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Lot 638
A PAIR OF ITALIAN WALNUT AND STAINED BEECH HALL CHAIRS, late 19th/early 20th century each having a shield shape back with shell cresting, pierced and carved in relief with a face mask above 'C' scrolls and fruiting vine, flanked by a winged caraytid with acanthus leaf capped serpentine body to either side, full seat, on front panel support similarly carved with lion mask and paw feet
Lot 642
AN OAK SETTLE, the five panel back with parquetry star inlay, bounded by blind carved stiles and muntins, above downswept open arms and planked seat, the moulded apron rail with central suspension and flanking angle brackets on rectangular section supports joined by stretchers, 17th century and later, 176cm wide
Lot 438
A Victorian carved oak open Armchair in the 17th Century manner, the arched back initialled LMB within a shaped cartouche over a panel carved in raised relief depicting birds and baskets of flowers, Caryatids and pomegranates centred by an oval with boar`s head crest and motto (crest for the Bayley family), flanked by lion mask head arm supports to a solid seat on wrythern fluted vase shaped and block legs
Lot 17
Eero AARNIO (né en 1932) & MAGIS (Éditeur) Fauteuil multifonction "Trioli" de la collection "Me Too", dessin de 2005, pouvant également former cheval à bascule, structure diabolo en polypropylène, munie d’une assise à hauteur asymétrique formant double hauteur d’assise par renversement et d’une prise à l’arrière. A "Trioli" multifunctional chair from the collection "Me Too" with polypropylen frame, usable in two seat heights and as a rocker, designed in 2005. Haut. 57,5 cm - Larg. 50 cm - Prof. 43 cm Height. 22 5⁄8 in. - Width. 19 3⁄4 in.- Depth.16 7⁄8 in.
Lot 62
Javier MARISCAL (né en 1964) & MAGIS Fauteuil et sa table "Piedras", dessin de 2006, en polyéthylène anthracite stylisant des rochers. Cachets d’éditeur. A set of "Piedras" rock shaped polyethylen table and its chair, designed in 2006. Fauteuil : Haut. 46 cm - Larg. 80 cm - Prof. 68 cm Table : Haut. 25 cm - Larg. 62 cm - Long. 64 cm Seat : Height. 18 1⁄8 in. - Width. 31 1⁄2 in. - Depth. 26 3⁄4 in. Table : Height 9 7⁄8 in. - Width. 24 3⁄8 in. - Length. 25 1⁄4 in.
Lot 151
Karin MOBRING & IKEA (Éditeur) Rare fauteuil, circa 1963, structure en bois naturel, formant en arc de cercle, montants fuselés, proposant deux hauteurs d’assise par renversement. A rare natural wood and plywood chair offering two seat heights. Haut. 38 CM / Height. 15 in. Bibliographie : Eva Ottillinger, Marta Herford, "Fidgety Philip": A Design History of Children’s Furniture", Éditions Taschen, Cologne, 2006, p. 154.
Lot 161
PICUS (ÉDITEUR) Bureau et son siège intégré, circa 1930, à structure tubulaire en acier laqué turquoise formant arcatures imbriquées, soutenant l’assise rectangulaire en acajou et le plateau quadrangulé en placage d’acajou. Cachet d’éditeur. A plywood and tubular steel small desk with its integrated seat, circa 1930. Producer’s stamp. Haut. 50,5 cm - Larg. 56,6 cm - Prof. 64 cm Height. 19 7⁄8 in. - Width. 22 1⁄4 in. - Depth. 25 1⁄4 in.
Lot 167
ERBACHER MÖBEL (Éditeur) Banquette en frêne, circa 1950, piétement gaine soutenant l’épaisse assise formant coffre à abattant, accotoirs galbés en arc de cercle, dossier formé de deux bandeaux plats horizontaux. Étiquette d’éditeur. A solid wood bench with storage under the seat, circa 1950. Producer’s label. Haut. 60 cm - Long. 81,5 cm - Prof. 37,5 cm / height. 23 5⁄8 in. - length. 32 1⁄4 in. - depth. 14 3⁄4 in.
Lot 172
HAMILTON COSCO (Éditeur) Petit siège baquet, circa 1970, assise coque en polypropylène kaki, coussin d’assise en skaï vert, piétement repliable en métal tubulaire chromé en X, proposant deux hauteurs d’assise. Cachet d’éditeur. A polypropylene chair, foldable wire leg, skai seat cusion, circa 1970. Producer’s stamp. Haut. 31,5 cm - Larg. 35 cm - Prof. 31 cm Height. 12 3⁄8 in. - Width. 13 3⁄4 in. - Depth. 12 1⁄4 in.
