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GEORGE II STYLE WALNUT AND BURR WALNUT 'MASTER'S' ARMCHAIR, IN THE MANNER OF GILES GRENDEY EARLY of large size, the curved toprail above a vasiform scrolled splat, above a shaped drop-in seat flanked by scrolled arms and hand terminals, raised on cabriole legs carved at the knees with shells and ending in claw and ball feet; the seat pad with a tan tweed cover(83cm wide, 103cm high, 59cm deep)
VICTORIAN LARGE MAHOGANY FRAMED CURVED BANQUETTE SOFA 19TH CENTURY the low curved padded back and arms above a padded curved seat, the carved arm facings and moulded seat rail raised on short tapered feet with ceramic castors, now covered in green leatherette(318cm wide, 64cm high, 54cm deep)
HOWARD & SONS 'BRIDGEWATER' ARMCHAIR EARLY 20TH CENTURY with a low padded back and scroll arms above a loose cushion seat, raised on square tapered mahogany legs ending in brass castors, the rear leg stamped 13223/ 1050 HOWARD & SONS LTD/ BERNERS ST, the castors unstamped; covered in a modern jacquard fabric(74cm wide, 85cm high, 67cm deep)
GEORGE III MAHOGANY WING ARMCHAIR LATE 18TH CENTURY the back with a serpentine top rail above a stuffover seat flanked by deep wings and scrolled arms, raised on square tapered legs with brass caps and castors joined by an H stretcher, covered in green plush upholstery(83cm wide, 119cm high, 54cm deep)
PAIR OF VENETIAN CARVED GILTWOOD ARMCHAIRS 19TH CENTURY the arched padded backs above wide drop-in seats in vermilion plush upholstery, flanked by scrolling open arms, above seat rails carved with rocaille, raised on cabriole legs ending in stylised paw feet(73cm wide, 120cm high, 47cm deep)Provenance: Property from a Scottish Country House
FINE ELEVEN-PIECE SUITE OF LOUIS XVI PAINTED AND PARCEL-GILT AUBUSSON COVERED SEAT FURNITURE CIRCA comprising a canape and ten fauteuils, with arched backs with carved ribbon cresting, above bow-front seats flanked by part-padded arms with stop-fluted supports, raised on tapered stop-fluted legs ending in toupie feet, one armchair inscribed '66' or 'GG'; covered in Aubusson tapestry with floral garland borders enclosing laurel-wreath medallions depicting children, animals, and scenes from Jean de la Fontaine's Fables(Canape 184cm wide, 115cm high, 65cm; chairs 64cm, 102cm high, 55cm deep)Provenance: Originally commissioned for the Château de Vaulserre, Saint-Albin-de-Vaulserre, Isère, France Sotheby's, London, 1 December, 2005, lot 218, Property of a Lady, where purchased by the vendor's family and thence by descentNote: The Château de Vaulserre, originally the seat of the de Clermont family, was considered one of the finest château of the Dauphiné, and later was owned by the Corbeau de Aint Franc family. The Aubusson covers mostly appear to be taken from Jean de la Fontaine's series of tales published from 1668-1694. Taken from various sources but relying heavily on the works of Aesop, Babrius, and Phaedrus, among others, as well as the Indian Bidrai, the tales often incorporated anthropomorphic animals in moralist predicaments, and were widely popular.
