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A Set of Six Regency Mahogany Dining Chairs, the turned top rail above a rectangular tablet with boxwood stringing with seven horizontal back supports between reeded uprights, the green leatherette drop-in seats above plain seat rails, raised on turned and reeded tapering forelegs united by understretchers, including one carver See illustration
A Marquetry Fauteuil, probably Dutch, the outscrolled back with vase shaped splat inlaid with scrolling acanthus leaves, dogs and peacocks, the overstuffed seat raised on sabre forelegs headed by carved lion masks, the chair early 19th century, the marquetry later inlaid, 57cm by 48cm by 51cm See illustration
An Early 20th Century Walnut Framed Bergere Suite, comprising three-seater settee and two armchairs, each with figural carved top rail above an elaborately carved and caned back, downswept acanthus carved caned arms and cushion seat, standing on scroll legs united by figural carved front stretcher, the settee 207cm wide (3)
A William IV Rosewood Framed Settee, upholstered in blue silk damask, the serpentine shaped back with rounded arms above a squab cushion and two bolster cushions, the moulded seat rail terminating in scrolling leaf carved supports, raised on turned carved tapering legs with brass caps and castors, 220cm by 80cm by 77cm
A Pair of George III Mahogany Cockpen Open Armchairs, in the Chinese Chippendale style, the moulded top with re-entrant corners above a pierced fret cut back and downswept arms, the drop-in seats above plain seat rails and fret cut angle brackets, raised on square chamfered legs united by H stretchers See illustration. For similar examples see Gilbert (Christopher) The Life and Work of Thomas Chippendale, pg101, fig167.
A Robert "Mouseman" Thompson Oak Boarded Stool, made of five shaped boards held together with nails, shaped end boards with scrolling apron boards to the front and back, adzed rectangular seat with pierced carrying aperture, with carved mouse signature, 48cm x 30cm, 45.5cm (18") high See illustration. The boarded stool as a form shows Robert`s influences from sixteenth and seventeenth century English oak furniture.
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216995 item(s)/page