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An early 20th Century mahogany and inlaid side chair on padded and spindle back, flanked by scrolling arms to padded feet and square splayed legs united by a stretcher, together with an Edwardian rosewood and marquetry inlaid salon chair with shield shaped padded back and upholstered seat and shaped legs to front
An early 20th Century carved open bookshelf with moulded cornice and carved mask and mythical beast amidst foliate scrolls, on spiral supports and a pair of modern pine bedside tables, each with frieze drawers on turned legs, together with a small circular milking stool, a pine square box seat commode and a further milking stool
LAWRENCE ECHARD "The Roman History from the building of the City to the perfect settlement of the Empire by Augustus Caesar", 8th Edition, published London 1719 (x 2), "The Roman History from the removal of the Imperial Seat by Constantine The Great ...", Volume III, 4th Edition, published 1713, another "From the total failure of the Western Empire in Augustus ...", Volume IV, 4th Edition, published 1713, and another "From the restitution of the Empire by Charles The Great ...", Volume V, 2nd Edition, published 1707 (5)
AN ENGLISH INLAID OAK LONGCASE CLOCK the brass dial with silvered chapter ring, signed to the engraved centre Willm Gill Hastings, with rococo spandrels and thirty hour movement, the case with stepped pediment, reeded pillars and applied and inlaid decoration, 182cm h, part 18th c ++Restored and with replacements. The case repolished. Seat board old, the backplate of the movement packed, the base of the case split and reduced in height but in the same condition as when bought by the late owner from a clock dealer in 1997 for £1400
A GEORGE III OAK LONGCASE CLOCK the painted dial signed T HARDWICK Ridgmount, with pierced giltmetal hands and rose spandrels, thirty hour movement, the case with swan neck pediment, turned pillars and moulded door, 197cm h ++The dial and movement original to one another, the dial with small faults but not repainted, the seat board old, no evidence of packing of the cheeks, the case with small losses but not repolished, the base reduced in height
A GEORGE III OAK LONGCASE CLOCK the brass dial signed on the silvered arch Thos Kelham Grimston, with silvered chapter ring and engraved centre with twin subsidiary dials, rococo spandrels and eight day movement with widely projecting open pediment, brass mounted turned pillars and moulded door flanked by fluted pilasters, 233cm h ++Old worm damage in the backboard, movement and dial original to one another, the lacquer on the dial discoloured, the seat board replaced, the movement and dial a good fit for the case but not necessarily original, the case in good condition, lightly cleaned and with small restorations
A PAIR OF FRENCH GILTWOOD BERGÈRES in Louis XVI style, the beaded and beribboned frame crested by a basket of roses, the padded arms terminating in acanthus and volutes, on fluted tapering turned legs, 101cm h, c1900 ++Localised wear to gilding but not re-gilt. The upholstery worn on the arm pads and fore edge of the seat
A SET OF FOUR GEORGE II MAHOGANY HALL CHAIRS with shaped, slightly curved back and dished seat, on trestles with central roundel to the front, 100cm h ++Purchased by the present vendor from a member of the North Yorkshire trade in the 1960s. Three chairs with old replaced loss to part of one of the front feet, other old repaired splits in the trestles. One with old minor descending closed split in the back
A GEORGE IV MAHOGANY BERGÈRE BY WILKIE & COCHRAN the overscrolled arms and swept uprights carved with lappets and acanthus leaves, on ring turned, tapering forelegs with later castors, upholstered in close nailed old maroon leathercloth, 93cm h, stamped WILKIE & COCHRAN ++Extensive signs of wear, knocks scratches and scuff marks particularly around the legs, the veneers lifting on the curved back rail, the seat rail cracked, the frame with several splits resulting in looseness, the upholstery in poor condition
A SET OF TEN WILLIAM IV MAHOGANY DINING CHAIRS, including two carvers, each with a curved rectangular top rail above a reeded and swagged splat between scroll-headed uprights, drop in seat, turned and fluted tapering circular supports. See illustration PLEASE NOTE THAT THESE ARE IN THE WILLIAM IV STYLE AND ARE OF 20TH CENTURY MANUFACTURE
A PAIR OF EARLY 20TH CENTURY OAK OPEN ARMCHAIRS in the Charles II manner, each with a heavily carved back centred by an oval caned panel, flanked by spiral turned pillars with block and bud finials, foliate carved arm rests, each with (replacement) panel seat fitted with a needlework cushion, on spiral turned and block supports and stretchers, carved apron rail. See illustration
A SET OF FOUR MAHOGANY AND SATINWOOD INLAID SHERATON REVIVAL SINGLE CHAIRS, each having a shield-shape back carved with stylised flowers and harebells, above a pierced central splat inlaid with a satinwood circular paterae and beaded splat to either side, upholstered seat and on square moulded legs with H stretcher
A EDWARD VII MAHOGANY OCCASIONAL SOFA, inlaid in ivorine stringing, having an asymmetrical upholstered chair and pierced shell-shape back, inlaid in satin and harewood on a rosewood panel, with ribboned cornucopia, urn and foliate scrolls, railed arm, upholstered seat and on cabriole legs. See illustration
AN EDWARD VII MAHOGANY OPEN ARMCHAIR, inlaid in satinwood and ivorine with foliate scrolls on a rosewood ground to the cresting, and central splat, all-over ivorine stringing, upholstered seat and on cabriole legs, together with a similar mahogany and inlaid corner chair, both upholstered ensuite with the preceding lot (2)
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217092 item(s)/page