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Lot 2421
GOTHIC OAK AND ELM PEW, 19th century, with an oak panel back and ends, a one piece elm seat and exposed pegs to one end, with an oak hymn book rail on the back and 2 cushions, height 89cm, length 136cm Footnote and Provenance: formally in the Church of the Holy Trinity in Walton, Somerset. The church was rebuilt in 1866 and the pew probably dates to this time. It was designed by John Norton, an architect who was greatly influenced by the work of Augustus Pugin. He designed many churches in Somerset and the extensive remodelling of Tyntesfield House near Bristol. The pew is flat at one end and only has exposed pegs to the other as it was designed to fit against a wall.
Lot 1908
SIR WILLIAM BEECHEY (1753-1839) PORTRAIT OF CHARLES SMALL PYBUS (1766-1810) Quarter length, wearing a dark coat and white stock, signed with initials and dated 1803, bears contemporary inscription Charles Small Pybus Esqr./ painted by/ Sir William Beechey/ 1803 verso, oil on panel 73 x 60.5cm. * The sitter was born in the East Indies, the second son of a banker. He was educated at Harrow and at St. John's College, Cambridge. Pybus initially pursued a career in the law, having been called to the bar in 1789 and he then impressed William Pitt the Younger as an orator soon after becoming MP for Dover in the same year. He rose to become Lord of the Admiralty (1791), then Lord of the Treasury in 1797 and he held his seat until 1802. Pybus died, unmarried, in 1810. He had a reputation for pomposity and Beechey was not charmed by his sitter: `He was very vain of His knowledge of pictures, but in reality knew nothing abt. them.` (The Diary of Joseph Farington, XI, New Haven and London, 1983, p.3882). Nonetheless, Beechey painted him at least once more, apparently in later life (Dulwich Picture Gallery). That portrait has been dated to the 1790s but is more probably c.1810 Provenance: Acquired by the vendor's father c.1975 ++ Scattered retouching, principally in the background and coat; surface good
Lot 1055
Leon Krier for Giorgetti: A Set of Eight Cherrywood and Black Leather Framed Armchairs, modern, with padded back supports and seat and spiral turned front armrests, 54cm by 49cm by 76cm; A Matching Cherrywood Rectangular Dining Table, with satin metal circular mounts, shaped legs and capped feet, 240cm by 100cm by 73cm
Lot 1000
An Ercol Windsor Pattern Double Door Wardrobe, the interior with hanging space, 121cm by 53cm by 183cm; A Matching Dressing Table, with three drawers, on beech tapering legs, 113cm by 49cm by 60cm; A Matching Mirror Back Dressing Chest, with three drawers, 90cm by 42cm by 108cm; and A Beech Spindle Back Dressing Table Stool, with moulded seat 42cm by 41cm by 63cm (4)
Lot 1078
A 1960's Beech and Elm Studio Couch, with oval panel back support and spindle arm supports on splayed legs, with later recovered cushions, the frame label Ercol, 206cm by 78cm by 77cm. In good condition overall, knocks, scratches commensurate with age, noticeable minor wear around legs, panel back and seat edge
Lot 293
Eliel Saarinen (Finnish-American, 1873-1950), a suite of 'Blue' furniture by Adelta, Finland, originally designed in Cranbrook, 1929, produced in a limited edition by Adelta in 1983, comprising three-seat settee, a pair of chairs and a centre table, blue lacquered with painted decorations, the upholstery designed by Josef Hoffmann (4)
Lot 238
Marlborough, two background three storey town houses in original boxes, Mulberry Street two storey town Cottage and a neatly made two storey Town House, overall frontage 71cm frontage, 29cmcm tall, with two Union Jack parade posts, pillar box, seat and two pavement pieces (Condition Excellent, boxes Very Good) (10)
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