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Lot 434
A 1950s teak G-Plan Librenza dining suite, comprising of a extending dining table with leaf, together with a set of eight matching dining chairs, having black ebonised frames with curved back supports on tapered legs, with original white leatherette seat covers, bearing the gold logo underneath the seats of E Gomme. Table 137x106cm Extended 187cm. (9)
Lot 1103
A 19th Century Pine Box Settle, the sides and back with pierced lyre decoration, 170cm by 51cm by 93cmEvidence of old worm throughout. A section of seat is missing. The hinges are loose. The back panel has been repaired. Numerous deep scratches and heavy wear to the seat, front, back and arms. Loose at the joints.
Lot 1129
A Titchmarch & Goodwin Style Oak Wake Table, on pad feetSmall chip to the corner of one of the leaves. Some scratches but nothing too deep. Wear to the top, mostly concentrated on the leaf that has the chip. Feet with heavy wear and scuffs. 180cm by 150cm by 75cm. Estimate £150-250. Would seat 8 people - but comfortably 6.
Lot 1246
A Pair of George III Mahogany Open Armchairs, the cared and pierced frames above leather stuffed over seats, with out-swept arms and on scroll supports terminating on ball and claw feet, another early 19th century mahogany framed open armchair with leather seat, together with a set of four later carved mahogany dining chairs including two carvers (7)
Lot 377
TWO LEATHER WINGBACK ARMCHAIRS upholesterd in brownGenerally both chairs in good condition with some scuffs and signs of use. Would benefit from a clean to crevices and around the buttons. Both seat cushions good condition. Fabric underneath button back chair coming away from frame, image on line.futher images online.
Lot 9208
Edwardian inlaid mahogany bedside cabinet, rounded back over square top fitted with brushing slide above single drawer and cupboard, raised on square supports with brass and ceramic castors (44cm x 48cm x 79cm); set three Edwardian inlaid mahogany chairs with banded ladder and stick back, cane seat over square tapering supports joined by stretchers (40cm x 39cm x 90cm)Dimensions: Height: 79cm Length/Width: 44cm Depth/Diameter: 48cm
Lot 9212
Pair early 20th century mahogany dining chairs, pierced back with satinwood banding, upholstered sprung seat, square tapering supports with spade feet (46cm x 50cm x 94cm); Victorian walnut dining chair, balloon back with carved centre splat, turned and shaped supports (46cm x 42cm x 88cm); Early 20th century tilt-top tripod table (80cm x 80cm x 70cm)
Lot 6229
Thomas Stockton of Yarm - 18th-century 30-hour count wheel striking movement and dial, with a 10� square dial and 9� silvered chapter ring with Roman numerals, half-hour markers and inner quarter hour track, cast spandrels, single steel hand and engraved dial centre, No pendulum weight or seat board.
Lot 6230
Skelton of Malton - 18th century 30-hour countwheel striking movement and dial, with a 13 inch diameter formerly silvered brass dial, Roman numerals, minute track and Arabic five minutes, with matching steel hands and calendar dial, chain driven movement with a recoil anchor escapement. No pendulum weight or seat board.
