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Lot 219
Silver Age DC Superman National Comics. 4 War comic collection. No.158 DC's Battle Blockbuster Our Army at War featuring SGT ROCK Iron Major. Rock Sergeant easy CO's giant war novel. No.76 Gunner & Sarge in Our Fighting Forces starring Gunner & Sarge in The TNT Seat A two-part Explosion. No.92 Gunner & Sarge in Our Fighting Forces with Pooch Battle The Bomb that Stopped The War. No.10 P.T Boat Skipper Capt. Storm Only The Last Man Lives. From 1965. These comic magazines are in good condition with some minimal wear observed around the spine and edges, shows age, making a great addition to a comic book fan collection.
Lot 1033
**PLEASE NOTE COLLECTION OF THIS LOT WILL BE FROM BISHTON HALL STAFFORDSHIRE**An English Arts & Crafts mahogany piano stool in the manner of CFA Voysey, with pierced handles and mushroom finials to entarsic octagonal panelled legs, hinged seat, later upholstery, 60cm wide: and a similar small bedroom chair (2) Condition : Both very good
Lot 371
WIMBLEDON V LEEDS UNITED 1975 FA CUP After drawing 0-0 at Leeds the Replay was intended to be played at Plough Lane on 28/1/1975. Programme for 28/1/1975 includes an insert and the programme is very slightly creased. The match was re-scheduled for 10/2/1975 at Selhurst Park and the programme includes the insert. Includes the Wimbledon News Souvenir Edition newspaper and 3 tickets for the Vice-Presidents Lounge for 10/2/1976 with Row and Seat Numbers. Generally good
Lot 45
Catalan or Aragonese school; 13th century.Carved and polychromed wood.It presents important faults in the carving and polychromy.Measurements: 48.2 x 20 x 14 cm.Image of a half-bulk carved in wood, polychromed, representing Mary seated, with the Child on her lap. It follows the Marian model of the "Sede Sapientae", dressed in tunic and mantle, welcoming the Child but without establishing a maternal relationship between them. Parallel folds and v-shaped pleats, typically Romanesque, mark a regular rhythm in the drapery of the cloak, whose golden patterns on the red of the Passion give a luminous substance to the Marian figure. Within Romanesque sculpture we distinguish two categories: that which is inscribed in the architectural framework and that which is free-standing. In the latter category, the iconography is not yet very extensive, since the pantheon of saints is still brief. The most common will be the representation of Christ crucified and, in even greater numbers, the Virgin conceived as the throne of God ("Sedes Sapientiae"), a category to which the carving presented here belongs. In Romanesque art, the Virgin Mary is merely the seat of divinity; she is not presented as the mother of God, so there is no affective relationship between her and the Child. In fact, at this time the Virgin is not yet an important figure in the Church. These Romanesque Virgin Thrones of God were always made in a size of between 50 and 100 cm in height, mainly in carved wood, and in them the Child is always the protagonist, despite the difference in size with his mother. Jesus always appears as we see him here, facing the viewer, and normally in the centre, although here he is slightly off to one side, in a more natural position which indicates a clear formal advance within the Romanesque style. As we have said, there is no affective relationship between Mary and Jesus, but rather they turn their backs to each other and look directly in front of the viewer.
Lot 788
CASSINA OF ITALY, DINING TABLE AND SIX CHAIRS,custom made and without label, the table with oval glass top over four brushed supports to mint green leather base, 200cm wide, the chairs with tapered mint green leather back to seat, on tapered hardwood legsNote: This was purchased in the early 2000s from luxury furnishers Inhouse, formerly based in Glasgow's Merchant City.
Lot 137
A VENACULAR OAK ROCKING CHAIR, PROBABLY WESTMORLAND 18th century, the panelled back over shaped arms and a rope-strung seat, with a shaped apron beneath, terminating in rocking sledges, 108cm high x 68cm wide x 92cm deepProvenance: The Richard Pratley Collection of English Furniture, Naïve and Folk Art.
Lot 185
A PRIMITIVE ASH AND ELM WINDSOR ARMCHAIR, POSSIBLY IRISH early 19th century, the shaped and carved cresting rail over a partially hopped back, with a square seat (previously a commode), on faceted and splayed legs, 105cm high x 66cm wide x 63cm deepProvenance: The Richard Pratley Collection of English Furniture, Naïve and Folk Art.
Lot 186
A PRIMITIVE GREEN-PAINTED ASH, ELM AND SYCAMORE WINDSOR ARMCHAIR early 19th century, the shaped cresting rail over a comb back, with a square seat on turned and splayed legs, 95cm high x 63cm wide x 63cm deepProvenance: The Richard Pratley Collection of English Furniture, Naïve and Folk Art.
Lot 232
A PROVINCIAL OAK SIDE CHAIR with pierced and carved back splat, over a shaped seat, on faceted block legs, 82cm high x 45cm wide x 39cm deep, together with a painted Victorian child's armchair, 64cm high x 31cm wide (2) (the side chair requires some attention as is loose at the joints)Provenance: The Richard Pratley Collection of English Furniture, Naïve and Folk Art.
Lot 538
A PAIR OF REGENCY STYLE MAHOGANY ARMCHAIRS 19th century, with velvet covers and rope twist edging, the concave cresting rails above outswept reeded arms, over a square seat, on x-frame front legs centred by a carved panel, 95cm high x 60cm wide (2) Provenance: From The Old Rectory, Nether Compton
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216995 item(s)/page