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Lot 34
Camping pitch at Kempsford Camping for The Royal Military Air Tattoo 2021Kindly donated by Jo NorthernChance of a pitch at the most popular campsite for the air tattoo 2021, Friday and Saturday night (July 16-18th) full facilities and a ringside seat at the most popular campsite at the airshow. (If cancelled for 2021 - the offer will be rolled over for 2022)
Lot 62
A 19th century silver filligree coach, with inscription to its base 'John William Spencer Brownlow Cust. Given to his Grandmother by her Father Sir Henry Bankes', velvet cushions to interior and driver's seat; a/f. 23 by 7 by 6.5cm high, 2.9toz overall.Condition:There are some areas of damage to the filigree, as well as some areas with possible repairs.
Lot 1400
AN EARLY 19TH CENTURY AYRSHIRE YEOMANRY OFFICER’S BLACK LEATHER SABRETACHE, mounted with four pointed star badge, centred with St.Andrew, with the Ayrshire Yeomanry inscription to the surround, 30cm x 24cm and three leather, braided and silver wire waist belts, two with sword slings (4) Note: In 1793 the 12th Earl of Cassillis, who’s country seat was Culzean Castle, formed a troop of yeomanry among the local farmers and townsfolk known as ‘The Earl of Carrick’s Own Yeomanry’ (Ayrshire ayeomanry Cavalry), in honour of their royal feudal superior, the Earl of Carrick and heir to the throne. This gave rise to the Ayrshire Yeomanry whosaw service with their horses inmany campaigns until their disbandment during the first World War.
Lot 5309
Hand-Worked Fabric Samples and Fragments in several forms, including early tapestry, embroidery, and beadwork, 19th century and earlier (and one 20th century example). To include two fragments of the same piece, worked in wool on canvas, 17th century, featuring a snake, frog, duck or bird with a worm in its beak, what could be an elephant, and flowers, beside water. Another, later, worked with a bird in a tree with blossoms and foliage; two tapestry panels with larger scale design worked in shades of blue, cream and raspberry; four examples related to the geometric style of Bargello needlework, executed in silk; a long mid-19th century, mainly Berlin woolwork ''sampler'', featuring bands of different motifs, some with beadwork (43 inches or 109 cm by 7.25 inches or 18.5cm), worked to a high standard; and a small modern wool work on canvas, the shape of perhaps a child's seat, attractively designed with various colourful butterflies amongst foliage (11).. All fragments, collected as examples of various techniques, not perfect but all strong and serviceable. The 19th century sampler is good.
Lot 3081
James Bond Skyfall Shooting Stool, given out to the longer serving cast & crew by Daniel Craig, with the Skyfall Logo & Daniel Craig's signature embossed into the leather, designed by Gamebird, 24 inches when folded & 20 inches tall when unfolded. In full working order and generally good condition. Only exceptions are slight surface scratches on legs and a small stain on underside of leather seat.
Lot 466
WW1 Sir Thomas Octave Murdoch (Tom) Sopwith legendary designer of the Great War fighter plane the single seat Sopwith Camel (of which 5747 were produced), signed No. 54 Squadron Royal Air Force 14th July 1973 cover. Good Condition. All autographs are genuine hand signed and come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £4.99, EU from £6.99, Rest of World from £8.99.
Lot 360
WW2 RAF 617 Ken Brown signed Dam Busters Squadron, Vulcan B Mk 2 flown Disbandment of 617 Squadron cover, signed by crew, Captain Flt. Lt. A Walker, Co Pilot Flt. Lt. J Rooney, Nav Plotter Flt. Lt. P C West, Nav Radar Flt. Lt. M J Grout, AEO Fg Off B J Masefield & 6th seat Sqn. Ldr. M H Straw, plus Guy Gibson VC, DSO & Bar, DFC & Bar, black and white reproduction photograph of Gibson sat on an aircraft wing with his black Labrador dog, 20cm x 15. 5cm 8 inch x 6 inch. Good Condition. All autographs are genuine hand signed and come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £4.99, EU from £6.99, Rest of World from £8.99.
