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Click here to subscribeA pair of Danish leather armchairs,1970s, by Vemb Polstermøbelfabrik, each upholstered throughout in chocolate-coloured leather, with loose seat, back, and side cushions, raised on square stained-beech supports, with manufacturer's label underneath the back cushion, 83cm wide80cm deep78cm high (2)Condition ReportWith wear and scuffs to both. THe supports with knocks, scratches and marks.
A Danish leather settee,1970s, in the manner of Børge Mogensen, upholstered throughout in chocolate-coloured leather, with loose seat and back cushions, raised on square stained-beech supports, 175cm wide86cm deep72cm high, seat 40cm highCondition ReportThe cushion with scuffs to the upholstery. The upholstery with scratches, creases, and marks throughout. To the back with a split seam. The supports with scuffs, scratches, and marks.
A Swedish four-seater sofa,1960s, designed by Folke Ohlsson for Dux, with squab seat and back cushions with buttoned detail, upholstered throughout in brown leatherette, raised on tapering supports, 246cm wide78cm deep71cm high, seat 38cm highCondition ReportThe cushions with wear and marks throughout. The supports with scuffs, scratches, and knocks commensurate with age and use. With a nick to the upholstery on the top of the backrest.
A 'Parabel' table,design by Eero Arnio, with a circular top and a shaped support,130cm diameter74cm high, and a set of four chairs, by Sdawy, each with a moulded, revolving, black plush seat, on a chrome stand,48cm wide58cm deep85cm high, seat 50cm high (5)Condition ReportWith wear to the edge of the table and base. Chairs - some stians and knocks. Seats appear OK.
A set of eight ebonised Italian Chiavari chairs,1960s, each of ladder-backed construction, with a heart-shaped ladder over a rushed seat, raised on tapering supports joined by turned stretchers, 42cm wide38cm deep124cm high (8)Condition ReportThe ebonisation with scuffs and wear throughout all examples. The seats overall in good order. Some craquelure to the backrests.
A Danish rosewood extending dining table,1960s, designed by Niels Otto Møller for J L Møllers Mobelfabrik, the round top raised on turned tapering supports, labelled to the inside of the aprons, 122cm diameter72cm high,together with four Danish 'Model 460' rosewood dining chairs,1960s, the design by Helge Sibast for Sibast Møbler, each with a flared backrest over an upholstered seat, raised on tapering supports, with manufacturer's labels and 'Danish Furniture Makers' Control' marks to the underneath, 45cm wide46cm deep81cm high (5)
A matched set of ten Danish 'VS 231' teak dining armchairs,1960s, by Vamdrup Stolefabrik, Denmark, each upholstered in striped brown wool, with button back and seat, 61cm wide 57cm deep87cm high, seat 49cm (10)Condition ReportSome knocks to the frames, some reset seats and backs with later screws. Recovered.
A set of eight Danish dining chairs,designed by Børge Mogensen for Fredericia Stolefabrik, comprising a pair of 'Model 3235' armchairs and six 'Model 3236' single chairs, each with a sand-coloured seat, most labelled and inscribed with numbers, armchairs 57.5cm wide 48cm deep75cm high, seat 44cm high,singles 51cm wide 48cm deep74cm high, seat 44cm high (8)Condition ReportUsed condition. Stains to the seats and marks and wear to the frames.
A set of eight Danish 'Model 3236' dining chairs,designed by Børge Mogensen for Fredericia Stolefabrik, each with a sand-coloured seat, most labelled and inscribed with numbers, 51cm wide 48cm deep74cm high, seat 44cm high (8)Condition ReportWith stains to the seats, some knocks and wear to the frames.
A set of six Italian dining chairs,1970s, manufactured by Dal Vera, each with a slung leather seat and back, raised on a tubular steel frame, 50cm wide60cm deep80cm high (6)The Dal Vera chairs are often misattributed as being designed by Charlotte Perriand for Les Arcs. This misattribution stems from Perriand designing the Les Arcs Hotel and its interiors, for which she chose the Dal Vera chair as a main set piece.
A Danish brown leather three-seater settee, the frame and cushions with stitched edges, raised on stained beech supports, 205cm wide 80cm deep75cm high, seat 45cm highBuying this settee at auction could save up to 0.56 tonnes of CO2e compared to buying a new sofa.Condition ReportSome creasing to the seats and cushions.
