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Lot 11
Carved and gilt French Louis XVI settee with the original Aubusson upholstery. The settee with an oval seat and back with curved armrests. The upholstery depicts a figure surrounded by a laurel wreath along the back and a lion attacking a bucking horse along the seat.Height: 35 1/2 in x width: 40 1/2 in x depth: 21 1/2 in.
Lot 4
Elder Freegift Wells (American (Shaker), 19th c). Hand made side chair from Wells' Watervliet workshop, ca. 1830. With his signature ladder back and woven seat. With adjustable tilter balls along the back feet, one missing.An extremely similar example can be found at the Shaker Museum in Mount Lebanon: "Side Chair with Pewter Tilter Buttons, 1950.215.1."Height: 35 1/2 in x width: 17 1/2 in x depth: 13 in.
Lot 110
Armchair from the 60s.Wooden structure and fabric upholstery.Measurements: 96 x 68 x 80 cm.Armchair with wooden structure, only visible on the legs, and upholstery in ecru fabric, which covers the body including the back, the sides and the waist, as well as the seat and back cushions. The legs are simple, square-sectioned and tall, which reduces the weight of the structure as a whole. The seat is wide, with a high, sloping backrest for greater comfort, with gently curved ears closing the sides, which extend to form the arms, slightly open towards the outside.
Lot 119
Pair of stools shoehorns, Louis XV.French school eighteenth century, Louis XV period.Made of carved and gilded wood. Seat padded and upholstered in red silk with vegetal decoration.Good state of preservation.Measurements: 50 x 45 x 40 cm.These are two elegant Louis XVI style stools with a decoration typical of their time. The cabriole legs, usual from 1715 onwards, are finished off with scrolls on the lower part, all the wood of the piece is completely carved and gilded on the edges, and painted in white on the inside, typical of the Louis XV period and giving the furniture an elegant, sober and neat style, marked by the courtly rococo period. The seat is upholstered in red silk with vegetal motifs.
Lot 120
Pair of stools shoehorns, Louis XV.French school eighteenth century, Louis XV period.Made of carved and gilded wood. Seat padded and upholstered in red velvet.Good state of preservation.Measurements: 47 x 50 x 50 cm.These are two elegant Louis XVI style stools, with a decoration typical of their time. All the wood of the piece is completely carved and gilded. Starting with the cabriole legs, common from 1715 onwards, topped with scrolls on the lower part, and the vegetal decoration that runs along each and every one of the edges of the piece. The seat is upholstered in red velvet leather.
Lot 37
Set of three armchairs and six armchairs, Louis XV.French school eighteenth century, Louis XV period.Made of carved wood, gilded and painted white. The seats are upholstered and upholstered in yellow silk with vegetal decoration.Good state of preservation.Measurements: 85 x 68 x 57 cm (armchairs), 93 x 195 x 69 cm (three-seater).Sofa with a carved wooden structure, Louis XV style, characterised by the successful ornamentation throughout. Thus, we see cabriole legs, moulded profiles (especially at the waist and at the top) and sinuous curved forms typical of Louis XV furniture. In this case it is worth highlighting the upholstery, which follows the typical aesthetic patterns of the Louis XVI style, in ochre and yellow tones, with floral decoration combined with scrolls and vegetal elements.The set also includes six elegant Louis XVI period armchairs, decorated in a style typical of their time. The cabriole legs, common from 1715 onwards, are finished off with scrolls on the lower part, all the wood of the piece is completely carved and gilded on the edges, and painted white on the inside, typical of the Louis XV period and giving the furniture an elegant, sober and neat style, marked by the courtly rococo period. The Louis XV backrest is decorated with synthetic scrolls in the shoulder area and with a cleaner and more sober ornamentation in the centre. The seat is upholstered in yellow silk with vegetal motifs.The Louis XV style corresponds to courtly French Rococo, the main style of this century. However, the usual movement of these examples is softened as an influence of works already in the Neoclassical style of the 19th century.
