A pair of Chinese 'Official's Hat' yoke back arm chairs probably 18th century, from Shanxi province, constructed from Yumu (northern elm) wood, the bold swept yoke top rails over broad curved splat backs, the original rattan seats within moulded seat rails and shaped outswept arms on twin swept supports, raised on turned legs with low front foot rail and twin side stretchers, 45in. (114cm.) high, 25½in. (65cm.) wide. (2)
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A 19th century Chippendale style chair in dark stained mahogany, the swept scroll and foliate carved top rail over a four bar splat with carved drapery and flowers, the stuff over seat in green velvet, on substantial foliate carved cabriole legs with ball and claw feet, 24in. (61cm.) wide, 39in. (99cm.) high.
An 18th century mahogany and leather library arm chair the serpentine top back over half-padded swept arms on sabre supports and a serpentine seat, upholstered in brown studded leather, raised on square tapered front legs with brass cap casters and H-stretcher, 27in. (68.5cm.) wide, 40in. (101.5cm.) high.
A late 19th century Hepplewhite style mahogany elbow chair the channel moulded and arched back with five foliate carved tapered splats, over a fixed padded tan leather seat with fluted front rail, on moulded square tapered front legs with plinth feet, 34in. (86cm.) high, 21½in. (54.5cm.) wide.
A William IV mahogany and upholstered library armchair, circa 1835, in the manner of Gillows, the rectangular back and seat with loose cushions, the arms fronted by moulded pilasters surmounted by rosette carved terminals, on conforming tapering legs, the seat rail stamped with numbers, 98cm high, 69cm wide, 85cm deep
A Walnut armchair the design in the manner of Arthur Heygate Mackmurdo, the back with carved Art Nouveau seedhead panels and squared terminals, leather seat 101cm. high Literature Lionel Lambourne Utopian Craftsmen, Astralgal Books, page 42 figure 39 for a chair design by A.H. Mackmurdo probably made by Collinson & Locke.
An oak child's high chair in the manner of E W Godwin, the panelled back carved with the initials 'JRC' above a spindle back and a drop-in rush seat. Literature Susan Weber Soros The Secular Furniture of E.W.Godwin, Yale, page 130 figure 176 for a comparable armchair from the Shakespeare suite illustrated.
A Liberty & Co Anglo Moorish armchair, the back and arms set with old mashrabiya panels, oak plank seat, missing one rail to base, 88cm. high Literature Daryl Bennett Liberty's Furniture 1875-1915 The Birth of Modern Interior Design, ACC, page 98 figure 4.17 for a comparable chair illustrated in The Cabinet Maker, 1884
A Howard & Sons Oregon pine wall cabinet, with faux-bamboo mouldings, stamped to one door 'Howard and Sons, Berner St' 71 x 64 x 23½cm (28 x 25 x 9in) Howard & Sons was one of the most successful and fashionable furniture companies of the 19th century. Founded in 1820 by John Howard, they moved to premises in Berners Street, London, W1 in 1848 trading as "cabinet makers, upholsterers and decorators". They obtained patents for wood veneer used for parquet flooring and in 1866 obtained a patent for an "elastic seat'" - a re-design of traditional upholstery for sofa and armchairs and for which they became best known. Their furniture won medals at International Exhibitions throughout Europe and notable commissions included Sudbury Hall, Elton Hall and Stokesay Court. In the 1890s they were commissioned to provide the furnishings for Mr Vanderbilt's steam yacht and at the turn of the century they received the Royal Warrant. Examples of their furniture can be found in the Victoria and Albert Museum. Lacking a gallery back
A late Victorian white painted cast iron garden seat, late 19th century after a design by Robert Williams of Philadelphia, the back cast with foliate decoration amongst birds, snails and snakes amidst scrolling branches of berries and vines, repeated to the arms - lacking wood plank seat and cast iron frieze moulding, on trunk moulded legs 91 x 178 x 52cm (35 x 69 x 20in) Provenance: Note: This seat design was first cast by the Robert Wood Foundry in Philadelpia, USA in 1855 Literature: "Antiques from the Garden", Alistair Morris, pub.1996 p.171 Lacking wood slatts and cast iron frieze to seat front
An 'Edward Thorpe - Birm and Bristol Mail' square based coaching rummer, GR engraved below the seat of the coach and four on one side of the rounded bowl and a tablet bearing the name on the opposite side above facetting, a disc knop and a dome topping the square foot, 17cm (6.75 in) high Good
A late Victorian silver hot water jug, by Harrison Brothers & Howson, Sheffield 1897, the lower body vase shaped and half fluted below a flared spout with beaded edge, the cover with vase finial, circular beaded foot, ebonised handle, 23cm, 14.72oz Very minor body bruises, cover sits slightly proud of seat, otherwise in good condition
Follower of Jan Abrahamsz Beerstraten (Dutch, 1622-1666) Winter - with Skaters on a Frozen Lake and Peasants Chopping Wood oil on canvas 105 x 103cm (41 x 40in) Provenance: Hinwick House, Bedfordshire, and by descent. The present painting is possibly an overdoor panel from a series of the Seasons. Hinwick House, the seat of the Orlebar family, was featured in an article in Country Life in 1960 which included many photographs of the interior of the house. Lined canvas. Additions have been made along the top of the canvas, but the paint covering the two parts appears to be consistent - may need further investigation to be certain. Lower canvas has visible cusping at upper edge and may well have something underneath - impossible to tell without further technical examination. Losses in paint layer along the seam. Degraded and yellowed varnish present on the surface, which has delaminated in areas - this makes the surface difficult to read but it seems likely there are areas of retouching across the surface. Frame is very slight with losses to gilding and abrasion.
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