Lot 634
A BRONZE FIGURE OF BUDDHA MUCHALINDA, ANGKOR PERIOD, BAYON STYLEKhmer Empire, late 12th to early 13th century. Seated in dhyanasana on the coils of Muchalinda, beneath the seven-headed canopy of the serpent king, wearing a short loincloth around his waist, adorned with elaborate jewelry, a crown surrounding his hair and surmounted by a conical ushnisha, his face with a serene expression, downcast eyes and hands held in his lap holding a stupa.Provenance: From the collection of Taoufik Bendahou, Paris, by repute acquired c. 1980. LP Collection Paris, France, acquired from the above. Taoufik Bendahou (1935-2015) was a Moroccan social security administrator. He studied in Paris, France, and from 1966 to 1987 was the Inspector-General of the National Social Security Fund of Morocco. He later worked in various high functions for the International Labor Organization in Geneva. After his retirement, he lived in France. Condition: Very good condition with some wear, few nicks here and there, light scratches, minor losses, and casting flaws. Fine natural patina with malachite-green and copper-red encrustations.Weight: 1,174 g Dimensions: Height 19.7 cmThis iconic image of Siddartha Guatama's pursuit of enlightenment shows the scene when torrential rain threatened to drown him. The king of the nagas, Muchalinda, rose from the earth, coiling his body to form a seat swelling his great hood to shelter Buddha beneath his seven-headed canopy.Literature comparison:Compare a related bronze figure of Buddha Muchalinda, 16 cm, Angkor period, 12th century, in the CB National Museum, inventory number NMC.419. Compare a related bronze figure of Buddha Muchalinda, 14.2 cm, Angkor period, 12th century, in the CB National Museum, inventory number NMC.414. Compare a related bronze figure of Buddha Muchalinda, 11.4 cm, Angkor period, 12th-13th century, in the Brooklyn Museum, accession number 83.237.4.Auction result comparison:Type: RelatedAuction: Christie's New York, 19 September 2002, lot 193Price: USD 26,290 or approx. EUR 39,500 converted and adjusted for inflation at the time of writingDescription: A Bronze Figure of Buddha Muchalinda, Khmer, Bayon style, late 12th/early 13th centuryExpert remark: Compare the related motif. Note the smaller size (14.5 cm).Auction result comparison:Type: RelatedAuction: Bonhams London, 6 October 2015, lot 98Price: GBP 3,750 or approx. EUR 6,100 converted and adjusted for inflation at the time of writingDescription: A Khmer bronze seated figure of Buddha Muchalinda, late 12th/early 13th centuryExpert remark: Compare the related motif and color of the bronze. Note the larger size (32.5 cm).
Lot 632
A PAIR OF BRONZE PALANQUIN HOOKS, ANGKOR PERIODKhmer Empire, 12th-13th century. The ring in the form of a stylized lotus blossom surmounted by a bud, supported by Garuda with spread wings and raised tail, the hook in the shape of a naga-body sweeping upwards and culminating in the cobra's heads. Note the massive bronze casting with its remarkably well-preserved detail work. (2)Provenance: From an old private collection in Geneva, Switzerland. A handwritten inventory, number 4025/2, dated 1 April 1988, notes that the present lot was acquired from Cheng's Gallery in Sampantawong, Bangkok, Thailand. Copies of this inventory and the invoice from Cheng's accompany this lot. Condition: Good condition commensurate with age showing old wear, cracks, minor losses, casting irregularities, signs of weathering and erosion, and malachite and cuprite encrustations. Small old fills.Weight: 307 g and 304 g Dimensions: Length 15.1 cm and 15.3 cmAt the height of the Khmer Empire (802-1437), royalty and aristocracy traveled in handheld carriages or palanquins. The seat of a palanquin was slung from ropes attached to hooks like the present pair. They were used to support a bronze ring from which hung the seat, like a hammock or swing. A wooden pole would then have passed through the hollow collar at the top of the hook and was carried by bearers on their shoulders.Literature comparison:Compare a related Khmer bronze palanquin hook, 12th-13th century, in the Victoria and Albert Museum, museum number IS.10:1-1997.Auction result comparison:Type: RelatedAuction: Christie's Amsterdam, 21 May 2003, lot 680Price: EUR 8,365 or approx. EUR 12,500 adjusted for inflation at the time of writingDescription: A fine pair of Khmer bronze palanquin hooks, 12th/13th centuryExpert remark: Compare the related form and decoration. Note the size (22 cm).Auction result comparison:Type: RelatedAuction: Bonhams Paris, 25 October 2022, lot 81Price: EUR 16,575 at the time of writingDescription: A pair of copper alloy palanquin hooks, Angkorian period, mid-12th centuryExpert remark: Compare the related form. Note the size (25 cm).