Lot 84
Bob Dylan: A Handbill For Bob Dylan's First New York Concert, Carnegie Chapter Hall, And A Signed Photograph,4th November 1961,printed on paper and folded, with performance details and image of Dylan to the front, Folklore Center newsletter to the back, matted and framed in double-sided frame, together with an 8x10in photograph of Bob Dylan smoking a cigarette, signed in black ink by Dylan, 8 3/4in x 12 1/4in (22cm x 31cm) framed (2)Footnotes:This concert was marketed as Bob Dylan's first concert in New York, but it was actually Dylan's first solo concert of his career. Prior to this, he had only performed as part of a multi-artist billing or occasional club performances. The audience at the 200-seat venue was thought to have been fewer than 60 on the night, but it marked the beginning of a touring career which continues to this day - Dylan is currently on the European leg of his 'Rough And Rowdy Ways' world tour (2021-2024).For further information on this lot please visit Bonhams.com
Lot 159
Henry Samuel Alken, Jnr, British 1810-1894- Hunting Scenes: Setting out; Taking the fence; Breaking cover; and The kill; oils on canvas, each 25 x 35.2 cm., a set of four (4). Provenance: with Arthur Ackermann & Son, London.; where purchased in June 1950. Note: We are grateful to Jamie Rountree for confirming the attribution of the present lot. Henry Samuel Alken was the eldest son of Henry Thomas Alken (1785-1851), and grandson of Samuel Alken Senior (1756-1815). He tended to paint in sets and usually depicted sporting scenes. Paul Mellon KBE’s collection of the artist’s original drawings, watercolours and oils was immense. Perhaps the most renowned of Henry Alken Jnr’s four paintings sets is that recording the hunt at Belvoir Castle, which was also handled by Arthur Ackermann & Son. These oils reflect the palette and feeling of the artist’s work, as well as displaying his respective strengths in capturing horses and their movement, and weaknesses in the portrayal of human faces. The owners of the country house, depicted in the left background of ‘Setting Out’, may point to the origins of the commission. It has been suggested that the house is Woburn Abbey, the family seat of the Duke of Bedford.Please refer to department for condition report
Lot 198
A GEORGE III MAHOGANY OPEN ARMCHAIRIN THE MANNER OF THOMAS CHIPPENDALE, CIRCA 1775 With dished and button upholstered seat 94cm high, 66cm wide, 58cm deep overall Condition Report: Marks, knocks, scratches, abrasions consistent with age and useOld splits and cracks, some chips and losses,Overall solid and stable, some later blocks to the frame to support, signs of old woodworm, some repairs and restorations, the arms with filled plugs and old splits and cracks where these have been broken and repaired. The lower sections of the legs with spliced repairsThe frame appears to be solid and stable overall, the upholstery is later applied and this is in a condition that reflects its lack of significant age and light use in a domestic setting.Please refer to additional images for visual reference to condition Condition Report Disclaimer
Lot 202
A REGENCY CARVED MAHOGANY OPEN ARMCHAIRIN THE MANNER OF MARSH & TATHAM, CIRCA 1815 With caned back and seat84cm high, 56cm wide, 56cm deep overall Condition Report: Chair with the marks, knocks, scratches and abrasions commensurate with age and use. Some old splits and chips. Old repaired splits to the uprights either side of the top rail and where one rear leg meets the seat rails (see images) Old worm holes to seat rails - see images for extent. Some minor losses to caned panels, both in generally good order. Some movement within fame of chair. Please refer to additional images for visual reference to condition. Condition Report Disclaimer
Lot 238
A WALNUT AND UPHOLSTERED DAY BED EARLY 18TH CENTURY AND LATER 90cm high, 200cm long, 66cm deep Condition Report: There are scratches, knocks, scuffs and cracks consistent with age and use.There are losses, restorations and observations including: there is a cushion in addition to the day bed as photographed, it is the same fabric as the upholstery and is full self-piped feather filled the length of the horizontal section; there is some fading to the geometric woven fabric making the colours range from strong terracotta to pale orange in appearance and some wear from usage and age, the fabric is intact; the drop in seat section, the timber surround and other sections are later including other structural parts, it is not possible to inspect the condition and originality of the upholstered sections, some original turned sections incorporated; there is evidence of worm; some old nail holes.Please see the additional photographs as a visual reference of condition.Condition Report Disclaimer
Lot 26
