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Lot 568
Follower of Harry Hall (c.1814-1882)Horse and groom standing in an extensive landscapeOil on canvas, 40cm by 50.5cmFairly stiffly relined, cleaned and revarnished. The surface is somewhat flattened and the paint is thin in places as a result of the restoration process. Now covered in a thick layer of discoloured dirt and varnish, and presents an opaque quality in numerous parts, especially in the lower 50%. Some minor rubbing/abrasions to edges in general, with more pronounced framing residue along lower edge. Some general strengthening to the overall outline of the standing gentleman/groom, with some additional fairly minor strengthening and infilling consistently through his left arm and more sporadically along his right arm and through his overcoat. His hands, the reins, bridle, and linear detailing of the outline of the horse and saddle have also been reinforced, with areas of slightly more consistent strengthening to the seat of the saddle, the horse's upper back, right leg, and the tail. Some likely general strengthening through foreground, with further historic retouches to outer edges, mostly in a vertical linear fashion in line with abrasions caused by historic framing. Fairly subtle circular indentation to lower right hand corner, with two small losses along upper edge, another to approximate centre right hand edge, and another to right of centre lower edge, etc. Frame in a broadly good, complete and stable state of preservation. Odd minor loss, imperfection, crack consistant with age.
Lot 634
Owen Bowen ROI, PRCamA (1873-1967)Lady seated in an armchairSigned, oil on panel, 40cm by 31.5cmSome fairly slight general buckling to the canvas board. Surface dirt and discoloured varnish. Small pin hole/back to front raised perforation approximately 1cm from upper left hand corner. Areas of essentially fine, stable craquelure i.e. her right hand side arm, lower upper elbow forearm and the left of the seat, etc. Some minor rubbing/abrasions to edges. The canvas board is apparent in some areas by execution. Otherwise in a reasonable to good state of preservation. Inscription in pencil to upper frame giving the artist and artist's address.
Lot 2245
A Victorian Silver 'Manchester New Race Course' Badge or Token, by Isaac Simmons, Sheffield, 1846 oval, the front engraved 'Manchester New Race Course Association' on a garter and further engraved 'Established 1847' within, the back engraved 'Mr John Greenwood' 50mm wide, 18dwt, 29gr Various venues were used for horse racing around Manchester from at least the middle of the 17th century, though none of the courses were actually in Manchester itself. The course for which the present token or badge is engraved was on a site known as Castle Irwell, having been leased from the Member of Parliament and owner of the Pendleton Colliery John Fitzgerald. The course was located on an area of flat land near of the river Irwell and was described as being ‘damp and boggy, prone to mist and the going was heavy’. There was a 1000 seat stand which offered a view of the entire course. The initial lease expired after 20 year and the Fitzgerald’s son, who had now inherited the estate, declined to renew it and so the course was closed and moved to New Barns, Weaste.The John Greenwood whose name is engraved on the reverse is very probably the one born in 1788 and who is known for being a transport entrepreneur and a keeper of a toll-gate in Pendleton, on the Manchester to Liverpool turnpike. He was to go on to purchase a horse and carriage to be used for an omnibus service between Pendleton and Manchester, a service which did not require prior booking. He died in 1851 and left a successful business to his son. Another example of this badge, though without a name engraved on the reverse, was sold at Noonans, London, 13 December 2016, lot 3218. Fully marked on the back. There is some minor wear to the marks but each is still legible. There is some overall surface scratching and minor wear, consistent with age and use.
Lot 1114
A Late 19th Century Carved Oak and Close-Nailed Leather Armchair, the back support with turned finials and embossed back support depicting St George slaying the Dragon above leather-covered arms with scrolled hand grips and an embossed leather seat, on turned and block forelegs joined by spiral-turned stretchers64cm by 57cm by 132cmStructurally sound and the leather is good. There is a section missing to the base of the turned finial (as photographed). Some general scuffs throughout the framework, some slight wear to the arms and seat but otherwise good.
Lot 1121
An Early 18th Century Oak Joint Stool, of six peg construction, the moulded seat above a plain seat rail, on turned spindle supports with block feet joined by a peripheral stretcher48cm by 28cm by 51cmVarious splitting to the top (as photographed). Some old decay which has been partly filled and polished. Various old decay around the legs and block feet (see further images).
Lot 1125
~ A Victorian Carved and Later White-Painted Window Seat, late 19th century, recovered in pale pink buttoned fabric with overstuffed seat, the moulded seat rail flanked by carved flowerheads, on turned acanthus-carved and fluted tapering supports 70cm by 68cm by 44cmProvenance: Terry Family of York (Terry's Chocolates)
Lot 1133
A Child's Carved and Gesso-Painted Horse Velocipede, the horse dapple grey and upon a cast iron frame with spoked wheels and hard rubber tyres, with turned and moulded handles and a pivoting front wheel 87cm high Saddle seat is worn (as photographed). The body has some natural? cracking. There is some rubbing to the paintwork throughout the body, particularly around the ears and legs. Structurally sound and working.