Lot 280
ART NOUVEAU Mobilier de jardin en fer battu laqué blanc, et bois laqué rouge comprenant une paire de sièges, une banquette et une table, structure des sièges en fer plat laqué blanc, piétement formant X souple se prolongeant en soutien de dossier incliné, accotoirs se déployant en volutes, assise à claire-voie, table à piétement tubulaire formant arcature latérale en ogive réunie par une entretoise galbée, plateau rectangulaire. A set of white paint iron and wood garden furniture comprising a bench, a table and a pair of armchair, Banquette : Haut. 69 cm - Long. 99,3 cm - Prof. 40 cm Fauteuils : Haut. 60 cm - Larg. 40,5 cm - Prof. 36 cm Table : Haut. 50 cm - Plateau : 75 x 44 cm Sofa : Height. 27 1⁄8 in. - Lenght. 39 1⁄8 in. - Depth. 15 3⁄4 in. Seat : Height. 19 3⁄4 in. - Width. 16 in. - Depth. 14 1⁄8 in. Table. Height. 19 3⁄4 in. - Tray : 29 1⁄2 x 17 3⁄8 in. Bibliographie : - Eva Ottillinger, "Fidgety Philip": A Design History of Children’s Furniture", Éditions Taschen, Cologne, 2006, p. 138. - Beaucamp-Markowsky, "Kindermöbel + Spielobjekte", Kunstgewerbemuseum, Köln, 1973, p. 24.
Lot 286
ANNÉES 1950 Nécessaire de pique-nique, composé d’une boîte hémi-circulaire dépliante permettant de porter l’ensemble et se déployant en plateau de table circulaire à plateau en isorel rouge, contenant un double piétement en métal tubulaire laqué rouge, soutenant plateau de la table et quatre sièges à galettes en contreplaqué thermoformé. Estampillé "Record". A folding metal, pavatex and plywood picknick set. The box can be converted into a table and 4 stools. Marked "Record". Haut. 62 cm - Diam. table : 82 cm - Diam. total : 148 cm - Haut. assise : 35 cm Height. 24 3⁄8 in. - Table : Dim : 32 1⁄4 in - total Dim. 58 1⁄4 in. - Seat height. 13 3⁄4 in.
Lot 295
Kristian VEDEL (1923-2003) & THORBEN ORSKOV (Éditeur) Siège de bébé, 1957, structure principale formée d’une feuille de contreplaqué de bouleau thermoformé en arc de cercle accueillant en insertion réglable l’assise laquée bleu et la tablette laquée rouge. A beech plywood chair with adjustable seat and tray, 1957. Haut. 40,5 cm - Larg. 43 cm - Prof. 34 cm Height. 16 in. - Width. 16 7⁄8 in. - Depth. 13 3⁄8 in. Bibliographie : - Catalogue d’exposition, "Kid size : the material world of childhood", Vitra Design Museum, Weil am Rhein, 1997, p. 261. - Charlotte & Peter Fiell, "Design Scandinave", Taschen, Cologne, 2002, p. 632. - Carole Daprey, "Mobilier Design pour enfants", Piqpoq, 2009, Paris, p. 88.
Lot 721
A SCOTTISH SANDSTONE TABLET FROM DUNNOTTAR the two shields carved to dexter with the arms of Keith for William Keith, Earl Marischal (died 1671) and to sinister with those of Seton for his first wife, Elizabeth Seton, daughter of the 3rd Earl of Winton, their respective initials WEM (William Earl Marischal) and ESCM (Elizabeth Seton Countess Marischal), date 1645, a column surmounted by two hearts and an earl`s coronet, their mottoes VERITAS VINCIT and HAZARD YIT FORWARD below, 60.5 x 81x 14cm Carved of the same local rose hued Lower Red Sandstone as this impressive armorial panel is the identical example in a 17th century chimneypiece at Dunnottar Castle, on the Dunecht Estate in Aberdeenshire. One of the most romantic of Scottish ruined castles, it is dramatically sited on a high four acre plateau almost entirely surrounded by 160 foot sheer sea cliffs, the only approach being originally a treacherously narrow isthmus. From 1382 until 1715 it was the seat of the Keiths, successive Marischals, subsequently Earls Marischal in the peerage of Scotland. They built the surviving palatial ruins, including the tower house or keep and also the detached Marischal Aisle at Dunnottar Church. William Keith, 6th Earl Marischal was a leader of the Covenanters and a general on the Parliamentary side in the early years of the Civil War. He was much engaged in campaigns in Scotland and the North of England. In 1647-8 he changed sides and Dunnottar became a royalist stronghold. Charles II visited in 1650-1 and the Castle became the last royalist garrison to fall to Cromwell`s forces in 1652. Keith was imprisoned in the Tower of London until the Restoration. Following the Jacobite Rebellion of 1715 the Castle was forfeited and in 1720 was largely dismantled by the York Buildings Company. In 1925 it was bought by Weetman Pearson, 1st Viscount CowdrayGCVP, PC (1856-1927), who repaired and opened it to the public.
Lot 780
A VICTORIAN OAK LONGCASE CLOCK the breakarched and painted dial inscribed Robt Harlow Ashburn, with pierced date sector and subsidiary seconds dial, rose spandrels and a landscape with angler above, having eight day movement in mahogany banded and line inlaid case with swan neck pediment and fluted pillars and pilasters, panelled trunk and base, on bracket feet, 232cm h Some repairs and repolishing, the movement and dial probably original although the seat board slightly packed
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217092 item(s)/page