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Dial signed Ryly not Riley, burr walnut longcase clock, the hood with moulded cornice, fretted frieze, three quarter engaged barley twist columns, long door with bullseye lenticle, bun feet, 12" square brass dial, cherub and crown spandrels, silvered chapter ring, subsidiary seconds dial, date aperture, signed William Riley, London, eight day movement striking on a bell, 213cm.Condition report:The case has been restored over time including veneer repairs, top of hood and feet rebuilt, etc. The dial is a good fit for the hood but unsure as to a marriage; seat board is probably replaced. The movement does tick over with the seconds dial turning freely. However, the date dial is loose and the bell does not seem a very good fit (the hammer misses it, unless it is touching the back of the dial, in which case it makes a clunk rather than chime). So some degree of service and repair are needed for the mechanism. Pendulum and weights present (weights are not brass-cased, just iron). Further images have been uploaded to the lot page on our website.
Joined oak and elm settle, 18th Century, rectangular back with five fielded panels, shaped arms with turned supports, boarded seat, bobbin turned legs joined by stretchers, width 166cm, depth 66cm, height 141cm.Condition report:Generally sound, two panels in the back are split, seat has open joint between the boards, stretchers nicely worn, feet worn away and some losses due to old woodworm.
Victorian walnut framed armchair, carved hoop-back, scrolled arms, serpentine seat, cabriole legs, button dralon upholstery, width 71cm.Condition report:The chair is in good condition, the main point being that both arms have been repairs at the joint with the back but these joints are now rock solid and the arms are stable, hoop back and legs are good too, has been reupholstered and the upholstery is in good condition.
Victorian walnut framed armchair, plain hoop-back, scrolled arms, serpentine seat, cabriole legs, width 73cm.Condition report:The chair is in good condition, the frame is sound, visible joints to the top hoop but doesn't look to be repaired, arms and legs are stable and usable. Has been reupholstered and the upholstery is in good condition.
Regency style wrought iron garden bench, strapwork seat, length 154cm, depth approximately 70cm, height 86cm.Condition report:NO obvious old repairs, the joints are a bit lumpy in places but hard to tell if repairs under the paint. Looks to have been repainted a couple of times. Is sound and usable.
A George III upholstered fruitwood stoolrectangular, on square tapering moulded legs united by outer moulded railsheight 45 cm., width 43 cm., depth 29 cm.Condition: Seat distressed and in need of recovering. Some scuffs and dirt. Two nails tacked into base of one leg with some filler. Some filler to the base of another leg
A Prince of Wales Investiture chair, 1969,in red stained ash, plywood and elm, designed by Anthony Armstrong-Jones, Carl Toms and John Pound, manufactured by Remploy, impressed to backrest in gilt with Prince of Wales feathers and motto 'Ich Dien', with upholstered seat cover in red wool mix fabric,width 55cm x height 78cmCondition: In good overall condition, original seat cover fabric, foam perished and in need of replacement, wear to end of arm rests, and corners, slight wear lower legs.
A MAHOGANY STOOL IN REGENCY STYLELAST QUARTER 19TH CENTURYThe upholstered top above x-frame supports united by a turned stretcher51cm high, 77cm wide, 37cm deep Condition Report: Marks, knocks, scratches, abrasions consistent with age and useAs catalogued this is in Regency style only, the condition of the timber to the frame would indicate a later 19th century manufacture, the rails appear fairly clean and free from obvious worm, the cross stretcher beneath the seat appears to be a later addition or replacement still. There is later metal bracing to the underside of the supports - this is of two thicknesses indicating they are later additions and not as originally planned. The upholstery is later and in fair condition overall, some light marks from age and use in a domestic settingDiscolouration to the metalware including feetOverall solid and stable Please refer to additional images for visual reference to conditionCondition Report Disclaimer
A CARVED OAK OPEN ARMCHAIRIN LOUIS XV STYLE, LATE 19TH CENTURY 117cm high Provenance: By family repute commissioned for Rawdon Hall Thence by descent Condition Report: Marks, knocks, scratches, abrasions consistent with age and useOld splits and cracks, some chips and losses,The seat upholstery has sagged and is heavily indented, this will require attention, overall would benefit from a re-upholster, there are also losses, wear and pulling to threadsThe dark stain fairly uniform, but with some signs of wear to extremitiesOverall the frame appears solid and stablePlease refer to additional images for visual reference to condition Condition Report Disclaimer
A CARVED OAK LONG BENCH IN LATE 17TH CENTURY STYLELATE 19TH OR EARLY 20TH CENTURY The upholstered seat above the supports joined by scroll work, 46cm high, 245cm wide, 52cm deep Condition Report: Marks, knocks, scratches, abrasions,Wear and marks to the upholsteryOne support with clear crack through and old repair, a stretcher to the rear with breaks and is detached from its socket, the oak with an aged appearance which appears to be to simulate greater age than this bench truly possessesCondition Report Disclaimer
A PAIR OF COMMEMORATIVE DRUMSEach inscribed SEDAN 1870 SEPTEMBRE, and with a later stuffed drop in seat and base for castors for use as stoolsThe drum 41cm highCondition Report: For the most part compete but appear in tired and country house condition with some dents, and splits to the skins, some strings fraying and with breaksCondition Report Disclaimer
A CHARLES I CARVED OAK PANEL BACK OPEN ARMCHAIR 17TH CENTURY AND LATER Of wainscot type, of caquetoire form111cm highCondition Report: There are some marks, scratches, knocks, chips, splits and abrasions consistent with age and use. As catalogued there are losses and restorations incorporating some later timber, later dark staining and including the tip of the scroll to the crest which is missing, the crest has some movement where it joins the top of the chair.The seat certainly appears to be later, this is very 'clean' in appearance, also the arms, this appears to have had a level of restoration overall and is not 'pure'.There is evidence of worm including to the feet and elsewhere.Please refer to the additional photographs as a visual reference of condition. Condition Report Disclaimer
A VICTORIAN OR EDWARDIAN CHILD'S HORSE AND CARRIAGELATE 19TH OR EARLY 20TH CENTURYThe raised leather clad bamboo seat behind a pair of model horses, on wheels in 'penny-farthing' arrangementApproximately 140cm high, 160cm long Together with a pair of LIMEHOUSE LAMP CO. carriage lamps, each with bracket, 53cm highCatalogue Note: By family repute the present lot was sat in by Queen Victoria as a child, possibly through the connection of Lady Flora Hastings who was Lady in waiting to Queen Victoria's mother the Duchess of Kent.