A GEORGE IV MAHOGANY LIBRARY BERGÈRE ARMCHAIR ATTRIBUTED TO GILLOWS, CIRCA 182595cm high, 61cm wide, 62cm deep overallProvenance: Christie's, Robert Kime & Priers von Westenholz - An English Taste, 26th September 2012, Lot 78. Condition Report: Marks, knocks, scratches, abrasions consistent with age and useOld splits and cracks, some small chips and losses,One rear leg with split through the block, this has some metal strapping to secure - this appears solid and stable overall, old split visible in the top rail with some old signs of fillerThe canework appears in fair condition, no obvious holes or signs of splitting, the seat sagged slightly - the seat cushion is supportive and does not appear to stress the canework hereThe frame appears to be solid and stable overall, the upholstery is later applied - this would probably benefit from a replacement. the cushion at the back is associatedPlease refer to additional images for visual reference to conditionCondition Report Disclaimer
Lot 80
A PAIR OF TRANSITIONAL PERIOD OPEN ARMCHAIRS FRENCH CIRCA 1770 Later white painted, gold fabric upholstered with repeating flowerhead pattern, both bearing stamp G JACOB 56cm wide, 87cm high, 61cm deepGeorges Jacob was made master in 1765. Condition Report: Both chairs with the marks, knocks, scratches and abrasions commensurate with age and use. Some old splits and chips. Painted surface is later and bears the expected wear, rubbing, losses and chips. Upholstery in good order overall with just some minor wear and fading. Both with evidence of old worm to undersides of seat rails. One chair with old repaired split where one arm meets the back. The other chair appears to have had dowel or screw repairs made in this area to both arms, but this has been painted over. Slight movement within frames but both chairs are structurally solid. One chair with metal bracing to the underside. The other chair with later supporting timber blocks to the underside. One chair with old tack holes to the undersides of seat rails from where a dust cover once was fixed. Please refer to additional images for visual reference to condition. Condition Report Disclaimer
Lot 88
A LATE GEORGE III MAHOGANY LIBRARY BERGÈRE CIRCA 1810 With caned arms, back and seat, two leather squabs 63cm wide, 92cm high, 73cm deepCondition Report: There are scuffs, scratches and knocks consistent with age and use.Observations include: the natural leather cushions faded and dried with variable colour; the backs of the cushions faded with the pattern of canework; the canework later; the canework of the back with a hole and torn around some sides, in need of re-caning in this area; fading to the back of the chair; veneer loss and veneer patch to the front rail of the chair; some repairs to the back legs.Please see the additional photographs as a visual reference of condition.Condition Report Disclaimer
Lot 92
A REGENCY MAHOGANY LIBRARY BERGÈRE EARLY 19TH CENTURY Two leather squabs, caned back and arms 59cm wide, 91cm high, 62cm deep SALEROOM NOTICE: This is Late 19th century no early as originally cataloguedCondition Report: There are scuffs, scratches and knocks consistent with age and use.Observations include: the natural leather back cushion and drop in seat faded and dry finish with variable colour; the back of the back cushion faded to reflect the caned pattern; with some fading including to the back; one seat rail stamped '0'; some rust to the casters; the upholstered drop in seat frame has not been inspected for originality or condition.Please see the additional photographs as a visual reference of condition.Condition Report Disclaimer
Lot 408
A group of mixed furniture to include a Georgian mahogany night table, base drawer to lower tier on square legs, three Regency inlaid mahogany cane seated dining chairs with rope twist crest rail on sabre front legs, a Regency mahogany carver chair with brass string inlay, upholstered seat on turned front legs and sabre reverse, a mahogany pedestal oval topped wine table, and a small mahogany pedestal wine tableLocation:
Lot 764
A vintage Joe Colombo style armchair, with double back cushions and removable seat, with shaped arms on T shaped base terminating in chrome stand. The upholstery in this lot does not comply with the 1988 (Fire & Fire Furnishing) Regulations, unless sold to a known exporter or upholsterer it will be cut from the frame before leaving the premises.
Lot 784
A set of Scandinavian style hardwood bedroom furniture, comprising a low unit with five drawers and a door, 87cm wide, a pair of bedside cabinets and a stool with padded seat. The upholstery in this lot does not comply with the 1988 (Fire & Fire Furnishing) Regulations, unless sold to a known exporter or upholsterer it will be cut from the frame before leaving the premises.