A Stouby brown leather two-seater settee,raised on birch supports, 141cm wide 83cm deep73cm high, seat 43cm highBuying this settee at auction could save up to 0.56 tonnes of CO2e compared to buying a new sofa.Condition ReportSome creasing and wear to the piping of the seats and frame. Back right leg with staining and chipped.
A Danish tan leather wingback armchair,raised on stained supports, 75cm wide 95cm deep107cm high, seat 45cm highBuying this armchair could save up to 0.16 tonnes of CO2e compared to buying new.Condition ReportCreases and staining to the cushions and sides. Some repairs to the piping and wears to these areas.Further photos added to the website
A set of eight leather and chrome dining chairs, 1970s, comprising six singles and eight armchairs, designed by Tim Banks for Pieff, each with buttoned detailing, raised on rectangular chrome supports, terminating on to sledge bases with plastic cap feet, 50cm wide50cm deep92cm high, seat 47cm high (8)Condition ReportWith some stains and marks to the upholstery. The chrome with spotting and marks to all examples. The feet with scuffs, scratches and wear commensurate with age and use.
§ A Danish 'Model 419' rosewood desk chair, 1960s, designed by Arne Vodder for Sibast Møbler, the model also referred to as 'President' or 'Executive', upholstered in grey fabric with a single loose seat cushion, with rosewood armrests, raised on a five-pronged cast aluminium and rosewood foot, each of the prongs terminating on to a plastic castor, with remnants of label to the base, 71cm wide75cm deep104cm high, seat 46cm highCondition ReportReupholstered. Some scratches and marks to the armrest and frame. Some wear to the lacquer. With some tarnish and spotting to the castors and metal. Additional images uploaded.
§ A pair of Danish 'Jupiter Model 218' rosewood and leather armchairs, 1960s, designed by Finn Juhl for France and Son, in need of reupholstery, with button labels and stamped to the frame, 86cm wide 84cm deep78cm high, seat 42cm high (2)Condition ReportBoth frames fair overall - the seats, backs and cushions are all worn - a complete reupholstery is needed to both.
An Italian wicker armchair,c.1970, designed by Gio Ponti for Vittoro Bonacina & Co.,83cm wide80cm deep122cm high, seat 42cm highPonti conceived the chair whilst furnishing the Conte Biancamano luxury liner in the 1950s. Condition ReportSome crackling to the frame. Some losses to the finish. Some residue of glue to the front left arm.
A pair of 'Amanta' armchairs,1970s, designed by Mario Bellini for C&B Italia, each with corduroy cushions and a fibreglass frame, moulded mark to the underside of the chair, 87cm wide 82cm deep 69cm high, seat 42cm high (2)Condition ReportUnderside of the seat cushions are ripped, not visible. Fibreglass frames with some signs of wear. Some flaking to the lacquer. Additional images uploaded.
An Italian 'LC4' chromed reclining chair, 1980s, after the original designed in 1929 by Charlotte Perriand and Le Corbusier, the seat and neck cushion upholstered in black leather, raised on a powder-coated metal base,56cm wide160cm deep77cm highCondition ReportThe leather with some creasing and wear. The mounting hoops of the cushions with wear. The frames with some scratches and marks. Not Cassina editions, Italian 1980s production. Unsigned.
An Italian 'LC4' chromed reclining chair, 1980s, after the original designed in 1929 by Charlotte Perriand and Le Corbusier, the seat and neck cushion upholstered in black leather, raised on a powder-coated metal base,56cm wide160cm deep77cm highCondition ReportWith some wear to the leather. The chrome frame with scratches and marks.
A set of eight Linley 'Classic' dining chairs,designed by David Linley, each upholstered in red bouclé textile, raised on tapering oak supports, each labelled to the underneath with maker's label, 53cm wide52cm deep99cm high, seat 44cm high (8)Condition ReportOne chair stripped out of its upholstery. The upholstery worn to all. With some holes to the upholstery of some examples. The legs with scuffs and marks.
A Fritz Hansen 'Model JL10 Space Chair' armchair,designed in 2008 by Markus Jehs and Jürgen Laub, the white shell upholstered in black leather, raised on a cruciform support, with manufacturer's labels, 85cm wide62cm deep73cm high, seat 38cm highCondition ReportThe frame with scuffs and marks. The front leather cushion with some notable marks to the front corner.
