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Lot 236
13x diecast cars and aircraft by various makes. Including; a Corgi 'Showcase Collection' aircraft set comprising; Wright Flyer, Spitfire, Concorde and Space Shuttle (CSCA03005). An Oxford Diecast De Havilland Hornet F3. 4x Atlas aircraft; 2x Avro Lancaster and 2x Boeing B17 Flying Fortress. Together with 3x Corgi cars; Mercedes Benz W154, Bugatti Type 35 and Ferrari 308GTS. 2x Auto Club; BMW 645Ci and Mercedes Benz CLK-GTR. A Matchbox Yesteryear van and a 24ct gold lacquered 2-seat car. All boxed except Matchbox. Contents VGC-Mint. £20-40
Lot 1877
A set of four Kandya Ltd Jason chairs, designed by Carl Jacobs, each with a painted bentwood ply seat and back, on painted wrought iron supports, labelled and with design Registration number, height 72cm.The four chairs have all been partially overpainted which has chipped on the edges, the legs and frames are solid with no movement.
Lot 1883
An Arts and Crafts mahogany settee, with padded back and seat and spindle turned decoration, on square legs, labelled for W.Taylor, Brompton Road, London, height 114.5cm, width 94cm, depth 53cm.There is a small amount of movement in the joints, general wear consummate with age and usage staining to upholstery, no breaks or evidence of worm.
Lot 1923
A mahogany Ring Mekanikk Norway armchair, 20th century, with upholstered green leather button back and seat, 87cm, width 63cm.The chair mechanisms are in working order the seat can be raised and lower via the central support, the swing control mechanism for the tilt back speed is in working order, there is wear to the edges of the leather with small areas of paint stains and two small tears to the backrest leather. The backrest itself is loose but still serviceable.
Lot 503
the rectangular stuff-over seat raised on turned baluster legs united by a wavy X-shape stretcher on turned feet 52 x 63 x 48cmProvenance:Wood Hall, Hilgay, NorfolkMinor historic worm to the top of one leg,Frame is knocked and scratched consistent with use, especially the upper part of the legsOne foot looks to have a dry crack/ split through the middleSee photos
Lot 578
the cartouche shaped back and seat later re-upholstered, the floral carved and moulded frame with shaped arms raised on cabriole legs and cross stretcher93 x 63 x 51cmDrouot sale, 1-7-17, lot 49, 8,200 FRFMultiple areas of historic woodworm throughoutLater re-upholstery, with signs of nail marks from previous upholstery visibleFront left foot has been broken off and repairedEach foot has been re-enforced and so too has the stretcher which has a later added strip of woodUnder the seat has also been re-enforcedSee photos
Lot 1605
An important gold and enamel mourning ring for Lord Byron, 1824, centring on a plaque inscribed 'BYRON' in gold reserve surmounted by a baronial coronet in white and red basse taille enamel on a black enamel ground, to a band inscribed 'IN MEMORY OF' in gold reserve on black enamel, between gold borders carved with floral garlands, the interior with a compartment containing a lock of hair and inscribed 'Died 19 Aprl 1824 at. 36', size N1/2, British hallmarks for 18ct gold, date letter i for 1824, maker's mark CR for Charles Rawlings Only three other mourning rings for Lord Byron are recorded: one in the Pforzheimer collection in the New York Public Library, another from the Hone collection, sold at Christie's in 2016, and another sold at Tennants in 2018, thought to originate from the contents of Newstead Abbey, Byron's family seat. This ring, one of only two containing a lock of Byron's hair (the other of different design, from the Hone collection mentioned above), was possibly gifted by Augusta Leigh (half-sister to Lord Byron) to Reverend Francis Hodgson, an assistant master at Eton and close friend of Lord Byron upon Byron's death. A ring matching this description and mentioning a lock of hair was sold at Christie's in January 1899 by a Mrs Hodgson, selling to a J. Ward. The present ring was rediscovered and sold in the UK in 2013, and has been subsequently kept in a private collection. Lots 1603 - 1608: A private collection of early jewellery.
