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221996 item(s)/page
Chamberlain, King & Jones (1876-1956) Cabinet Makers of Birmingham; a set of six Arts & Crafts mahogany dining chairs with square pommel uprights and a cresting rail inlaid with a circular marquetry motif of stylized flowers and a shaped lath splat bars above stuff over seats on squared supports with club feet. Bearing an embossed trade label to the seat rail. 47 cm wide x 46 cm deep x 109 cm overall height, 49 cm height to the seat top.For further information on the makers please follow the link here
A set of three Edwardian-style distressed brown hide scroll-backed tub chairs, 20th century, with roll-over arms and square tapering legs terminating in brass casters, 79 cm wide x 72 cm deep x 77 cm overall height, 44 cm to seat, together with a similar but smaller pair of distressed brown hide tub chairs.Qty: 5
A Queen Elizabeth II limed oak coronation stool, with a concave seat with its original blue-green velvet upholstery bearing a numbered seating plan enamel plaque (184) branded to the underframe with HRH Queen Elizabeth's crowned cypher and the legend coronation. on chamfered squared supports with tassel feet. 47 cm wide x 33 cm deep x 49 cm overall height.
A Ligne Roset 'Togo' leather lounge suite, 1970s in style designed by Michel Ducaroy, comprising two seat settee, single chair, and footstool in black buttoned leather upholstery, settee 178 cm wide, footstool 94 cm square, and another Ligne Roset footstool in brown leather with plastic base.Qty: 4The lot is in good overall condition however there are visible signs of wear and tear commensurate to age. There are faded patches, and all of the suite would benefit from a thorough clean.
Paar Régence-FauteuilsSitzhöhe: 48 cm.Lehnhöhe: 115 cm.Frankreich, um erstes Viertel 18. Jahrhundert.In Weißholz geschnitzt und vergoldet mit rotem Granatapfelbezug. Die Front mit geschnitzter Muschelung, die Armlehnen mit Régencereliefs. Obere Abschlüsse mit Tapeziernägeln. Fassung etwas berieben. (1371411) (13)A pair of Régence fauteuilsSeat height: 48 cm. Backrest height: 115 cm.France, ca. first quarter of the 18th century.
Meister von Guebwiller, tätig um 1490Oberrheinischer MeisterCHRISTUS VOR PONTIUS PILATUSÖl auf Holz.89,6 x 97,8 cm.In teilvergoldetem Rahmen.In einem fast quadratischen Bildfeld sind eine Vielzahl Personen untergebracht, die geschickt voreinandergeschichtet sind, sodass dem Maler eine Tiefenwirkung gelingt, die hinten mit einem punzierten Goldgrund abschließt. Eine außergewöhnliche kühne Thronarchitektur bietet Pilatus seinen Platz, der hinten von einem Ehrentuch hinterfangen wird und im Begriff ist, seine Handwaschung durchzuführen. Rechts neben ihm im Zentrum der Komposition Christus mit Dornenkranz und Kreuznimbus, neben ihm Wärter und Hofangestellte.Provenienz:Phillips, London, 10. Dezember 1996, Lot 44.Dort erworben vom Vorbesitzer.Anmerkung:Pontius Pilatus war von 26 - 36 n. Chr. Präfekt in Judäa. Bei Matthäus 27 wird berichtet, dass Pilatus Jesus Barabbas und Jesus Christus dem Volk zur Wahl stellte, welcher von seinem Todesurteil entbunden werden sollte. Die Hohenpriester und die Ältesten überredeten das Volk, um Barabbas zu bitten. Als Pilatus das Volk fragte, was mit Jesus Christus geschehen sollte, wünschte dieses seine Kreuzigung. Mt. 27-24: „Da aber Pilatus sah, dass er nichts ausrichtete, sondern das Getümmel immer größer wurde, nahm er Wasser und wusch sich die Hände vor dem Volk und sprach: Ich bin unschuldig am Blut dieses Menschen; seht ihr zu!“. (1371539) (13) (†)Maître de Guebwiller,active ca. 1490Master from the Upper Rhine region.CHRIST IN FRONT OF PONTIUS PILATEOil on panel.89.6 x 97.8 cm.A great number of figures are accommodated in an almost square image field, cleverly layered in front of one another, so that the painter achieves a depth effect, with a punched gold background. Pilate’s seat is an extraordinarily bold throne architecture with a cloth of honour behind it about to perform his hand washing. To his right in the centre of the composition is Christ with a wreath of thorns and a cross-shaped halo, with court servants and attendants next to him.Provenance:Phillips, London, 10 December 1996, lot 44.Purchased there by previous owner.
