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Buddha Shakyamuni. Bronze. CHINA, Qing-Dynastie (1644-1912). Im Meditationssitz auf einem doppelten Lotosthron, die rechte Hand in bhumisparsa mudra, die linke in dhyana mudra, spitze Buckellockenfrisur mit urna und Juwel. Spuren einer Vergoldung, offener Sockel, H: 23,5 cm. Altersspuren, besch.| Buddha Shakyamuni. Bronze. CHINA, Qing dynasty (1644-1912). In meditation seat on a double lotus throne, the right hand in bhumisparsa mudra, the left in dhyana mudra, pointed hunchback coiffure with urna and jewel. Traces of gilding, open base, h: 23,5 cm. Signs of age, dam.
2 Bronzen des Buddha. THAILAND RATANAKOSIN, 19. Jh.: 1.) Buddha auf naga. Im Meditationssitz über einer zusammengerollten naga-Schlange mit sieben Köpfen sitzend, H. 17 cm (besch.: einer der sieben Köpfe der naga ist abgebrochen). 2.) Buddha-Gruppe: Buddha sitzt im Fürstenschmuck gegenüber von einem Elefanten und einem Affen, die ihm zugewandt sind, H: 18 cm. Jeweils mit Resten einer Vergoldung, Altersspuren, besch.| 2 bronzes of Buddha. THAILAND RATANAKOSIN, 19th c.: 1.) Buddha on naga. Sitting in meditation seat over a coiled naga snake with seven heads, h. 17 cm (dam.: one of the seven heads of the naga is broken off). 2.) Buddha group: Buddha seated in princely adornment facing an elephant and a monkey facing him, h: 18 cm. Each with remains of gilding, traces of age, dam.
Sechs Figuren, Bronze. SINOTIBETISCH: 1.) Jambhala. der Gott des Reichtums ist mit Armbändern, Krone und Ketten geschmückt und sitzt in lockerer Haltung auf einem Thron. In der rechten Hand hält er die Jambhala-Frucht und in der linken die juwelenspeiende Manguste, H. 15,5 cm. 2.) Zwei Figuren des Buddha Akshobhya: der Unerschütterliche thront im Diamantsitz auf einem doppelten Lotossockel, hält die rechte Hand in der Geste der Erdberührung, die linke ruht im Schoß und der vajra liegt vor ihm auf dem Thron. Das Haar ist mit blauer Kultfarbe bemalt, H. 15,5 cm. 3.) Vajrasattva. Das Diamantwesen thront königlich geschmückt in vajrasana, in der erhobenen Hand ein vajra, in der linken die ghanta, H. 20,5 cm. 4.) Manjushri. Der Buddha der Weisheit und des Lernens sitzt in vajrasana auf einem doppelten Lotossockel, mit der rechten Hand das Schwert haltend, mit der linken den Stiel des Lotos ergreifend, der entlang seiner Schulter blüht und das Manuskript trägt, er trägt einen Dhoti und Schmuck sowie ein Diadem vor dem blau gefärbten Dutt, sein Gesicht hat einen heiteren Ausdruck, rot gefärbte Lippen, verlängerte Ohrläppchen, H. 21 cm. 5.) Stehender Bodhisattva. Padmapani in königlicher Erscheinungsform, die rechte Hand in abhayamudra erhoben, die linke in varadmudra, der Geste der Wunschgewährung, H. 28,5 cm (aus zwei Teilen gegossen, der Sockel ist separat). Alle Figuren sind vergoldet oder teilvergoldet und das Haar mit blauer Kultfarbe versehen, die Sockel sind verschlossen oder wiederverschlossen. Altersspuren.| Six figures, bronze. SINO-TIBETAN: 1) Jambhala. the god of wealth is adorned with bracelets, crown and chains and sits in a loose posture on a throne. In his right hand he holds the Jambhala fruit and in his left the jewel-spitting mongoose, h. 15,5 cm. 2) Two figures of the Buddha Akshobhya: the steadfast one is enthroned in the diamond seat on a double lotus pedestal, holding the right hand in the gesture of touching the earth, the left rests in the lap and the vajra is in front of him on the throne. The hair is painted with blue cult color, h. 15,5 cm. 3) Vajrasattva whose name means diamond spirit being enthroned royally adorned in vajrasana, in the raised hand a vajra, in the left the ghanta, h. 20,5 cm. 4) Manjushri. The Buddha of wisdom and learning is seated in vajrasana on a double lotus base, holding the sword with his right hand, grasping the stem of the lotus with his left, which blooms along his shoulder and carries the manuscript, he wears a dhoti and jewelry as well as a tiara in front of the blue colored chignon, his face has a serene expression, red colored lips, elongated earlobes, h. 21 cm. 5) Standing Bodhisattva. Padmapani in royal appearance, the right hand raised in abhayamudra, the left in varadmudra, the gesture of granting wishes, h. 28.5 cm (cast in two parts, the base is separate). All figures are gilded or partially gilded and the hair is painted with blue cult color, the bases are closed or resealed. Signs of age.
