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Click here to subscribeSet of six Regency mahogany bar back dining chairs, each with slip in seat on ring turned legsAll in good solid condition, some very minor worm holes to underside of one chair frame, minor stains to upholstery , good quality and nice overall patination , please see the extra images on our website
A set of six Danish post-modernist oak dining chairs, c.1990, manufactured by Actona, of high-backed construction, each seat upholstered in grey vinyl, 51cm wide50cm deep 118cm high, seat 47.5cm high (6)Condition ReportOne chair with repair. One seat with a gouge to the upholstery. With general knocks and wear.
A Danish 'AP-46' or 'Ox Chair', 1960s, originally designed in 1960 by Hans Wegner for A P Stolen, the backrest surmounted by a curved neck rest, upholstered throughout in orange wool fabric, raised on chromed metal supports, with a single squab seat cushion and associated neck cushion upholstered in aforementioned fabric, 92cm wide100cm deep85cm highCondition ReportThe upholstery is believed to be original. The left 'horn' of the neckrest has some scuffs to the edges. The straps of the neck cushion are worn. The right armrest may need repair. The padding is quite firm throughout the neck and armrest. The seat cushion provides good support. There is some general fading throughout the upholstery—less so to the front of the armrests, which have been under the armrest covers. The chrome flaked to the supports, with rust to the exposed areas. With general wear commensurate with age and use. The frame is in good order, with no shifting. Additional images uploaded.
A Vitra 'EA208 Soft Pad' desk chair, designed in 1969 by Charles and Ray Eames as part of the Aluminium Group, manufactured by Vitra, the chromed frame upholstered in black leather, raised on a tubular support terminating on to a four-star base, 52cm wide57cm deep84cm high Condition ReportThe frame with some spotting and scratches. The back cushion with a small scuff to the centre. With a small red mark to the front of the seat. Some minor creasing to the leather commensurate with use. Structurally sound. Additional images uploaded.
A Danish 'Kevi' desk chair, 1960s, designed by Jørgen Rasmussen for Knoll, the brushed steel frame upholstered in salt-and-pepper fabric, with a four-pronged foot terminating on to castors, 58cm wide50cm deep77cm high, seat 50cm highCondition ReportWith scratches and knocks to the frame. The castors a little stiff. The padding to the seat a little worn. One screw missing to the backrest. Additional images uploaded.
A Danish 'Colonial' oak settee, modern, originally designed by Ole Wanscher in 1964 for Carl Hansen & Søn, with a cane seat, and tan leather back and seat cushions,124cm wide69cm deep84cm high, seat 46cm highCondition ReportThe upholstery is in good order with some minor creasing to the leather. The rattan is in good condition. The frame has some minor water spots. The supports have knocks and marks commensurate with age and use. The frame is structurally sound.
A pair of ebonised Art Deco window seats, 1930s, each scrolled seat upholstered in yellow silk fabric with black line detailing, raised on tapering supports, 70cm wide45cm deep58cm high, seat 40cm high (2)Condition ReportThe upholstery believed to be later. With stains to the upholstery. The frames with knocks, scratches and marks. With some chips to the ebonisation. Additional images uploaded.
A Vitra 'EA208 Soft Pad' desk chair, designed in 1969 by Charles and Ray Eames as part of the Aluminium Group, manufactured by Vitra, the chromed frame upholstered in black leather, raised on a tubular support terminating on to a four-star base, labelled to the underneath, 52cm wide57cm deep84cm highCondition ReportThe base and foot with spotting. Most of this appears surface based, and the frame would benefit from a clean. The leather with so e creasing and a small dent to the front of the seat cushion. Structurally sound. Additional images uploaded.
A pair of Swiss De Sede 'DS101' reclining armchairs, 1970s, each upholstered throughout in chestnut leather, with wide stitched detailing to the edges of all cushions, 109cm wide102cm deep73cm high, seat 40cm high (2)Condition ReportOne example with a burst seam to the left armrest. The other example with a repair to the back of the armrests. The leather with some creasing and crackling in places, but overall good. The padding good throughout to both. The reclining function works on both examples. Both with some scratches, stains, and marks to the backs. Both structurally sound. Additional images uploaded.
A pair of 'Crillion' armchairs, modern, designed by Soane Britain, each with slung armrests, upholstered throughout in cognac leather, the steel frame with patinated brass caps, 70cm wide81cm deep81cm high, seat 39cm high (2)Condition ReportThe leather with scratches to both examples. Padding to the seats and back in good order. The upholstery is firm. The legs and frame is made from patinated steel with brass caps. The bronzed patination worn through to the legs. Both examples structurally sound. Additional images uploaded.
