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A VICTORIAN OAK HALL SETTLE with foliate carved back and green man mask above a hinged seat and lion carved scroll arm rests above panelled sides, 119cm high x 105cm wide x 48cm deep, together with an oak hall bench, 64cm high x 106cm wide x 39cm deep (2) Condition Report: lid not warped, damage to top carved rail left hand side visible on images, normal signs of wear as per age.
A 19TH CENTURY YEW WOOD WINDSOR CHAIRby William Gilling, Worksop, the back having a pierced back splat, a crinoline stretcher and turned uprights, 94cm high Condition Report: Signs of historic woodworm on seat base underneath. joints solid, normal signs of wear as per age. Please note William Gilling not Gillow.
MAURICE WILLIAM GREIFFENHAGEN RA (BRITISH 1862-1931) SUZANNE Gouache, signed, 42 x 25.5cm (16 1/2 x 10") Inscribed 'signed, inscribed on reverse 'Haggard's Swallow: Frontispiece 'In this eagle's eyrie on a seat Suzanne sat - watching ever' on Louise Kosman label verso Condition Report: A small vertical / diagonal scratch in the pigment, approximately 4 centimetres in length, located near the bottom edge on the left and a small area of tiny scratch marks located within the top left hand quarter section.
An Edwardian mahogany revolving bookcase, of square form with slatted sides, the base with square tapering legs joined by a shaped stretcher; a mahogany dressing stool, with floral needlework drop-in seat; a mahogany lamp stand; reproduction three-tier whatnot; a Victorian four-tier corner whatnot; a bed tray; and George III mahogany dressing table mirror (7)
A collection of nine assorted fishing reels to include a Shakespeare Multiplier, Mitchell Multiplier, Abu 7000 Multiplier, a Shimano GT8000 "Aerlex" fixed spool reel and five others. together with two fisherman's seat boxes containing a quantity of sea fishing terminal tackle, spinners, weights, etc and a bundle of various rods , one with 'Gemina' reel
A William IV mahogany open armchair with padded seat. From the estate of Ashley Barker OBE who was born in Hertfordshire in 1927.Being unusually bright, he found it difficult to make friends and found solace in architecture and buildings, particularly the simple pastime of walking around buildings on his own. Indeed, his favourite treat as a child was to be taken to St Paul's Cathedral, where he would wander for hours.In 1944 he entered the Architectural Association and qualified at a time of rapid post-war reconstruction, when the lack of building materials forced architects to use industrialised prefabrication techniques and poor design, (in Barker's opinion) prevailed. Frustrated, he drifted into working for MGM, creating film sets. He finally found his niche at the Historic Buildings Division of what was then the London County Council (LCC). After years of working with modernists it was a relief to Barker to find an office where his "young fogeyism" was welcome. He enjoyed working under WA Eden, the Surveyor of Historic Buildings, who was dedicated completing the work of the architect and reformer CR Ashbee, who had listed all the buildings that should be preserved within 20 miles of the Aldgate Pump. This idea became the 'Survey of London' and Barker took over when Eden retired in 1970. The LCC became the GLC and Barker became the head of the Historic Building Commission, working on an advisory committee with notables such as Sir John Betjeman, Sir John Summerson, Sir Osbert Lancaster and Sir Hugh Casson.In 1986, he was appointed head of the London Division of English Heritage. He retired in 1988.
A framed and glazed display containing an original 1966 Wembley Stadium seat back numbered 84 (number 1925/2000) and a retro style blue Manchester United shirt with 'Wembley 1968' detail signed by George Best, also featuring reproduction ticket and photo commemorating the 1968 European Cup Final victory against Benfica, with two certificates of authenticity verso, framed and glazed, frame 68 x 100cm.
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