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Lot 794
A late 19thC open armchair in the Sheraton style, with an inlaid pierced scroll carved back, boxwood line inlaid arms, Regency stripe overstuffed seat raised on square tapering legs and out splayed feet, together with an Edwardian mahogany stool, with curved back, Regency stripe overstuffed seat raised on cabriole legs and pad feet, united by H stretcher. (2)
Lot 779
THE NIGHTMARE BEFORE CHRISTMAS (1993) - Sally's (Catherine O'Hara) Chair with Pumpkin - Sally's (Catherine O'Hara) chair with pumpkin from Henry Selick's The Nightmare Before Christmas. Sally kept her chair by her sewing machine in her room. Halloween Town was decorated for the season with carved Jack-o'-lanterns.This lot consists of a chair with metal legs and back with a resin seat, as well as a hand-painted resin pumpkin with recessed Jack-o'-lantern face. The face is painted in black to suggest it is without internal illumination This lot exhibits chipped paint. Dimensions: (largest) 10" x 3" x 3" (25.5 cm x 7.75 cm x 7.75 cm)Estimate: $2,000 - 4,000Bidding for this lot will end on Wednesday, March 13th. The auction will begin at 9:00AM PDT and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast on auction day to follow the pace. Note other lots in the auction may close on Tuesday, March 12th or Thursday, March 14th.
Lot 19
BACK TO THE FUTURE (1985) - Hand-Drawn Ron Cobb Interior DeLorean Time Machine Concept Art - Hand-drawn Ron Cobb interior DeLorean time machine concept art from Robert Zemeckis' Back to the Future. Rendered by Cobb, who served as the film's DeLorean time travel consultant, illustrations such as this were among the earliest designs for Doc Brown's (Christopher Lloyd) stylish time machine.Rendered in mixed media on illustration board, this illustration depicts the interior view from the driver's-side door, with an array of electrical equipment surrounding the driver's seat. It features Cobb's signature in brown ink and is dated "'84." This lot exhibits mild creasing at the corners, and discoloration in the negative space around the illustration. Dimensions: 17" x 13" (43.25 cm x 33 cm)Sold without copyright; see notice in the Buyer's Guide.Estimate: $5,000 - 10,000Bidding for this lot will end on Tuesday, March 12th. The auction will begin at 9:00AM PDT and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast on auction day to follow the pace. Note other lots in the auction may close on Wednesday, March 13th or Thursday, March 14th.
Lot 613
FIRST KNIGHT (1995) - King Arthur's (as played by Sean Connery) Throne - King Arthur's (as played by Sean Connery) throne from Jerry Zucker's First Knight. King Arthur and Lady Guinevere (as played by Julia Ormond), his betrothed, sat on thrones in Camelot that Malagant (as played by Ben Cross) coveted.Custom-made for the production, this full-sized wood throne is hand-carved with ornate medieval patterning along its edges and egg-shaped finials on both stiles. It features blue crushed velvet cushioning with silver-color lame border detailing and a gold-color Camelot crest printed on the front and matching cushioning on the seat and reverse. The right side underarm features a Sony archival sticker numbered "20027418" and hand-marked "3KK" in black ink. The throne exhibits signs of production use throughout, including breaks along its bottom, cushion staining and grime, and residue from a lost sticker on the right underarm. Dimensions: 29" x 30" x 62" (73.75 cm x 76.25 cm x 157.5 cm)Special shipping required; see notice in the Buyer's Guide.Estimate: $1,000 - 2,000Bidding for this lot will end on Wednesday, March 13th. The auction will begin at 9:00AM PDT and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast on auction day to follow the pace. Note other lots in the auction may close on Tuesday, March 12th or Thursday, March 14th.
