A Regency mahogany library armchair, upholstered in buttoned dark red leather, with squab seat cushion, reeded show wood, out-scrolling arms, on turned legs and casters 106 x 77cm (41 x 30in) Provenance: Sibton Park, Suffolk, part of the original furnishings, removed following the sale in 2010 Evidence of colour wear to the deep bordeaux red leather, loose cushion seat
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A George IV mahogany and studded leather chamber horse, early 19th century with a hand bar and turned supports, the rectangular section concertina seat with stiff springs within, on turned legs, bearing a brass trade label inscribed 'POCOCKS PATENT WAREHOUSE, SOUTHAMPTON HOUSE, 26 SOUTHAMPTON STRT, COVENT GARDEN, LONDON' 152 x 100 x 63cm (59 x 39 x 25in) Other Notes: Exercise chairs such as this were known as 'chamber horses' as they were designed to imitate the up-and-down motion of horseback riding. This peculiar exercise equipment was especially fashionable among the over-indulgent upper and middle classes, who would bounce up and down on the chair to burn off the effects of their rich diets. The 'rider' would sit on the seat and press down on the metal springs inside the bellows-like portion, which would then bounce the 'rider' back up again. This was regarded as excellent exercise and a cure for many ailments when one was not physically able to ride a horse. It was invented as early as 1740 by Henry Marsh of Clare Market and widely used throughout the 18th and early 19th centuries. It was so popular that a version was made as a nursery ride for the children of King George III and it could even be rented by the hour at apothecary shops for six cents an hour. It was notably illustrated in Thomas Sheraton's Cabinet-Maker and Upholsterer's Drawing Book in 1803. Similar examples can be found in the Victoria and Albert Museum, London, and in the National Trust Collection at Belton House, Lincolnshire. The leather is generally good with some dried out corners and small splits, the handle bar appears to be a replacement and the scroll bar supports show evidence of old repair.
LATE VICTORIAN AESTHETIC TASTE MAHOGANY SHOW FRAMED, SEVEN PIECE PARLOUR SUITE, the arched backs all decorated with painted studies of birds and overall well upholstered in Art Nouveau style velour fabric. Comprising: three seater sofa with padded back and arms, loose bolsters and stuff over seat; similarly upholstered lady's and gentleman's chairs and four side chairs. (7) CONDITION REPORT: Overall appearing to be in good condition, one side chair has a repaired leg but basically sound.
A COALBROOKDALE DESIGN CAST IRON FERN LEAF PATTERN GARDEN SEAT OR BENCH with slatted wooden seat and foliate cast sides. 153 x 60 x 90cm. CONDITION REPORT: Frame appearing good, with some scuffs and minor wear, but no obvious rust or rot, slatted seat has paint loss and some deterioration. No makers mark.
19TH CENTURY ASH AND ELM HOOP BACKED ELBOW CHAIR, having moulded seat on baluster turned legs. CONDITION REPORT: Basically good condition, very minor movement in frame.Dimensions: Width 49cm and height 107cm approximatelySeat height is approximately 41cmSlight movement in frame. Spindles slightly loose in places but basically sound for age.
17TH CENTURY OAK PANEL BACKED CHAIR OR BACK STOOL, having over-hanging top rail and plain panel to the back, panelled seat on baluster turned front legs with baluster turned stretcher. 46 x 37 x 95cm. CONDITION REPORT: Movement, especially to back of chair. Horizontal split across seat. General wear as expected with age.
CHINESE CARVED PADOUK WOOD ELBOW CHAIR, having overall relief carved and pierced studies of dragons, dragon shaped open arms on solid seat with carved cabriole legs. 19th Century. Similar carving to the back. CONDITION REPORT: Some minor movement, a little dusty and grubby, minor chips, the seat has nasty modern screws holding it down, suggesting it may have been restored in some way.
A COALBROOKDALE DESIGN CAST IRON FERN LEAF PATTERN GARDEN SEAT OR BENCH with slatted wooden seat and foliate cast sides. 153 x 60 x 90cm. CONDITION REPORT: Frame appearing good, with some scuffs and minor wear, but no obvious rust or rot, slatted seat has paint loss and some deterioration. No makers mark.
PAIR OF EARLY 20TH CENTURY FRENCH DESIGN, UPHOLSTERED, SHOW FRAME SALON CHAIRS, having foliate moulded cresting, upholstered back with scroll over moulded arms, stuff over seat on splayed, reeded front legs. (2) CONDITION REPORT: Some scuffs and marking to the frames in places, but no serious damage or losses, minor movement evident.
LOCALLY MADE, MODERN, TWO WHEELED PONY GIG, the hubs marked: Leftley, Llandysul, and having fibreglass body with button upholstered seat, disc brakes and rubber wheels, together with three leather head collars. (4) CONDITION REPORT: Rather grubby having been in long term storage but showing no obvious significant damage and appearing ready for use.
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