Lot 188
London. Cruchley (G. F.), Ordnance Map of the Country 14 Miles round London, 1853, engraved map with bright contemporary outline colouring, sectionalised and laid on linen, 575 x 730 mm, 'tartan' endpapers, contained in a contemporary cloth slipcase with publisher's yellow printed label to the upper cover, together with James Reynolds & Sons (publisher). The Oarsman's and Angler's Map of the River Thames from its source to London Bridge, circa 1880, folding lithographic map with contemporary outline colouring on two conjoined sheets, slight staining, laid on linen and bound 'concertina' style,2555 x 150 mm, publisher's cloth boards with gilt title to the upper siding, spine faded, plus Reynold's New Map of London and its Suburbs, circa 1880, colour printed lithographic map, sectionalised and laid on linen, 655 x 1050 mm, marbled endpaper, bound in publisher's blue gilt boards, upper board detached, spine lacking, with another ten maps of London, late 19th and early 20th century, including examples by or after Philips, Ordnance Survey, Bacon, Bartholomew and 'Geographia', various sizes and condition, plus Stockdale (James). Map of the Seat of War in the Northern Part of Europe, 1812, large engraved map with contemporary outline colouring, sectionalised and laid on linen, inset table of the 'Geographical Divisions' of Europe since 1779, slight staining, 1415 x 1545 mm, and Sanson (Guillaume). La Basse Partie de L'Archevesché et Eslectorat de Cologne, Pierre Mortier, Amsterdam, circa 1700, engraved map with contemporary outline colouring, sectionalised and laid on linen, light overall toning, 980 x 610 mmQTY: (15)
Lot 204
Northern Europe. Stockdale (John), Map of the Seat of the War in the northern part of Europe, 25th July 1812, large scale engraved map with contemporary outline colouring, sectionalised and laid on linen, inset table of the 'Changes of the Geographical Divisions of Europe since 1779', slight overall toning and staining, slight marginal ink staining, 1420 x 1555 mm, contained in a contemporary card slipcase with printed label to the upper cover, label with near-contemporary ink annotations, additional later library label to the verso of the 'Gibraltar Garrison Library, H. E. General Sir Robert T. Wilson KT. Governor and Patron', some wear to the slipcaseQTY: (1)NOTE:The map was designed and published primarily to enable army officers to follow the route of Napoleon's march on Moscow. It is a scarce map, with only one copy recorded on Copac (University of Oxford), no doubt exacerbated by its original price of the not inconsiderable sum of three guineas.
Lot 325
Gray (Thomas). Designs by Mr. R. Bentley for Six Poems by Mr. T. Gray, 1st edition, London: printed for R. Dodsley, 1753, half title, title with engraved vignette, 6 engraved plates, 6 head- and tailpieces, 6 initial figures, all by J.S. Muller or C. Grignion after Bentley, some spotting and light toning, hinges reinforced, bookplate, contemporary mottled calf, rebacked, some edge wear, 4to, together with:Foulis Press. The Poetical Works of George Lord Lyttelton; The Poetical Works of James Hammond; The Poetical Works of Thomas Gray; The Poetical Works of William Collins, together 4 works in one, Glasgow: Andrew Foulis, 1787, contemporary diced calf gilt, covers stamped with gilt arms, joints cracking, edges slightly rubbed, folioQTY: (2)NOTE:First item: ESTC T122525.Second item: Provenance: John Bligh, 4th Earl of Darnley (1767-1831), his arms in gilt to covers. He succeeded his father in 1781 and was a Fellow of the Royal Society and of the Society of Antiquaries. The family seat was Cobham Hall, Kent until 1957.
Lot 386
Walpole (Horace). Aedes Walpolianae: or, a Description of the Collection of Pictures at Houghton-Hall in Norfolk, the seat of the Right Honourable Sir Robert Walpole, Earl of Oxford, 3rd edition, London, 1767,2 engraved portraits, 2 folding plans, 2 folding plates, blank leaves at end, a few minor spots, Syston Park bookplate, nineteenth-century straight-grained morocco gilt, one spine label chipped, a few small stains and indentations, 4toQTY: (1)NOTE: Provenance: Sir William Whitfield CBE (1920-2019), one of the most significant British architects of the second half of the 20th century, notable for his ground-breaking designs for major public projects including Glasgow University Library, the Hunterian Art Gallery (1960-1968), Richmond House in Whitehall (1982-1984), recently selected as one of London’s ten most iconic Postmodern Buildings, Hereford Cathedral’s Mappa Mundi Library (1996), and Hawksmoor’s Baroque masterpiece Christ Church Spitalfields, slowly and carefully restored over three decades from 1970 to 2000 under his direction. He was Surveyor of the Fabric of St Paul’s Cathedral between 1985 and 1990.