Lot 2228
Thomas Reynolds Warwick eight day Longcase clock striking on a bell. With 11" square dial date calendar Contained in a Oak and cross-banded case.Dimensions 81" x 20" x 91/2" deep.Condition report. New seat-board some poor restoration to hood (brass adornments) Case looks in original condition Movement not tested A/F
Lot 2229
W Hartfhorne Brofeley eight day longcase clock with moon phase. 13" arch dial calendar and seconds. brass hands. Two train movement striking on a bell. Contained in an oak case cross-banded with mahogany reeded quarter columns to trunk, reed columns to hood with swan neck pediment.Dimensions 83" x 18" x11" deep.Dial has been restored new seat-board, Case in original condition. Movement not tested weights and pendulum present
Lot 74DK
Make & Model: Seat Leon FR Technology Eco TSDate of Reg: AO65 EHCColour: Blackcc: 1395MoT: 24-09-2022Fuel Type: PETROLMileage: 47kTransmission: MANUALSummary: Two registered keepers with the keeper since November 2016. Six service stamps with the last recorded May 2022 at 46,223 milesVehicle Check Sheet: https://angliacarauctions.co.uk/umbraco/surface/auction/GetVehicleCheckSheet?id=156116
Lot 77DK
Make & Model: Seat Leon FR Tech TDIDate of Reg: KX15 SUHColour: Bluecc: 1968MoT: 01-04-2023Fuel Type: DIESELMileage: 69kTransmission: AUTOSummary: Three registered keepers. Six service stamps with the last recorded September 2021 at 59,349 milesVehicle Check Sheet: https://angliacarauctions.co.uk/umbraco/surface/auction/GetVehicleCheckSheet?id=156075
Lot 97LG
Make & Model: Seat Ibiza SE CR Eco TDIDate of Reg: NA60 VFLColour: Greycc: 1598MoT: 20-10-2023Fuel Type: DIESELMileage: 76kTransmission: MANUALSummary: Nine service stamps with the last recorded january 2022 at 75,456 milesVehicle Check Sheet: https://angliacarauctions.co.uk/umbraco/surface/auction/GetVehicleCheckSheet?id=156018
Lot 59
A pair of Empire giltwood fauteuils by Georges Jacob (1739-1814) and Francois-Honoré-Georges Jacob (1770-1841), a partnership often referred to as 'Jacob-Desmalter'1810-1815Each with a square back and flute-channelled surrounds, the arm supports and front legs comprised of two winged lion bust monopodiae each with upscrolled wings terminating in animalistic legs and lion paw feet, with a plain bowed seat frame, on splayed and scrolled square section rear legs, each fauteuil stamped: 'INV.e' within a tablet surround (the 'INVe' almost certainly standing for 'INVENTAIRE'), one fauteuil also with the now partially obscured stamp: 'JACOB D.R. MESLEE', each approximately: 79cm wide x 74cm deep x 102cm high, (31in wide x 29in deep x 40in high) (2)Footnotes:Provenance Purchased Koller, Zurich, 16 September 1994, Collection Dino Fabbri, Paris, lot 583.A related pair of Empire armchairs by Jacob-Desmalter sold Christie's, London, 7 July 2005, Important European Furniture, lot 449. These latter examples incorporate similar winged lions, albeit in the form of self-contained figural arm supports rather than the larger winged lion busts terminating in monopodiae as on the offered lot. However it is notable that the upwards scrolling element of the wing tips on all of these carved winged lions are certainly closely comparable. Another fauteuil with this same self-contained figural winged lion arm support is the Imperial example made in 1804 by Jacob-Desmalter for Napoleon's Throne Room at the Palais de Tuileries, which sold Sotheby's, London, 7 July 2009, Important Furniture, lot 66. The bold carving of the wings with their up-scrolled tips on the present chairs also recall the sphinx supports on a suite of seat furniture, which includes six fauteuils, supplied by Jacob-Desmalter for the Chambre à Coucher of Empress Joséphine in 1809. These are now located in the Chambre de la Reine des Belges at the Grand Trianon, which was redecorated by Louis-Philippe in 1845, D. Ledoux-Lebard, Le Grand Trianon, Paris, 1975, p. 186. This set is illustrated in P. Arizzoli-Clementel & J-P. Samoyault, Le Mobilier de Versailles, Chefs-D'Ouevre du XIXeme Siecle, 2009, Dijon, fig. 58, pp.'s 186-189.Included among the four Imperial thrones made by the Jacob-Desmalter partnership, on behalf of Napoleon for various politically significant locations, is the one supplied to the Palais du Corps Legislatif in Paris (now the Assemblee Nationale). This particular throne chair, which is housed today at the Parisian Musee des Arts Decoratifs, was executed circa 1805 by Jacob-Desmalter following designs by Bernard Poyet. Its massive winged lion bust supports terminating in monopodiae are arguably closer in both spirit and proportions to those on the offered model than any of the previously referenced versions. The three other thrones are located at Fontainebleu, the Palais des Tuileries and the Senate, inside Luxembourg Palace. However the throne provided by Jacob-Desmalter for the Senate employs again the distinctive up-scrolling to the wing tips of its sphinx supports which are evident on most of the former comparables, but is nonetheless a feature notably absent from the Corps Legislatif example. 