RARE CARVED ANGLO-INDIAN HARDWOOD ARMCHAIR, FOR THE 1911 DELHI DURBAR DATE 1911 the arched back panel carved with ribbons and swags inscribed 'DELHI 1911' and 'GRI', with a silver mounted presentation plaque inscribed 'PRESENTED TO MR G MCLEAN ON THE OCCASION OF HIS MARRIAGE BY HIS BROTHER ENGINEERS OF THE R.M.S. MANTUA 1913', and surmounted by carved crown finials, above a wide padded seat flanked by open arms ending in carved lion head terminals, raised on acanthus carved scroll legs joined by a turned H stretcher(73cm wide, 107cm high, 50cm deep)Note: The 1911 Delhi Durbar was held at Coronation Park in Delhi to commemorate the coronation of George V and Queen Mary, and to proclaim the royals as Emperor and Empress of India. Official events, which included a large military parade and an award ceremony, lasted from 7th to 16th December, with the proclamation taking place on 12th. The Durbar was attended by almost every prince and nobleman in India, as well as thousands of landed gentry and people of note. A coloured feature film of the event was released in February 1912, and many paintings, photographs, postcards, press cuttings and memoirs about the festivities documented the occasion. The Mantua was launched as a commercial liner in 1909, used to transport passengers and mail to India and China (which may explain the plaque's reference to R.M.S Mantua). Following the outbreak of World War I, she became H.M.S Mantua, and was commissioned into the Royal Navy. In 1918 Mantua sailed to Freetown, Sierra Leone. Some of her passengers had influenza, and as a result they may have spread the pandemic to the African continent. She returned to civilian service in 1920, before being scrapped in 1935.
PAIR OF ANGLO BURMESE CARVED HARDWOOD ARMCHAIRS LATE 19TH CENTURY the square backs with arched top rails and turned finials, pierced and carved with exotic birds and dense scrolling foliage, above square seats with pads flanked by open arms carved with dragons, above conforming wavy seat rails and raised on carved and tapered legs(60cm wide, 100cm high, 55cm deep)
Y INDIAN CARVED HARDWOOD ELEPHANT STOOL 19TH CENTURY the octagonal seat with a scalloped apron resting on the back of an elephant mounted with ivory tusks, on an oblong base carved with gadrooning and leaf tips, inscribed 'Prepared by Ganpatram Jatram Mibtry and Sons Pirametar Road, Bazar Baroda'(58cm wide, 50cm high, 33cm deep)Note: Please be aware that this lot contains material which may be subject to import/export restrictions, especially outside Great Britain, due to CITES regulations. Please note it is the buyer's sole responsibility to obtain any relevant export or import licence. For more information visit http://www.defra.gov.uk/ahvla-en/imports-exports/cites/
GEORGE III MAHOGANY SIDE CHAIR 18TH CENTURY in the Chippendale style, the serpentine top rail above a pierced and carved splat and wide stuff-over seat covered in yellow damask with close nail trim, raised on square straight legs joined by stretchers and with leather castors(59cm wide, 96cm high, 43cm deep)
Handley Page Victor Ejection Seat and Rail from XH615 a Victor that saw long service at RAF Marham in Norfolk. The Victor was one of the V Bombers that carried the British Nuclear Weapons during the 1950’s and 70’s it was later converted to become an Air to Air refueller that gained fame during the Falklands conflict in 1982. Due to the nature of this collection being former military service items, and as such the materials used in the manufacturing of them, the owner accepts no liability following the transfer of ownership. It is the buyer’s responsibility to satisfy themselves of the implications of owning former military vehicles and equipment
Gloster Javelin Ejection Seat this aircraft was an iconic fighter of the 1950’s and 60’s and flew from bases in Norfolk including Horsham St Faith, Coltishall and West Raynham. The 'V' shaped delta wing was something that was used on the Vulcan of the same era. Due to the nature of this collection being former military service items, and as such the materials used in the manufacturing of them, the owner accepts no liability following the transfer of ownership. It is the buyer’s responsibility to satisfy themselves of the implications of owning former military vehicles and equipment
Two pair gents tweed breeches by WILLIAM EVANS, GUNMAKER, ST. JAMES ST, LONDON. Same heavy 16oz English Thornproof tweed of JAMES ST, LONDON. Same heavy 16oz English Thornproof tweed of different colourways. ‘olive’ pair (37”waist) has been repaired ( factory) and in need of further repair ( possible ) to seat, ‘brown’ pair (38” waist ). Good condition. Both zip fly, quarter top front pockets and single inward pleat, double welted rear pockets, both 34” leg to Velcro cuffs
A CHINESE BLUE AND WHITE BARREL-SHAPED 'DRAGONS' GARDEN SEAT 19TH CENTURY Painted with two confronting scaly dragons amidst swirling clouds and fire wisps, contesting a flaming pearl above crashing waves, decorated to the top and sides with openwork cash motifs, with bands of raised moulded studs, 47cm.