Lot 150
Alan Fears Best Seat in the House, 2020 Acrylic on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) Alan Fears (b. 1974) is a British artist who in 2018 was shortlisted for the John Moores painting prize, selected for the 2018 RA Summer Exhibition and collaborated with the Italian Fashion house MARNI to create an animation to launch the opening of their Parisian boutique. Alan Fears' vibrant paintings offer snapshots of human behaviour with their frailties and absurdities yet with a sympathetic view of the human race. His whimsical narratives encapsulate joy and warmth with the power to uplift.
Lot 50
Richard Bawden Cat Seat and Fountain, 2020 Watercolour on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) Richard Bawden RWS NEAC RE is a painter, printmaker and designer working predominantly in lino, etching and watercolour. His work has a graphic, linear quality and a strong sense of craftsmanship, which translates naturally into many forms. These have included book illustration, murals for restaurants, etched glass church windows and doors, a poster for London Transport, mosaics and furniture. Born in 1936, the son of the well-known artist, Edward Bawden, R.A. Richard studied painting, printmaking and graphic design at Chelsea, St Martin's and the Royal College of Art. His paintings are drawn from life and often depict scenes of domesticity: his house, sofas, chairs, windows, cats, his garden and its birds. He is attracted by atmosphere, oddity, pattern and the austere. Focussing on these, he draws the viewer into his delightful universe. Based in Suffolk, Richard has had over fifty one man exhibitions at home and abroad; including a major retrospective at Gainsborough's House in Suffolk. He has work in Royal, public and private collections, and has taught drawing and printmaking at several London and provincial art schools. Richard is a Council member of the Royal Watercolour Society (RWS), an elected member of the Royal Society of Painter-Printmakers (RE), a member of the New English Art Club (NEAC), and a former Chairman of the Gainsborough House Print Workshop in Sudbury.
Lot 1197
CZACHÓRSKI, LADISLAUS VON CZACHÓRSKI, LADISLAUS VON 1850 Grabowczyk/Lublin - 1911 München Titel: Träumendes Mädchen. Technik: Öl auf Leinwand. Maße: 36 x 57cm. Bezeichnung: Signiert und datiert unten rechts: Czachorski 1896. Rahmen/Sockel: Rahmen. Provenienz: Privatsammlung, Europa. Auf ganz andere Weise als die beiden vorherigen Gemälde (Lot 1195, Lot 1196) fesselt der Blick des "träumenden Mädchens", das durch den Betrachter hindurch zu schauen scheint. Man kann sie gleichsam "unbemerkt" beobachten, jedes Detail dieses so faszinierend haptisch gemalten Gemäldes genießen - das Bild vor ihrem inneren Auge jedoch bleibt das Geheimnis der Träumerin. Die junge Dame hatte sich sicher zunächst aufrecht auf das Polster mit schräger Rückenlehne gesetzt um mit Nadel und Faden die reiche Stickerei zu vervollständigen, die sie im Schoß hält. Nun ist der junge Körper auf dem Sitz nach vorne gerutscht, der Kopf ruht auf der Kante der Rückenlehne und sie träumt mit offenen Augen, die Nadel noch in der Hand. Es ergibt sich ein reizvoller, heller, diagonaler Bogen in verschiedenen Rosa-, Creme-, und Weiß-Tönen vor dem dunklem Grün der Tapisserie im Hintergrund und des Sitzpolsters. Aufgenommen wird dieses helle Farbspiel von dem üppigen Blumen-Bouquet in der oberen rechten Ecke des Bildes sowie von einer weiß blühenden Zimmerpflanze in der unteren linken Ecke. Kompositorisch und inhaltlich reizvoll erdacht, überzeugt der Maler dieses Gemäldes, der gebürtige Pole Ladislaw Czachorski mit seiner faszinierenden Technik, die ihn als einen Großmeister der Historienmalerei seiner Zeit ausweist. In diesem kleinen Gemälde zeigt er, dass er seinem Lehrer, dem großen Carl von Piloty qualitativ nicht nachsteht. Der gebürtige Pole Czachorsky kam nach einer ersten Ausbildung in Warschau mit einer Zwischenstation an der Dresdener Akademie nach München. Hier wurde er Schüler Pilotys, der die Münchener Kunstszene und besonders die Historienmalerei prägte. Neben Genrebildern und Portraits spezialisierte Czachorski sich auch auf Shakespearsche Szenen-Motive. Bereits in jungen Jahren wurde Czachorski von Publikum und Kritik gefeiert, so erhielt er 1879 bei der 2. Internationale Kunstausstellung im Münchener Glaspalast eine Goldmedaille für ein Hamlet-Gemälde. Seine Bildnisse junger Damen, oft in historischen Kostümen und in reich dekorierten Boudoirs waren bei Käufern so beliebt, dass sie bis zu zwei Jahre Wartezeit