Lot 66
A RARE SANCAI-GLAZED POTTERY FIGURE OF A SEATED COURT LADY, TANG DYNASTYChina, 618-906. Well modeled seated on a waisted stool, poised with one hand at the waist holding a lotus flower, the other arm along the torso. The long gown glazed in alternating swaths of bright green and amber, crisply modeled with vertical stripes enclosing trefoil florets, the amber glazed decollete bodice with a blue glazed hem and green glazed sleeves, two blue glazed shoes peeking out under the dress. The unglazed face with painted features framed by an elaborate coiffure, parted at the center and swept up to either side into a double-topknot.Provenance: British trade. Condition: Overall good condition, commensurate with age and presenting very well. Extensive wear, minor losses, firing cracks, glaze flakes, small chips, old repairs, the seat with an aperture for steaming drilled before the firing and with minor associated nibbles, all exactly as expected from authentic Tang dynasty excavations.Weight: 1,307 g Dimensions: Height 37.1 cmThis particularly charming figure is rare due to it being applied with the precious cobalt-blue glaze. The application of this expensive glaze suggests that the original owner was one of wealth and privilege. The present figure combines an elaborately decorated dress with hair simply bunched on either side of the head in a style more usually associated with younger girls. This gives a rather endearing impression of a young girl in her best clothes. In her introduction to the Exhibition of Tang Sancai Pottery Selected from the Collection of Alan and Simone Hartman, Margaret Medley notes that a similarly dressed standing figure with hair in side-bunches was that of a 'young adolescent girl'.The source of manufacture for these figures has proven difficult to identify. Among figural representations, sancai-glazed sculptures of seated ladies are relatively rare and to date it appears that there were very few kilns known to produce sancai-glazed statues at all. The Gongyi (Gongxian) kilns in Henan province in north China are well known as the producers of China's finest sancai lead-glazed wares, but excavations at the site have revealed few figural remains. A misfired sancai-glazed lady, seated and holding a duck-form vessel, was discovered at the Liquanfang kilnsite in Chang'an, illustrated in Lu Junmao & Zhang Guozhu, Fragmentary Ceramics of Ancient Xi'an, Xi'an, 2003, page 8, which is of similar form to a sancai figure unearthed from the tomb of Li Du and his wife in Changzhi, Shanxi, dated to AD 710, illustrated in Hsie Mingliang, Zhongguo gudai qianyoutao de shijie (The world of lead-glazed objects from ancient China: from the Warring States to Tang), Taipei, 2014, fig. 5.28.Literature comparison:Compare a closely related sancai pottery figure of a seated court lady, 8th to 9th century, in the Phoenix Art Museum, accession number 2006.36. A near-identical figure, seated with a related hair style and blue and amber-glazed dress, was exhibited at Sui to Tang Dynasty Art, Osaka City Museum, 1976, catalog no. 200. Another closely related female seated figure, with slightly different hair style but wearing an identical dress, is in the Nezu Museum of Art and illustrated in Selected Masterpieces from the Nezu Museum Collection, Japan, 2009, pl. 67 (fig. 1).Auction result comparison:Type: Closely relatedAuction: Sotheby's New York, 11 September 2019, lot 741Price: USD 27,500 or approx. EUR 30,500 converted and adjusted for inflation at the time of writingDescription: A sancai-glazed pottery figure of a seated court lady, Tang dynastyExpert remark: Compare the closely related pose, dress, decoration, hair, and size (31.8 cm)Auction result comparison:Type: Closely relatedAuction: Christie's Hong Kong, 29 November 2017, lot 2916Price: HKD 1,250,000 or approx. EUR 166,000 converted and adjusted for inflation at the time of writingDescription: A very rare inscribed blue and amber-glazed pottery figure of a seated lady, Tang dynasty (618-907)Expert remark: Compare the closely related pose, dress, decoration, hair, and size (30 cm). Note the inscription to the base in black ink 'Guang jia zhi nu zi', which may be translated as 'daughter of the Guang family'.