Lot 208
MAD MAX: FURY ROAD (2015) - Buzzard Fleet Buggy - A Buzzard fleet buggy from George Miller's Mad Max: Fury Road. Imperator Furiousa (Charlize Theron) drove her Tatra T815 War Rig through Buzzard territory to put space between her and Immortan Joe's (Hugh Keays-Byrne) fleet, as she had bargained for safe passage through a biker gang-controlled canyon. While the Buzzard buggies featured rusted spikes, this version did not make it to the final cut of the film. This right-hand drive, stick shift vehicle consists of a customized production-distressed red and white 1948 Hillman Minx frame with all-terrain tires on a Mitsubishi L300 4x4 chassis. The interior was stripped with only the driver's seat still intact, a roll cage, an installed emergency brake for stunt turns, and a battery kill switch. Following production, the gas tank was removed for transportation, but it has since been replaced with a racing cell gas tank. Additional features include vented metal window inserts, an open sunroof, a thick pipe front bumper, and two long metal side exhaust pipes. This vehicle was intentionally distressed by production to appear heavily aged with rust and dust. It features an orange and brown matte finish applied throughout. It is unregistered, intended as memorabilia for display purposes only, and not designed for street use. Additionally, while it remains functional, no warranty is made or implied as to this lot's road-worthiness. This lot exhibits chipped paint, a buildup of grime, and shell corrosion. Dimensions: 160" x 65" x 84" (406.5 cm x 165.25 cm x 213.5 cm)Contains electronics; see electronics notice in the Buyer's Guide.Contains mechanical components; see notice in the Buyer's Guide.Special shipping required; see notice in the Buyer's Guide.Estimate: $10,000 - 20,000Bidding for this lot will end on Tuesday, March 12th. The auction will begin at 9:00AM PDT and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast on auction day to follow the pace. Note other lots in the auction may close on Wednesday, March 13th or Thursday, March 14th.
Lot 90
ELF (2003) - North Pole Bench with On-Set Still Photo of Buddy (Will Ferrell) and Santa (Edward Asner) - A North Pole bench with an on-set photo of Buddy (Will Ferrell) and Santa (Edward Asner) from Jon Favreau's Elf. After sneaking into Santa's present bag as an infant, Buddy was raised and lived among the elves in the North Pole. This bench was ultimately unseen on screen. This lot consists of a whitewashed wooden bench with metal armrests and details, and a storage compartment in the seat; and a color printed image of Buddy and Santa in Santa's sleigh. This lot exhibits minor tarnishing to the metal, as well as tape residue to the backing. Dimensions: (bench) 27.5" x 15" x 23.5" (70 cm x 38.25 cm x 59.75 cm)Estimate: $1,500 - 3,000Bidding for this lot will end on Tuesday, March 12th. The auction will begin at 9:00AM PDT and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast on auction day to follow the pace. Note other lots in the auction may close on Wednesday, March 13th or Thursday, March 14th.
Lot 107
GET OUT (2017) - Missy Armitage's (Catherine Keener) Screen-Matched Hypnosis Chair - Missy Armitage's (Catherine Keener) screen-matched hypnosis chair from Jordan Peele's Get Out. Missy hypnotized Chris Washington (Daniel Kaluuya) and strapped him to a chair in her family's basement. The image was also used in promotional materials for the film. Markings on the wood base screen-match to shots throughout the film.Custom-made for the production, this chair features a wooden base with a shell-shaped crest engraved on front, a tan faux leather seat cushion, matching armrests wrapped with dark brown leather straps, and a metal support rod on the back. The cushion and matching cotton-filled pads on the ends of each arm are intentionally torn up by production to appear damaged by the Armitages' previous victims. Also included are 12 additional belt straps and six cap covers. The chair also exhibits scratched wood and cracked leather throughout, as well as loose components. Dimensions: 29" x 28" x 39.5" (73.75 cm x 71.25 cm x 100.25 cm)Estimate: $3,500 - 7,000Bidding for this lot will end on Tuesday, March 12th. The auction will begin at 9:00AM PDT and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast on auction day to follow the pace. Note other lots in the auction may close on Wednesday, March 13th or Thursday, March 14th.
Lot 81
THE COLOR OF MONEY (1986) - Paul Newman's Director Chair - Paul Newman's personal director chair from the production of Martin Scorsese's The Color of Money. Newman won the Academy Award® for Best Actor for his second performance as "Fast" Eddie Felson, the aging pool shark he originated in Robert Rossen's The Hustler. After production, this wood director chair was gifted to technical advisor and 10-time pool world champion Michael Sigel, who choreographed the film's numerous pool scenes and doubled for both Felson and his young protegee Vincent Lauria (Tom Cruise). It features a blue and white striped canvas chairback emblazoned "Paul Newman" on the back with a matching blue seat. Also included is a framed black-and-white photograph of Newman and Sigel during production. The wood exhibits scratches and nicks throughout from production use. Dimensions: 26.5" x 21.5" x 7" (67.5 cm x 54.75 cm x 18 cm)Additional Provenance: Letter of Authenticity from Michael SigelEstimate: $10,000 - 20,000Bidding for this lot will end on Tuesday, March 12th. The auction will begin at 9:00AM PDT and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast on auction day to follow the pace. Note other lots in the auction may close on Wednesday, March 13th or Thursday, March 14th.