in Kauf nahmen um ein Werk des Künstlers zu erhalten. Auch der heutige, mit ganz anderen Sehgewohnheiten "gesättigte" Betrachter des "träumenden Mädchens" kann diese Faszination erleben, wenn das Auge in dem taktilen Versprechen schwelgt, das der Künstler mit der delikaten Ausführung der verschiedensten nebeneinander präsentierten Materialien gibt. Czachorski widmet der Oberflächengestaltung aller Details im Bild dieselbe Aufmerksamkeit und ist darin Eugen de Blaas eng verwandt. Der Blick der jungen Träumenden lässt den Betrachter mit all der Pracht alleine, vermag ihn aber das allzu menschliche, der Zeit entrückte Gefühl des Tagträumens wieder empfinden zu lassen. Erläuterungen zum Katalog Ladislaus von Czachórski Polen Münchner Schule 2.H. 19.Jh. Gemälde Bürgerliches Leben Malerei CZACHÓRSKI, LADISLAUS VON CZACHÓRSKI, LADISLAUS VON 1850 Grabowczyk/Lublin - 1911 Munich Title: Dreaming Girl. Technique: Oil on canvas. Measurement: 36 x 57cm. Notation: Signed and dated lower right: Czachorski 1896. Frame/Pedestal: Framed. Provenance: Private collection, Europe. The gaze of the "dreaming girl", who seems to look through the viewer, captivates in a completely different way than the both paintings by Eugen von Blaas (Lot 1195, Lot 1196). One can observe her "unnoticed", as it were, and enjoy every detail of this fascinatingly haptically painted painting - the image in front of her inner eye, however, remains the secret of the dreamer. The young lady had certainly sat upright on the upholstery with a sloping backrest at first to complete the rich embroidery with needle and thread, which she holds in her lap. Now the young body has slid forward on the seat, her head rests on the edge of the backrest and she dreams with her eyes open, the needle still in her hand. The result is a charming, light, diagonal arch in various shades of pink, cream and white against the dark green of the tapestry in the background and the seat cushion. This light play of colours is taken up by the lush bouquet of flowers in the upper right-hand corner of the image and by a white flowering houseplant in the lower left-hand corner. The painter of this painting, the Polish-born Ladislaw Czachorski, is convincing in composition and content with his fascinating technique, which proves him to be a grandmaster of history painting of his time. In this small painting he shows that he is not inferior in quality to his teacher, the great Carl von Piloty. Czachorsky, who was born in Poland, came to Munich after his first training in Warsaw with a stopover at the Dresden Academy. Here he became a student of Piloty, who influenced the Munich art scene and especially history painting. Besides genre paintings and portraits Czachorski also specialised in Shakespearean scene motifs. Already at a young age Czachorski was celebrated by the public and critics, e.g. in 1879 he received a gold medal for a Hamlet painting at the 2nd International Art Exhibition in Munich's Glass Palace. His portraits of young ladies, often in historical costumes and in richly decorated boudoirs, were so popular with buyers that they had to wait up to two years to receive a work by the artist. Even today's viewer of the "dreaming girl", "saturated" with completely different viewing habits, can experience this fascination when the eye revels in the tactile promise the artist makes with the delicate execution of the most varied materials presented side by side. Czachorski devotes the same attention to the surface design of all the details in the image and is closely related to Eugen de Blaas in this respect. The gaze of the young dreamer leaves the viewer alone with all the splendour, but is able to make him feel the all too human feeling of daydreaming, removed from time. Explanations to the Catalogue Ladislaus von Czachórski Poland Munich School 2nd half of 19th C. Paintings Bourgeois Life Painting
Lot 2
An extremely rare William and Mary, walnut miniature chair with foliate and swag carved top rail, moulded swept arms on turned square section supports and with caned back and seat, height 33cm.Condition report: All repairs look pretty aged15mm of the crest rail has been replaced The top left hand flowerhead has a small loss.The left hand arm has a later dowel at the back and a small associated split.Both of the rear legs have old split repairs in the area of the seat.The lower part of the rear right hand leg is a replacement.Otherwise generally of great colour and the caning in good order.Provenance; From a deceased estate of a Cornish collector.