A pair of 'No 1' bar stools, modern, designed in 1928 by Eileen Gray, each seat upholstered in black leather raised on an adjustable chromed support, terminating on to a black polyurethane foot, the stem with a footrest,30cm diameter70 to 83cm high (2)Condition ReportThe footrests presumed to be later. One seat is loose to the top of the stem.
An Italian bamboo and rattan daybed, 1950s, attributed to Gio Ponti, the sides with scrolling decoration, the squab cushion upholstered in white linen with buttoned detailing, with a cylindrical neck cushion,200cm wide97cm deep55cm high, seat 45cm highCondition ReportThe upholstery later. The upholstery in good clean order. The frame with patination throughout. With general scratches, scuffs, wear and marks commensurate with age. With some minor cracks to the frame. No shifting or rocking in the frame.
An Eames Venice 'RAR' rocking chair, 1950s, originally designed in 1948 by Charles and Ray Eames for Herman Miller, the pink fibreglass shell raised on a chromed steel support, terminating on to beech runners, with partial 'Herman Miller Venice' label to the underneath, 63cm wide69cm deep67.5cm high, seat 41cm highCondition ReportThe runners appear to be original. One bolt replaced to the runners. The red label to the base heavily fragmented. No perceived damages or losses. With general scratches, scuffs and wear to the seat and the runners. The seat with a green stain to the base. The runners with some stains and marks. Additional images uploaded.
A Danish oak 'GE 240 Cigar' armchair, designed in 1955 by Hans Wegner (Danish, 1914-2007) for Getama, with modern back and seat cushions, 69cm wide 80cm deep81cm high approximatelyCondition ReportThe frame has been cleaned and scrubbed. Lacking the webbing to the seat. New cushions. No marks detected to the frame. Additional images uploaded.
§ A Swedish rosewood desk, A Swedish rosewood desk,1970s, designed by Yngvar Sandström for Seffle Möbelfabrik, the rectangular top with rounded corners, over two suspended banks of two drawers, raised on turned and tapering rosewood supports, branded to the underneath of the top, 150cm wide80cm deep72cm high, anda Maxalto 'Caratos' desk chair,with a leather seat and back, on a die-cast aluminium frame, labelled, 59cm wide 55cm deep76cm high, seat 47cm high (2)Condition ReportNo keys - all drawers open. WIth some minor scratches and marks.
An 'Antelope' bench, modern, originally designed in 1950 by Ernest Race for 'The Festival of Britain', manufactured by Race Furniture Ltd., the painted steel frame with a spindle back over a plywood seat,103.5cm wide56.5cm deep81cm high, seat 46cm high, together with a spare plywood seat and a chequered seat cover (3)
An American elm model 'SCH5a Continuous Arm Settee', modern, designed and manufactured by Chris Harter, the bowed backrest with turned spindles over a carved seat, raised on ten turned supports, joined at the middle by a baluster-shaped stretcher, 192cm wide55.5cm deep102.5cm high, seat 45cm high
A bentwood 'Long Chair' recliner, designed in 1936 by Marcel Breuer (Hungarian, 1902-1981), manufactured in Estonia by Isokon Furniture, the birch ply seat with stained supports and armrests, stamped 'Made in Estonia', 62cm wide137cm long72cm highCondition ReportWith curving to the seat. The seat with some cracks. The supports with splits. With some separation to the plu sheets. The front right support with repairs and restoration. The back right support with losses to the veneer. The frame shifting when rocked. Additional images uploaded.
A pair of Danish ebonised 'PP-66' or 'China Chair' ash armchairs, modern, originally designed in 1944 by Hans Wegner for PP Møbler, manufactured by Fritz Hansen, each with a horseshoe-shaped backrest over a single back splat, the webbed seat with a cushion upholstered in black leather with buttoned detailing, with manufacturer's badges to the inside of the frame, 55cm wide55cm deep82cm high, seat 45cm high, together with a third example,with a cracked and damaged backrest (3)Condition ReportThe two main examples in overall good condition. With some scratches and scuffs to the frame commensurate with use.
A Swedish stained beech bentwood armchair, 1930s, designed by Axel Larsson for SMF (Svenska Möbelfabrikerna) Bodafors, the seat and backrest woven with paper cord, 54cm wide61cm deep78cm high, seat 40cm highCondition ReportOne loose strand to the rope. The finish with some wear to the edges. With some general scratches and marks commensurate with age and use. Structurally sound throughout. Additional images uploaded.
