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Lot 264

A pair of Chinese 'Official's Hat' yoke back arm chairs probably 18th century, from Shanxi province, constructed from Yumu (northern elm) wood, the bold swept yoke top rails over broad curved splat backs, the original rattan seats within moulded seat rails and shaped outswept arms on twin swept supports, raised on turned legs with low front foot rail and twin side stretchers, 45in. (114cm.) high, 25½in. (65cm.) wide. (2)

Lot 440

An 18th century style beech spindle back child's chair early 20th century, with rush seat, on turned legs with turned stretcher and pad feet, 30¼in. (77cm.) high, 15¾in. (40cm.) wide.

Lot 441

An early 19th century rosewood open settee the carved showframe with padded arms on scroll supports, over a serpentine seat and raised on cabriole legs with brass casters, in recent grey striped upholstery, 63in. (160cm.) long.

Lot 443

An Anglo-Dutch style carved walnut 'throne' chair c.1900, in the 17th century style, carved with shell, foliate, scroll and fruit basket decoration, the caned back over a gros point seat, on cabriole legs, 54¼in. (138cm.) high, 28in. (71cm.) wide.

Lot 447

A Corinth 'Churchill' tan leather wing back arm chair c.2000, the serpentine buttoned back over scroll arms and a loose seat cushion, on cabriole front legs, 45in. (114cm.) high, 36in. (91.5cm.) wide.

Lot 450

A late 18th century beech and elm side chair with pierced vase splat back, solid elm seat, on square tapered legs with curved H-stretcher.

Lot 452

A 19th century Chippendale style chair in dark stained mahogany, the swept scroll and foliate carved top rail over a four bar splat with carved drapery and flowers, the stuff over seat in green velvet, on substantial foliate carved cabriole legs with ball and claw feet, 24in. (61cm.) wide, 39in. (99cm.) high.

Lot 463

An 18th century mahogany and leather library arm chair the serpentine top back over half-padded swept arms on sabre supports and a serpentine seat, upholstered in brown studded leather, raised on square tapered front legs with brass cap casters and H-stretcher, 27in. (68.5cm.) wide, 40in. (101.5cm.) high.

Lot 464

A 19th century carved oak low stool the drop-in seat in a foliate and floral carved frame, on hoof feet, 15 x 12¾in. (38 x 32.5cm.).

Lot 472

An early 19th century revolving adjustable piano stool the boxwood and ebony strung mahogany frame with circular stuff over seat, raised on four outswept legs, 18¼in. (46.5cm.) diameter.

Lot 473

Harry Bertoia (1915-1978) - a modernist wirework 'Diamond' chair designed 1950-52, model 421LU, probably made by Knoll Associates, in chrome steel with light brown vinyl seat, 33¼in. (84.5cm.) wide, 30in. (76cm.) high.

Lot 474

Two 18th century mahogany elbow or arm chairs one with three bar back and drop-in seat, the other with pierced vase splat and concave stuff over seat in floral gros point, both on square tapered legs with H-stretchers. (2)

Lot 476

A 19th century Continental carved walnut x-frame chair the upholstered back and seat in pale blue velvet and headed by grotesque masks, the x-frame carved with mer- people, sea monsters and foliage, centred by a foliate rosette, 25in. (64cm.) wide, 35½in. (90cm.) high.

Lot 477

A 19th century carved walnut square stool the moulded frame on foliate and scroll carved cabriole legs, the stuff over seat in gold silk damask and velvet, 23in. (58.5cm.) square.

Lot 478

A Victorian walnut showframe ladies chair the flared scroll back in buttoned green velvet over a serpentine stuff over seat with moulded front rail, on carved cabriole front legs with casters, 39in. (99cm.) high.

Lot 482

A mid-19th century Louis XV style large rosewood stool with floral and foliate carved swept showframe raised on conforming cabriole legs, the stuff over seat in later cut velour, 37 x 24in. (94 x 61cm.), 17½in. (44.5cm.) high.

Lot 487

A late 18th century Hepplewhite style mahogany open arm chair the shield shaped button back and serpentine seat in blue velour, over half padded fluted arms on swept supports, raised on square tapered legs, 25½in. (65cm.) wide, 38¼in. (97cm.) high.

Lot 496

An early 19th century beech and elm 'distressed' cottage kitchen chair the shaped outswept arms and top rail over a turned spindle back, sabre arm supports and shaped seat, on turned legs with H-stretcher, 27¼in. (69cm.) high, 23½in. (59.5cm.) wide.

Lot 503

A good carved walnut 17th century style stool c.1900, in the Anglo-Dutch manner, the floral gros point seat within egg and dart moulded frame, raised on baluster turned legs with turned and carved stretchers and toupie feet, 24½ x 17¾in. (62 x 45cm.), 18½in. (47cm.) high.

Lot 504

A late 19th century Hepplewhite style mahogany elbow chair the channel moulded and arched back with five foliate carved tapered splats, over a fixed padded tan leather seat with fluted front rail, on moulded square tapered front legs with plinth feet, 34in. (86cm.) high, 21½in. (54.5cm.) wide.