Lot 3004
A mahogany upholstered open armchair, 18th century, with padded back, arms and seat, on square section legs.Condition report: the frame is not original. It has had a new front leg and stretchers replaced. It is sound and not rickety. Height of the back 92cm, height to the seat 45cm, width 60cm, depth 54cm.
Lot 3182
A George III oak and mahogany crossbanded settle, with a triple panelled back and cabriole legs, height 107cm, width 140cm.Condition report: The settle is in a robust condition but shows signs of its age in wear, the left hand club foot has a portion missing and the seat is a replacement but this does not detract from a fine piece of furniture.
Lot 3221
A Victorian mahogany upholstered Chesterfield, with turned tapering front legs, height 67cm, width 164cm, depth 83cm.Condition report: Some movement in both arms but not drastically so, the rest is structurally sound. The fabric is well worn in places on the seat and the arm, animal (cat) scratches to corners. Images of effected areas on David Lay website.
Lot 3227
A pair of George III style green leather wing armchairs, by Wade, with a button back, padded and arms and seat on square moulded legs, height 115cm, width 82cm, depth 72cm.Condition report: Structurally the chairs are solid and sound. Some small staining on arms to leather. No tears or splits, some small areas of light scratching. Evidence of some mildew so will need a clean. Height to seat 45cm. Extra images on David Lay website.
Lot 3231
A William IV mahogany carver chair with bar back, reeded arms over upholstered seat, on turned front legs. Height 79cm, width 52cm, depth 54cm.Condition report: The chair has a small amount of movement in the arms through to the legs, but sits very well on the floor. Once sat in, the chair feels fairly solid.Some evidence of past worm. Seat webbing begining to fray.
Lot 286
Warwickshire.- Dugdale (Sir William) The Antiquities of Warwickshire, folding engraved frontispiece of Blithe Hall (the author's seat), title in red and black, 6 folding engraved maps and 23 plates, 3 folding (one torn at fold), some printed on both sides, numerous engraved illustrations, many full-page, light foxing and browning, one or two marginal tears, bookplates of Philip Earl Stanhope and M.H.Bloxam, with signature, presentation inscription and accompanying A.L.s. from Bloxam with a few additional engravings and ephemera bound in or loosely inserted, contemporary calf, gilt, rubbed, rebacked with gilt spine, split to upper joint, spine ends worn, Coventry, John Jones, 1765; and an extra-illustrated mixed edition in 5 volumes, vol.1 & 2 1765 edition lacking title and all after p.786, vol.3-5 1730 edition of vol.2 only, all interleaved and with numerous additional engravings, lithographs, aquatints, portraits, a few drawings, printed ephemera and occasional manuscript notes bound in or loosely inserted, vol.1 & 2 old calf-backed boards rebacked preserving old spines, vol.3-5 contemporary half diced russia, uncut, rebacked preserving old gilt spines, rather worn, joints split, some cover detached, folio; sold not subject to return (6)
Lot 1104
A NORTHERN EUROPEAN MAHOGANY SETTEE IN NEO CLASSICAL STYLE, EARLY 20TH C, THE TWIN PADDED BACK CENTRED BY A CARVED SPLAT BENEATH RECTANGULAR BRASS MOULDING HAVING STUFFED OVER SEAT AND SWEPT ARMS ON SLIGHTLY OUTSPLAYED LEGS, 126CM L, SEAT HEIGHT 46CM The pink trellis upholstery somewhat faded. The covering on the back partly incomplete
Lot 1102
SEVEN VICTORIAN ASH LADDER BACK CHAIRS, NORTH WEST ENGLAND, MID 19TH C, WITH VASE TURNED STRETCHERS, SEAT HEIGHT 43CM AND C Localised worm damage to seats and on one chair more extensively to the uprights. Joints of one chair loose, mostly of good colour/patina, several chairs rather more faded than the others
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217092 item(s)/page