A South African 'Swing' chair,modern, designed by Egg Designs, with a woven rattan seat, supported from two tubular chrome hoop supports, suspended from a chromed bracket, 80cm wide100cm deep110cm highCondition ReportWear commensurate with use. The supports with some scratches and marks. The rattan with some minor marks. The bracket with some scratches and marks.
A set of six Knoll 'Cesca Relax' armchairs,c.2018, originally designed by Marcel Breuer in 1928, each chromed tubular frame with seat, back and armrests upholstered in wool fabric, the frame stamped with manufacturer's marks, 56cm wide58cm deep80cm high, seat 47cm high (6)Condition ReportWith some minor wear and marks to the frames. The upholstery throughout in good order. Additional images uploaded.
A 'ZC' desk and a 'V' chair, originally designed by Zanine Caldas in 1950, these by Etel, Brazil, 2019, the desk with a shaped top over a shelf and three side drawers, both labelled 'Etel', the chair stamped 'Made in Brazil', desk 170cm wide 76cm deep76cm high.chair 45cm wide 56cm deep83cm high, seat 44.5cm high (2)Condition ReportBoth in good overall condition.
A pair of South African 'Little Miss Fat' brass lounge chairs,modern, designed and manufactured by Egg Designs, each with a walnut seat, with a seat cushion upholstered in burgundy leather, raised on shaped bronzed steel legs, 98cm wide83cm deep84cm high, seat 34cm high (2)Condition ReportOne chair with a break to the back brace. With scuffs and marks to the legs. With some spotting to the brass frames. Three in the lot - with a smaller lower backed armchair. Additional images uploaded.
A pair of Doulton Lambeth stoneware garden seats,1884, by George Hugo Tabor, each of hourglass form and centred with a wreath ring, the seat with a circular aperture, incised with acanthus leaves, incised with artist's monograms, impressed marks, numbered '748' and '749', and dated '1884',26.5cm diameter45.5cm high (2)Condition Report#1 chip to the edge of the base 3.5cm high into the decoration, another chip to the base rim. #2 chip to the base rim.
A Laos parcel-gilt bronze figure of Buddha16th centurySeated in Ardha Padmasana wearing a sanghati on a tall waisted triangular stand, his hand in Bhumisparsha mudra, the rounded face with downcast eyes, elongated earlobes, and tall usnisha, 18.5cm high.老撾十六世紀 銅佛像Condition Report: 品相報告Some scattered small dents and nicks to the surface. A small hole appeared at bottom part of the seat. Surface wear commensurate with age.
A rare Chinese Bleu de Hue 'dragon and phoenix' bowl for the Vietnamese marketQing dynasty, 19th centuryPainted to the exterior with a dragon and a phoenix facing the flaming pearl among waves and clouds, a one-character "nhut" (sun) mark in underglaze blue to base, 18.5cm diameter.Provenance: Collection of the late documentary maker John Armstrong (1928-2004).外銷安南十九世紀 青花繪龍鳳紋盌，青花「日」款來源：紀錄片導演John Armstrong收藏。cf. The present lot belongs to a group of Chinese porcelains commissioned by the Vietnamese Royal family to Jingdezhen and exchanged via means of diplomacy in the 18th and 19th century. They became known as ‘Bleu de Hue’, after the city which was the seat of the Vietnamese Kings at the time.Being destined for court use, the designs were made by Vietnamese artists and sent to Jingdezhen for execution, resulting in a very distinct aesthetic vocabulary and range of motif. Moreover, the patterns used were very strictly regulated, with specific designs destined for the King, for Royal princes, other for concubines, and for the ladies of the Royal court.The decoration of dragons on the present bowl, paired with the mark to the base ‘nei fu’ in Chinese, or ‘nhut’ in Vietnamese, marks this bowl as a product destined solely for the King’s personal use, specifically during the reign of Dực Tông (1847 – 1883).See an example sold at Christie's, in the Important Annamese Ceramics from the Mr. and Mrs. Robert P. Piccus Collection sale, 7 December 1984, lot 115.Condition Report: 品相報告There are firing flaws to the rim, nicks and a shallow chip to the foot rim, some wear to the surfaces.
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