Buddha. Holz, Goldlack, Glassteine. BIRMA, MANDALAY, 20. Jh., Im Meditationssitz auf einem getreppten Podest. Die rechte Hand in bhumisparsa-mudra, die linke in dhyana-mudra über den Füßen. Am Haarreif, an den Gewandsäumen und um den Sockel überwiegend farblose und rote Spiegelglassteine. Altersspuren, besch.: wie z.B. Alters- /Spannungsrisse und fehlende Glassteine.| A Mandalay-style figure of Buddha. Wood, gold lacquer, glass stones. In meditation seat on a stepped pedestal. The right hand in bhumisparsa-mudra, the left in dhyana-mudra above the feet. At the headband, at the hems of the robe and around the pedestal mainly colorless and red mirror glass stones. Signs of age, dam.: such as age cracks and missing glass stones.
A 1:4 scale working model Ferrari – Lancia 801 F1, by Jeron Quarter Classics, late 1980s,based upon the car raced at Nürburgring in 1957, scratch-built by Ron Phillips of JQC, with body by Kenalshire Coachworks, fitted with a single cylinder, fan-cooled engine (previously run) and capable of reaching speeds up to 80 Km p/h, features include rear wheel drive, hydraulic disc brakes, handmade wire wheels, semi-pneumatic rubber tyres, wood-rim steering wheel and full instrument panel., removable aluminium body is mounted on a stainless steel chassis with full independent suspension and perfectly finished with 'Rosso Corsa' paintwork with applied Scuderia Ferrari decals. The engine cowling lifts to reveal the engine, and to the rear of the driver's seat is a metal plaque which reads: 'GRAND PRIX FERRARI-LANCIA 801 F1, NÜRBURGRING 1957' and stamped with chassis serial number 01, and engine serial number F01. Number 1 of only 25 built, a sold out limited edition. 102 x 38 x 28cm. This lot is subject to the following lot symbols: â—Šâ—Šâ—Šâ—Š £60 + VAT uplift and storage at £12 + VAT per lot per dayFor further information on this lot please visit Bonhams.com
A 'Vintage Bentley' child's pedal car by Motorima, Rydaholm, Sweden, 1980s, (canvas roof distressed)chassis number 103, box steel chassis with metal coachwork, painted black, with vinyl upholstered bodywork, metal radiator surround, Lucas headlights, black vinyl upholstered seat, wood rimmed steering wheel, Perspex windscreen in metal frame, canvas hood (distressed) on roof bars, treadle action to reax axle, spoked wheels fitted with 12 1/2 x 2 1/4 inch tyres (deflated), spare wheel to rear, playworn with wear and some damage after long period of storage, a good restoration project, 147cm long. This lot is subject to the following lot symbols: â—Šâ—Šâ—Šâ—Šâ—Šâ—Š Requires specialist shipping and storage at the buyer's expenseFor further information on this lot please visit Bonhams.com
An Austin Pathfinder pedal car,stamped under the seat 3262, an older restoration, pressed steel body work painted ivory White, black vinyl straps to removable bonnet, opening to reveal dummy engine with sparkplugs and leads, maroon vinyl upholstery, with red painted steel wheels, radiator and bumper, black painted fish-tail exhaust, treadle pedal action to rear, steering wheel (hub cracked, horn push inoperative), outside hand brake, (lacking front badge), fitted with 12 1/2 x 2 1/4 inch Dunlop Cord balloon tyres, playworn, some old marks and scratches, approximately 156cm long. This lot is subject to the following lot symbols: â—Šâ—Šâ—Šâ—Šâ—Šâ—Š Requires specialist shipping and storage at the buyer's expenseFor further information on this lot please visit Bonhams.com
An Austin Pathfinder pedal carstamped under the seat 2077, pressed steel body work painted black, brown leather vinyl straps to removable bonnet, opening to reveal dummy engine with sparkplugs and leads, light blue vinyl upholstery, with silver painted steel wheels, radiator and bumper, chromed fish-tail exhaust (rusted), treadle pedal action to rear, steering wheel, outside hand brake, chromed front badge, fitted with 12 1/2 x 2 1/4 inch Michelin tyres (deflated), playworn, some old marks and scratches, lacking windscreen, approximately 156cm long. This lot is subject to the following lot symbols: â—Šâ—Šâ—Šâ—Šâ—Šâ—Š Requires specialist shipping and storage at the buyer's expenseFor further information on this lot please visit Bonhams.com
