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Stag dining room suite, 1961 designed by John and Sylvia Reed, oval extending teak veneer dining table with four chairs, rexin seat pads veneer back rest and satin steel legs. Table 150cm long 192.5cm fully extended and 99.9cm wide. Teak veneer sideboard with four graduated drawers and two door cupboard with four shelves, standing on satin steel legs. 137cm wide. Teak veneer two door storage unit with one drawer standing on satin steel legs, 91cm wide.
An Edwardian two-handled fruit bowl, in the Art Nouveau taste, acanthus capped stylised scroll handles, moulded rim, acanthus wrapped scroll base, 28cm wide, Birmingham 1909, 17oz Provenance: Presented June 1916 to Mrs. H. Amson by the Earl of Dartmouth as Prior of the Grand Chapter meeting at Burslem, Stoke-on-Trent, Staffordshire. ***William Heneage Legge, 6th Earl of Dartmouth, GCVO, KCB, PC, was not only Grand Prior of the Masons, but also JP for Staffordshire, and Colonel of the South Staffordshire Regt. (TA) and lived at Patshull Hall, an impressive James Gibbs seat just outside Wolverhampton. He was born in 1857 and succeeded his father, the 5th Earl in 1891 and died in 1936. He also had a seat at Woodsome Hall, Yorkshire and was great-grandfather of the present (10th) Earl, but the family`s connection with Staffordshire has since been severed.
English School (1840) Portraits of Queen Victoria and HRH Prince Albrecht (Albert) von Saxe-Coburg und Gotha, head and shoulders oval, watercolour, 16.5cm x 13cm, gilt and gesso frames crested with the arms of England and Saxe-coburg over each respectively These were almost certainly done after their engagement in autumn 1839 and in anticipation of their wedding on 10th February 1840, probably for someone associated with the Court. ***Said to have come from Newstead Abbey, Notts., then the seat of 7th Hussars Waterloo veteran Col. Thomas Wildman, DL, JP, at Harrow the boyhood friend of Byron, from whom he bought the near derelict house and estate for the princely sum of £94,500. He was for many years (until his death in 1843) equerry to HRH Augustus Frederick, Duke of Sussex.Wildman died without issue in 1859 and his widow sold up, but the family, now Wildman-Lushington are still extant.
An unusually large 19th century Derbyshire Ashford marble obelisk, of Cleopatra`s needle, engraved with hieroglyphics, 50cm high, c.1880 This obelisk closely resembled that exhibited at the Great Exhibition of 1851, in the catalogue of which (Vol. II, Class 37-38) it is described as: "Model of an Egyptian obelisk in Black Marble, the hieroglyphics…copied from the original brought from the Island of Philoe [sic] by Belzoni". The inscription is etched on using Henry Moore`s method. Giovanni Battista Belzoni (1778-1824) was an early 19th century Circus giant turned Egyptologist. The original obelisk itself, which had been erected around 118-116 BC by Ptolemy VIII Euergetes and stood in front of the first pylon of the Temple of Isis at Philae, was to play a major role in the history of the decipherment of hieroglyphic script, together with the much more famous `Rosetta Stone.` In fact, the base of the obelisk had a triple Greek inscription with the text of a correspondence between Ptolemy and the temple priests, while on the shaft there was a dedicatory text in hieroglyphics with cartouches of Ptolemy and his consort, Cleopatra III. The obelisk, removed by Belzoni in 1818, was shipped to England and now stands in the grounds of Kingston Lacy, the seat (now National Trust) of Belzoni`s patron William John Bankes (1786-1855), a lifelong friend of Byron. The same obelisk (and that from Heliopolis now in the British Museum) was also modelled, with acid etched inscription, by the Matlock spar turner Edward Bird [Catalogue, loc.cit.]
A Charles II oak high back chair, circa 1680, the panelled back with arched cresting flanked by turned columns with finials, panelled seat above turned and block section legs united by stretchers; and a Charles II oak high back chair, circs 1680, with arched toprail, rectangular uprights, panelled seat on turned and block section legs united by stretchers (2)
A yew, ash and elm Windsor armchair, second quarter 19th century, carved splat and spindle back, dished elm seat on turned legs united by a curved stretcher; together with a yew and elm armchair, second quarter 19th century, with rectangular outswept back, rectangular top rail and scrolling uprights, turned supports, dished seat on turned legs united by stretchers (2)
A set of twelve (not ten) George III mahogany dining chairs, circa 1790, each arched and moulded back above triple pierced vertical bar splats, each seat with a reeded and patera carved rail, square section stop fluted legs NOTE: Please note there are twelve chairs not tens as stated in the catalogue.
A William IV mahogany bergere armchair, circa 1835, the tapering back and arms with bobbin turned pillars, on conforming legs, brass caps and castors, together with a Regency simulated rosewood and gilt decorated armchair, circa 1815, the rectangular back, downswept arms, woven rush seat, turned legs
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