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A late 19th/early 20th century Regency design mahogany dining table with D-shaped ends, over cannon barrel, turned columns, on splayed moulded legs and brass talon castors 72cm h x 146cm long extending to 217cm long with an additional leaf 132cm w, and a set of eight George III mahogany dining chairs with inlaid tablet crests and back, upholstered seats, on slender turned, tapered legs, seat height 44cm h, back height 85cmCondition: One chair has a repair to a back support, overall good condition
An early 20th century English rocking horse on safety stand, the carved, gesso and white painted horse with pricked ears, flared nostrils and open mouth revealing teeth, the slightly offset head inset with black and clear glass eyes, real horse hair mane, brown leather saddle seat, the body with outstretched legs on a painted pale blue safety stand, London retailers label to the rear of the stand, 111cm long Provenance: The Late Sarah Stewart Collection
A 17th century carved oak wainscot armchair, the shaped and carved top rail above two carved back panels of traditional panels, with panelled seat and scrolled elbow supports, raised on turned block legs united by stretchers, 108 x 56 x 50cm. CONDITION REPORT Sturdy, but has wear and deterioration to the joints and various parts of the frame. There are areas of repair, notably a 100 year old steel plate to the back of the upright. One of the front supports is shorter than the other through wear.
A 19th century rosewood veneered two-seater duet piano stool with upswept turned side rails above pierced fret panels, the stuffed padded seat enclosing a storage compartment with decorative musical garlands and floral inlaid panel to the front and back, raised on cabriole legs, height 61cm, length 95cm.
A pair of mid-20th century retro low lounge chairs with button pressed brown leather pads over a chrome tubular frame (2). CONDITION REPORT The leather is worn with age. Slight areas of widening of the stitched areas through wear. The edging of the canvas seat frame is a bit frayed in places. Areas where it has possibly been re-stitched over time. There are water stains in several places on the canvas. Some scuff marks to the chrome commensurate with age. Otherwise good with solid frames.
A Victorian hall chair with carved vine and grape decoration to the top and sides, central back plaque with painted image of a deer, floral inlay and painted scenes to the seat, to curved decorative supports in the form of deer legs and a pine Windsor-style carver, curved top rail to outswept arm rests and bobbin turned legs to cross stretcher (2).
A Victorian oak hall stand, the carved cornice above three brass rods suspended on ornate brackets, above an arrangement of hooks, bevelled rectangular plate above turned decoration and bowed seat flanked by a short drawer above panelled door with lattice and roundel decoration, 205 x 119 x 40cm. CONDITION REPORT No obvious signs of restoration, some wear to the brass rails and chrome detail. Some small areas of discolouration, age related scratches to stand.The mirror has some minor age related surface scratches, very small areas of foxing, a sliver of glass approx 4"long broken and missing from one side of the base of the mirror
A contemporary pine four-drawer chest to plinth base, 68 x 41 x 41cm, an Edwardian oak bedroom chair with bergère seat to wrythen supports and cross stretchers and an Edwardian mahogany inlaid coal bin, drop-down aperture with tin lining to interior, shaped bracket supports, 55 x 38 x 37cm (3).
An early 20th century Arts & Crafts style low chair, cut-out fretwork, sunburst back to curved arms, small pad feet. CONDITION REPORT Structurally sound patches of veneer loss, fading, nicks, scuffs and scrapes commensurate with age and use throughout, seat either a darker timber or has been heavily varnished, possibly replaced, small chip to the rear right support when viewed from the reverse, further general wear.
with later upholstered back, seat and arm pads, with a pierced and carved crest centred by the initial 'G', inscribed with the mottos 'ERNST IST DAS LEBEN' and 'HIETER DIE KUNST'58.5cm wide, 98cm high, 56cm deepFootnote: Note: The letter ‘G’ in the shield on the chair’s top rail may indicate its provenance. Georg V was the son of Ernst August I. In 1857 he commissioned Conrad Wilhelm Hase to build the gothic Schloss Marienburg, near Hildesheim, as a gift for his wife Queen Marie. In 1864, Hase was succeeded by his pupil Edwin Oppler. Oppler also designed ‘modern gothic’ chairs for Marienburg and these show the influence of Georg Gottlob Ungewitter. The projecting leaf carving on the present lot can be compared to that on a bookcase for Marienburg, and an unpublished desk chair, photographed at Schloss Marienburg, has features in common with the present example. The quotation ‘Ernst ist das Leben / Heiter die Kunst’ (life is serious, art is cheerful) is from Friedrich Schiller (1759–1805), Wallenstein, 1800.
