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After Alan Ingham. Upperwall Farm, Saintbury near Broadway Gloucestershire, print, 26cm x 73cm, after KW Burton, Belvoir Castle in Leicestershire, signed limited edition print number 552/650, 23cm x 31cm, and Langar Hall, the seat of The Right Honourable Earl Howe, copper engraving, 14cm x 17cm. (3)
A Regency influenced hardwood throne type chair, turned pointed finials scrolling arch top with carved coat of arms motifs and turned supports with scroll terminals, upholstered back and seat in a serpentine shape, curved arms with lion head terminal, over moulded floral carved legs with paw feet, united with a scrolling foliage stretcher holding a coat of arms shield. 20th century 182cm H x 92cm W x 63cm D Provenance:The Content of Unicorn Brewery, Stockport.
An Indonesian oak bergere living room suite three seater sofa with three matching armchairs, two side tables and coffee table, in an Art Deco style, carved top rail over a bergere back rest with central foliage carved pendant, cushion seat, scrolling arm rest on turned supports, above a scrolling carved apron, raised on turned and saber supports. (7)
A 19th Century Victorian mahogany library reading club armchair / arm chair. The chair with button back rest with cushioned arms having ornate carved detailing. Overstuffed seat cushion with serpentine frieze all raised on small cabriole legs with white ceramic castors. Measures approx; 94cm x 68cm x 62cm.
A 19th Century Victorian Arts & Crafts movement walnut revolving swivel ships captains chair / office desk armchair or casino dealers dealing arm chair having a shaped backrest and broad scrolled arms with pierced upside down heart motifs. Shaped saddle seat raised on four sabre leg quadruped splayed base. Measures approx; 89cm x 49cm x 49cm.
Four similar colonial hardwood elbow chairs with cut out detail to the backs and blue upholstered seats, on sabre legs, 57cm wide x 46cm deep, seast height 44cm and 47cm (4)Frames with some movement in them. Two chairs with upholstery coming away at the front from the frame and small hole to front of one seat. Upholstery wtih some wear.
A Victorian walnut plinth or washstand of fluted column form, 41cm diameter, 71cm high, together with a rotating walnut tripod piano stool, 36cm diameterWear and discolouration to the plinth, some lifting of veneers and in need of some restoration, the piano stool with loose parts to the underside of the seat, marks dents and scratches over both peices due to age and use.
A large wooden dug out bowl 67cm wide x 43cm deep x 20cm high together with a carved wooden writing box, the lift top over pen and ink shelf, 42cm wide x 29cm deep x 12cm high; a bamboo caned seated side chair on turned supports united by a perimeter stretcher, 45cm wide x 39cm deep x seat height 45cm and a gilt picture frame with scrolling floral and foliate decoration, the aperture 66cm x 53cm (4)Bowl with some signs of old woodworm and surface scratches; box with some surface dents and scratches but in good condition, key present; frame with some surface scratches and small chips to the decoration; chair with some wear to the paintwork and caned seat; shelving unit with surface scratches and chips
A 19th century mahogany framed elbow chair with upholstered oval back, arms and seat with serpentine front, on square tapering legs terminating in casters, 67cm wide, 90cm highIn poor condition, the legs cut down, casters later applied, the joints loose to the arms, with some old repairs, the upholstery in need of repair, the legs with some decorative boxwood lined decoration.