Lot 869
STAR TREK: ENTERPRISE (T.V. SERIES, 2005) - USS Defiant Chair - A USS Defiant chair from Star Trek: Enterprise. In the Season 4 episode "In a Mirror, Darkly, Part II," the Terran Empire's Jonathan Archer (Scott Bakula) seized command of a Tholian-captured Defiant.This modified Burke-style tulip chair features gray blue paint over sky blue paint suggesting previous usage, a custom black leather foam-padded back topper, a black foam-padded seat cushion, three flat triangle plant-ons at the lower back, and a black painted metal X-shaped swivel base. A worn "Lot No. 186179 Piece No. 038" sticker is affixed to a leg. It exhibits scratching, paint chipping, scuffing, and rips and creases in the leather from use and age. Dimensions: 22" x 18" x 41" (56 cm x 45.75 cm x 104.25 cm)Estimate: $500 - 1,000Bidding for this lot will end on Wednesday, March 13th. The auction will begin at 9:00AM PDT and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast on auction day to follow the pace. Note other lots in the auction may close on Tuesday, March 12th or Thursday, March 14th.
Lot 1131
MAUPASSANT GUY DE: (1850-1893) French novelist. A good A.L.S., Guy de Maupassant, to both sides of his personal printed correspondence card, Rue de Montchanin (Paris), n.d., to [Juliette Massenet], in French. Maupassant makes a polite request of his correspondent, 'Je m'adresse a vous pour ne point adresser a M. Massenet une demande fort indiscrete directement. Est il encore possible d'avoir, par son intermediaire, en location deux fauteuils pour la premiere de son opera. Je ne veux pas qu'il me les donne ce qui lui serait d'ailleurs peut-etre fort difficile, je voudrais seulement ne pas payer 500f la place. Un de ces fauteuils est pour moi, l'autre pour un ami qui est egalement l'ami de votre pere. Si ma demande embarrassait trop M. Massenet, dites le moi, je vous prie et j'agirai tout de suite aupres de l'administration du theatre' (Translation: 'I am asking you not to address a very indiscreet request directly to M. Massenet. Is it still possible, through him, to hire two seats for the premiere of his opera? I don't want him to give them to me, which would moreover perhaps be very difficult for him, I would only like not to pay 500f a seat. One of these seats is for me, the other for a friend who is also your father's friend. If my request would embarrass M. Massenet too much, please tell me and I will take immediate action with the theatre administration'). A letter of good content and interesting association. One small tape stain to the head of the verso, only very slightly affecting a few words of text, otherwise VGJuliette Massenet (1868-1935) Daughter of Jules Massenet (1842-1912) French composer of the Romantic era.
![HUGO VICTOR: (1802-1885) French Poet & Novelist of the Romantic Movement. A.L.S., Victor Hugo, two pages, 8vo, n.p., [Paris],](https://cdn.globalauctionplatform.com/4da1536e-f8ee-466a-a857-b11b00a2e0f9/0243e96a-99ef-42a4-8b4e-b13300a5c1e8/468x382.jpg)
Lot 1122
HUGO VICTOR: (1802-1885) French Poet & Novelist of the Romantic Movement. A.L.S., Victor Hugo, two pages, 8vo, n.p., [Paris], n.d., `Thursday, 4h in the evening´, [c.1837-1839], to Monsieur de Salvandy, on the printed stationey of the "Cabinet du Ministre - Ministère de l´instruction Publique", in French. Hugo recommends to his correspondent the architect Charles Robelin, stating in part `J´espérais rencontrer aujourd´hui Monsieur le Ministre de l´instruction publique, et j´en veux beaucoup à la Chambre qui m´a privé de ce plaisir si vif et réel pour moi. Je voulais ajouter aux noms que j´ai déjà cru devoir soumettre à Monsieur de Salvandy le nom de M. Robelin, architecte d´un mérite fort distingué et d´un talent très pratique, qui a fait d´excellents travaux dans beaucoup de cathédrales et qui serait, je crois, hautement utile au comité. Je voulais aussi redire à Monsieur Salvandy combien je suis tout à lui "ex intimo corde"´ (Translation: "I was hoping to meet the Minister of Public Education today, and I am very angry with the Chamber for depriving me of this pleasure that is so lively and real for me. I wanted to add to the names that I already thought it necessary to submit to Mr. de Salvandy the name of Mr. Robelin, an architect of very distinguished merit and very practical talent, who has done excellent work in many cathedrals. and which would, I believe, be highly useful to the committee. I also wanted to tell Mr. Salvandy again how much I am all his "ex intimo chord") Overall water stains and age wear. Slightly trimmed bottom edge. F Narcisse Achille Salvandy (1795-1856) French Politician. Minister of Education 1837-39 & 45 and occupant of the seat nº 1 at the French Academy.Charles Devieur (1797-1887) known as Robelin. French Architect. Robelin was in charge of the restoration of the reims Chapel and of the stained glass windows of Besançon.