'Jacob-Desmalter'Georges Jacob (1739-1814), renowned cabinet maker active during the late 18th century, sold his business in 1796 to his two sons, who then renamed the firm Jacob Freres. The Jacob brothers, Georges II (1768-1803) and Francois-Honore-George, produced furniture directly inspired by Greek, Etruscan and Roman antiquity following the fashionable Neoclassical taste of the period established by Charles Percier and Pierre Fontaine in their 1801 publication, Recueil des Decorations Interieures.Francois-Honore-Georges, who added Desmalter to his family surname in 1803, provided over 330 pieces for Napoleon including most importantly the imperial throne in advance of Napoleon's coronation, which took place the following year. Throughout the reign of Napoleon (1804-15), Jacob-Desmalter was the predominant and favoured cabinet maker to the Imperial Garde-Meuble, responsible for supplying furnishings at Fontainebleau, Grand Trianon, Saint Cloud, Rambouillet and of course the Tuileries. In fact, it is noted in D. Ledoux-Lebard, Le Mobilier Francais du XIXeme Siecle, 1989, Paris, that between 1803 and 1813, the cost of works produced by Jacob-Desmalter for the Palais des Tuileries alone amounted to 541,765 Francs.The stamp found on the present lot, 'JACOB.D.R.MESLEE', is one recorded as being used during the period 1803-1813 by the unique 'Jacob-Desmalter' combination of François-Honoré-Georges Jacob-Desmalter and Georges Jacob, D. Ledoux-Lebard, Ibid, p.268.This lot is subject to the following lot symbols: * TP* VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.TP Lot will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com
Lot 6
A set of four Louis XV painted and parcel gilt fauteuils a la Reine by Jean-Etienne Saint-Georges (1723-1790)Each with C- and S-scroll carved and channelled frames, the cartouche shaped back surmounted by a floral and foliate crested toprail, with scrolled downswept arms, above a shaped seat frame centred with a floral and foliate spray, on cabriole legs, the front legs headed by carved rosettes, terminating in opposing scrolled feet, re-decorated, two fauteuils visibly stamped: 'St. GEORGE', some minor variations to proportions, each armchair roughly: 69cm wide x 69cm deep x 94cm high, (27in wide x 27in deep x 37in high) (4)Footnotes:Jean Etienne Saint-Georges, maitre 10 April 1747.The fauteuils a la Reine that comprise the offered lot are similar to a giltwood example by Saint-Georges which is illustrated in P. Kjellberg, Le Mobilier Francais du XVIIIeme Siecle 1989, Paris, p. 768.This lot is subject to the following lot symbols: TPTP Lot will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com
Lot 64
A pair of Restauration giltwood fauteuils by Pierre-Antoine Bellangé (1758-1827) or Louis-Alexandre Bellangé (1799-1863)1815-1820Each with a scrolled dished top and an opposing volute scroll, anthemion and acanthus spray toprail centred by a flowerhead, the bowed seat frame with similar decoration centred by an elongated scrolled tablet, with lotus-leaf clasped and scroll capped arm supports, on two acanthus and stiff-leaf wrapped lion-bust headed monopodiae terminating in animalistic legs and lion paw feet, with splayed square section rear legs, each side applied with scrolled stylised foliage interspersed with anthemia and paterae, each fauteuil stamped: 'L.BELLANGE' and one fauteuil stamped: 'CH', approximately: 71cm wide x 72cm deep x 100cm high, (27 1/2in wide x 28in deep x 39in high) (2)Footnotes:Provenance Purchased Koller, Zürich, September 2005, Collection Dino Fabbri, Monte Carlo, lot 1276. An identical pair of fauteuils, which along with the offered lot, likely formed part of an extensive set apparently made by the cabinet maker Louis-Alexandre Bellangé, sold Christie's, London, 23 March 2017, Robert de Balkany Rome and the Cote d'Azur, lot 494. Both pairs have the same 'L. BELLANGE' and 'CH' stamps which prove that they were originally from the same commission. The Christie's armchairs previously belonged to Aladar Zellinger de Balkany (1900-1983), and passed thence by descent.A further pair of fauteuils of this same type were offered, together with a matching sofa, Sothebys, Paris, 23 June 2021, Important Mobilier, lot 156. However, interestingly these Paris examples were attributed to the workshop of Pierre-Antoine Bellangé, who was the father of Louis-Alexandre.The design for the present armchairs is based upon a watercolour entitled 'Deux Projets de Fauteuils' (1817-1820), bearing the signature of Louis-Alexandre Bellangé. It forms part of a collection of illustrations, taken from 'l'Atelier Bellangé', which are at the Metropolitan Museum of Art in New York, S. Cordier, Bellangé, Ebenistes: une Histoire du Gout au XIX Siecle, 2012, Paris, fig. 4. However the antecedent, which incorporates similar lion monopodia to those of the above, was one of a number of drawings for related seat furniture and tables which first appeared in Charles Percier and Pierre-Francois