A set of six Victorian mahogany dining chairs by Gillows, second quarter 19th century, the curved tablet top-rail above a horizontal splat, to blue upholstered padded seat, raised on reeded tapering legs, all front castors stamped Cope & Collinson patent, four stamped Gillow and with the serial number 9341 (6)
A Victorian white-painted cast-iron 'Fern and Blackberry' pattern garden bench, after a design by Coalbookdale, late 19th century, 90cm high, 156.5cm wide, 56cm deep Footnotes: Note: The original design, number 113617, was registered and patented by the Coalbrookdale Iron Foundry at the Public Record Office on 30th April, 1858 and is seat number 29 in their 1875 Castings Catalogue, Section III, p.254.
A Victorian mahogany framed two-seat sofa by Howard and Sons, last quarter 19th century, with burgundy upholstery, sloped arms, on turned front legs to castors, stamped Howard & Sons, London to three castors and stamped 16823 3627 to the back left leg, 75cm high, 138cm wide, 66cm deepCondition Report: Various stains to fabric, scratches and knocks to all feet, splits to back right foot, back left foot has been repaired, structurally sound, overall good condition.
A Victorian silk embroidered picture representing the Four Evangelists, third quarter 19th century, finely worked in colourful threads, with St Matthew represented by the Angel, St Mark the Lion, St Luke the Ox and St John the Eagle, possibly a cushion or seat cover, later mounted in an Arts & Crafts oak frame, 28 x 28cm, 53 x 63cm overall
Names of Monasteries 1550 [so titled on upper cover]. List of religious houses in England and Wales in the hand of Sir William Petre, circa 1535, a paper book of 7 folios, endorsed 'Catalogus domorum Religiosorum in Anglia', all conserved [at Essex Record Office, Chelmsford], where in 1957 it formed Essex Record Office Temporary Accession 109, conserved in a modern calf gilt binding containing the original binding (a substantial fragment of a grant, on parchment, of property in Axminster and elsewhere in Devon by Robert Cansfield to Sir John Petre, Lord Petre of Writtle and his son Sir William Petre, 1605-1606), heavily rubbed, narrow folio (430 x 160 mm)QTY: (1)NOTE:Provenance: With a letter from Frederick George [Derick] Emmison (1907–1995), county archivist of Essex, returning the document to W.A. Foyle at Beeleigh Abbey and identifying the author as Sir William Petre and the date as 1535 or 1536, 31 December 1957.The information is arranged into 14 groups of counties: Kent, Surrey and Sussex; Oxfordshire, Berkshire, Buckinghamshire and Bedfordshire; Devon, Cornwall, Dorset and Somerset; Wiltshire, Hampshire and Somerset; Northamptonshire, Warwickshire, Leicestershire and Rutland; Staffordshire, Shropshire, Worcestershire and Herefordshire; Huntingtonshire and Cambridgeshire; Lincolnshire; Yorkshire; bishopric of Durham; Westmorland, Cumberland and Northumberland; Cheshire, Derbyshire and Nottinghamshire; South Wales; North Wales. Within each of these sections, the houses are grouped by religious order or type – Augustinians, Benedictines, Carthusians, nunneries, Cistercians, Cluniacs, Hospitallers, Gilbertines and Premonstratensians. Each such list is headed with houses identified as ‘above 300 marks per annum’.The list closes with the Bonhommes of Ashridge and Edgington, St John [of] Jerusalem for the Knights of Rhodes, preceptories ‘commonly called the commanderies of the Knights of St John Jerusalem’, ‘all the friar houses in England whereof a great number have fair possession ’, all the colleges in England amounting to [blank], all the chantries in England being in number [blank], the possessions of the bishoprics in the realm abated [blank].The identification of the houses worth over 300 marks (£200) a year places the text between Valor Ecclesiasticus, the valuation of monasteries compiled by the summer of 1535, and February 1536 