A French mahogany single chair,late 19th century, with carved decoration, a fluted splat, embroidered drop-in seat and claw and ball front feet,99cm high, together witha Queen Anne style painted single chair,108cm high (2)Provenance: Mr & Mrs J Jowitt, Taillefer, St. Puy, France1. Expected and pleasing wear. Seat cover requires some repair.2. With repairs, joints loose. Pait rubbed, seat requires re-webbing.
A group of eight white painted single chairs,French, 20th century, four with cane backs and seats and squab cushions, four with upholstered, oval , backs and overstuffed seats, and a painted, oval, stool with a caned seat 47cm wide48cm deep94cm high, seat 45cm high (9)Provenance: Mr & Mrs J Jowitt, Taillefer, St. Puy, FranceFashionable distressing to paintwork.
A pair of Art Deco beech armchairs,upholstered in brown wool textile,62cm wide73cm deep78cm high, seat 42cm highOne with repair to the back corner of the backrest. The foam within has hardened. Some fading throughout the frames. With scratches, marks and wear commensurate with age and use. No visible stains.
A Victorian brass mounted oak hall stool, attributed to James Shoolbred & Co, the back with baluster gallery flanked by downcurved arms terminating in discs, the rectangular seat on splayed legs united by reeded stretchers, seat height 42cm; 32 x 54cm, lozenge shaped PODR mark for 13 December 1883 Complete and in good condition with old polish residues and dirt, seat slightly pitted, pleasing deep honey colour and patina, no breaks or repair
A Victorian yew wood and burr yew wood Windsor 'Best High Smoking' chair, Worksop, possibly by William Gilling of Bridge Place, c1860-80, the burr yew wood splat of pierced 'fir tree' design, seat height 47cm A similar chair with Gillings trade label is illustrated Cotton (Bernard D) - The English Regional Chair, 1990, fig. NE244. This unusually large and well preserved example is characteristic of Worksop chairs that share several distinctive features in their design. These include the very heavily turned three ring legs, seat shape and decorative splat. In addition to Gilling, similar chairs were made in Worksop by the firm of I Allsop & Sons A good example of large size and fine colour and patina; some movement in back and natural accretion of old dust and grime with a little wear, mainly on arms, legs and stretchers original
A set of seven George III painted beech chairs, attributed to Gillows, c1800, the tablet with Juno in her chariot en grisaille, flanked by spandrels, the uprights with spiralling foliage, the stuffed over seat above rails and legs, with flutes and stringing, the set including a pair of elbow chairs, seat height 46cm, one stamped I B Provenance: Supplied to John Leicester, 1st Baron De Tabley (1762-1827) for his London house in Hill Street, Berkeley Square or Tabley House, Cheshire; thence by descent to the present vendors and latterly at Davenport House, Bridgnorth, Shropshire Illustrated: Photographed in situ in the former Entrance Hall of Tabley House, Cheshire for the article in Country Life 28 July 1923. Image also reproduced Hussey (C) - English Country Houses Mid Georgian 1760-1800, ACC edition, vol II, 1988 fig. 97 The design of these chairs, following closely that of Gillows 'Clifton's pattern' a set made for John Clifton of Lytham Hall in 1796 was also supplied to other Lancashire gentry (see Stuart (S E) - Gillows of Lancaster and London 1730-1840, 2008, vol I, pp. 196-7). Gillows certainly supplied furniture to the 1st Baron de Tabley, as did other furniture makers of the period. The maker's stamp 'IH' is recorded on the seat rail of two of Gillows feather and drapery pattern chairs of the late 1780's and others throughout the 1790's. Three Gillows workmen shared the same initials, the most likely maker perhaps John Harrison, who is recorded as making "numerous chairs for Gillows". Although much overpainted, Gillows painted chairs in a similarly distinctive green palette are known (Stuart, op cit, plates 116-8 and vol II, pp250-1) Localised or more extensive old worm damage to seat rails. Several pairs of the mushroom finials on the backs old replacements; old re-decoration, scratched and worn
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217092 item(s)/page