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A set of ten Regency ebonised and parcel gilt dining chairs, circa 1815, comprising two armchairs, each top rail with gilt metal anthemion and roundel mounts above a reeded splat, the removable padded and yellow upholstered seat above a caned panel, on sabre legs, each 86cm high, 48cm wide, 52cm deep Provenance: Private Collection, London
A pair of green painted and parcel gilt foot stools, in Gothic revival taste, in the manner of A.W.N. Pugin, circa 1870, each needlework upholstered seat above a shaped frieze carved with stylised patera, each turned spiral fluted leg with carved an incised decoration, 50cm high, each seat 55 x 52cm
Ï’ A Ceylonese solid macassar ebony armchair, second quarter 19th century, carved profusely throughout with foliate motifs, the shaped and padded back surmounted by a cresting rail centred by stylised shell terminals, the tapering seat flanked by moulded and foliate carved arms, on turned tapering lappet carved legs at the front terminating in brass caps and porcelain casters, 97cm high, 61cm wide, 83cm deep Provenance: Private Collection, LondonÏ’ Indicates that this lot may be subject to CITES regulations when exported. Please see our Terms & Conditions for more information.
A Regency mahogany library armchair, attributed to Gillows, circa 1815, the shaped back incorporating downswept scroll arms carved with lappet terminals, the padded and leather upholstered back and seat centred by a loose buttoned leather cushion, on turned tapering and fluted legs at the front, terminating in brass caps and castors, 87cm high, 61cm wide, 76cm deep For a closely related example see Christie's, Property of a Roman Collector, 13th September 2007, lot 1157 (£6,250)
A set of eight mahogany armchairs, of Cockpen type, seven dating to circa 1800, one other 20th century, after a design by Thomas Chippendale, each shaped and moulded rectangular fretwork back above conforming shaped arms, each drop in seat above square section moulded legs surmounted by pierced corner brackets Provenance: By repute Mount Congreve, County Waterford, Ireland These Chinese-railed chairs relate to a 'garden seat' pattern illustrated in the architect Charles Over's book Ornamental Architecture in the Gothic, Chinese and Modern Taste, 1758 (pl. 9). The term 'Cockpen' appears to originate from the village of the same name in Midlothian. The private family pew of the Earls of Dalhousie in the Village church, near their seat of Dalhousie Castle, is said to have had panels of this type which inspired the design.For related designs of Chinese chairs', see Thomas Chippendale, The Gentleman and Cabinet Makers Director, Third Edition, 1762 (reprinted in 1939 by J.Tiranti Ltd), plates XXVI, XXVII and XXVIII.For a set of chairs of this design see Christie's, Interiors, lot 171, 15th July 2014. For a related example of chair see Christie’s, Property form two ducal collections, Woburn Abbey, Bedford, 20th-21st September 2004, Lot 146 (£5,019).
A carved mahogany chair back settee, in George III style, circa 1890, the triple chair back with acanthus carved and pierced splats and uprights, flanked by a pair of shaped arms with acanthus carved scroll terminals, the drop in seat above a guilloche carved frieze, on tapering cabriole legs surmounted by acanthus terminals and terminating in claw and ball feet, 96cm high, 160cm wide, 60cm deep
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216352 item(s)/page