when parliament passed the Suppression of Religious Houses Act (27 Hen. VIII c. 28), which provided for the dissolution of houses with a net income of less than £200 a year. It also demonstrates that as early as 1535, the dissolution not only of monasteries but of colleges and chantries was contemplated, a process not achieved until 1547, and that even the secular episcopal estate had come under the official eye. The principal official responsible for this process between 1535 and 1540 was Sir William Petre (1505/6–1572).Petre was the son of a prosperous Devon cattle farmer and tanner. He entered Oxford as a law student in 1519 and was admitted fellow of All Souls in 1523, retaining this place until 1535 and serving as law bursar in 1528/9. He graduated bachelor in both laws on 2 July 1526, and during 1527 and 1528 he practised in the Oxford chancellor’s court. He is believed to have been made tutor to Sir Thomas Boleyn’s son George (brother of Anne). Through this connection, supposedly, he came to Henry VIII’s notice, and was one of the junior counsel representing the king in his matrimonial suit before the legatine court at Blackfriars (May–July 1529). In the course of 1533 he began work as a chancery clerk.During the summer of 1535 Petre submitted proposals for the reorganization of ecclesiastical jurisdiction under the crown, and from October he presided over Cromwell’s vice-gerential court. Between 1535 and 1540 Petre was principally occupied with the visitation and dissolution of religious houses, tasks he performed with efficiency and fairness, avoiding the unsavoury reputation of his fellow commissioners. Nevertheless he used his position to amass a substantial landholding, mainly in his native Devon and in Essex. By 1540 he had a rent-roll in excess of £500. On 15 December 1539, following the dissolution of Barking Abbey, he received a grant of the property from the crown. Here he built his seat, Ingatestone Hall. His family’s firm adherence to the Catholic religion largely impeded his heirs from following the path of royal and public service which he had himself so successfully negotiated, which his heirs still occupy.
* Honywood Family of Essex. A series of seven vellum documents of the recovery of land, exemplification of finds, etc., relating to the Honywood family of Essex, circa 1560-1645, 4 of the documents are from the reign of Queen Elizabeth I, circa 1560-1580, 3 of these bearing fine impressions of the seal of the Court of Common Pleas, one document from the reign of James I (1617) and 2 others of the reign of Charles I (1634 & 1645), various sizes, contained in a 20th-century red quarter morocco over cloth book box with gilt title spine, 27 x 20 cm QTY: (7)NOTE:Sir Thomas Honywood (1586-1666) was an English soldier during the English Civil War and later a Member of Parliament and also called to Parliament as Thomas, Lord Honywood. The seat of Marks Hall in Essex, descended to him on the death of his father, Robert Honywood, and on the outbreak of the Civil War it became the headquarters for the roundheads in Essex. Throughout 1643, Honywood, with others, was busy raising troops for Parliament. In 1648, with Colonel Whalley and 2,000 horse and foot, he advanced upon Colchester and was present at its surrender. In the course of the next year, Honywood and Colonel Yorke received orders to dismantle the fortifications of the town, which they did not obey. In 1654, Honywood was one of the knights of the shire for Essex, and did good service for Cromwell in assisting to put down the rising of that year.
Elm and bamboo childs chair in the Chinese taste, with shaped seat, 61cm high overallProvenance: The property of a Gentleman, from a period Winchcombe Town House. At present, there is no condition report prepared for this lot, this in no way indicates a good condition, please contact the saleroom for a condition report.
