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Lot 3211
A French style walnut open armchair, upholstered in beige fabric to the back, arm rests and seat, on cabriole legs, possibly American. The upholstery in this lot does not comply with the 1988 (Fire & Fire Furnishing) Regulations, unless sold to a known exporter or upholsterer it will be cut from the frame before leaving the premises.
Lot 3259
A set of three eastern hardwood bar stools, each with cream leatherette padded seat 82cm high. The upholstery in this lot does not comply with the 1988 (Fire & Fire Furnishing) Regulations, unless sold to a known exporter or upholsterer it will be cut from the frame before leaving the premises
Lot 80
An S Fielding & Co presentation plaque of shaped scrolling and pierced form decorated with a panel of a large country house inscribed, Trentham Hall, Staffordshire, The Seat of his Grace The Duke of Sutherland, with further printed inscription verso, with the compliments of S Fielding & Co, Railway Pottery
Lot 38
An Edwardian mahogany and inlaid bedroom chair, Condition Report: Widest point - 25.25insheight seat from floor - 16ins - back from floor - 34ins.width of seat 23ins - back to front 21.5ins. All castors present - not guaranteed original. No breaks to legs. Appears sound. Wear and tear condition with age and use.
Lot 469
In the manner of Howard & Sons for Morris & Co - A bench seat or sofa on ring turned and tapered simulated rosewood front legs with applied swivel castors, upholstered in Bird pattern jacquard-woven woollen double cloth, 163cm, height of back 83cm and seat height 38cm, S/D.The 'Bird' pattern was originally designed by William Morris in 1878 and the pattern was registered in the same year. It was originally designed for the walls of his drawing room at Kelmscott House. The fabric was probably made at the Merton Abbey Workshop. Morris himself referred to this type of fabric as woven wool tapestry, even though it is not technically a weave, but a double cloth.Provenance - Inherited by the present owner from their father Douglas Hickman, a prominent Birmingham architect. Douglas Hickman was a member of the founding committee of the Birmingham Victorian Society when it was formed in 1967, campaigning for Victorian and Edwardian architecture. He was also the author of 'Birmingham', a book about the architecture of the city published as part of the City Buildings series in 1970. After his death and upon his bequest, the sofa has been on loan to the Birmingham Museum and Art Gallery and, after 30 years on loan to their collection, has recently been returned to the family.
Lot 482
An early 20th Century camel back two seat settee in the William and Mary style, raised to a walnut frame with three cup and cover front legs united by a serpentine double x-form stretcher, centred by finials, with feather filled seat cushions and pale yellow upholstery, height of back 107cm, width 138cm and seat height 44cm, S/D.
Lot 483
Two Victorian easy chairs to include a tub-shaped example with button down faded pink coloured upholstery over turned front legs with applied brass castors, width 74cm and seat height 36cm, together with a spoonback serpentine-fronted chair, with acanthus carved capitals to the exposed walnut frame, upholstered in pale blue button down fabric, both S/D. (2)
Lot 501
A pair of late 19th Century cast iron garden bench ends and back panel in the Serpent and Twig pattern, with acorn and oak leaf boughs and with entwined snakes to the end supports, possibly cast at the John Finch foundry in Dudley, lacking seat panel, height of bench ends 79cm and width of the back including the ends 129cm.
Lot 457
A pair of Victorian walnut and button upholstered armchairs, mid 19th century, with turned legs to the front terminating in caps and castors Condition Report: Marks, knocks, scratches, abrasions consistent with age and use, The upholstery has been recently re-upholstered, Dreweatts cannot guarantee the originality of the timber beneath the upholstery, the upholstery in a condition that reflects a lack of significant age or use, some surface marks, the frames appear solid and stable, These chairs are: 88cm high, 72cm wide, approximately 80cm deep overall, the seat is 40cm high from the floor, 53cm deep, it is 61cm wide at the point between the armsOne leg of each chair is stamped CVSPlease refer to additional images for visual reference to condition Condition Report Disclaimer
Lot 472
A green painted metal garden suite, of recent manufacture , comprising; a pair of armchairs; a circular table; and a bench, all of openwork design, the seat furniture with arched backs and slatted seats, the bench 95cm high, 114cm wide; together with a green painted metal circular table and parasol
Lot 473
A Regency white painted wrought and cast iron garden seat, early 19th century, of reeded, slatted design, 92cm high, 154cm wideCondition Report: Marks, knocks, scratches, abrasions consistent with age and use, areas of corrosion and discolouration further commensurate with age and storage and use in an outside setting, the painted surface refreshed all over but with chips and losses revealing layers of previous paint below, the corrosion largely appears to be largely superficial and structurally this bench appears to be sound and stable overall. The arched rail to the base is detached where it meats the seat, this appears to have rusted through the weld, it would require some attention to stabilise and maybe a fresh weld, one scrolling upright from an arm is also detached at the top most join, again this would need some stabilisation, the area is quite red and oxidised and would need to be stabilised before any structural damage occurs Condition Report Disclaimer
Lot 474
A Regency white painted wrought and cast iron garden seat, circa 1810, of strapwork design, with double domed back, 85cm high, 110cm wideCondition Report: Marks, knocks, scratches, abrasions consistent with age and use, areas of corrosion and discolouration further commensurate with age and storage and use in an outside setting, the painted surface refreshed all over but with chips and losses, there is a later metal brace fitted to one rear leg, this is old and again is covered with more recent paint, the corrosion largely appears to be largely superficial and structurally this bench appears to be sound and stable overallCondition Report Disclaimer
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