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Lot 2843
A late 19th century walnut ship's swivel chair, the vertical splat carved with an intertwined P & O, the circular seat with interchangable padded and cane inserts, standing on an iron base cast with three lions, joined by a bolt fixing hole.Provenance. These chairs have been removed from a chapel on The Lizard peninsular. They were always known to have come from a Cornish wreck but details are lost. Condition report: In used condition, velvet seat.
Lot 2844
A late 19th century walnut ship's swivel dining chair, the vertical splat carved with an intertwined P & O, the circular seat with interchangeable padded and cane pads, standing on an iron base cast with three lions, joined by a bolt fixing hole.Provenance: These chairs have been removed from a chapel on The Lizard peninsular. They were always known to have come from a Cornish wreck but details are lost. Condition report: In used condition, Has not got P & O carved to back slat.
Lot 2845
A late 19th century walnut ship's swivel dining chair, the vertical splat carved with an intertwined P & O, the circular seat with interchangeable padded and cane pads, standing on an iron base cast with three lions, joined by a bolt fixing hole.Provenance. These chairs have been removed from a chapel on The Lizard peninsular. They were always known to have come from a Cornish wreck but details are lost. Condition report: In used condition, Has not got P & O carved to back slat.
Lot 577
Attributed to Mather Brown (American, 1761-1831) Portrait of Major General John Robinson (1757-1819), of Denston Hall, Suffolk oil on canvas 76 x 64cm (30 x 25in) Provenance: By descent within the family of the sitter at Denston Hall, Suffolk, to the present owner Other Notes: John Robinson, a third generation professional soldier, raised a corps of fencibles during the revolutionary war and served in Ireland in 1798. He owed his seat in Parliament to his brother-in-law Edward, Lord Clive, during whose absence in India he was brought in for Bishop’s Castle after a contest. He was substituted temporarily for Sir Henry Strachey when the Clive interest was under challenge and his close connection with the patron was evidently his best qualification. He subsequently retained the seat, Strachey finding another. Whilst in Parliament he gave, like his patron, a general support to administration. Robinson married on 10 March 1782, Rebecca, daughter of Robert Clive, the 1st Baron Clive. The date of the present portrait would be between 1805 when Robinson was promoted to Major General, to 1811, when he became a Lieutenant General. In 1818 Robinson went to Paris, where he died on 23 May 1819, aged 62, and was buried at Père Lachaise. According to his memorial at Denston, ‘Religion, the only true source of consolation, enabled him to bear the severe domestic losses by which his latter days were embittered’. The sitter was the last male of the Robinson family of Denston Hall, Suffolk, whose family seat it had been since the early 17th Century. At his death, the property passed to his cousin Henrietta (Harriet) Jeafferson (died 1838). The present painting was sold by her son to his tenant Mrs Benyon at Denston, but subsequently bought back from her by his cousin by marriage, Algernon Dunn Gardner. We are grateful to Christopher Bryant for his assistance with the catalogue entry. Oil on canvas which has not been lined. There is a small loss to the right of the sitter's head. The rest of the paint layer is stable and secure. There are areas of retouching across the painting. The varnish is clear and even. The gilding on the frame is worn.
Lot 617
§ Wilfred Stanley Haines (British, 1905-1944) Design for a Needlework Chair Seat in the Chinoiserie Manner of the XVIII Century for Ada, Lady Frederick, Lamport Grange, Northampton, signed "W S Haines / March 1941", watercolour, 27 x 19cm; Design for a Needlework Chair Seat for Mrs Bostock, Pitsford House, Northampton, signed "W S Haines / January 1941", watercolour, 19 x 27cm; and Design for a Needlework Chair Seat in the Chinoiserie Manner of the XVIII Century for Ada, Lady Frederick, Lamport Grange, Northampton, watercolour, 27 x 19cm watercolour on card (3) Provenance: Designed by Wilfred Stanley Haines for his family firm of A Haines and Son, Tapestry Restorers, 216 Merton Road, Wimbledon, SW19 The Chinoiserie one is a little dirty with foxing spots and the second is a little browned to the background. Some discolouration to the backgrounds but colours are clear and fresh.
Lot 618
§ Wilfred Stanley Haines (British, 1905-1944) Design for a Needlework Table Top, designed for Mrs Grace Wynne, signed lower right "W S Haines" and dated April 1941' a Needlework Stool Seat designed for Mable W Adam, BA, signed lower right "W S Haines" and dated March 1941; a Design for Needlework Seat and Back for a Hepplewhite Elbow Chair, signed lower left "W S Haines" and dated February 1941; and a Black and Red design for a needlework chair seat; - four each 27 x 19cm Design for a needlework cover for Chippendale chair circa 1760 for William Lee (Antiques), 39 Stonegate, York, 38 x 18cm; and Designs for Needlework Seats for a pair of Chippendale Chairs, circa 1760, for Mrs Ida M Constantine, The Cottage, Burley in Wharfedale, Yorkshire, signed lower left "Designed by W S Haines" and dated December 1940, size 36 x 18cm watercolour on card (6) Provenance: Designed by Wilfred Stanley Haines for his family firm of A Haines and Son, Tapestry Restorers, 216 Merton Road, Wimbledon, SW19 Colours are good, fresh and clear. All unframed. The larger ones have slightly bent corners.
Lot 709
A set of twenty four George II style walnut dining chairs - 20th century, with scroll crest rails and vase splat backs, tapestry drop-in seats and on cabriole legs with pad feet (24) 100 x 52cm (39 x 20in) The seat webbing on several chairs is failing due to age and some variation in colour due to sun fading
Lot 631
A BAT PRINTED WHITE EARTHENWARE JUG, DATED 1827 the prints, inscribed in sepia Buckingham Seat, the front with initials and date, 15cm h ++Minor stained crack in base, internal hairline crack beneath the leaf under the lip, some flaking of the blue enamel on the rim, not chipped, no restoration
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217092 item(s)/page