A 19th century mahogany elbow chair, with plain top rail and foliate carved splat, the scroll arms above a drop-in seat, raised on turned baluster front supports, 51cm wide x 47cm deep x 86cm high, seat height 48cm.Condition report: Arms have some slight movement to the front joints. Otherwise structurally good. Fading in places but especially to front supports and the front of the arms. General cosmetic marks throughout consistent with age and use.
A 19th century upholstered mahogany armchair, of bergere form with moulded scroll arm terminals, raised on turned tapering supports, 85cm wide x 83cm deep x 93cm high, seat height 42cm, together with an Edwardian upholstered mahogany open armchair, 55.5cm wide x 61cm deep x 94cm high, seat height 45cm. (2)Condition report: Bergere style chair: structurally solid. Minor cosmetic marks to show-wood consistent with age and use. Probably lacking castor caps.Open armchair: a little movement to joints but not unstable. Cosmetic/surface marks, scuffs and older dints/scratches consistent with age and use. Upholstery fabric a little faded in places.
A carved oak settle, 17th century and later, likely constructed from earlier timbers, the high back with null carved top rail above four carved panels between carved rails and stiles, the rounded arms on scroll supports above a panelled seat opening to a plain interior, the box base with three arcaded carved panels, 140cm wide x 50cm deep x 158cm high.Condition report: Structurally sound. Generally fair condition with cosmetic marks throughout consistent with age and use. Base left front panel split to one side. Losses to centre panel right capital. Likely 19th century construction, or later, utilising 17th century and later timbers.
A late Victorian mahogany button-back armchair, the padded spoon back and arms with carved scroll show-wood over a padded seat raised on moulded scroll front supports and brass castors, upholstered in a claret foliate brocade fabric with a pale green stripe, 73cm wide x 95cm deep x 94cm high, seat height 43cm.
A pair of art deco giltwood tub chairs, inter-war period, with padded backs and arms over serpentine-fronted seats, raised on tapering square supports, upholstered with a black and silver wavy stripe jacquard fabric, 59cm wide x 47cm deep x 80cm high, seat height 43cm, together with an associated mahogany upholstered stool, of circular form and raised on reeded supports, upholstered in the same fabric, 55cm dia x 42cm high.
A walnut framed upholstered lounge suite of Chesterfield type, circa 1996, comprising three-seater sofa, two armchairs and a foot stool, having scroll arms and removable cushions, the show wood of scroll form with acanthus carving, raised on tapering fluted supports, upholstered in a green and cream Regency stripe brocade fabric, sofa 200cm wide, chairs 95cm wide, seat height 49cm, stool 58cm sq x 48cm high. (4)Footnote: Footnote: the maker's label, dated 1996, identifies the model as 'Mendelssohn' and the fabric pattern as 'Virgil'.
A late 17th/early 18th century fruitwood standard chair, possibly covered in the original silk chenille fabric (a/f), the arched cresting rail above an overstuffed seat, raised on turned and block legs, untied by 4 conforming stretchers, terminating in later bun feet, restoredCondition report: Restorations, including base of both back legs later and later front feet. Evidence of old woodworm.
An oak dining room suite, comprising extending dining table, with moulded edge and turned legs, two loose leaves, 78cm high, 120cm wide, 222cm extended, and six chairs, each having rail back and padded seat. The upholstery in this lot does not comply with the 1988 (Fire & Fire Furnishing) Regulations, unless sold to a known exporter or upholsterer it will be cut from the frame before leaving the premises.
Antique oak Windsor chair, H:101 cm. Very sturdy with light surface scratches throughout, would benefit form a clean but overall good condition. Few dents to top of seat, a couple of small cracks to reverse of the chair. Would benefit form a clean. Not available for in-house P&P, contact Paul O'Hea at Mailboxes on 01925 659133
A 19th century elm framed chair of small proportions, with Bergere seat panel and Lyre backrest, H: 99 cm. Signs of old woodworm but overall good condition for age. Reeded/wicker seat is good with no visible damage, splits to Lyre backrest, specifically to the right hand side. Not available for in-house P&P, contact Paul O'Hea at Mailboxes on 01925 659133
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216995 item(s)/page