Leonard Fontaine, Recueil de Decorations Interieures, originally published in 1812. It is notable that these Percier and Fontaine examples had in fact been sourced themselves from antiquity.Another closely related design for fauteuils, one attributable to Pierre-Antoine Bellangé (Louis-Alexandre's father), was executed during the period 1815-1820 and corresponds well with a set of chairs and sofas supplied to the Comtesse du Cayla for the Chateau of Saint-Ouen of Zoe, Ibid, p. 489, PAB107. This strong association or interrelationship between father and son implies that at an early stage the much younger figure of Louis-Alexandre must have undertaken a thorough analysis of his father's oeuvre.Indeed between 1820 and 1825, towards the end of their contractual arrangement during their co-operation based at the family workshop on Rue Neuve-Saint-Denise, various pieces of seat furniture made at this time are either stamped: 'L. BELLANGE', such as appear on the offered lot, or: 'P. BELLANGE'. Some of the models that have the 'L. BELLANGE' stamp feature in Ibid, p. 500, LAB1 and a pair of such fauteuils also sold Sotheby's, New York, 25-26 October 2007, Ariane Dandois Collection, lot 523.Furthermore, an assortment of designs dating to circa 1818, which were completed by Louis-Alexandre, are today with the Metropolitan Museum in New York. Interestingly this particular portfolio even includes an engraved plate depicting a near conforming armchair to the present ones, which was itself evidently made in Pierre-Antoine's workshop at some point during 1815-1820.Pierre-Antoine Bellangé became maitre in 1788. But despite working as a cabinet maker throughout the Revolution (1789-1799), it appears that his career really flourished during the Empire period and the initial part of the Restauration, or restoration of the monarchy. Pierre-Antoine developed into one of the principal suppliers of furniture to Napoleon and also to those closest to the Emperor, before in due course serving as cabinet maker to the Garde-Meuble de la Couronne (basically the Royal furniture repository) during the reign of Louis XVIII.Louis-Alexandre Bellangé, who ran his own atelier and shop at 33 Rue des Marais-Saint-Martin, established himself and his firm as specialist in the production of furniture incorporating porcelain, lacquer and hardstones, as well as Boulle-inspired pieces. In 1833 he tried unsuccessfully to get a place at the Garde-Meuble de la Couronne restoring earlier works. However, disappointment at this rejection must have been tempered by his subsequent appointment as a supplier to the Duc d'Orléans. His gold medal-winning contribution to the Paris exhibition of 1839 won him significant praise from the jury at that event. Although fairly early on in his career Louis-Alexandre supplied furniture to Charles X, subsequently at the 1844 Exposition des Produits de l'Industrie Française Louis-Philippe (when King) acquired a Boulle table from the illustrious cabinet maker. Later on, at the 1851 Great Exhibition, he was awarded a second class medal for the Boulle objects his firm had produced for Crystal Palace. Examples of his oeuvre, made either independently or in collaboration with his father, may be found in the Wallace Collection, London and in the collection of Her Majesty the Queen at Windsor Castle.This lot is subject to the following lot symbols: * TP* VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.TP Lot will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com
Lot 139
Louis William Wain (British, 1860-1939)Cat on a Garden Seat pen and ink and gouache on paper27 x 21.5cm (10 5/8 x 8 7/16in).Footnotes:ProvenanceWith Michael Parkin Gallery, London, where acquired by the family of the present owner, January 1991, and thence by descentPrivate Collection, U.K.ExhibitedLondon, Michael Parkin Gallery, Louis Wain - Cats of Fame and Promise, no. 7For further information on this lot please visit Bonhams.com
Lot 2026
An elm and beech wheelback Windsor armchair, 20th century,: with spindle back and arched toprail and arms on arching supports; the shaped seat stamped E to the back; on splayed, knop turned and waisted legs with a crinoline stretcher; 101cm high, 59cm wide; and a set of three oak and elm wheelback sidechairs, with cabriole front legs and crinoline stretchers
Lot 2121
A mahogany and canework window seat in George III Sheraton style, by Brights of Nettlebed, modern,: the outscrolled ends painted with flowers and foliage, the seat rails with painted scrollwork; on straight tapered legs to gaitered feet; with fitted green upholstered cushion; 73cm high, 102cm wide, 36cm deep
Lot 2211
A Victorian carved mahogany and upholstered stool in Louis XV taste, mid 19th century,: the rectangular seat with later velvet covering and braid to the edges; the serpentine rails with scrolling foliate carved centres, with channeled and foliate carved cabriole legs to scrolled feet with brass castors; 40cm high, 60cm long, 55cm wide.
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