Lot 302

A William IV mahogany and upholstered library armchair, circa 1835, in the manner of Gillows, the rectangular back and seat with loose cushions, the arms fronted by moulded pilasters surmounted by rosette carved terminals, on conforming tapering legs, the seat rail stamped with numbers, 98cm high, 69cm wide, 85cm deep

Lot 328

[Queen Victoria] A painted cast iron small garden bench, commemorating the 'Royal Jubilee 1887', with the royal arms and portraits of Victoria, a wooden slatted back and seat, 77.5cm long

Lot 298

Scalextric. 5 x Boxed cars. C2565D Mini Cooper S Broad Oak, C2483 MG Lola "Dyson Racing", C2711 Jaguar XKRS Rocketsports, C2762 Seat Leon & C2488 Ford Focus police car. All VG/E

Lot 2016

A set of eight Ercol ladder back dining chairs ****TO BE SOLD WITHOUT SEAT CUSHIONS****

Lot 2054

A mid Victorian mahogany ladies chair with button back and sprung upholstered seat, raised on turned legs.

Lot 2112

An Arts & Crafts style settle with an upholstered seat. *** TO BE SOLD BY PRIVATE TREATY***

Lot 2123

A George III oak commode chair, circa 1800, the later covered seat retaining the original rush beneath, with turned arm supports, raised on square tapering legs

Lot 2149

A mid Victorian mahogany gentlemen's armchair, the back with scrolled terminals, scrolled arm terminals, upholstered back and seat, raised on turned legs

Lot 2149A

A Victorian Windsor beech armchair, with a saddle seat and raised on turned legs, united by turned stretchers

Lot 2162

An early Victorian rosewood ladies nursing chair, fitted with a wool work back and seat, raised on cabriole legs with floral carving, standing on castors

Lot 2319

A GoGo Elite Traveller mobility scooter, with a black vinyl seat

Lot 398

New teak Lutyens garden bench seat

Lot 208

A pair of ebonised wood Sussex chairs, probably Morris & Co, with turned bobbin back, rush seat 84cm. high Literature Linda Parry William Morris, V&A exhibition catalogue, 1996, page 176 J26 for a comparable pair of Sussex chairs illustrated.

Lot 209

A Morris & Co mahogany armchair, with Bird woven woollen tapestry seat stamped mark, 90cm. high

Lot 217

A Walnut armchair the design in the manner of Arthur Heygate Mackmurdo, the back with carved Art Nouveau seedhead panels and squared terminals, leather seat 101cm. high Literature Lionel Lambourne Utopian Craftsmen, Astralgal Books, page 42 figure 39 for a chair design by A.H. Mackmurdo probably made by Collinson & Locke.

Lot 220

An oak child's high chair in the manner of E W Godwin, the panelled back carved with the initials 'JRC' above a spindle back and a drop-in rush seat. Literature Susan Weber Soros The Secular Furniture of E.W.Godwin, Yale, page 130 figure 176 for a comparable armchair from the Shakespeare suite illustrated.

Lot 224

An armchair chair by Arthur Romney Green, tapering square section legs supporting dodecagonal seat, with spindle back and arms with scroll terminals 86.5cm. high

Lot 240

A Jacob and Josef Kohn bentwood rocking chair, with hardwood seat applied paper label, 105cm. high

Lot 243

A set of five ash Clissett chairs by Edward Gardiner, one carver and four chairs, with rush seat stamped Ed Gardiner 114cm. high

Lot 365

A Liberty & Co Anglo Moorish armchair, the back and arms set with old mashrabiya panels, oak plank seat, missing one rail to base, 88cm. high Literature Daryl Bennett Liberty's Furniture 1875-1915 The Birth of Modern Interior Design, ACC, page 98 figure 4.17 for a comparable chair illustrated in The Cabinet Maker, 1884

Lot 366

A Liberty & Co Anglo Moorish armchair, the back and arms set with mashrabiya panels, drop in seat with modern cushion, 89cm. high Literature Daryl Bennett Liberty's Furniture 1875-1915 The Birth of Modern Interior Design, ACC, page 98 figure 4.19 for a comparable chair

Lot 367

A Liberty & Co oak Wiclif chair designed by Leonard Wyburd, angular form with drop in strung seat applied ivorine label 98cm. high Literature Daryl Bennett Liberty's Furniture 1875-1915 The Birth of Modern Interior Design, ACC, page 176 figure 5.43 for a comparable chair

Lot 393

An early 20th century swivel office chair, pierced splat, leather studded pad seat, four splayed legs, on casters

Lot 430

A contemporary two-seat sofa, upholstered in striped beige, outswept sides

Lot 442

A mid 20th century bentwood rocking chair, bergere back and seat; a bentwood side chair, die stamped seat (2)

Lot 455

A brass fireside cannon; a child's beech chair, rush seat (2)