A set of twelve early 20th century Louis XV style beech and white painted dining chairs With cartouche shaped padded backs within moulded frames, above serpentine padded seats, on cabriole legs and scroll feet, each 59cm wide, 34cm deep, 88cm high, seat height 48cm. (12) Provenance: Property from a Hampshire country estate
A late 19th century Flemish style walnut open armchair The rectangular padded back and seat upholstered in cream diaper pattern fabric, with leaf carved arms on turned legs and an 'X' stretcher, with finial, on turned feet, 66cm wide, 57cm deep, 116cm high, seat height 47cm. Provenance: The Estate of the Late Cherry Barker
A pair of George III stripped beech wood carved open armchairs In the manner of John Linnell, with shield shaped backs, outswept leaf carved arms and serpentine padded seats, on stiff leaf carved turned legs and spool feet, headed by paterae, each 59m wide, 46cm deep, 93cm high, seat height 47cm. (2) Provenance: The Estate of the Late Cherry Barker
A late 19th century George III style mahogany carved sofa Upholstered and buttoned in cream damask, the serpentine riband carved and moulded top rail above downswept padded arms and seat with three loose squab cushions and two scatter cushions, on stiff leaf reeded and turned legs headed by paterae, 213cm wide, 59cm deep, 96cm high.
A CHILD'S PEDAL CAR. Manufactured to a very high standard in the guise of a racing Bugatti. The features include an adjustable seat and feet cranks, hand bracket to the rear wheel, wooden steering wheel, opening bonnet, white solid rubber tyring, brightwork and faux-walnut dashboard. Just removed from long term storage, the motor car is in very good condition. 51-inches long, 20-inches wide.
A Danish oak 'GE-375' lounge chair, designed by Hans Wegner for Getama, with blue seat and back cushions, and a headrest, branded to the front rail, 64cm wide 92cm deep 93.5cm high, seat 39cm highTwo back rails, one has had a split and glued. The replacement is lighter in colour. Webbing good overall. Some signs of wear to the frame. Good overall.
A set of eight 'Model 430' rosewood dining chairs,1960s, designed by Arne Vodder for Sibast Møbler, the seats upholstered in white floral fabric, 49cm wide52cm deep82cm high, seat 43cm high, anda Danish rosewood extending dining table,1960s, with bevelled edges, raised on chamfered tapering legs, with two leaves,219cm wide120cm deep72cm high (9)The chairs in good condition with minor wear to all. The fabric worn commensurately with age age and use. The top of the table with some scratches and marks. With a single faint ringlet mark over one leaf and the end of the table. CITES A10 No. 615778/01
A pair of Danish Fritz Hansen 'Swan' armchairs,originally designed in 1958 by Arne Jacobsen for the lounge of the SAS Royal Hotel in Copenhagen, each organic shell upholstered in orange wool fabric, raised on a cast aluminium base with a cruciform foot, with manufacturer's labels and dated '2004' to the underneath, 74cm wide67cm deep77cm high, seat 40cm high (2)One with a notable stain to the seat. Some minor wear, overall good condition. The colour differs between the two chairs. One red, one orange. Both frames with scuffing and marks. Both bases are cast with serial numbers and manufacturers marks. Additional images uploaded.
A set of six Danish 'Model 94' teak dining chairs,1960s, designed by Johannes Andersen for Christian Linnebergs Møbelfabrik, each padded seat upholstered in black vinyl, raised on turned tapering legs, 48cm wide47cm deep78cm high, seat 45cm high (6)One with a non-penetrating split to the backrest. The same example with an area of scratches and scuffing to the rear of the backrest. General wear, scratches, scuffs and marks occurring throughout.