Lot 1160
A Victorian Carved-Oak Hall Bench, late 19th century, the back support with stiff-leaf-carved border above four moulded panels carved in relief and flanked by Green Man masks and downswept lion-carved hand grips, the hinged box seat above a rectangular carved panel with acanthus leaves and scrolls flanked by grotesque masks, on dolphin-carved forefeet156cm by 48cm by 118.5cmReasonable condition throughout, however, there is a section to the right-hand arm support where it has opened up and needs clamping/some attention. Some ink stains? around the seat. Some variations in colour. Small losses, mainly around the carved feet, otherwise good.
Lot 1162
A George III Carved Mahogany Gainsborough-Style Library Armchair, part 18th century, recovered in pink striped fabric, with overstuffed arms and seat, acanthus-carved arm supports and upholstered seat rail, on blind fret-carved forelegs with pierced brackets and small brass castors66cm by 70cm by 93cm
Lot 1170
A Victorian Carved Oak Library Armchair, 3rd quarter 19th century, covered in close-nailed buttoned red leather, the moulded and scrolled frame surmounted by a carved cartouche and shield plaque, the moulded seat rail on turned and carved tapering legs with castors 72cm by 60cm by 120cm A Framed Certificate, for the 150th Anniversary of the Opening of the Passenger Service to Preston, by the Blackburn & Preston Railway Company, 1st June 1846 A Reproduction Framed Print of Preston Station in 1846 (3)Provenance: Dutton Manor, Lancashire Given to the vendor's great-grandfather Adam Dugdale who was Chairman of the Lancashire and Yorkshire Railway (which was amalgamated in 1847 from several smaller companies - including Blackburn and Preston Railway, which was incorporated on 6th June 1844, and dissolved on 3rd August 1846)
Lot 1175
A George III Wing-Back Armchair, early 19th century, recovered in red and cream crewel-style fabric, with overstuffed arms and seat, the upholstered seat rail on mahogany legs joined by an H stretcher85cm by 57cm by 132cmThe feet re-tipped. Some splitting to the legs and stretcher. Structurally sound, though with some slight movement in the frame. Upholstery is good - no tears or faults. The seat height is 52cm. The height to the bottom of the seat rail is 38cm.
Lot 1184
A Pair of George III-Style Wing-Back Armchairs, circa 1920/30, covered in salmon velvet, with outswept arms above squab cushions and a plain seat rail with tassel trim, on cabriole forelegs with pad feet82cm by 69cm by 108cmThe chairs are structurally sound. The velvet has some variations in colour and is rather worn and stained around the arms (see images). There are numerous scuffs throughout the legs and the pad feet.
Lot 1187
A George III Mahogany Elbow Chair, circa 1780, with double splat, drop in seat and shell carved foreleg - £200A George II Walnut Corner Armchair, mid 18th century, the curved top rail above spindle turned uprights and solid splats, the later upholstered drop-in seat above a wavy-shaped seat rail, on a shell-carved cabriole foreleg joined by a turned X stretcher78cm by 60cm by 81cm
Lot 1189
A George IV Library Armchair, 2nd quarter 19th century, re-covered in light brown buttoned leather, with overstuffed seat and serpentine seat rail, on turned forelegs with brass-capped toes and castors70cm by 62cm by 98cmSome general scuffs around the legs consistent with age. The leather is generally good, just with some general creasing around the seat. General scuffs on the upper corner of the back support. The chair is structurally sound.top of seat 38cm
Lot 1212
Three Walnut Cane-Back Dining Chairs, comprising:an early 18th century example with shell-carved top rail above a single-cane back support and upholstered seat, on cabriole forelegs joined by a wavy flattened stretcher50cm by 43cm by 122cman early 18th century high-back chair with scrolled and moulded top rail above a cane back support and solid splat, the single-cane seat above a wavy-shaped seat rail, on cabriole forelegs joined by a turned H stretcher46cm by 55cm by 116cman early 18th century walnut-back dining chair in the manner of Daniel Marot, with scrolled top rail centred by an urn above a single-cane and shell-carved back support above an upholstered seat, on cabriole forelegs joined by a flattened H stretcher50cm by 50cm by 119cm
Lot 1216
A Regency-Style Carved Mahogany Day Bed, recovered in paisley fabric, with overstuffed arms and seat, the reeded and scrolled arm supports above an anthemion-carved seat rail, on splayed reeded legs194cm by 77cm by 63cmCertainly not period (this is 20th century and sold as Regency style as catalogued).
Lot 1219
A George III Provincial Red, Parcel-Gilt and Chinoiserie-Decorated Armchair, circa 1800, the curved top rail above outswept arms and boarded seat, the painted seat rail on square tapering legs joined by an H stretcher58cm by 45cm by 85cmVarious splits to seart as photographed, various wear to paintwork throughoutchair is structually sound
Lot 1224
A George III Mahogany Library Armchair, late 18th century, recovered in green velvet, with overstuffed arms and seat, on square chamfered legs with brass castors and joined by an H stretcher71cm by 76cm by 105cmThe upholstery is reasonable. The framework is rather faded, particularly around the rear legs (as photographed). Slight movement in the right-hand arm support. Glue mark to the H stretcher at the joint. Traces of previous upholstery and nails throughout the framework.