Walnut framed stool 19th Century, with overstuffed tapestry seat, on cabriole legs terminating in pad feet, 51cm wide x 48.5cm high x 43cm deepProvenance:- The Property of a Gentleman, from a Period Winchcombe Town House At present, there is no condition report prepared for this lot, this in no way indicates a good condition, please contact the saleroom for a condition report.
American rocking chair late 19th/early 20th Century, with turned spindle supports, tooled leather inset seat and carved top rail, 96cm high overallProvenance: The Property of a Gentleman, from a Period Winchcombe Town House. Minimal signs of old woodworm in places. Needs a general light clean/polish. Some marks and signs of wear and age throughout.
Set of five Queen Anne style dining chairs Mahogany, with studded leather seat cushions, on cabriole legs, 108cm high overall (5)Provenance: The property of a Gentleman, from a period Winchcombe Town House. With signs of wear consistent with age and use. Armchair with a loose frame and would benefit from repair. One chair wobbles on floor.
A 19th century mahogany open armchairin the George III styleWith a cartouche shaped back, the scrolled channelled and scroll carved arm terminals above a serpentine seat frame, on square section and fluted tapering front legs headed by flowerhead roundels, with splayed rear legs, approximately 67cm wide x 71cm deep x 94cm high, (26in wide x 27 1/2in deep x 37in high)This lot is subject to the following lot symbols: TPTP For auctions held in Scotland: Lots will be moved to an offsite storage location (Constantine, Constantine House, North Caldeen Road, Coatbridge ML5 4EF, Scotland, UK) and will only be available for collection from this location at the date stated in the catalogue. Please refer to the catalogue for further information.For all other auctions: Lots will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com
A set of ten Regency simulated rosewood and brass inlaid dining chairsCirca 1810, each with a spiral reeded and ring turned baluster toprail above a horizontal tablet splat inlaid with stylised foliage and honeysuckle flanked by part-spiral reeded stiles, with a drop-in seat, on splayed legs, with beech frames, each approximately: 47cm wide x 51cm deep x 85cm high, (18 1/2in wide x 20in deep x 33in high) (10)This lot is subject to the following lot symbols: TPTP For auctions held in Scotland: Lots will be moved to an offsite storage location (Constantine, Constantine House, North Caldeen Road, Coatbridge ML5 4EF, Scotland, UK) and will only be available for collection from this location at the date stated in the catalogue. Please refer to the catalogue for further information.For all other auctions: Lots will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com
A late George II or early George III mahogany open armchairin the Chippendale Director tasteCirca 1760, with a shaped C-scroll and scrolled acanthus carved toprail above a pierced interlaced and 'gothick' arched splat, with scrolled arms, above an 18th century gros-point needlework upholstered drop-in seat, on square section legs, with splayed rear legs and an H-stretcher, 72cm wide x 60cm deep x 101cm high, (28in wide x 23 1/2in deep x 39 1/2in high)Footnotes:ProvenanceThe present lot previously formed part of the collection of Murray Adams-Acton, an esteemed furniture and architectural historian, academic and author, who was arguably most renowned for a work entitled Domestic Architecture and Old Furniture, first published in 1928. The offered chair thereafter passed by descent within the family.This lot is subject to the following lot symbols: TPTP For auctions held in Scotland: Lots will be moved to an offsite storage location (Constantine, Constantine House, North Caldeen Road, Coatbridge ML5 4EF, Scotland, UK) and will only be available for collection from this location at the date stated in the catalogue. Please refer to the catalogue for further information.For all other auctions: Lots will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com