A Bugatti type 35 child's car by Tula Engineering of Kimpton, Great Britain, chassis number 50, built in 1988,manufactured by Richard I'Anson, powered with a pull-start 35cc JLO two-stroke engine (fuel mix 50/1), chain drive to rear wheels, outside brake lever to rear wheels, main body fibreglass with alloy bonnet and side louvres, rubber mounted engine and rear axle, leaf spring front suspension, adjustable throttle pedal, cockpit with black vinyl seat, speedometer and on/off switch on instrument panel, 5 cast alloy 12 inch diameter wheels fitted with pneumatic tyres, 215cm long overall. This lot is subject to the following lot symbols: â—Šâ—Šâ—Šâ—Šâ—Šâ—Š Requires specialist shipping and storage at the buyer's expenseFor further information on this lot please visit Bonhams.com
A 19TH CENTURY ROSEWOOD FRAMED OPEN ARM EASY CHAIR61cm wide; 100cm highCondition report: Inevitable scuffs, scratches, dents, small chips and marks commensurate with wear, use and age. Notably some knocks and dents to the arms. Solid and in good functional order. Some old water marks to the seat of the upholstery, and other dirt and dust.
Wembley/1966 World Cup memorabilia, a limited edition montage, 48/50, blue seat back back, number 171, signed by Geoff Hurst, 98 x 77cm.Spirit of Sport Authenticity Certificate dated 2005.The original Wembley Stadium seat backs were removed on Saturday, 6th October 2002. These historic seats were installed in advance of the World Cup finals in 1966 and remained in place for every event up to the stadiums closure.
George III oak cased eight day longcase clock, the arched hood with brass finials over a brass dial with date aperture and subsidiary seconds dial, mask spandrels and inscribed in the arch Robert Trippett, London, the movement with count wheel striking on a bell, H220 cm, dial 30 cm, two weights and associated pendulumCondition Report: Brass finials and one column on hood loose, possible signs of woodworm around the loose column, joints a little loose. Case adjusted to fit the seat board. Wear to the chapter rings including some verdigris. Crack to the base of the case. Movement with replaced wire windings. With two weights and pendulum (no suspension spring for the pendulum)
George III mahogany eight day longcase clock, the hood with brass fretwork top and stop fluted columns over a silvered dial with lunar phase to the arch and date hand, the dial inscribed Richard Griffiths London, over a stop fluted case, the twin train movement striking on a bell, 262 cm high, dial 34cm, two brass wrapped weightsCondition Report: Hood with brass finials. Later seat board for the movement, and case appears to have been adjusted. Lunar phase not attached to the movement. Case good but with cracks in places, some stop fluting missing or cracked and some verdigris in places.Inside of trunk door with plaque inscribed 'Restored by W.A. Watkins 59 Carey Street, Lincoln's Inn London 1904'With pendulum and two brass wrapped weights
18th century vernacular ash and elm chair, with turned back and adzed arm supports on a solid seat and turned adzed legsCondition Report: Old and more recent worm holes under the seat. Black finish from age and heat throughout, except where worn from use. Some slightly loose joints but appears to be structurally sound.
18th century Windsor armchair with high back, moulded seat and turned legs joined by stretchersCondition Report: Significant heat damage to the varnish leading to thick black cracking finish covering the timbers. Old repair (covered in black varnish) to mid rail, possibly using a metal plate. Other side of mid rail also with warped joints. Old woodworm to right arm, arms strengthened with iron rods. Signs of previous front legs under the seat with the current legs having been re-positioned.
18th century vernacular elm settle, with high panelled back, solid seat and sides, H126 W130 D52 cmCondition Report: Condition commensurate with age and use, with worn open cracks to the seat and white deposits throughout. Water stains and wear around the base. Looks to have been in storage.
Arts & Crafts open armchair, with broad top rail and scroll arms, over a rush seat on turned supports joined by stretchers, William Birch for LibertyCondition Report: Back panel cracked on right side near the join to the arm, later rush seating with signs of wear, legs reduced in height, very slightly loose joints.
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217092 item(s)/page