Lot 46
Cary (John). Cary's Survey of the High Roads from London to Hampton Court, Ware, Bagshot ... wherein every Gentleman's Seat, situate on, or seen from the road, (however distant) are laid down, with the name of the possessor; to which is added, the number of Inns ... also, The different Turnpike Gates..., 2nd edition, London: J. Cary, 1st July, 1799, engraved title and explanation page, folding general map of London and environs, plan of London depicting the turnpike gates, and 80 strip maps (complete) on 40 sheets, all maps with contemporary hand-colouring, 20th-century sheep, joints cracked, light wear to extremities, slim 4toQTY: (1)NOTE:The first edition was published on 1st July, 1790.
Lot 180
England 1966 World Cup Display features an official seat taken from Wembley Stadium (with official certificate) signed by the two goal scorers Geoff Hurst & Martin Peters with added inscription "Hat Trick Hero 1966 World Cup Winners" by Geoff Hurst, along with seven World Cup Willie cards signed by Ray Wilson, Roger Hunt, Nobby Stiles, Gordon Banks, Jack Charlton, Alan Ball and George Cohen alongside the autographs of Bobby Charlton, Bobby Moore and manager Sir Alf Ramsey on plain card/paper. Frame measures 27 by 24.5 by 2.5in. deep, comes complete with COA incorporating photo proof of the seat signing along with the World Cup Willie cards. This is a UNIQUE ONE OFF for SEAT No 88 signed with this inscription !!!!! All glass will be removed from framed and glazed items prior to posting and may result in delays to shipping your items. (This service is included in the cost of postage and packing). We can also totally remove all framing and mounts upon request to reduce shipping costs. Alternatively, lots can be collected in person by prior appointment from NN8 1RT.
Lot 261
Joao Havelange FIFA President's leather upholstered armchair, burgundy button back bearing PRESIDENT FIFA in gilt tooling with intertwined globes, buttoned seat, sold with photograph of Joao Havelange seated in the armchair holding a football, (2) Condition fair to good with wear to gilt tooling and leather surface scratches to wooden supports Joao Havelange was the 7th President of FIFA serving from 1974 to 1998.
Lot 7
A George III mahogany stoolthe drop in seat on square moulded legs with outer stretchers, .height 46cm, width 51cm, depth 43cm,.Condition:Both upper long frieze rails have later strips running along their length. See image. There is wear and tear and scratches to the legs and to the stretchers.
Lot 676
A Victorian yew wood Nottinghamshire 'Smoking High' Windsor chair, Worksop, attributed to I Allsop & Son, 1871-87, with elm seat, retaining traces of red stain, 115cm h An identical chair, priced at 18/-, is depicted in an illustrated price list of I Allsop & Son. See Cotton (B D), The English Regional Chair, figs NE 269 and 270) In the same good condition as the two preceding chairs except for old gauge on one arm
Lot 677
A Victorian yew wood Nottinghamshire 'Smoking High' Windsor chair, Worksop, attributed to I Allsop & Son, 1871-87, with elm seat retaining traces of red stain, 115cm h An identical chair, priced at 18/- is depicted in an illustrated price list of I Allsop & Son. See Cotton (B D), The English Regional Chair, figs NE 269 and 270) Good original condition
Lot 678
A Victorian yew wood Nottinghamshire 'Smoking High' Windsor chair, Worksop, attributed to I Allsop & Son, 1871-87, with elm seat, retaining traces of red stain, 110cm h An identical chair, priced at 18/-, is depicted in an illustrated price list of I Allsop & Son. See Cotton (B D), The English Regional Chair, figs NE 269 and 270) In the same good condition as the preceding lot save for paint streak on back
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216352 item(s)/page