Lot 1261
LEGENDRE ADRIEN-MARIE: (1752-1833) French mathematician who made numerous contributions to mathematics. A fine, rare A.L.S., Legendre, two pages, small 4to, Paris, 19th December 1817, to the members of the Royal Commission of Public Instruction, in French. Legendre writes following an ordinance of the King relating to the pensions of former members of the Council of the university, stating that he has received their extract of the ordinance and remarking 'Puisqu'une ordonnance du Roy etoit necessaire pour rendre special le tire de chaque pension, peut etre auriez-vous pu profiter de cette circonstance, Messieurs, pour solliciter en notre faveur une interpretation de l'ordonnance du 17 fevrier 1815, qu'eut designe nos pensions par le meme mot dont M. de Fontanes a si heureusement profite, pour empecher que sa pension de 30,000 fr. fut reduite comme les notres a 6000' (Translation: 'Since an ordinance from the King was necessary to make the drawing of each special pension, perhaps you could have taken advantage of this circumstance, gentlemen, to solicit in our favour an interpretation of the ordinance of 17th February 1815, which would have been designated by the same word which M. de Fontanes so happily took advantage of to prevent his pension of 30,000 francs being reduced like ours to 6000') and concluding 'Nous aurions aussi connu le pouvoir d'un mot mis a sa place, et en mon particulier je n'aurois pas ete aussi rudement froisse de l'application rigoureuse de la loi du dernier Budget' (Translation: 'We would also have known the power of a word put in its place, and in my particular case I would not have been so rudely offended by the rigorous application of the law of the last Budget'). With integral address leaf in Legendre's hand. A few contemporary ink annotations in an unidentified hand appear at the head of the first page. VGLouis-Marcelin de Fontanes (1757-1821) Marquis de Fontanes. French poet and politician, commissioned by Napoleon to write a eulogy on George Washington. Fontanes was the lover of Napoleon's sister, Elisa Bonaparte, for several years and the liaison assured him of his fortune. In 1808 Napoleon appointed Fontanes as Grand Master of the University of Paris, a post he held until 1815. Fontanes was accused of servility to Napoleon, although did consistently support religious and monarchical principles and it was therefore easy to foresee the joy with which Fontanes greeted the return of King Louis XVIII at the Restoration. The King rewarded him with a seat in the Chamber of Peers and also made him a Marquis on 31st August 1817. He had already been a Count since 1808 by the grace of the Emperor.