唐代罕見三彩坐姿陶俑中國，618-906年。女俑呈坐姿，面容圓潤，體態豐腴，衣紋褶皺自然流暢，一手自然下垂，一手置於腹前，顯得悠閒自如，面部未上釉，五官秀美，可見工匠有很強的人體刻畫塑形能力。衣領敞口，衣紋流暢，修飾三葉草小花，綠釉和黃釉是這件陶俑的主色調。 來源：英國古玩交易。 品相：總體狀況良好，大面積磨損、小缺損、輕微燒製裂紋，釉面剝落，小缺口，小修，燒製前鑽有蒸氣孔，並伴有輕微的磕損。 重量：1,307 克 尺寸：高 37.1 厘米 人俑身著裝飾精美的連衣裙，頭髮簡單地束在頭的兩側，Margaret Medley在介紹 “Alan and Simone Hartman收藏唐三彩陶器展”時指出，一個穿著相似、頭髮束成兩束的人俑意味著這是一個“青春期少女”。
Lot 245
Simpson, William - 'The Seat of War in the East, First Series, from Drawings taken on the spot', Colnaghi's Authentic Series dedicated by Permission to Her Majesty, Paul and Dominic Colnaghi and Co, 13 and 14 Pall Mall East, London, 2 Vols, original printed boards, each 57.5cm x 39cm, and two 19th Century unfinished unframed ink studies of a cavalryman and infantryman, one inscribed 'Guard' (4)
Lot 570
Pair of early 20th Century giltwood open armchairs or fauteuils, in the Louis XVI style, each upholstered in striped blue watersilk, the shaped panel backs with moulded frame centred with floral spray over padded open arms and conforming serpentine fronted seat raised on slender cabriole supports, 63cm x 58cm x 95cm high
Lot 573
Mid 19th Century bobbin turned country house armchair, probably beech, with blue upholstered arms and cushions, raised on brass casters 61cm x 85cm x108cm highThe joint between the upright and the right arm has a large piece missing. The front arm joints are a little loose but only come up around 0.5cm. Woodworm has damaged the front of the chair underneath the border and there is evidence of it around the base of the seat. Both of the arms have heavy wear to the upholstery and there is a large rip in the seat cushion. Scratches and scuff marks are in various places. The chair is structurally sound.
Lot 577
Stamped late 19th Century giltwood open armchair, Charles Mellier & Co, London, with oval padded back, acanthus capped padded open arms on downswept arm supports and seat over guilloche moulded seat rail raised on conforming tapered fluted supports, the base stamped C. Mellier & Co Cabinetmakers London, 62cm x 60cm x 92cm highCharles Mellier was first listed in London directories as an upholsterer at 2 Frith Street, Soho in 1870 - but a 1927 advertisement stated that the Mellier business was established in 1865.In the 1871 Census, Charles Louis Mellier, upholsterer, and his son, Charles Eugene, were living in Twickenham, Middlesex with Alice Dawson (visitor) and one servant. By the 1881 Census he was living in Clifton Hill, Hamilton Terrace, Marylebone, working as a decorator employing 150 men. At the time of his death in June 1887 his personal estate was valued at nearly £18,880. 1891- 1902 the firm of Charles Mellier & Co. was listed as interior decorators, upholsterers, cabinet makers and dealers in works of art at 57 Wells Street and 48, 49 & 50 Margaret Street, Cavendish Square.
Lot 302
Harry Bertoia (1915-1978), a model 421-2 'Diamond Chair', circa 1950s/60s, with white painted wirework frame on black base, with integral vinyl covered seat77 x 85 x 72cmA number of small paint chips and losses but stable and generally sound. vinyl seat a little worn and grubby. See additional images.
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