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EON - Elliotts of Newbury - A mid century dining room suite comprising a set of four 1970's retro teak wood propeller dining chairs, the backrests having the usual form with a stepped middle section supported by the back legs, the chairs being raised on tapering round legs with a flat thin padded seat covered with a faux leather. Complete with dining table raised on turned legs and having extending flip leaf centre. Table measures approx 72 x 133 x 87cm
Victor B Wilkins - G-Plan - A set of four mid century circa 1960's teak wood dining chairs. The chairs being raised on turned legs with drop in upholstered seats with original cream seat fabric. Above, the chairs with inclined back rests with upper railed ladder'd back rests. Measures 84 x 49 x 50
An original retro vintage 1970's / 1980's fairground / funfair carousel ' Speed Boat ' - having come from a pier / fairground. Fibreglass construction, the speedboat with original colourway and chrome fittings present, the interior fitted with twin steering wheels, buttons and seat. Measures H70cm x W190cm x D76cm
A Benin small bronze stool, of spool shape, the circular seat centred by a star within a border of interlocking waves, the waisted pedestal cast with masks interspersed with pierced loop handles, with faux verdigris patination, 20cm; a Marka type carved wood fertility figure, decorated with sheet brass; and a Balinese carved wood bust, wearing a fanned feather headdress (3)
LATE GEORGE III PAINTED WOOD ELBOW CHAIR, circa 1800, in Sheraton taste, the rectangular openwork back with gothic arches, the arm rests descending to a drop-in seat, above straight tapered front legs and splayed back legs, decorated with flowers and foliage on a cream ground overall, 89cm high x 56cm wide
COALBROOKDALE 'SERPENT AND GRAPES' PATTERN CAST IRON GARDEN SEAT, second half 19th century, the armrests with hound headed terminals, above supports cast as coiled serpents amongst vines, the ends with registration number 17597 and diamond patent registration stamps; later replaced wood slatted back and seat, 85cm high, 157cm wide Note: This design, number 17597 is the second oldest seat design registered and patented by the Coalbrookdale Foundry at the Public Records Office, on 6th April 1844. It appears as seat No.9 in their 1875 Castings Catalogue, Section III, page 249 Cf, Christie's South Kensington, 'The Country Seat', 22nd June 2000, lot 112 for similar
VICTORIAN PAINTED CAST IRON GARDEN SEAT, almost certainly Yates Haywood Foundry, third quarter 19th century, the serpentine scrolling and lattice-cast back rest entwined with trailing blackberry and leaves below an anthemion cresting, the seat cast as conjoined circlets, above a foliate cast apron, with scrolling foliate cast legs descending to rail bases, 85cm high x 104cm wide Comparative Literature: The Art Journal Illustrated Catalogue, 1851, pg. 205. Cf, Christie's South Kensington, "The Country Seat", 22nd June 2000, lot 81.
PAIR OF SUBSTANTIAL AND IMPOSING STONE COMPOSITION GARDEN URNS ON PLINTHS, second half 20th century, each with a shallow domed top above a waisted neck, the spiral stop-fluted ovoid bodies each with twin vacant plaques, on waisted shafts and square bases, 124cm high; the square section pedestals panel moulded to each side, 100cm high, 66cm wide; the overall height, 224cm Note: These urns are in the manner of a design by William Kent, his original pattern having been for a scheme in Alexander Pope's garden at Twickenham. The design is illustrated in Vardy's 'Some Designs of Mr Inigo Jones and Mr William Kent', 1744. Pope's gardens, overlooking the River Thames and laid out over some 25 years, became one of the most original contributions to garden design of 18th and 19th century England Cf: Christie's South Kensington, 'The Country Seat', 22nd June 2000, lot 58, a very similar pair
*GUY BUSEYNE (B. 1961), ELISE, a patinated bronze model of a seated girl, portrayed with side parted shoulder length hair and wearing a shirt and skirt, her arms around her drawn up right leg, signed in the maquette 'Guy' and numbered '34/150', 92cm high; The bronze arranged within a painted wrought iron arbour, of arched openwork form, with slatted seat within, 180cm high, 92cm wide*Artist Resale Right may apply to this lot
TUSCAN, PROBABLY FLORENTINE WALNUT AND PARQUETRY 'CASSAPANCA' COFFER SEAT, first half 16th century, with rectangular toprail with ovolo moulded edging, above a backrest formed of six recessed and parquetry banded panels, the reverse with six conforming panels; the seat of twin hinged covers above further conforming panels to front and sides; the base with gadrooning to acanthus carved corners, above a waisted and ogee moulded foot, 78cm high, 174cm wide, 44cm deep Cf, Augusto Pedrini, 'Italian Furniture of the Fifteenth and Sixteenth Centuries', Alec Tirani Ltd., London, 1949, figs. 183-188 for comparable examples
CARVED OAK WAINSCOT CHAIR, basically third quarter 17th century, the back rest with scroll-carved top rail above stylised foliate frieze and a recessed panel with relief-carved lozenge, the rectangular seat with moulded edge on turned front legs and straight back legs, with peripheral stretchers, 100cm high x 50cm wide
CARVED WALNUT, CANEWORK AND UPHOLSTERED ELBOW CHAIR, 19th century, in Charles II style, the carved and pierced top rail with putti crowning a monarch's head, amongst scrolling foliage, above a canework backrest flanked by panels of amorini and birds amongst grapevines, the armrests with scrolling terminals and scrolling supports above the tapestry upholstered seat, on scrolled front legs and straight back legs united by twist-carved stretchers, 134cm high x 62cm wide
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217092 item(s)/page