Lot 1244
A George III-Style Mahogany-Framed Bergère, late 19th century, with single-cane back support, sides and seat, with overstuffed arm supports and moulded frame, on moulded forelegs with brass-capped toes and castors67cm by 81cm by 103cmThe seat is worn and damaged (as photographed). The sides and the back support appear to be OK. The framework varies in colour, with fading, numerous scuffs and bruises throughout the framework. The padded armrests are purple, whilst the seat is covered in grey fabric (which is reasonable condition). Some movement in the front leg and seat rail where there is a gap (see image).
Lot 1249
Three 18th Century Walnut Dining Chairs, comprising: a George II armchair with solid splat, outswept arms and drop-in seat, the plain seat rail on cabriole forelegs with pointed pad feet (retipped),62cm by 53cm by 98cma George III featherbanded high-back dining chair with red velvet drop-in seat and plain seat rail, on cabriole forelegs with pad feet and joined by a wavy stretcher56cm by 56cm by 107cma George II dining chair with solid splat and drop-in seat, on shell-carved cabriole forelegs joined by an H stretcher56cm by 54cm by 103cm
Lot 1255
A Victorian Mahogany Metamorphic Slate-Bed Billiard/Dining Table, by George Edwards, Kingsland Road, London, late 19th century, the pivoting top revealing a green baize-lined played surface above a moulded frame with sliding handles to secure the mechanism, on turned tapering legs158cm by 273cm by 78cm (as a dining table)94cm high (as a playing surface)A Bundle of Snooker Cues, a Bridge Rest and An X RestThe green baize is without tears, though it is faded. Pockets are complete, though the leather is rather scuffed. The framework to the top of the table has some variations in colour, various bruising and deep scratches and scuffs throughout. One end of the table is also faded (as photographed). The mechanism is in good working order and rotates correctly. The dining table would seat a maximum of 10 people (three at each side and two at each end - though this would be quite tight).
Lot 1261
A George III Four-Seat Dropleaf Dining Table, late 18th century, with pivoting leaves to form an oval above pivotting gatelegs, on tapering supports with pad feet108cm extended by 71cmQuality timber, however, with numerous scratches (some deep). Some old splits on the drop leaves above the hinges (as photographed). Numerous scuffs around the pad feet. The underside of the table has a split at the end section. The table is structurally sound.
Lot 1263
A Set of Eight (6+2) Regency Mahogany Dining Chairs, circa 1820, recovered in red, cream and green floral needlework, with reeded top rails and horizontal splats above drop-in seats, the plain seat rails on sabre forelegssingles 48cm by 48cm by 86cmcarvers 54cm by 48cm by 86cmArmchair One - slight movement in joints. Fabric good. Armchair Two - movements in joints. Crack/split on front leg. All other single chairs are structurally sound. The condition of the fabric to the seats have general scuffs and water? marks on the legs. Overall reasonable. The seat height is 47cm. The seat height to the bottom of the rail is 38cm.
Lot 1269
A 1920/30 Mahogany-Framed Armchair, recovered in floral needlework fabric, the single-cane back support above a japanned panel with fluted armrests, seat rail and legsThe canework has a couple of faults (as photographed). The framework has some general bruising/scuffs, particularly to the corners (as photographed). Structurally sound.
Lot 1273
George Smith Ltd: A Victorian-Style Scroll-End Sofa or Day Bed, modern, covered in plush green and gold geometric buttoned fabric, with overstuffed back support, arms and seat, on mahogany-turned legs226cm by 112cm by 60cmGenerally good condition throughout. The larger scrolled arm support has a slight stain (as photographed). Slight fault on the rear corner above the leg (as photographed). Otherwise, good throughout, cushions included as photographed.
Lot 1282
Stewart Linford Furniture: A Burr Ash Stool, late 20th century, with saddle-shaped seat, the underside stamped England Expects Every Man Will Do His Duty, the front with tasselled rope border above a carved cabriole leg43cm by 44cm by 48cmwith a separate copper plaque engraved Using oak and copper from HMS Victory (2)Generally good condition throughout. Some very minor scuffs and scratches (as photographed). Very minor discolouration (seems natural). Small scuff/fault on the seat corner (as photographed).no certificate
Lot 1303
A Victorian Carved Walnut X-Form Stool, 3rd quarter 19th century, with later blue velvet overstuffed seat above a moulded seat frame with acanthus scrolled brackets, the ends supports joined by a turned stretcher 55cm by 50cm by 38cmProvenance: Dutton Manor, Lancashire Recently recovered, so in good cosmetic condition. The timber to the framework is slightly dry, with some water? marks. Natural split or small repair on the leg (as photographed). Braces added to the underside for strengthening. Stool is structurally sound.
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216995 item(s)/page