei diesem Fest trugen die Mitglieder, soweit sie nicht einem anderen portugiesischen Militärorden angehörten, einen weißem Mantel mit hellblauen Schnüren oder die Vorrichtung für den Degen sowie mit der gestickten Dekoration auf der linken Mantelseite. Dem alten Orden waren organisatorisch noch zwei Bruderschaften der Heiligen Jungfrau angebunden, die bereits im 18. Jahrhundert bestanden hatten. Um Mitglied im Orden zu werden musste man einen Eid ablegen, indem man sich bereit erklärte, stets Maria, die unbefleckt Empfangene, zu verteidigen und die gewöhnlichen Opfergaben (Obolus) zu spenden. Mit Abschaffung der Monarchie 1910 ruhte der Orden. Neue Mitglieder wurden nicht investiert. Mit der Abschaffung der Monarchie 1910 hatte die neue republikanische Regierung Portugals alle Militärorden aufgelöst, setzte diese aber später wieder ein. Ausnahmen waren der Orden Vila Viçosa und der Damenorden zur heiligen Elisabeth (Saint Isabel). Dom Duarte Pio, seit 1976 Chef des Hauses Bragança, hat am 8. Dezember 1983 (Hochfest der Unbefleckten Empfängnis, eigentlich: Hochfest der ohne Erbsünde empfangenen Jungfrau und Gottesmutter Maria)) auch den Orden Vila Viçosa wieder hergestellt.Eines der prächtigsten portugiesischen Ordenskleinodien, das wir jemals im Angebot hatten. Order of our Lady of Villa Vicosa - Neck Badge with Brilliants. This gold badge features an enameled motto ring to the medallion. The complete badge is set with approximately 315 "old cut" diamonds mostly cushion shape.. The reverse is crafted a' jour and finely polished with a flexible crown. Magnificent and impressive ornamented decoration of the finest jeweler's quality. The Order of our Lady of Conception of Villa Visiosa (Ordem de Nossa Senhora da Conceição de Vila Viçosa) was instituted on 6 February 1818 by the Portuguese King Johann VI in Rio de Janeiro (Brasil). The date of the foundation of the order on 6 February 1818 coincided with the coronation of John VI. The order is named after the ancestral seat of the Royal House of Braganza. The name "Vila Viçosa" refers to a Portuguese town that was closely linked to the House of Bragança. In 1461, the region on the border with today's Spain came under the rule of the Bragança family. The palace was completed in 1507. Count João of Bragança moved to Lisbon in 1640, when he was proclaimed King John IV of Portugal. The Palace in Vila Viçosa remained a summer residence. The reference to Vila Viçosa and Our Lady, venerated there, takes on a special significance when one considers that the order was founded in Brazil. It underlines the importance of this order for the royal house, which at that time had already endowed or bestowed a number of orders, including the "Order of Christ". The number of knight's in all classes of the Order of Villa Vicosa was restricted. Thus the order remained very elitist and became the most important of all dynastic orders of the House of Bragança. The order was also assigned two seats: the chapel of Our Lady of conception at Vila Visiosa in Alemtejo, as well as the chapel in the royal residence. In these two chapels an annual feast was held on 8 December to honor the patroness of the order. All members who were not more than an hour away from Alemtejo had been obliged by the statutes to attend the ceremony. At this festival, unless they belonged to another Portuguese military order, the members wore a white coat with light blue cords or the device for the sword, as well as the embroidered decoration on the left side of the coat. Two brotherhoods of the Holy Virgin were still linked to the old order which had already been founded in the 18th century. In order to become a member of the order, it was necessary to take an oath, agreeing always to defend Mary Immaculate and to offer the ordinary offerings (Obolus). With the abolition of the monarchy in 1910, the order became inactive . New members were not invested. With the abolition of the monarchy in 1910, the new republican government of Portugal dissolved all military orders but, later reinstated them. Exceptions were the order of Vila Viçosa and the order of Saint Elizabeth (Saint Isabel). Dom Duarte Pio, head of the House of Bragança since 1976, also restored the order of Vila Viçosa on 8 December 1983 (solemnity of the Immaculate Conception). One of the most magnificent pieces of Portuguese order insignia we have ever offered at auction in recent years.