![[EINSTEIN ALBERT] (1879-1955) German-born theoretical physicist, Nobel Prize winner for Physics, 1921. An original unused pri](https://cdn.globalauctionplatform.com/4da1536e-f8ee-466a-a857-b11b00a2e0f9/d731cd1e-e390-4d88-8949-b13300a87643/468x382.jpg)
Lot 1242
[EINSTEIN ALBERT] (1879-1955) German-born theoretical physicist, Nobel Prize winner for Physics, 1921. An original unused printed 12mo (8.5 x 7.5 cm) admission ticket to the Professor Einstein Meeting at the Royal Albert Hall (London) on Tuesday, 3rd October 1933, at 8pm, the ticket numbered T1289 and issued for a balcony seat. With an unsigned printed declaration to the verso and one small punch hole to the lower edge. Both the ticket and adjoining stub bear the rubber stamped letters N.O. A scarce piece of ephemera relating to a significant moment in Einstein's career. VGOn 3rd October 1933, Einstein made what would be his last speech on European soil, at London's Royal Albert Hall. A campaigning pacifist at the time, Einstein delivered his speech in English and, to a packed house who cheered throughout, spoke of his fear of the looming crisis in Europe. The scientist asked 'How can we save mankind and it's spiritual acquistions of which we are the heirs and how can one save Europe from a new disaster?' and also declared 'If we want to resist the powers which threaten to supress intellectual and individual freedom we must keep clearly before us what is at stake, and what we owe to that freedom which our ancestors have won for us after hard struggles. Without such freedom there would have been no Shakespeare, no Goethe, no Newton, no Faraday, no Pasteur, and no Lister'. Four days after his appearance in London, Einstein set sail from Southampton to New York to take up a new job at Princeton University. Originally planning to be away for only six months, he in fact he never again returned to Europe. On 3 October 1933, Einstein delivered a speech on the importance of academic freedom before a packed audience at the Royal Albert Hall in London, with The Times reporting he was wildly cheered throughout.[134] Four days later he returned to the US and took up a position at the Institute for Advanced Study,[141][144] noted for having become a refuge for scientists fleeing Nazi Germany
Lot 526
Four Ercol style easy chairs, leatherette backs and loose cushion seats, turned legs and rails, width 66cm, height 81cm.Qty: 4Condition report:All four frames are sound, no loose joints. Some wear to the staining on the arms and stretchers through use. They are webbed under the seat cushion, all webbing appears ok. The upholstery to the backs is generally ok, no rips or tears. Some of the bolt covers/ caps are missing on the frames.
Lot 557
Set of six elm and beech kitchen chairs, 88cm high.Condition report:Two further images have been uploaded showing the six. Five of the six are stamped 'BN' to the back of the seat, the sixth chair is not stamped but visually it appears a very near match (if it didn't originate from the same workshop). All chairs have condition issues - some seats are split along natural lines, the top rails are all heavily worn and misshapen. Some stretchers have old repairs, some rails are "dog-chewed".
Lot 479
Small Edwardian Chesterfield settee, in need of reupholstery, turned and ringed walnut legs, raised on casters, width 170cm, depth 76cm, height 64cm.Condition report:The frame is generally sound, some slight movement to the arms, but the frame remains perfectly functional. The legs are all sound as well, some knocks and wear to the front ones. The Back and arms feel as though they are horsehair stuffed and still offer some support. The seat itself may need addressing - the springs feel firm, but the padding is lacking support, especially on the left hand side (as you look at it). The white cotton cover as is is stained and marked, with some spot tear repairs. The depth from the very back to the front of the seat is 76cm (if placed against wall, that is how deep it would protrude).
Lot 476
Mid-Century three-seat leather sofa, designed by Børge Morgenson, model 2209, designed 1965, mushroom-coloured leather, stained legs, width 174cm, depth 80cm, height 72cm.Condition report:Height to the seat (to top of cushions) is about 16inches/ 40cm. Height to the top of the front rail is 12inches/ 31cm. There is an inch wide puncture wound to the back, with a few scars surrounding the hole. The leather elsewhere to the main sofa frame is without any holes or tears, some scuffing and discolouration along the top of the back rest, and similar to the front rail of the seat. Two of the back cushions has scars to the leather that don't pieces completely through - one being six inches, the other an inch. Otherwise the cushions are well used but not ripped. The stained wood supports are scuffed and marked and would benefit from being refinished. The springs remain sound.
Lot 582
Victorian rosewood framed settee, woollen upholstery (in need of replacement) over stuffed arms, the facia with shallow carved panels with roundel design, turned and ringed tapering legs raised on casters, width 210cm, depth 87cm, height 73cm.Condition report:The frame and legs are sound, open split to the right side carved roundel the other one with small hairline crack, upholsery good apart from the seat which has moth holes. Additional images have been uploaded to the lot page on our website for you to view.
Lot 79
A pair of continental-style white painted wooden frame elbow chairs each with a padded seat & back, & on turned & fluted tapering legs; together with a teak & woodgrain-effect sideboard fitted three long drawers to the right-hand side with cupboard to centre left-hand side, each enclosed by a panel door, 152.5cm wide x 77cm high x 39.5cm deep.
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