A mahogany Thebes stool, late 19th century, designed by Leonard Francis Wyburd for Liberty & Co., with original cane seat,46.5cm square36cm highLiberty & Co. registered the design of the Thebes stool in 1884 and it continued to be sold until c.1919. Condition ReportFrame good - some marks to the frame, with scuffing to the base of the legs. But in good overall condition. Spindles all surprisingly good.Some marks and knocks to the frame. No provenance - bought in a charity shop.
An Aviator 'Tomcat' chair, designed and manufactured by Timothy Oulton, upholstered in brown leather, with a riveted metal construction, 73cm wide 96cm deep 71cm high Inspired by the twin-seater F-14 Tomcat and the aerodynamic curves of the Supermarine Spitfire. Condition ReportThe upholstery has some creasing in areas, but it is overall clean and free of damage. The left side of the chair has some scratches and marks. The right side of the chair has a darker mark underneath the armrest. There is a small dent on the right-hand side. The chair is structurally good, and the padding of the seat, back, and arms is good throughout. Additional images uploaded.
An American 'PAW' fibreglass swivel chair, 1950s, originally designed in 1950 by Charles and Ray Eames, manufactured by Herman Miller, the salmon-coloured fibreglass shell raised on dowel supports, stamped 'Seng' to the mechanism, 63cm wide60cm deep78cm high, seat 44cm highCondition ReportThe fibreglass with knocks, marks and wear. The support with knocks and marks.
§ A Danish rosewood dining suite, designed in 1966 by Niels Otto Møller (Danish, 1920-1982) for J L Møllers Møbelfabrik, comprising:four 'Model 79' dining chairs,each with a rattan seat, raised on tapering supports, with manufacturer's labels to the inside of the frames,50cm wide42.5cm deep73cm high, andan extending dining table,the circular top with a cushioned edge, raised on tapering supports, 123cm diameter73cm high (5)Condition ReportThe rattan to the chair with some staining and heavy patination commensurate with age throughout. No detected damages to the seats. The table top with some areas of discolouration. One chair with some surface based marks (these appear to scratch off easy and has not impacted the finish of the wood underneath). The leaf of the table slightly darker than the top. All pieces in structurally good order. Additional images uploaded.CITES A10 No. 24GBA10JLON1
A Danish 'PP-19' or 'Papa Bear' armchair, 1960s, originally designed in 1951 by Hans Wegner for PP Møbler, upholstered throughout in Kvadrat fabric, with buttoned detail to the back, the armrests with teak inserts to the front, raised on tapering supports, 90cm wide95cm deep101cm high, seat 42cm highCondition ReportThe chair has been sympathetically restored with new padding throughout the frame and cream-coloured upholstery. The upholstery with some minor bobbles of lint, but no stains or detrimental marks. The right armrest insert with a shrinkage crack. The supports with scuffs, knocks and marks. Images of the restoration process have been supplied by the vendor. The chair is unmarked.
A set of six French Art Deco mahogany chairs, 1930s, each with a curved backrest, the seat upholstered in red fabric with a motif of leopards,42cm wide50 deep84cm high, seat 43cm (6)Condition ReportAll examples with scratches, knocks and marks commensurate with age and use. All examples structurally soundm the polish is worn and rubbed to the edges. Upholstery believed to be period. No detected repairs. One chair with a veneer chip to the back rest.
A 'Swan' lounge chair, late 1950s/early 1960s, originally designed in 1958 by Arne Jacobsen (Danish, 1902-1971) for the lobby of the SAS Royal Hotel in Copenhagen, upholstered in black vinyl, raised on a scalloped aluminium support, terminating on to a cruciform foot, 74cm wide68cm deep77cm highCondition ReportThe seat with cracks to the vinyl. With a gouge to the centre. The support with scuffs and marks. Wobbles somewhat on the stem. Additional images uploaded.
A set of six Italian fruitwood chairs, c.1940s, in the manner of Paolo Buffa, each with a dimpled backrest, ochre-coloured upholstered seat, the front supports with a carved cuff to the top,48cm wide43cm deep96cm high, seat 47cm high (6)Condition ReportOne backrest with a spindle reset. One example with a repair to the backrest. All with scuffs and marks throughout the frame. The upholstery later.
A Chippendale Revival mahogany child’s corner chair, shaped and pierced splats, drop-in seat, cabriole foreleg carved to the knee with acanthus, ball and claw forefoot, stamped H. SAMUEL 484 OXFORD ST LONDON (1881-1913), 67.5cm high, 51cm wideThe company of Henry Samuel were dealers in high quality works of art, particularly specialising in copies of 18th century items as well as in period pieces of furniture, all of fine quality and design.
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