A Gordon Russell 'Stanton' teak dining group, 1950s, comprising:an extending dining table, the rectangular top raised on square tapering supports, the table stamped 'CC41' to the underside, 153cm long79cm wide77cm high, anda set of six chairs, two of which are carvers, each with a square back with turned spindles, upholstered in original green textured wool fabric, 47cm wide45cm deep86cm high, seat 46cm high (7)Only the one carver + 5 single chairs.
A Swedish 'Dolphin' leather lounge chair and ottoman,1970s, designed by G-Design for Göte Möbler, with a stained beech frame, raised on a cast aluminium foot with rosewood imitation, upholstered in olive leather with buttoned detail throughout, with reclining function, 73cm wide, 92cm high, seat 42cm high (2)The leather with crazing throughout. The frame with scuffs and wear. Base with scuffs, scratches and marks. Structurally good, with good internal support.
Three 'EA116' Aluminium Group lobby chairs, designed by Charles and Ray Eames for Herman Miller, each with a revolving seat with arms, cast marks, 62.5cm wide70cm deep89.5cm high, seat 44cm high (3)From the estate of John 'Jack' Bonnington (1929-2020), a post-war architect who joined Sir Basil Spence's studio after graduating in 1951, and worked on the planning and development of Coventry Cathedral. Under Bonnington's guidance, the studio became one of the first multidisciplinary practices, with planners, landscape designers, architects, interior and furniture designers working together in offices in London and Edinburgh. With work being undertaken worldwide, international success followed. In 1973, the office moved to Tyttenhanger House, St Albans, where this lot was present.The vinyl seats are good overall - some knocks and impressed marks.the arms and frames and stands have some scuffing and scratches - further images uploaded of the issues present.
A Danish rosewood dining suite, §1960s, designed by Niels Otto Møller, comprising;a set of six 'Model 78' dining chairs, (4+2) designed by J L Møllers Møbelfabrik A/S, each with a shaped rosewood frame, raised on tapering legs, labelled, armchairs 55cm wide54cm deep80.5cm high, seats 45cm high,singles47cm wide50cm deep81cm high, seat 45cm high, and an extending dining table,189cm wide, 288.5cm extended 123cm deep71cm high (7) General scuffs and marks occurring to both the table and the chairs. Some occasional scratches. The top of the table with a slight colour variation between the leaves and the table indicative of some minor fading. CITES A10 No. 615599/01.For international shipping, please note that the buyer will be responsible for organising an import licence from the issuing organisation of your country.
A pair of 'DA1' armchairs,designed by Ernest Race, each with original upholstery, raised on turned beech legs, labelled '3504 F732',69cm wide 80cm deep104cm high, seat 42cm high (2)Both with original upholstery. Both in need of restoration. Splits to the backs, arms and seats. Stained backs and seats.
A pair of Italian armchairs,1950s, each of curved form, upholstered in red fabric with a loose seat cushion, raised on four tapering, partially-lacquered, brass supports, terminating on to ball feet, 88cm wide67cm deep87cm high, seat 36cm high (2)The legs with scuffs and scratches. The upholstery is somewhat worn throughout both. One with a repaired rear leg - this still appears loose.
A 'Model 78' teak dining chair,designed by Niels Otto Møller for J L Møllers Møbelfabrik, the seat upholstered in black vinyl, 50cm wide44cm deep78cm high, seat 46cm high, anda Danish black leather stool, raised on tapering stained supports, with a single loose cushion upholstered in black leather with piped edges, 68cm wide46cm deep46cm high (2)The chair with some scuffs to the frame. Some minor chipping and dents to the feet. Upholstery likely later, The stool with general wear and scuffs. With dirt to the leather - would benefit from a clean.
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217092 item(s)/page