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F.W. MAYHEW, (SADDLER TO THE KING, 62 SEYMOUR ST., LONDON) A MAYHEW'S 6453 PATENT "THE LISSADELL" SIDE SADDLE, measuring 15" from cut back head to cantle and 11.5" wide doeskin seat. Outer girthing system, serge and linen lined This saddle, formerly the property of Lady Violet Vernon is complete with two leather girths Mayhew stirrup leather and iron
VICTORIAN ELM & FRUITWOOD MENDLESHAM ARMCHAIR with ball mounted stick back with pierced splat, turned legs and stretchers, 83cms high Auctioneer's Note: Bernard Colton, 'The English Regional Chair', fig. EA128/129, p.250 Condition Report: stretchers reglued, nibbles to elm seat, also old worm holes, old split to rear of seat, seat with plug to one side.There is a split on the back of the seat.There are some old worm holes underneath (please see photographs)There is some restoration on one of the back legs, one side does wobble.Proportionately the chair looks goodThe seat height is 40cms
PRESTON NORTH END A folder containing programme for The Bill Shankly Testimonial Dance at the Public Hall, Preston 22/9/1949, Willie Cunningham Testimonial programme and 1954 FA Cup Final seat ticket, all stuck on a black sheet, 1964 FA Cup Final programme, songsheet and Preston players' brochure. A loose 1954 FA Cup Final ticket plus 1950's newspaper articles and match reports. Generally good
090 - - Mathias Hornung. Kommunikation. 2020. Farbholzschnitt, Offsetfarben auf beschichtetem Zeichenpapier. Unikat. 90 x 120 cm. Ungerahmt. Mathias Hornung arbeitet im Grenzbereich zwischen Fläche und Raum. Am Anfang waren Holzschnitte - aus den Druckstöcken wurden Reliefs, Skulpturen und Tischobjekte. Gleichzeitig entstanden Drucke mit ausgeprägt räumlicher Wirkung. Zerfall, Zerstörung von Strukturen und latente Bedrohung charakterisieren die inhaltliche Ebene dieser Arbeiten. "Kommunikation" entstand aus Abdrucken von "Air Seat". Im Unterschied zu komplexeren Farbexperimenten des Künstlers lebt diese Arbeit von der Reduktion und darf als humorvoller Kommentar auf die Möglichkeiten zwischenmenschlicher Begegnungen gelesen werden. - Mathias Hornung, geboren 1965, studierte nach einer Ausbildung als Maschinenbauer Bühnen- und Kostümbild an der Staatlichen Akademie der Bildenden Künste in Stuttgart-Weissenhof bei Peter Grau und Jürgen Rose. Seit 1993 lebt und arbeitet er in Berlin; zahlreiche Ausstellungen im In- und Ausland.
Two carved and painted wood Chinese Altar Plaques, with coral red ground, turquoise, & gold lettering, labels to the reverse with translations `The true disciple of `Loung Mon`, the late Abbot of the re-elected `Bak Hue Monastery` whose name is `Ming Se` or `Sau Sek` Mr Leung`s reverend seat` and 'The true disciple of `Loung Mon`, the late Abbot of the repaired `Bak Hue Monastery` whose name is `Lei Yan` or Kiang Chau, Mr Leung`s reverend seat' 19th century.55cm highCondition report: Both show wear and signs of age with small chips to edges and shrinkage splits. Some enamel loss. Both are loose in the fitting.
Good Chinese carved hardwood hall chair, the foliate carved back and seat inlaid with red marble panels, also inlaid to the back and front frieze with foliate mother of pearl designs, supported upon square tapered legs united by stretchers, 21.5" wide x 19.25" deep x 37" high - ** Provenance - From the Estate of Mr Roy Moodie by descent, who had a fascinating and successful banking career with the Hong Kong and Shanghai Banking Corporation in the 1950s. It was this time spent in the far east that encouraged his love and lifelong interest in Chinese artifacts, especially blue and white porcelain, jade and furniture
Good pair of 19th century Chinese hardwood carved chairs, with pierced foliate and floral carved vertical central splats flanked by cylindrical bamboo shoot spindles, the solid recessed seats supported upon circular carved tapering legs united by turned baluster spindles, seat 16" wide max, 17" deep, 36" high (2) - ** Provenance - From the Estate of Mr Roy Moodie by descent, who had a fascinating and successful banking career with the Hong Kong and Shanghai Banking Corporation in the 1950s. It was this time spent in the far east that encouraged his love and lifelong interest in Chinese artifacts, especially blue and white porcelain, jade and furniture
Elizabeth I/James I oak panel-back open armchair, circa 1600, with carved foliate wavy cresting rail over a panelled back with raised carved lozenge and geometric decoration, over a two planked seat supported upon baluster turned front legs united by plain stretchers, 26" wide, 17.5" deep, 48.5" high - ** Provenence - ex. Abbey House, Malmesbury
William & Mary and later oak high-backed side chair, the cresting rail carved with two mythical birds over a panelled vertical splat enclosed by carved C-scrolls, over a planked seat, supported upon block and ball turned front legs united by a carved stretcher, 18" wide, 15" deep, 50" high - ** Provenence - ex. Abbey House, Malmesbury
Charles II oak panel-back open armchair, south Yorkshire, circa 1670, with wavy foliate carved cresting rail over a panelled back carved with a flowerhead over geometric scrolling foliage, over a single plank seat supported upon short turned baluster legs united by plain stretchers, 22.5" high, 16.5" deep, 45" high - ** Provenence - ex. Abbey House, Malmesbury
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216995 item(s)/page