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Lot 163
A 19TH CENTURY MAHOGANY FRAMED TWIN CHAIR BACK SETTEE BY BUTLER OF DUBLIN, stamped 'M.BUTLER, 27 ABBEY ST, DUBLIN', the serpentine crest rail carved with acanthus leaves and scallop shells, above pierced vase shape splats, with scroll bird head arms, with single drop-in seat upholstered in gold damask, raised on shell capped legs and paw feet.
Lot 85
GABRIELE CARELLI (1820-1900) A VIEW OF CLIVEDEN HOUSE FROM THE SOUTH, 1891 signed & dated l.r. Gab Carelli 1891 watercolour & pencil 38.0 x 44.5cm / 15 x 171/2in Hugh Grosvenor, 1st Duke of Westminster, owned Cliveden House between 1868 and 1893. Grosvenor sold Cliveden to the Astors, famously prompting the ire of Queen Victoria, who was "not amused" by the decision. Gabriele Carelli was one of a family of watercolourists: his father Rafaelle had been patronised by the Duke of Devonshire in the 1830's, on his Grand Tour; his brother Consalvo painted numerous scenes of Naples and the surrounding countryside; and Gabrielle's son Conrad became a watercolourist, working around provincial England and the continent. Gabrielle was himself introduced to and patronised by the Duke of Devonshire at Chatsworth in the 1840's. Carelli also numbered among his patrons the Emperor of Russia and several members of the English aristocracy. Carelli travelled extensively and painted views of France, Italy, North Africa and the Near East. Late in life, Carelli found favour with Queen Victoria, through Lady Waterpark, who commissioned him to record the Royal Mausoleum at Frogmore House (the present seat of the Duke and Duchess of Sussex) between 1880-1883. The Royal Collections hold a number of his works, at Osborne House and Windsor. Literature: Francis, Lord Napier - Notes on Modern Painting at Naples - J.W. Parker, London, 1855 - pp.121-125
Lot 439
Ï’A Chinese export parcel gilt and black lacquered papier mâché games box, second quarter 19th century, of rectangular form, painted with foliate motifs and geometric borders overall, the cover also with a central armorial in an oval reserve, and with four further roundels each with the initial 'M' and a lion; the interior fitted with conforming boxes and trays painted to resemble playing cards, and with emblazoned mother-of-pearl counters, 8cm high, 37cm wide, 30.5cm deep Please note: the armorial painted to the centre of the cover may indicate that this box was once the property of the noble Townshend family, whose seat is Raynham Hall, Norfolk. The ‘M’ painted to the corners may stand for ‘Marquess’, probably referring to the title created for the family in 1787 Ï’ Indicates that this lot may be subject to CITES regulations when exported. Please see our Terms & Conditions for more information.
Lot 459
Gloucestershire: Kip (Johannes), A set of three hand coloured engravings, comprising; Little Compton, the seat of Sir Richard Howe, Bart. [1712 or later], Sandywell, the Seat of Henry Bret, Esq. [1712 or later], and Williamstrip the Seat of Henry Treton Esq. [1712 or later], and Kip (Johannes) after Knyff (Leonard), two hand coloured engravings, comprising; New Parke in Surry, the seat of the Right Hon'ble Earl of Rochester, and Dawley, in the County of Middlesex, the seat of the Rt. Hon. Charles Lord Ossulstone, all mounted framed and glazed, various sizes
Lot 1031
An oak dining room suite, in late 18th/early 19thC style, comprising oval distressed drop leaf table on turned legs, the top 181cm x 197cm, a set of eight ladder back chairs, each with a rush seat, two with arms, and a sideboard or dresser base with an arrangement of three frieze drawers above three panelled doors on stiles, 170cm W.
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217092 item(s)/page