Lot 287

Masonic Master?s oak chair with a fluted panel back centred by a shield with initials ?JWM? and date ?1905?, curved arms with carved lion mask terminals and red Rexine upholstered seat, on fluted down-curved legs centred by a roundel, joined by turned stretchers

Lot 288

Masonic Master?s oak chair with a fluted panel back with a loose shield dated 1906 on a later slightly larger panel, curved arms with carved lion mask terminals and red velour upholstered seat, on fluted down-curved legs (roundel missing), joined by turned stretchers

Lot 289

Masonic Master?s oak chair with a fluted panel back centred by a shield with initial ?WH? and date 1909, curved arms with carved lion mask terminals and red Rexine upholstered seat, on fluted down-curved legs centred by a roundel, joined by turned stretchers

Lot 297

Edwardian footstool with a square floral upholstered seat, W 33cm, 2 circular footstools, another stool, fender stool and an Edwardian stick barometer, H 93.2cm, a/f (6)

Lot 303

Pair of Regency style black and gilt lacquered chairs, each with a moulded rail back and cane seat, on spiral twist splayed legs (2)

Lot 304

Edwardian black lacquered folding armchair with a pierced splat back and floral seat, oak firescreen with a glazed gros point panel of 2 deer in woodland, 78 x 49.5cm overall, another embroidered firescreen and a bedroom chair (4)

Lot 306

Edwardian walnut salon sofa with a spindle and upholstered ribbed back and seat, on turned legs and castors, W 134.5cm

Lot 318

George III style winged armchair with a buttoned back and loose seat cushion upholstered in brass studded brown leather hide, on cabriole legs

Lot 330

Kraft pink and gilt loom armchair with a patterned upholstered seat, and a rectangular linen bin with a glass hinged top, W 36cm (2)

Lot 225

An anodised Evertaut metal typist style chair with curved back support and shaped seat, raised on adjustable screw fitting base and bipod support (77cm x 49cm to base)

Lot 227

An Edwardian rosewood and inlaid two seater bedroom/drawing room sofa with pierced inlaid splat back and inset seat, with boxwood strung arms and square tapered supports with spade feet (92cm x 110cm x 50cm)

Lot 241

An early 20thc low armchair, with cane back and upholstered seat (68cm x 57cm x 58cm)

Lot 265

An Ercol dark stained beech spindle back open arm rocking chair, with squab cushion to back and seat, in sage green dotted fabric (96cm x 72cm x 56cm)

Lot 271

An Edwardian piano stool with upholstered hinged seat above a music recess, with turned side handles, above a single panel door, with shelved interior, on turned feet (62cm x 58cm x 35cm)

Lot 385

A Scottish Regency mahogany side chair with curved top rail and scroll back, with inset seat, raised on fluted tapered sabre supports (84cm x 46cm x 42cm)

Lot 387

A 19thc Regency style armchair, with curved top rail above a drop in seat, on straight supports united by H stretcher (78cm x 54cm x 45cm)

Lot 100D

Metal table and 4 chair with seat cushions

Lot 72

Mahogany Footstool (circa 19th century) Having a Tapestry seat, 19cm high, 38cm wide, With a set of Hanging Mahogany Wall Shelves (2)

Lot 80

Lancashire style Ash & Elm Open Armchair (circa 19th century) Having a woven seat, With a similar Armchair, 84cm, 87cm high (2)

Lot 255

A Georgian corner chair, with vase shaped splats, drop in seat, cabriole front leg and turned X stretcher, 82cm high

Lot 276

A pair of Victorian mahogany dining chairs, with a bar back, solid seat and turned legs, 88cm high (2)

Lot 279

A Victorian walnut framed nursing chair, with floral upholstered back and seat, 76cm high

Lot 300

An Arts and Crafts style stool, with brass studded green leather seat, the oak legs with heart shaped piercing, 77cm high x 42cm wide x 30cm deep

Lot 316

An Arts and Craft chair, the heart shaped back with carved strapwork above a rush seat, turned legs and H stretcher, 79cm high

Lot 317

An oak captain's chair, with a black leatherette back rest, sold seat and quadripartite base, 96cm high

Lot 332

A Victorian nursing chair, with a button back, stuffed over seat and turned front legs, height 96cm

Lot 334

A Folk Art country armchair, the comb back with carved decoration, scrolled arms, solid seat and H stretcher, 107cm high

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