An antique pine box or trunk, 87cm wide, 49cm deep, 50.5cm high, together with an antique-style oak side cabinet with two drawers over cupboard doors, and a ladder-back elbow chair with rush seat (3)Qty: 3The trunk with numerous scuffs, marks, dents and scratches due to extensive use, the side cabinet with minor marks and in good condition, the chair in generally good condition with some wear and slight losses to the seat
A 20th-century wooden doll in Regency style dress, 53cm high together with a doll's wingback armchair, 34cm high and a doll's three piece suite of settee, chair and table, seat height of settee and chair 10cmDoll with some scratches to paintwork and wood underneath showing through, clothes a little dirty; wingback armchair upholstery a little dirty; leather upholstery of three piece suite cracked
A PAIR OF GEORGE III MAHOGANY AND PARCEL GILT PEDESTAL CUPBOARDSLATE 18TH CENTURY Each opening to a shelved interior incorporating late zinc lining each 94cm high, 53.5cm wide, 53cm deep Provenance: Most likely the collection of Standish Robert Vereker, 7th Viscount Gort (1888- 1975) at Hamsterley Hall, Co. DurhamInherited by The Hon. Catherine Mary 'Kate' Wass, OBE (1942-2021) upon the death of her uncle, the 7th Viscount Gort, in 1975The present pair of pedestal cupboards are possibly en suite to a sideboard illustrated in the Dining Room at Hamsterley Hall (C. Hussey, 'Hamsterley Hall, Durham: The Seat of the Hon. S.R. Vereker, M.C.', Country Life, 21 October 1939, p. 420, fig. 7) Condition Report: Marks, knocks, scratches, abrasions consistent with age and useOld splits and cracks, chips and losses,The tops are designed to hold an urn or similar fitting, there are unveneered squares of timber and dowels and holes to slot the element in - this element has never been present with Dreweatts.Overall these cabinets are solid and stableAs catalogued each is lined, and has a metal slatted shelf with later baize coveringOne with a piece of skirting detached but present to the rear. Each has a hole to one side - presumably for drainageThe door to one is bowed, each has a lock which appears to be original but there are no keys present Please refer to additional images for visual reference to conditionCondition Report Disclaimer
A GEORGE II CARVED WALNUT OPEN ARMCHAIR ATTRIBUTED TO DANIEL BELL AND THOMAS MOORE, CIRCA 1735102cm high, 72cm wide, 59cm deep overallProvenance:Private Collection, LondonRetailer's label for Norman AdamsSee Adam Bowett, Early Georgian Furniture 1715-1740, page 180, plate 4:73, for a related chair with strikingly similar legs, supplied by Daniel Bell and Thomas Moore, with a November 1734 bill to the 'Honourable Counsellor Rider' of Sandon Hall, Stafford, 'To ten hansome Wallnuttree Chairs broad banister backs cutt in shape with scrole tops finneard with very good wood, loose compass seats, stuft in white Hessings with rich carved fore feet with Lyons faces on Ye Knees and Lyons Paws...with scrolls...to ye fore-rails...£27.10.00'.Whilst this armchair displays similar features to the Sandon Hall chair, such as the legs and compass seat, the exceptional piercing and carving to the back of this armchair and the carving to the arms and the seat rail seem more balanced with the quality and scale of the base.Geoffrey Beard and Christopher Gilbert, Dictionary of English Furniture Makers 1660-1840, records: Daniel Bell 'St Martin's Lane, London, cabinet maker 1724-1734,...recorded in partnership with Thomas Moore as early as 1724 when the firm supplied goods to Benjamin Mildmay, Earl Fitzwalter for Moulsham Hall between 1724-34; Thomas Moore is recorded as 'London, cabinetmaker 1734-d1738...at St Martin's Lane. The younger James Moore, son of the Royal cabinetmaker, died in 1734, and it seems probably that Thomas was a member of the family who at that date or earlier had entered into partnership with Daniel Bell.'See also Christie's Books, Masterpieces of English Furniture, The Gerstenfeld Collection, pages 80 and 207, plate 58, cat no. 52, for a pair of George II walnut side chairs, the legs with related acanthus drapery, bold lion masks and paw feet. Closely related chairs are seen in the 1741 painting by William Verelst of the Gough Family, and these Gerstenfeld chairs are also referenced as prototypes for an identical Chinese model in rosewood. The Victoria and Albert Museum, London, has in it's collection giltwood seat furniture with some related features made circa 1730 by chair maker Thomas Roberts junior made for Robert Walpole, Houghton Hall, Norfolk. These Houghton sofas and chairs are carved naturalistically with lion's masks and lion's legs and feet.Condition Report: Marks, knocks, scratches, abrasions consistent with age and useOld splits and cracks, some chips and losses,The inner supporting rails to hold the seat in place are later replacements, the other rails and blocks with signs of age including old woodworm holes and fillerTo the rear of the back there are some old repairs and replacements including splicing, there is some filler also. This would appear to have had some professional restoration carried out previouslyThe surface has been cleaned and polished overallThe tapestry to the seat has age, there is a hole to the central decoration, there are also signs of repair to the sides, there are signs of other tack marks to the rails of the drop in seatOverall the frame is entirely solid and stablePlease refer to additional images for visual reference to conditionCondition Report Disclaimer
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216995 item(s)/page