Lot 597

Derek Wilkinson: etching and aquatint in colours "Evening Seat", 11 x 13½ in, artists proof, signed and dated 1989, framed and glazed; and another "Topiary at Belton" 1990

Lot 598

Derek Wilkinson: etching and aquatint in colours "Seat Shadow", 11 x 14 in, 22 of 35, signed and dated 1985; and another "Shadowed Seat", 1990, both framed and glazed

Lot 598A

Derek Wilkinson: etching and aquatint in colours "New Seat at Biddulph" and "Seat in the Portico", 11 x 13¾ in, signed and dated 1993 & 1990, framed and glazed

Lot 606A

An 18th century engraved print of Dunham Massey, seat of the Rt Hon George Earle of Warrington, by Kip after Kryff, later colouring, 13¾" x 19"

Lot 1228

A Howard & Sons Oregon pine wall cabinet, with faux-bamboo mouldings, stamped to one door 'Howard and Sons, Berner St' 71 x 64 x 23½cm (28 x 25 x 9in) Howard & Sons was one of the most successful and fashionable furniture companies of the 19th century. Founded in 1820 by John Howard, they moved to premises in Berners Street, London, W1 in 1848 trading as "cabinet makers, upholsterers and decorators". They obtained patents for wood veneer used for parquet flooring and in 1866 obtained a patent for an "elastic seat'" - a re-design of traditional upholstery for sofa and armchairs and for which they became best known. Their furniture won medals at International Exhibitions throughout Europe and notable commissions included Sudbury Hall, Elton Hall and Stokesay Court. In the 1890s they were commissioned to provide the furnishings for Mr Vanderbilt's steam yacht and at the turn of the century they received the Royal Warrant. Examples of their furniture can be found in the Victoria and Albert Museum. Lacking a gallery back

Lot 1229

A pair of Regency rosewood and gilt brass mounted footstools, one with original needlepoint seat, on gilt brass ball feet, 35cm (13.75 in) square (2)

Lot 1231

A pair of 19th century faux-bamboo armchairs, with fretwork decorated bar backs and caned seats, on swept and turned legs (2) 82 x 53cm (32 x 21in) One with a re-caned seat , no apparant damages

Lot 1238

A small Victorian two seater sofa, button upholstered in a silk fabric, with loose seat cushions, on turned feet 74 x 160 x 74cm (29 x 62 x 29in) Provenance: From the collection of the late Christopher Hogwood CBE The upholstery is clean

Lot 1239

A pair of "Sussex" chairs, with spindle backs and string seats 83 x 48cm (32 x 19in) Provenance: From the collection of the late Christopher Hogwood CBE Evidence of splitting to the battened seat edges

Lot 1266

A late Victorian white painted cast iron garden seat, late 19th century after a design by Robert Williams of Philadelphia, the back cast with foliate decoration amongst birds, snails and snakes amidst scrolling branches of berries and vines, repeated to the arms - lacking wood plank seat and cast iron frieze moulding, on trunk moulded legs 91 x 178 x 52cm (35 x 69 x 20in) Provenance: Note: This seat design was first cast by the Robert Wood Foundry in Philadelpia, USA in 1855 Literature: "Antiques from the Garden", Alistair Morris, pub.1996 p.171 Lacking wood slatts and cast iron frieze to seat front

Lot 1269

A 19th century cast iron frame garden seat, with gothic moulded trellis ends 90 x 183 x 61cm (35 x 71 x 24in) Later painted, some peeling paint off the timber slatts

Lot 175

An 'Edward Thorpe - Birm and Bristol Mail' square based coaching rummer, GR engraved below the seat of the coach and four on one side of the rounded bowl and a tablet bearing the name on the opposite side above facetting, a disc knop and a dome topping the square foot, 17cm (6.75 in) high Good

Lot 637

A late Victorian silver hot water jug, by Harrison Brothers & Howson, Sheffield 1897, the lower body vase shaped and half fluted below a flared spout with beaded edge, the cover with vase finial, circular beaded foot, ebonised handle, 23cm, 14.72oz Very minor body bruises, cover sits slightly proud of seat, otherwise in good condition

Lot 799

Follower of Jan Abrahamsz Beerstraten (Dutch, 1622-1666) Winter - with Skaters on a Frozen Lake and Peasants Chopping Wood oil on canvas 105 x 103cm (41 x 40in) Provenance: Hinwick House, Bedfordshire, and by descent. The present painting is possibly an overdoor panel from a series of the Seasons. Hinwick House, the seat of the Orlebar family, was featured in an article in Country Life in 1960 which included many photographs of the interior of the house. Lined canvas. Additions have been made along the top of the canvas, but the paint covering the two parts appears to be consistent - may need further investigation to be certain. Lower canvas has visible cusping at upper edge and may well have something underneath - impossible to tell without further technical examination. Losses in paint layer along the seam. Degraded and yellowed varnish present on the surface, which has delaminated in areas - this makes the surface difficult to read but it seems likely there are areas of retouching across the surface. Frame is very slight with losses to gilding and abrasion.

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