A set of three Italian 18th century painted and parcel gilt armchairs or fauteuilsProbably VenetianEach decorated with scrolled stylised foliage and acanthus, the cartouche shaped panelled back joined by shaped and scrolled arms, above a serpentine and scrolled moulded seat frame centred by a shell, on cabriole legs, probably largely refreshed or re-decorated during the 19th century, each chair approximately: 69cm wide x 65cm deep x 105cm high, (27in wide x 25 1/2in deep x 41in high) (3)This lot is subject to the following lot symbols: TPTP For auctions held in Scotland: Lots will be moved to an offsite storage location (Constantine, Constantine House, North Caldeen Road, Coatbridge ML5 4EF, Scotland, UK) and will only be available for collection from this location at the date stated in the catalogue. Please refer to the catalogue for further information.For all other auctions: Lots will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com
A mid-18th century oak box settleThe back with four fielded panels, the out swept arms with baluster supports, the seat with two hinged lids above a triple panelled base raised on a plinth, 183cm wide x 52cm deep x 130cm high, (72in wide x 20in deep x 51in high)This lot is subject to the following lot symbols: TPTP For auctions held in Scotland: Lots will be moved to an offsite storage location (Constantine, Constantine House, North Caldeen Road, Coatbridge ML5 4EF, Scotland, UK) and will only be available for collection from this location at the date stated in the catalogue. Please refer to the catalogue for further information.For all other auctions: Lots will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com
A Regency or George IV mahogany bergere1820-1825, with a reeded seat frame below conforming scrolled arm terminals headed with roundels, on ring turned baluster and reeded tapering front legs, with square splayed rear legs, terminating in brass castors, 70cm wide x 64cm deep x 94cm high, (27 1/2in wide x 25in deep x 37in high)This lot is subject to the following lot symbols: TPTP For auctions held in Scotland: Lots will be moved to an offsite storage location (Constantine, Constantine House, North Caldeen Road, Coatbridge ML5 4EF, Scotland, UK) and will only be available for collection from this location at the date stated in the catalogue. Please refer to the catalogue for further information.For all other auctions: Lots will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com
A set of six Regency simulated rosewood, brass mounted and inlaid dining chairs by John GeeCirca 1815, each with a curved and dished channelled toprail with stylised foliate incised and rosette carved ends, above a twin addorsed C-scroll splat centred by a tablet, on splayed legs, each chair stamped: 'GEE', three chairs also stamped: 'CH', each approximately: 49cm wide x 55cm deep x 83cm high, (19in wide x 21 1/2in deep x 32 1/2in high) (6)Footnotes:A very similar dining chair, albeit with more brass inlay to those of the present lot, which is stamped: 'J.GEE', appears illustrated in C. Gilbert, Pictorial Dictionary of Marked London Furniture, 1700-1840, 1996, Leeds, fig. 385, p. 220. This comparable is one of a set of eight dining chairs of almost identical form to the offered examples.John Gee is listed as chairmaker and turner 1779-c.1824. See Ibid, pp.'s 217-221 for other seat furniture by Gee, some of which is stamped with the same monogram device. The presence of various stamped single initials are thought to denote particular journeymen in the workshop.Gee entered into partnership with Benjamin Compton 'Turner in Ordinary to George III' in 1779 and by 1787 he was himself sworn in as a 'turner' jointly with his partner Thomas Aycliffe, who descended from a family of Royal turners. Gee was recorded from 1799 at 49 Wardour Street, Soho. Gee's son Thomas Aycliffe Gee joined the firm and they were awarded a Royal Warrant in 1804 and were occasionally referred to as Gee & Sons.This lot is subject to the following lot symbols: TPTP For auctions held in Scotland: Lots will be moved to an offsite storage location (Constantine, Constantine House, North Caldeen Road, Coatbridge ML5 4EF, Scotland, UK) and will only be available for collection from this location at the date stated in the catalogue. Please refer to the catalogue for further information.For all other auctions: Lots will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com
1979 Ryder Cup Greenbrier U.S Golf Collection (4) to incl golf cap with embroidered Ryder Cup crest and 2x marble desk paperweights with mounted enamel medallions inscribed 1979 Ryder Cup Matches The Home of The Greenbrier and Greenbrier Ryder Cup Blue and white Shooting stick with folding seat (bottom ground rest broken off) Note: From The Estate of The Late Tommy Horton MBE, Former Ryder Cup Player and PGA Captain
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221996 item(s)/page